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We are critical.

We find flaws in
everything we see
because nobody
wants to write
about perfection,
even though sometimes
we wish we could just stay
staring into that
unblemished surface.

2. We are never satisfied.

We live our lives upon
mountains of
scrunched up
bits of refill and
ideas we gave up
trying to
express.

3. We never forget.

We write words about
eye contact made
three months ago
that we replay over
and over in our minds
even though it
stopped
being relevant.

4. We are fickle.**

Our emotions flash
from one
to the other
like strobe lighting that
disorientates us
until we feel as if
the world
will never be still.

5. We are exposed.

We don't know how
to keep our feelings
to ourselves so
we'll write them
down for
you to find
'accidentally'.

6. We are vulnerable.

We wear our
hearts on our sleeves
and won't lift a
muscle to fight back
if somebody tries
to break it
because we thrive
from the pain.

7. We will never stop.

We will never stop
feeling and
we will never stop
hurting,
we will never stop
breaking and
bleeding and
loving
even though the cycle
is endless
and we know what's
coming next.


We are addicted
to agony,
but we agonise
for the art.
It's worth it though.
Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things.
I read this long time ago,. It came back to me but I cannot remember who said it. Maybe that's why it is so true. Borges used to say that maybe the best poems are those you can never remember where they came from.
have you ever believed
in something so blindly
so genuinely
that the moment you realize
it isn't true, something inside you
changes forever?
i wanna tell you a story, see
seldom do i ever
go swimming in drinks
deep enough to drown in
but when i do
i speak in tongues
about things that none
of my memories
are allowed to talk about
like that christmas
at the isthmus
where my girlfriend
plucked a conch shell
whiter than gods teeth
out of the sand
held it to her ear
and stopped time
that day she was a shade of blue
the could've made the ocean sick
see, she loved to play jokes
when she held
the sea shell to her ear
she gasped, called my name
and said "i want you to hear this"
i said "yeah, right, everybody knows it's just the same old sea"
she replied "no. not this one. this one is special. listen. theres music in this one"
she handed me the shell
like a promise she couldn't keep
and i held it to my ear
with all the potential
of seeing shore
after being stranded
at sea for years
only to hear
a tired dirge of silence
spill from its emptiness
i guess she didn't know
how desperately
i wanted to hear it too
because ever since
something inside me snapped
now sand pours out
of every post card i open
i hear seagulls
in telephone static
sometimes i have dreams
where i bury my hands
in every beach
i've ever been on
and exhume this graveyard of noise
every time i try to sleep
i spit up fishhooks
and i guess i'm obsessed
but maybe
if i hold my ear
to enough vacant things
then i could have back
the time stolen from me
since it happened
maybe they would get it
if they knew what i wanted
when i blow out birthday candles
maybe they'll find me
face down in a wishing well
i watch eternal sunshine
of the spotless mind every day
pretending i can forget too
because this sea sickness
has followed me for years
because yesterday
i walked into a music shop
and all the pianos broke
but the only thing
i can think to say is
*do you know how bad
a memory has to be
that you fantasize
about forgetting it?
There’s a devil in me trying to raise his face
there’s a god in me trying to put him in his place
a fight to fill the hole in my heart
but the battle is lost before they can start
soul electric, here to stay
pulls me apart need to make them pay
a million volts in a lightning kiss
re-align my core in symmetrical bliss.
 Dec 2014 hallucinations
Natalie
do not date a girl
who writes.
she will internalize
everything,
carve poems
into your eyelashes
instead of
kissing them,

she will analyze you,
calculate age
from the rings
your coffee cup
leaves
instead of refilling it.

she will memorize
the way your
lips curl around steam,
but not that you
take it
two sugars,
no cream.

she will read your
palm instead of
holding it
against her chest.

she will not
blink
when you leave,
because she is
already
romanticizing it.

— The End —