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Dark night, dumb fright, furry foxes howl
Shy moon, hides soon, barn owls sharply call
In thickets, chirp crickets, mew nervous cats
Above meadows, paint shadows, low flying bats.

From soiled bones, rise the moans, of souls buried deep
Clothed white, in low skylight, you hear a spectre weep
The cottage light, now out of sight, the dark is denser still
You want to run, to safe someone, but frozen is freewill.

A few furlong, but seems so long, now turning back
Your heavy feet, can't do the feat, finding the right track
You can't run, you'll be outdone, and it's not a myth
When you move too far, break the bar, winds stop their breath.

The hood of dark, makes its mark, you're nomore seen
It's too late, to change the fate, not let the fear win
You forget fright, dive into night, it's turned a good game
A foxlike howl, a hooting owl, you're happily one of them.
When the sky was blue on a windless day
the net would stretch they itched to play
the racquets rose and fell in grace
smash and volley in quickened pace.

The three boys ran the hardest race
there was a girl they must impress
among them was the beauty queen
that stole the heart burned the skin.

The wintry noon passed pretty soon
on the blue birthed a crescent moon
a clap from the girl was reward enough
those times of life were fairytale stuff.

On the court in that playful bliss
each boy dreamed the girl was his
by the racing clock went past the days
the field fell empty they parted ways.
 Feb 2024
Thomas W Case
Hook him up to the machine.
Shock his brain into
mediocrity.
Death stalks him;
he is aware.
There is too much
flash in his eyes.
His brain needs a reboot;
he needs to forget,
like a goldfish, like
a monkey in the zoo.
Hook him up to the machine.
He is too sentimental.
Salmon swim in his blood;
he has a paisley heart,
and a tie-dye soul.
He can smell colors.
Hook him up to the machine.
He has Van Gogh eyes, and
a Bukowski gut; he walks
like he's lost in a maze;
hunchback sadness,
butcher knife nerves,
Hook him up to the machine.
He believes in love,
and has too much trust.
His vivid green memory
is a curse, we need to
crash it, **** the eternal spring.
Hook him up to
the machine.
we all go crazy sometimes
 Feb 2024
Thomas W Case
The cats gather
en masse every
time I sit
down to write.
One by one, they
jump up on the
big maple desk,
and walk across the
keyboard.

Mojo swats at
Shadow's tail.
Bukowski nips at
my fingers as they
peck at the keys.
It's going to be
a long night.
The cats don't
understand poetry
or marketing.
Shadow hisses, and
jumps down.
Bukowski gets
bored, and bites at
the cords.
He gets overly
excited, and slips off
the back of the desk.
The wild look in
his eyes flash
centuries of power
and sadness.

I think of my feral
days on the streets,
stealing *****, and
sleeping under
bridges in
December.
I wrote my words on
the walls of the
abandoned
houses.
And now,
such beautiful
providence.
I quit drinking and
I live in a town with
a clear lake.  I catch
fish and eat them.
I've published three
books and I write my
poetry on a
computer that my
three cats view as
a playground.

Sometimes,
it all seems like a
furry dream.
Check out my you tube channel where I read my poetry.
https://www.youtube.com/watch?v=P2roycihKc0

My new book, Seedy Town Blues Collected Poems is on Amazon.com.
 Dec 2023
Carlo C Gomez
I woke up at angles with you
---a parallelogram, opposite but equal,
my thoughts in constant rotating view
---a diagram, showing us where
our homes are laid to rest,
where streets became dead spiders
caught in their own webs.

If we are in transit via tunnel,
aqueduct, or escalator,
it might be cinema.

If we lose atlas in the worship of light,
it might be cinema.

But I can't find you here;
here, where they used to build ships
from sand and steam
and science fiction;
where they used to design
buildings so as to create
a dissonant and mournful
whistling sound when wind
blew through them
---ostentatious things;
dead people’s things.

Through walls and underneath concrete, dug so deeply
into the wide plains
and withered, gnarled tree roots
of an agonizer's conurbation,
is a space halfway to the zenith,
charting the prescribed power
of in-betweenness.

Never again will we draw meaning from
our proximity to one another.
Four men I don't see in the market.

We stopped just short of smiles
we were always about to begin a conversation
we told each other we had years ago
met somewhere
and we talked only with eyes.

Then on a day, for days
they weren't there anymore.

I try to imagine their age
if they were old enough to be dead.

Like a ray of hope I love to believe
they moved away elsewhere.

Four men short and it will be five.

Maybe one eye will look for me
a little sad at my missing
just another man not seen anymore..

An ordinary man, a poet at heart
who felt more than could express.

He wouldn't know.
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