Get on.
Turn your back on death. Smile.
The journey of your being continue.
The days roll by like a train
diminishing in inevitable distance.
Nothing can stop tomorrow.
People disembark randomly
at the stations of your heart.
Friends, lovers and family
walk off into worlds of their own.
The train rolls relentlessly on,
faster, always and only faster.
You know the final destination.
Soon, you will be wholly ghost.
One life, your life, one lonely world.
The conductor calls out your stop.
Turn your back on life. Smile.
Get off.

I'm only a poet with only a song,
and sometimes I get it, and sometimes it's wrong.
I live in a box, a box made of pain.
It sits in a field at the end of a lane.
A house without windows, a house without heart.
It's hardly a castle, but I call it a start.
It sits in its loneliness, no cars pass it by,
it crouches in loneliness beneath a gray sky.
The world stops outside. I stay within,
with my words, my memories, my pride and my sin.
I remember you baby when you came to this place
with your cheap lingerie and your lust on your face.
I remember you baby how you gave me that look
that no lonely alchemist could find in a book.
That look that told me that you wanted it all,
that led us to gasp and to writhe and to fall.
Your fingers were fever, your tongue was a snake,
you drew me inside you, your fire made me shake.
But love burns out as it flares in the night.
We got most of it wrong, but some of it right.
And then you were gone and I was alone
with a heart that was broken into pebbles of stone.
Left in that box, that box made of pain,
that sits in the field at the end of the lane.
See I'm only a poet with only a song,
and sometimes I get it, but for you I was wrong.

On cloudless moonlit nights
When the world is silver and darkest blue
And silence seems to reign supreme
If you stretch your hearing inwards
You will hear the distant moans
Of long lost lonely dreams
Homeless and obsolete
Fading away
To become endless shadows

                                           By Phil Roberts

there is magic in concrete
        if you believe

when you work the surface
        flat, in circles,
the float tool buoyant
        on a gray puddle
here’s the enchantment:
with fingertips on the handle you can
        sense the wet concrete, the mojo
        like a sleeping wet bear
solid in mass yet grudgingly liquid
        sort of bouncy
        as you stroke

pebbles disappear, embedded
the tool is ******* cement
        a final thin film, a pretty coat
        over guts of gravel and sand

now hose the mixer, shovels, tools,
        hose your hands and boots
as the water disappears, so shall you
        unless you scratch a name

honor the skilled arms,
        the corded legs and vertebral backs
        the labor that shaped
this odd stone
        sculpted, engineered
        implanted with bolts
forgotten
half-buried in dirt
bearing our lives

Coldness, I have watched you
in the shadows,
and you have given me mine
from time to time, awake
I slumber down paths
of moss and who knows what all
darkness we can gather
one at a time, but not one soul
can make a bouquet from another
soul, it is too cold to be dreaming
and there is no place for the duelist,
the two of us, lovers of black clothes
and fairly good looking women,
it is almost winter and the wind
is my second, wearing a dark cloak,
breathing in the dead eyes
of my brother, how they shine
and listen to him sing that sad song
will you, while gathering snow
and turning darker than starlight.

The first thinkers were poets
Naming Mother Earth
Beginning symbolic thinking
Of nature, death and birth

Though themes are often repeated
Love, Beauty and God
Poetry in the guise of Religion
A prophet or a fraud

The poet resurrects the Primitive
Through allegory and similes
Disarming the unknown like explorers
Sublime Prophets and Visionaries

They must lay bare those treasured images
That must be expressed
Unraveling and revealing the sounds
At each soul’s behest

Encompassing the entire Cosmos
So lyrical the beat
The poet’s excitement flows outward
Laid at the Reader’s feet

So original, individual
She won’t examine or explain
Letting go the festering feelings
Disturbances in her brain

He exposes his dark, wounded psyche
Just to release and express
Such capacity to see and compare
Hyperbole at its best

I love, I hate, I suffer
A special dance in rhythm and rhyme
The poet as a buffer
Lessening the pain and sting of time

Laden with symbol and feelings
She gives you sweet relief
From something urgent, revealing
Confusion to belief

Through a cinematic kind of seeing
The poet purges to transform
By leaping through Alice’s looking glass
She never was one to conform

Quite intolerant of convention
Just like The Mad Hatter
His passions immune to all logic
In syncopated patter

Jamming up the poet’s mind
Struggling for expression
Seeking order out of chaos
An infantile regression

Cleaving to his imaginary world
The poet breaks out into words
Creating sound paintings to be unfurled
So his own agony is blurred

She succumbs to storms of passion
With instinctive techniques
Rhymes and rhythm still in fashion
Out of hand flows mystique

The poet mines from his unconscious
The Reader is not blind
For every single line and symbol
Means something to the mind

Causing an inner liberation
Enlightenment or flight
It is a matter of life and death
When darkness turns to light.

Solitude I wear
      like a second skin
my biggest weakness
       my greatest strength
   wading through 
quiet and tired 
    in seclusion
 as dawn draws
    her arms around me 
cold       and damp
    like the sea
           with no oil
for my lamp
       to light my way
through another
      dark    and lonely
November day.