there is principle, there is mad luck on the streets but then again, i have neither one. i assume the idleness of poles underneath the roof of a cafe in Poblacion and wonder where all my poems go, the value they impose -- only there's implosion and not so much sense so i go out to seek tenderly in the night, a cheap moon trapped underneath the bottle of a pilsner as i hear one of the patrons call out my solitude like a ******* on all fours;
one afternoon pursues a following. i have wasted my time writing and stopping to watch stray hounds pant and **** on the hot asphalt of Plaridel. the papers retch at tyrannies. hands for mechanisms configured to a heady bias of probabilities. the house next to me is being overhauled and i imagine the incredulity of things not their own meanings.
a pair of old Chuck Taylors on the bedspread, a decrepit bed for making love or passing time or wasting the night away. somewhere, someone is reading my poems and weeping at the cadence. most do not notice -- it was the caprice of things not mine to commandeer. the sound of stone masons hammering boulders double the melancholia. the deliberate sieving of sand and stone felt like sandpaper air. the matutinal sky split into dire condition much like mine: becoming and unbecoming.
all the ******* are out in the streets with ladies wuthering in high strides. all the priests are in their rendezvous, killing buddha heads. the police have silenced the sirens and behind pairs of old navy blue slacks and mobiles covered with dust, the captives scream mercy. all the ATMs drone the pither of metal mouths. a widow in Bocaue holding a picture of the departed.
i look up and see my face in the sky: if only i could **** the man and be the man, fill his shoes with flesh, his movements my emulation, his enigmas my clarity, his day old denims my best dress.
more than beer and cigarettes have done me in and more to myself much no less than a cat hit by a speeding bicycle somewhere in Padre Faura.
madness hurries like a lover and hands me a picture of the moon.
i've got something and that's good enough as the police leave the grime of times and evict drunks off the streets of Malolos, as the priests step into the showers, naked and bloodied just like the ordinary man, as the cat that was hit by a bicycle goes back to the dark licking the salt off the wound, bone fractured, still alive on the hot roof.