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Addison René Sep 2016
i'll probably end up  between
somewhere and nowhere
between the middle and the end
i'll probably just float away
and you'll all think I'm dead

mortality -
it's what means we are all
alive
mortality -
it's what means that we will all
die

i'll probably end up between
here and there
between the bottom and the top
i'll probably just fade away
and I just can't wait til it stops
  Sep 2016 Addison René
smallblank
birds are chirping. this is familiar. you can do familiar. "it's a mess" I say. quickly you reply "it's not a mess, it's pieces of your life." my life's pieces; not mine. It's taken shape as hundreds of tiny copies from the same **** story. you're fragile. you're the yellow copy of a receipt. stupid little paper girl.

this is going to be terrible and that's going to have to be okay because death is open to interpretation now.

there is something to be said about lying under every window sill in the house just to follow the sunlight and pretend it hasn't been dark since you left.

you look back in five years and realize that "you" in every poem has become yourself. everybody grew up and moved out of the sadness except for you.

dress up as yourself when you loved someone and stare in the mirror until it cracks. you never thought you'd be leaving the lights on waiting for yourself to come home. you'll never understand and that's the whole point.

always leaving never really arriving. you can stay only long enough for them to know who you are. nothing can remain the same because that's not real, is it? they say nothing lasts forever. let's be nothing. stop existing. we'll be timeless.
Addison René Sep 2016
does it get any better than this?

probabaly  not.
  Sep 2016 Addison René
Tom Leveille
okay so i’m beginning to believe i was born asleep and still haven’t woken up, or caught in a day dream where my name is the answer to all your security questions. okay. a thousand years of wondering and all i can come up with is that you fell in love with me at a picnic in my imagination. the lemonade we always talk about swimming in sugar and tiny handmade sandwiches from my kitchen, your favorite, extra pickle. don’t forget about the pickles. of course the clouds march in stomping out the sunshine, of course. it was dark and there was lightning so much lightning. don’t be scared just now darling don’t be scared. in the middle of the night we only talk about your version of the story. how i’d ask you to stay, asking you to tell me what’s real asking you with my hands asking you with maps, a country called please listen to me, you should know by now that it is an island too far to sail to according to you. i know i know, who dared name an ocean lonely when all the ships are sinking. we can go back we can turn around where the sky is the gentlest shade lavender, we can go back and have a conversation that has never happened before. when everything is the color of day old bruises i won’t let you down. i promise when i get home i will count every freckle every one. when i get home can we open one of those mason jars full of fresh air because i can’t breathe. i remember that day, although i pretend it was more recent than it was. you were there in a swell of green grass in a dress that makes me blush, and there i was blushing. i’m not sure how i made it out alive, skipping the part in the song where you, long gone come busting through a doorway, through the well air conditioned living room and and across the kitchen tile, to the refrigerator where just like in elementary school, my fourth grade heart wrote all your favorite things on flash cards in the blackest magic marker so i could memorize the things that made you happiest. and you turning around in slow motion to see my face, or where my face should be, the only expression i can make anymore, realizing that you realized that i only ever wanted to be something that made you happy. suddenly you’re tired, and i’m tired too, goodnight goodnight, i’m falling asleep because it’s the only thing that doesn’t burn. i’m falling asleep to go back again. everything glitches and i’m underneath your perfect teeth. you say “i would never hurt you” and i say “just like that?” and the layer starts over again, always back to the moment i asked you in my bravest of voices if i could hold your hand. you probably don’t remember that moment, or maybe you do but don’t particularly share the same sentiment over its importance. you see, i’m always fine until the part where i have to say it out loud, and then time stops. i have always wanted to tell you that something happened inside me that night and now i’m not the same me as i was before. so if you ever cross a bridge. if you ever get my voicemail, if you need me, i’ll be sketching up the dramatic parts in my head and they’ll happen just the way i imagined just you wait you wait. the last scene the very last one, the bottom layer, knee deep in mud knee deep in i told you so, you say “i would never hurt you” and instead of saying “just like that” i reach up to kiss you and the room evaporates. so if you want lemonade and bedtime stories, if i can make a believer out of you, if you want bucketfuls of november if you want grace if you want the courage it takes to ask for grace, you’re over the train tracks you’re almost home you’re almost there. what else can you say besides “okay pumpkin okay sweetheart, in my head everything was beautiful" the doorway now filled with people who send you birthday cards saying welcome back welcome home we’ve missed you, hello. hello. the time spent waiting, chorus of rain, i only invited you over so we could make perfect sense. i only gave my hands away because you didn’t want them anymore. and days later a man with a shark tooth necklace asked if i was okay and i lost it i just lost it. all the little red bricks with their little names carved into them, how they don’t feel comfortable under your feet, how there were hundreds of flowers but somehow we took a picture of the same one the very same one, and how we can’t talk about things like that anymore, how i was sitting on a bench and i didn’t hear you call my name, shaking hands on accident with your parents hello sir hello mam, your daughter is my favorite ghost.
my book "down with the ship" is availible for purchase at sanfransiscobaypress.com / Amazon.com
Addison René Sep 2016
back when we were
in love,
and i was seventeen -
my hair was short
and i liked the way
you embraced my silence
i told you not to be fooled -
inside this head
blares a million sirens

back when we were
in love,
and i was eighteen -
my hair was long
and i liked the way
your breaths were delayed
i told you not to be scared -
there were so many times
where i don't know why you stayed

back when we were
in love,
and i was nineteen -
my hair was short (again)
and i liked the way
you softened the blows
you told me not to take you for granted -
but here i am
alone and empty-handed
some ******* with a ****** up rhyme scheme
Addison René Aug 2016
inspiration is
a ******* waste
i just liked the way
your tounge tasted,
you called me "baby"
and carried my limbs when
my ligaments felt achy
  Aug 2016 Addison René
Sjr1000
She doesn't know what to do
She can't get out of this room
She sits in her chair
watching the morning dew

No appetite

Words don't work
They won't even sway her
Her mind is somewhere else
I know maybe
she's thinking about you

There are so many clichés
one can say

All you can do is hug her
tell her
"Baby it's gonna be okay "

That's all you can do
when
baby's got the blues.
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