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 Oct 2014 Tilly
Nat Lipstadt
yesterday may have been my birthday.

you need two hands, two feet,
a multiplication table
an abacus to count my years,
each finger, worth a decade.
each toe, perhaps, a century.

birthdays.

a point of inflection,
a point of opportunity,
a present presents itself,
to rewrite history.

a second coat of paint,
gift-wrapped in weak excuses.
how I lied, how I ain't,
grimm-fated fairy tales
somebody else created.

invisible suits of gold-cloth
worn to my party of
past rewrit and
future foretold.

one single thought,
memory,
seizes my heart,
as I fall to my knees.
cracks my temperate ease,
renders open the
woof and weave
of recycled deceptions,
causing all to be revealed
when asking myself

what if the poetry ceases?

you know prostrate?
you have tasted grief?

have you not but
a singular pain,
one act,
one deed,
one memorization,
act of cowardice,
act of desertion,
mistake made, taken,
for which
forgiveness
can never
be given,
be faked,
attained?

do, does, did.

let me then this day,
win the birthday lottery,
let floods of relief from
daily chores not drown me,
chauffeurs to drive,
masseurs to massage,
cooks to cook,
les délicieuses friandises to sweeten life,
please keep theologians, logicians,
philosophers on retainer,
even historians, those future fortune tellers,
if needed, unnecessary explanations -
or just satisfactory rationalizations.

none know,
or can provide,
still and yet,
a year round
a priestly sacred chord,
to grant relief,
absolution,
songs of hallelujah,
erasers of the ache of
perpetuity worry.

those ancient pains,
grow fresh daily,
the loss of one element
of my body,
prevents my primal knot
reasonably to be untied,
everything should be permitted
on my birthday, no?

this day, these days
breathe through words,
molecules of vowels,
stem cells of consonants,
the fabric, the tissues of life,
veins are a dictionary
of corpuscles,
red blood cells are
nouns of nutrients.


this day, these days,
the infection of my soul
is tempered, kept at bay,
tamped down from the
full flowering
of white blood cells
of rhyme, verse,
and asking myself

what if the poetry ceases?

though the bones creak,
snap, crackle and pop,
the body they carry, the heart
eccentric~centric: tire shop patched,
yom kippur white resurrected this day,
for morning, afternoon
and evening prayers,
and the last one special,
spoken standing.

thrice daily poetry I recite,
roses red, violets blue,
my marrow transfused.

though my prayers likely refused,
the poetry act immolates
the fringes of my disease,
for which the common cure
is not currently invented....
so I ask myself

what if the poetry ceases?

be assured, I am told
scientists hard at work,
on the forgive n' forget drug.

meantime,
take a bubble bath in
rosemary and mint,
trap and tap some words,
into your cell phone bone,
the poetry heat, scented waters,
provide aspirin relief.

through this poem,
on one day annual,
I am relieved, relived,
the muses, the Devils
all herein, feted, and sated

gone for few moments
concerns, worries of
exposure today,
agnostic's foxhole of hell
is dis-remembered,
the gloss returns,
the faux dispatched,

ain't birthdays grand?

yet, I cannot help but ask

what if the poetry ceases?

what rhymes with
Sorrow?
mmmmm.

could it be
Morrow?

bath drains,
rosemary and mint odors dismissed,
the Argentine disparu,
the Spanish Medievalists,
the Neo-Raphaelites,
all dispatched,
didn't they have birthdays too?
didn't you know,
Hey Michelangelo!
the Renaissance come
and gone,
nobody tole ya?

t'is the day
my sweet city recorded my
naissance in the
Hospital of the Flowers
on Fifth Avenue.

the 'crats put the datum
in the bureau with the
night creams and
the statistics
as follows:

on this day + a few,
seven or twenty decades ago +
a few centuries, some blackbirds,
a question was born,
and an ache that is
sometimes relieved,
by a poem~song.

though do not celebrate,
t'is a day to calibrate,
review, edit, tinker,
rewrite, often a stinker.

yet, but,
always one thought recycles:

**what if the poetry ceases,
how will I breathe?
Written years ago. Tinkered and edited once a year.
 Oct 2014 Tilly
Nat Lipstadt
I don't like deleting certain emails
for the simplest of comforts
seeing the sender's name provides,
they are...

a hot tea on a "still sick"sick day,
an unexpected "how are you" inquiry,
or a late summer blossom,
a lavender Rose of Sharon,
shockingly discovered through a
country kitchen window on an early fall day,
or a poem born effortlessly,
it's existence unbeknownst to its creator,
just minutes earlier, unaware of its arrival,
just like this one...

or not deleting a newly gifted photo,
uncovered while closing one's eyes
past the midnight hour when
the old day hands off to the newly born incoming,
sending yourself off to bed
with a smiling chuckle;
of a young child's first day of school photo,
her plaid skirt and black patents,
a cherry-topping smile radiating hints
of both a pleasured future, a happy home,
and a growing-up maturity earned
from a third summer marked upon this planet...

so I keep that  email and that photo
handy-filed so they are stored,
fresh faced in my inbox or screen,
a friend's name, now a symbol of caring,
a child's photo, emblem of a kind of love,
that parented this poem, so that happily both *****
the armor of the commonplace
of both the everyday,
and the unforgettable world weariness
of having been there years before when,
when the mind sudden recognizes the new day's
sad refrain, sadder name and its most
saddest anniversary and these
disparate comforts,
both say, rest easy friend,
and now off to sleep...

2:31 am
Sept. 11, 2014
on 9/11, I was working in very tall office building at the very tip of Manhattan, about a mile as the crow flies, from the World Trade Center buildings, with "perfect" views of all that transpired that day...
 Oct 2014 Tilly
Nat Lipstadt
je pense bien à toi
(i think well of you)

Have not chatted in awhile,
me rutted in NYC,
a city of constant tear down
and sometimes flashy urban human
renewal...

While you,
you getting on with life,
growing up, growing down,
buying clothes for a new school season,
or growing children,
or boxing up now grandchildren memories of memories...
falling in love, writing poetry all about it...

You,
in Nepal, Malaysia, India,
Seattle, Portland, and the Florida's panhandle,
the US Midwest sainted hinterlands,
the South, that makes one love water,
water that has travelled from the faraway,
island continent of professorial Australia,
Did I forget the Philippines?

worse sin committed,
is that in
your poetry
I have not toe dipped,
quite the long erstwhile,
after loving it with
obsession devotion...

so just a Saturday afternoon
note penned just to you
and you alone...

je pense bien à toi
(i think well of you)

So by way of apology,
craft a poem for you exclusive,
more than each word, letter,
every syllable, tongue tasted
for conjuctivity,
breadth and thus discovered
notes of red soil, raspberry, lemon,
even a hint of sweet masquerading as a
salty kindness in our veins,
our unique vintage of connectivity

Your hand to my lips raised,
grasped twice, by mine both,
slow lifting with stature, affection and respect,
kiss it and whisper just enough for
we two to hear...

je pense bien à toi
(i think well of you)

even this seems weakly insufficient,
but care taken nowadays,
a new economy of words,
write less, think more, and
give up the truly deserved words only
as a mark of my fondness and respect

these come on no schedule,
often months in the making,
so forgive-me-not my unsweetened silences,
accept them with easy knowing that

je pense bien à toi
(i think well of you)

the summer man wintered in discontent,
his journey now disrupted by forces exogenous,
stealing his vision, jailing him in between
walls of indecision, knocking down
his own twin towers,
but carelessly not making provision
to tell you well and often enough

je pense bien à toi
(i think well of you)*

Sept. 13, 2014
Thank you SALLY for reminding me of this long ago poem 6/21/18
 Oct 2014 Tilly
Nat Lipstadt
The Godfinger has not yet
colored-come this far south
from up in the North,
but soon inexorable, marchingly quietly
to finger paint reds and golds
that are calendar scheduled to arrive

the idea of them, their visual,
burrowed  but easily retrieved,
for in the poet's mind's eye
he foresees their forthcoming blaze,
smells them in the not-quite-autumn
sea breeze

colors welcome for many,
for they serve to awaken and ravish
inattentive-to-nature wooly brains,
distracted by new work projects
diluted multi-tacking senses,
back burnt by responsibilities,
**** deadlines,
term papers, too soon due

full well knowing fall colors incipient,
this summer man piety engorges on
the embering remains of his beloved season,
His Summer Surround Sound Environment,
reflecting on his insignificance,
the seasonality of life,
the sad-always finale for grownups
that is the year ending
December,
no longer a far away,
inconceivable concept

these robust leaf colors, product of
chlorophyll properly chilled,
signal mark
all hope lost for the summer warmth,
the life force of this
poet's body and soul's
his sun tan lotion ****** cleanser, restorative,
all sold out, no longer on the store's shelf,
and a new conceptual,
2015
low growling while on the prowl

but for now,
it's still land-greens and water-blues,
though tarnished are the hues,
the grass, an admixture of
ugly straw yellow and a sickly green,
the bay green blues darker, uninviting,
the surface sun glints duller, less charming,
but close enough to the
real thing
for him to embrace passionately

he thinks bemusedly, out loudly,
writes smilingly, out loudly,
for he is in his trademark chair,
adorned in summer garb,
t-shirt and shorts,
holding on for as long as he can,
grabbing errant sun rays,
breathing salted bay air that's
cleaner now, for the summers sailors
all gone ashore to dry dock ports

while his woman, sensible ever,
acknowledges the frosty wind that
necessitates blanket, a full dress uniform,
complete yoga outfit and anorak,
the dress code de rigeur for combat
against
the September brilliant and undeniable chill

Springsteen and Cassidy hum his
melancholy perfectly and he wonders
about the ifs and of's his chosen life,
about the why's and wherefore
of his poetry that he sometimes writes
under assumed names

these contradictions,
me, summer,
she, cloaked in wool,
these natural nature inconsistencies,
even though unrealized,
the inevitability clashing sounds of vibrant colors
overtaking greens wilting,
all to be winter-denuded,
mark the day,
mark the man,
his poem,
mark this moment of
inconsistent colorations
September 20, 2014
 Oct 2014 Tilly
Nat Lipstadt
Now an annual autumnal literary festival visit
to our island redoubt,
the snow geese come honking down,
in linear formation
warning itinerant human beachcombers
of their arrival on the beach runways
of our sheltered island

This TripTik recommended diversion,
is a pleasure long anticipated by them,
seen as an intellectual rest stop,
with excellent sea snacks cuisined,
flying down the Eastern Seaboard
keeping Interstate 95 on their right,
an avian version of GPS

Our birds,
follow a minor route,
commencing in Nova Scotia,
the farthest north of all the species,
never making it to Mexico,
ending their travelogue in Georgia,
lest their true species be confused
with other kinds of Floridian snowbirds

Sit by my side they do,
one by one in assigned seats,
on the now scrawny grass blanket,
their attention span famously long,
unless a school of striped bass
seen on radar in the vicinity

I, on my Adirondack throne,
a poetry reading to intone,
with more-than-occasional audience input,
considered their right most fair

Critics one and all,
animated animal devotees of the arts,
unafraid to express their thoughts,
oft in unison or in
unharmonious John Cage
cacophonies of disagreement

Sadly, I only speak local seagull,
thus their effusive exege(e)ses and criticisms,
either damming or acclaim, indistinguishable,
their only "tell" is if
they stick around for
just one more...day...

That my poetry they did favor
was a conceit I feigned to believe,
loving their attention even if not deserved,
for in their service, and nature's too,
I am now trained to sit and wait,
a minor stitch in a famous tapestry,
for well I recall Milton's words:

*"God doth not need
Either man's work or his own gifts: who best
Bear his mild yoke, they serve him best.
His state is kingly;
thousands at his bidding speed
And post o'er land and ocean without rest:
They also serve who only stand and wait."
Sept. 21, 2014
 Oct 2014 Tilly
Nat Lipstadt
These are the words and the actuality
that in conjunction,
drive mothers of young children
to depression and distraction

Poets to look inwards yet once more,
for sources of olden inspiration,
finding only
been there, done that

Warmongers to chop lick lips
in eager anticipation of
past and future smokey glories,
gun batteries sparking and
other men's children dying

Overcast and cast out is loveliness,
only words of ancient, somber lineage,
populate, pursue and expectorate,
sunny notions and love poetry none,
dried up, to fallen leave piles dispatched

For on this day of rest, the foggy sky
grants no permission slips to draft
smiley faces and upbeat tempos,
comforts foods perhaps, but nary a
comfort word to make us cheery

Enslaved to nature this day too,
my exteriors reflect inward and my
mirror'd observatory of starry images
no longer available on any
of my two thousand TV channels

I have checked each one in a
be-quiet-you're-too-noisy dismay groaning,
as well as my ordinary, toujours,
quiet desperation

The sun tantrum tantalizes for I see
it's bodacious attacks repelled
by cloud banks rich with deposits of gloom

Slip into a mystery, an old novella
of Stephen Kings, an homage to the
drama of the four seasons, but this old friend
is elementary ancient, for its tales
are deep sad, writ upon weary worn pages
and tho apropos, grant no comfort

The sailors all to bed have gone,
plowing pillows instead of waves

The squirrels and other homeowners,
in view of the absence human,
are cheek to chop, jowls acorn full,
doing "Storage Wars" of winter prep,
in HD, in broad daylight arrogance,
mocking the summer man, adding their
sauciness to his moody blues
meal of melancholia

Am I such a creature of nature,
that I am captive no matter
what the sky color be,
is there a moody madness the
psychiatrists have labelled
that best describes a nature slave
most unnaturally?

I repair to the couch and chips,
reruns to pretend distraction and
poetry to record my inaction

The weather lady, a fresh faced blonde,
smiles white and exclaims that
the work week commencing tomorrow
all sunny all unseasonable warm,
and my groans so loud,
I am banished to parts bedroom foreign,
where I am ordered to write
perfunctory odes to gloom,
in silenced doom
 Oct 2014 Tilly
Poetic T
What
Is
The
Truth,
But
A
Better lie painted white.
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