how this came and come to be,
from gone to come to gone rediscovered but unreleased,
a passage thematic that birthed
fully formed, formal in its inception,
contented in its first appearance and
its primary coincident deception

who wrote this? not me? could not be!

yet a scented hint of
eau d’familiarité
suggests that I may have
inadvertently
plagiarized
myself

this old poem mine,
we certifiably have never met,
but nonesuch a hail fellow met,
that upon our (re?) acquaintance,
the heavens marked the occasion with
hail and neither of us deemed it strange

so we well recall our ancestor’s words

”there is nothing new under the sun”

adding our brand new imprimatur
”not even June or the Moon or other iconic loons”

we may have borrowed from the insights,
recollecting what happened to us when separated at birth,
envisioning like the prophets of yore what was implanted
long before  we remembered it well
upon its birthday

our intertwined twinning
fate befallen*

   postscript

quaking heart, trembling pointer
dawning and dying
simultaneous

neither tissue, cell, molecule,
i am but a composite of
letters, alpha bits and bets,
recirculated songs and tunes born
like me,
compromised, bridged,
newly un and recovered,
lengthy and unabridged,
my appearance faulty,
my eyes ****** ruddy and red,
my fingered tips blend and bleed
words acquired, words invented,
marching before me,
old lands recaptured,
new ones set free

take and give -
there’s no difference -
intimation, initiation,
all
bring me home
to where my boundaries begin

<•>

this one, for the ladies who loved its
predecessor

https://hellopoetry.com/poem/2367267/the-temple-of-you/

a short poem

<•>

kept women

my words are all kept women;
an old fashioned term
that has no currency today
but true for me

they but be the heart of my hearts,
when they leave my employ
keep them well, these yeowomen,
good fellows all,
for they will always be your
one true reciprocating lovers

keep ‘em

please

<•>

lie

how many gray April Saturdays are inventoried,
that we be bequeathed yet another this dull day of the 7th of the 4th month,
of errands and tax preparation and poem initiative-nationhood

the city backyard is a dulled green, energy ****** by one three too many nor’easters in March that  “Sherman-through-the-south”
came marching double time,
leaving the leaves, airport-delayed
and the spring poem planting, struggling

buy milk, lie and get a refund, do stuff and
don’t forfeit forget to
do laundry and
lie

write the longest short poem in history
that green-shots nature won’t provide,
so Me absinthe wills into existence

<•>

this English Woman

tomfoolery’d me continuously,
nature comes to her on knave-bended knees begging for
a verbal sword tap upon each shoulder for a knighting of a periodical glorious poem.  

She provides.

Does woman live in a glen, upon the wetlands,
walk moors
in moons grasp,
or upon a table way in the back of the pub, drinking pints of imagination?

man will die disconnected for so many “reasons”
but if his passing precedes an answering to where,
wherever she locale composes,
man will haunt her residential terrain  happily

<•>

Seven Hours

the clock implies that the body sleet-slept, probed deep-dark for seven hours.
disbelieving, then recalling the dues Frodo-Friday eve paid:
three and half hours with two thousand others at the Opera,
hours of Placido Domingo,
extracts from the body
emotional  countenance,
homage to artistry exemplary;

the pharmacist denies having this drug among the sleep aids
so to the opera must return to earn my occasion occasional dreamland refreshment

a well worthy trade: innervation trust rest from enervation must

<•>

idiosyncratic

all my idiot life wanted to be
syncratic
unique something special different

then I realized that’s what
everyone wants and we are all idioticsyncratic

so much trying, exhausting life,
it’s wonderfully human and classically

idiotic

<•>

* Postfaces*

Postfaces are used in literary works so that non-pertinent information appears at the end, to not confuse the reader.

this very short poem was born, birthed, on a salty grey Saturday, April Seventh, Two Thousand and Eighteen,
precisely between
Eight and Nine O’clock Eastern Standard Time

The opera was Luisa Miller at the Metropolitan Opera,
Lincoln Center, New York City.  

Everything Everybody is a factual fiction of your imagination.
Short Poems are copyright, copied write from the tissue of a man who is epistemologically incapacitated in a life incapable of writing a short poem, post facing forward.

(Too **** bad for you).

resl

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