Such to break surface, the framed glassy pool reflects
With me, upright, the still-life foregrounded as its own
Pale imitation. But I see it, there, between my vague eyes
And evaporating pores populating a single empty window
Devoid, a full of life—or so I am to believe.

That tree is happy, incomplete and passive, wayside,
It contemplates its own dream, nostalgia is its willful present
In the moment, there are but ripples in which the tree smiles
Happy to know it is here, it is alive, it is me—just as my fading
Bliss is real in the glass. I am happy for the tree: being of difference.

What never can be, it shall, in spite of metaphor
To be like is to be, but too pure be is to abhor.

It turns, a rebel, from the pool: no fiction of cast nor questioning;
That plastic Narcissus cannot hear the Echo of a captured face:
Where Exit signs sigh in their own irony trapped, here, there,
It is by its own imitation it must comfort the erraticies—
Sadly, she weeps uttering the same mantra on her lips,
But by design, she has curses on her brow, anger at her mimicry
Which hides her from the dream she lives, still weighted by
Wonder, still holding onto God. She sees nothing but the calling back.
Is but the voice of a Lover, of trapped souls in a tenement window,

She can only hear herself talking infinitely
Presence to the water, commune her ‘I’ unto me.

While I am free to glide about the room, the panoramic view
Of two minds’ madness, I, too, feel a pool on which my beloved Self
Reveals to me the seconds it took to create,
The voices which, vague, came as mine
And I stole away quietly, to believe me a tree, and to go ahead and dream.