I've only ever been good at ******* **** up for myself

Who needs a faux pas when your mouth opens and you should bury your head in the sand?

The four walls around me have felt like a prison for longer than I'm willing to admit on paper

But I'd do the time again and again if it meant I could spend one more minute hearing your laugh, one more second watching the sparkle in your eyes, one more hour holding you in my arms, our hearts beating against each other.

There is something insane about me, sure. You'll hear that a lot, my boy. I've made poor choices. I've done wild things. I've lived enough lives for seven people. I've gone through literal hell.

But it was all worth it to be your mom. It will all be worth it to watch you grow.

Prison, I suppose, isn't so bad with a cool bunkie.

The ring finger is supposed to be the loveline, the path right to the heart, the "right" line

But I've seen far more work from index fingers, middle fingers, the palm of a large calloused hand pressed just right...

The ring finger means so little in the frame of a life, marriage just a pretty little lie we tell ourselves to excuse lust, to pretend like we're not all animals ourselves

I'd wager the true loveline is the one that points arrows below the bellybutton, that makes a leg shoot out too straight, that curls toes

Is love even a line, or just a black hole leading to a womb, the place where all things begin?

Scene one, Childhood

I never really learned to emotionally regulate,
Taking clues from Nickelodeon more than parents who set good examples,
Screaming fights and bruises and broken glass
Too much drinking, the smell of cigarettes
Moms broken bones
Make yourself small, make yourself gone
They may not notice you.

We played family a lot, curtaining blankets over a bunk bed to block the outside, and in family, I always took care of my babies.

Scene two, 18

I never really learned to emotionally regulate, taking clues from the friends around me more than parents who set any example.
A false father leaving, a mom losing her cash cow
The smell of Arbor Mist and ***** still makes me sick, mom’s incoherent fists still make contact in my sleep, I still wouldn’t have given her the keys.

We don’t play anymore. We’re mostly estranged. But we work. And in family, I always took care of my babies.

Scene three, 28

I’m trying to learn to emotionally regulate, the slideshow of couches and faces of therapists trying to set an example.
A son born to trauma, a marriage of consequence, I’m still learning to love myself, please, the sound of yelling still makes me sick,
I don’t know how to do this.

We are grown now, we are mostly put together. And now we live. But this is my family, and I will always take care of my babies