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Nat Lipstadt Feb 18
give me-the bowie knife of repartee,
nothing more satisfying than the
quick stabbing, a good blood letting,
in your genteel face, no hellish
moderated pace, the energetic plunge
of a quick lunge into the woebegone,
long after you count the meter tempo’d
use fingers and toes, but needing to hold
your nose, to include that extra
grace note, that belies denies the harmony
the tules and rules of calling order
to control the roost,  sine-one
is a victim of a
down and virtuous ***** verbal slashing!

count my syllables, never,
let my stanzas run free,
like an African tiger,
with the goat of format
mounted in between his teeth,
bloodied and dripping dead,
the squealing of hyper innocente,
silent after cries of, kind sir,
me thinks thou protest too much!

we can squish and twist our holy words,
into formal tuxedos of cantankerous
arrowed arrogance,
but know this,
roses are read, them
violets, blue, have
turned millions of children to avert their
eyes from anything thereafter that was classified, notarized, canonized, sanctified
as the write rules of poetry

peals of pearls are born with parentage
of a lousy
grain of sand,
the words etched in the
lines upon my hand,
are lifelines of sidewalk cracks,
discarded candy wrappers,
the twisted ends cigarette butts,
used as proof that ash and dust are the
genetic source material of uncommon
great composition, given to those who
love the common touch of leaves of grass,
thstbeneath the heat of the sun that
exposes the nothingness of bitterness

know no one can run from the golden
visibility, of a sun, talent in pursuit of
egoism is a long road to a short history

yeah.
(faster than a speeding bullet)
boring…
Nat Lipstadt Feb 17
~my poet friends and friendly poets~

(written in anger, then sorrow,
tinged with regret, but in the end one
has no choice but to forgive and forget)

<•>

the ghood poet knows no boundaries,
lays down tracks of a New England
pond of nirvana,
or across Siberian froze wastelands,
another
salves the wounds of dying soldiers,
and gives away comfort to the dying
with the freeing oxygen of
comforting words

the world of self,
that thing we know best,
thus encouraged by the textbooks,
well,
to have at it, plays whacamole
with your  owned flirtatious emotions,
none too imperious or low down or
garbage dump *****, that yet
cannot be validated by exploratory
over-the-line words pithy

even the florid, tiresome nickel & dime ing
rhyming scheming crutches,
we so oft employ,
yields up stuff that ain’t half bad,
periodically,
though, the blunt of words well crafted
needs
no such delimiting amusing playthings
or imprisoning
I-am-amoebic-pen-tata-meter

take you inspiration from here and there,
the proverbial deep dark of the mind’s recessed corridors of
corrupted consciousness,
or, the
contrail whiffs of the steaming steaming of the contradictions of a
newborn first day’s contrast of-
the wet dew on toes cooling,
while the simultaneous sun warms all
the cheeks,
heats the blood with
a thanks-god-I’m-alive
overwhelmingly overall tickling,

or
not.

write with the tools you have, but keep
them well sharpened, with
insight and revelation,
exploring the rain’s windowed
navigable rivulets,
the musical tempos
of waves and their multi-mystical variations,
and the readers will come like
pilgrims to your  holy land,
wearied and yet so delightedly hopeful,
with tingling contrasting dictions,
to capture and release,
by shattering any
stale notions of adulation
will bring your
audience of holy voyagers and voyeurs
to imbibe so deeply your creativity for the quenching, and the
amen gasp escaping tween
their lips is just a simple holy,
gentling thank you

discard the bad words as ornery and
distracting, veiled in pomposity and
highfaluting, self-saluting, arrogance of
those deeming themselves critical thinkers,
who thrive in the low mud flats of
self-pretension and the reassurance
of a mirror’s reassurance

write straight from the heart,
fill our eyes with the
complexity of the simple
and
grant us the write to share,
in your humanity

craft the work
and
the work
will repay
so stealthily
by secretly
crafting you





                                   nml
3:43 am 2/16/25

p.s,always fixyour typos
She sat astride the stool in silence
Watching how the mayflies flew,
Symmetry in chaos painting
Colour’s gentle strokes anew.
Felt the touch of evening breezes
catch the tendrils of her hair
Watching mayflies rise and fall
through symmetry, without a care.
Promise fills the moment’s magic
Hope is pounding through her breast,
Mayflies rise and fall in sunlight
Love’s anticipation best.
Scattered light intrudes through leafage
Casting sunspots in the shade,
Mayflies rise and fall in sunshine
Tranquil peace of mind is made.
Softly a guitar is strumming
Melding with the lakeside air,
Rendezvous with him a-coming
Mayflies rise to empty chair.

Mayflies rise and fall in twilight
Rise and fall...and they don’t care.

M
January 2013
For dear Guy Scutellaro and his utterly perfect
"The Evening's Gentle Embrace".
Nat Lipstadt Feb 15
early morn (5:00am) scanning, scrolling,
unrehearsed searching and the question
appears in a “loves that got away” column,

(why do all these descriptors start eith S,
I think I know!)


and off on another self-effacing, investigative determination, a mental biopsy of another hopeless cause,
that results in poems too long

though the body and mind are rested,
with six hours of uninterrupted sleep,
and volumes of dreams,
the quest bags a burr in the bed,
(yes, rhymes with head)
but n o t h i n g pops in with a grin,
and a bell ring, stating presumptuously,
why that’s me
and the fault failure fear
in me
engorges

this  really distresses,
with & in a deep sense of awful,
how can I not recall this momentous
illustrative precious precision
proof of why life is worth living,
and worser still,
don’t I get to choose,
isn't this an interrogatory,
suitable for a pre-provided
Multiple Choice Answer?

a pause to collect myself from a
falling into a hole of nefarious negativity spiraling,
suddenly
recalling so many
kind and gentle touching brushes
of your comments re my poetry,
which provoked warm tears


^and one more tine,
poetry has saved
a life
^

5:37am Saturday 2-15-25
https://www.nytimes.com/interactive/2025/02/14/well/valentines-day-lost-love.html?smid=nytcore-ios-share&referringSource=articleShare
Nat Lipstadt Feb 14
Will met Fayte

walking down a
small town’s
Main Street,
and though
the love was
instantaneous,

the lawyers of each
recommended agin
signing each other's
pre nup, don’t give up,
your freedom Will,
said his pa’s grandpa’s,
what we will, it becomes,
so don’t be tempted to
be believing in Fayte,

or that it’s now or never,
other girls will becoming
down the turnpike,
and though it seems
like its been forever
you been waiting for
that right gal, you’re
being tempted
by the femme fatales,
it’s not too late,
for if you

will it
so it shall be,
you will get
le gal
ally
Nat Lipstadt Feb 13
10:14am 1-28-25

the word above is a most singular
in our lingual language

of the ailments many,
varied, variegated and
necessarily interconnected
so they all merge and blend
like a frothy cappuccino ,
a melding of ill
rather than a blending
of distilled ailments

the state of being remedied,
is hard to be measured
for it moves  
tes like a target,
minute to minute,
hour to hour,
drop to drop of time

what is remedied
year to year,
crossing centurial diversionary linear
artifice

those Marked as fully repaired,
handled, resolved with a crossing out
lineage honorific, can never be dismissed
or erased for sure,
for fully surety is intermediary

for the heart can break at any minute,
in any place, external, internal, and a
daily baby aspirin can’t prevent, only
lessen the unanticipated frequency

we are decaying units, and patches
upon patches hold us together until
the adhesives of remedies remind us
of their very own half~lives

why a band-aid is only
a band-aid and remedies are only
remedial
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