At harbour’s entrance, a mile or more away beyond high water, hunkered down the old Quarantine station on a flat patch of land etched from the tangles of coastal heath.
The Barrack buildings besieged by brooding sky and sea and choking landscape – bush thickets clambering the steep isthmus backdrop of granite tor.
Chaotic angled peaks everywhere indecisive stony sentinels offering no certainty in the grey cloud chiffonade of morning. Slow, lingering clouds wandering in confused circles or passing over, casually bringing squalls and showers.
Washing the pock-picked stone to glistening newness of a palette of fresh browns – tan, taupe, fox-brown chestnut to black murky sludge as if recently erupted from earth’s muddy tender skin.
A cluster of cottages a settlement of sorts with cannon ports and flagpole and a fenced graveyard still telling stories of pathos pity and waste filling this place with a strange, pressing silence an atmospheric numbness felt in dread and gravity.