He took a heart and he plucked its Strings recklessly to compose a second quartet - Of love! Of passion! Of chaos! - With sounds dredged from a hollow Box inhabited by his masterpiece - Kamila. Not the young, flattered, other man's living wife, But the manifestation of his desire to depict Longing; An artificial, delicately moulded, fervent Wanting.
One of the great classical passions - Up there with Dante and Beatrice - Tarnished by a most deceptive Embellishment in exchange For radiance. His melody - although bracing a lie - Sings to the fizzle in your chest and The tingle in your fingertips -- A lullaby to the desperation he required To convince us it was at all possible.
"And in your withered heart you know it's crap."
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I was driven to write this after reading the short play 'Performances' by Brian Friel. His take on the true sentiment behind Leoš Janáček's intimate letters to Kamila, which inspired and bolster his second String Quartet, is thought-provoking. Friel's idea that the letters were written to a perfect image of Kamila as opposed to the imperfect person in order to inspire the work he produced struck a chord with me. Pun whole heartedly intended.