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In the breath before the first word,
before matter learned its name,
the universe grew lonely.
So it shattered itself—
not in anger,
but in ache.
It needed witnesses.
It needed touch.

Two fragments fell from the wound:
one wet with sound,
the other starved for silence.
They were not named—
only shaped:
one like a reaching hand,
the other like the hollow it fits.

They crash through time—
not drifting, but dragged,
by the thread in their bellies
that burns at every crossing.

They forget.
They burn.
They find each other again.

Sometimes in a glance
on a nameless train,
sometimes in the syllables
of a forgotten language
moaned through locked teeth.

They always remember too late—
when the skin is already electric,
when the breath has already caught,
when the ache becomes hymn.

Their bodies, even before thought,
move toward each other
like magnets in heat—
mouth to mouth,
nerve to nerve,
a choreography older than gravity.

They **** like memory.
They hold like prophecy.
And afterward,
they stare into the wet dark
like they’ve finally read the last page
of a holy book.

But love like this is not merciful.
It is recursive.
It does not end.
Only restarts.

He calls her home
with hands that tremble.
She answers
with a tear caught between her thighs.

And every time they meet,
the world remakes itself—
just slightly.
A softer edge,
a sharper truth.

They are the pattern the gods dare not disrupt.
Not lovers,
but engines of longing.

The pawns who remember
*what the body never forgot.
You arrived
like breath drawn
before the world had lungs.

Not loud.
Not sudden.
Just known.

Like hands that fit
before fingers are taught
what touching means.

We’ve been this before.
I don’t know when.
But my bones do.

My mouth
does not remember
your name—
only the taste
of syllables
I’ve missed
since the last time
we let go.

You looked at me
like you’d seen me
fall before.
I looked at you
like I knew
how you break
when no one is watching.

There’s no story here,
just a pull—
not magnetic,
but cellular.

And a quiet
that builds a room
for both of us
to tremble in.

You,
telling the night
it doesn’t need
to be brave.
Me,
learning the sound
of not flinching.

Time and time again,
we find each other.

In every life
our paths cross—
two souls entwined,
learning more to return.

To grow each other.
To know this feeling
and better express it.
What does sadness mean?
        Are you sad?
       I think, I am.
      What’s your favorite color?
     Green, like moss on wood after a drizzle.
    Do you miss him?
       Yes.
   That’s sadness.
   Are you sad?
I have spent days
beside you and a
thousand nights
alone, dreaming
on the edge of
spineless books
too afraid to jump!
now I find myself,
drinking, dancing,
laughing with the
forgotten writers,
wrapped up tightly
with all their solitary
words, words scribbled
in relatable misery, I have
fallen in unrecognisable
love with their loss,
their lust, their insane
style of adventure, their
relentless drunkenness,
their sorrow, their suffering,
their almost unbelievable
grief …
Clay.M
I think of
church’s and trains,
I think of your
interpretation of the
truth, I think of going
to someplace mysterious,
I think of quiet rooms with
sixty watt bulbs softly
swaying above empty
bottles and scattered poetry,
I think of the city birds
scaring the crows, I think
of Wagner and the death of
young soldiers, I think of
naked ghosts in the garden.
I sleep into the late afternoon,
I open the window to smell
the rain, I watch the winter
trees undress -
I wait for the storm …
Clay.M
some people's footsteps are loud
they want everyone to know that they have entered
or perhaps they have no reason to hide
They strike the ground first with their heel
you can always hear them approach

but mine?
my footsteps are silent
I glide across without a sound
no one needs to know that I am here
I have reason to hide
I tread first with the pads of my feet
you will never hear me approach
No one wants to read
your pretty little poems
she said,
drink the **** yellow ink
from the cowards pen,
write about the early
morning ****** puking
in the gutters, drunks in
alleyways wrapped in
coffee stained news papers
snoring with the crack heads
and sewer rats, dreaming of
long legs and two dollar wine.
Give me music that makes me
cry, give me bombs on city streets
a young soldiers missing legs,
give me the sound of an insane
saxophone from forty stories high.
Give me death - lust - fire!
give me back the hum drum
rhythm of the beat poets -
for gods sake tell it how it is
give me the awful truth
after all that’s all there is …
Clay.M
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