May 2015
He took a heart and he plucked its
Strings recklessly to compose a second quartet -
Of love! Of passion! Of chaos! -
With sounds dredged from a hollow
Box inhabited by his masterpiece - Kamila.
Not the young, flattered, other man's living wife,
But the manifestation of his desire to depict
Longing;
An artificial, delicately moulded, fervent
Wanting.
One of the great classical passions -
Up there with Dante and Beatrice -
Tarnished by a most deceptive
Embellishment in exchange
For radiance.
His melody - although bracing a lie -
Sings to the fizzle in your chest and
The tingle in your fingertips --
A lullaby to the desperation he required
To convince us it was at all possible.
"And in your withered heart you know it's crap."
Strings recklessly to compose a second quartet -
Of love! Of passion! Of chaos! -
With sounds dredged from a hollow
Box inhabited by his masterpiece - Kamila.
Not the young, flattered, other man's living wife,
But the manifestation of his desire to depict
Longing;
An artificial, delicately moulded, fervent
Wanting.
One of the great classical passions -
Up there with Dante and Beatrice -
Tarnished by a most deceptive
Embellishment in exchange
For radiance.
His melody - although bracing a lie -
Sings to the fizzle in your chest and
The tingle in your fingertips --
A lullaby to the desperation he required
To convince us it was at all possible.
"And in your withered heart you know it's crap."
.
I was driven to write this after reading the short play 'Performances' by Brian Friel. His take on the true sentiment behind LeoΕ‘ JanΓ‘Δek's intimate letters to Kamila, which inspired and bolster his second String Quartet, is thought-provoking. Friel's idea that the letters were written to a perfect image of Kamila as opposed to the imperfect person in order to inspire the work he produced struck a chord with me. Pun whole heartedly intended.
.
I was driven to write this after reading the short play 'Performances' by Brian Friel. His take on the true sentiment behind LeoΕ‘ JanΓ‘Δek's intimate letters to Kamila, which inspired and bolster his second String Quartet, is thought-provoking. Friel's idea that the letters were written to a perfect image of Kamila as opposed to the imperfect person in order to inspire the work he produced struck a chord with me. Pun whole heartedly intended.
.
