Transit camps that look like concentration camps.
Fenced in as cattle.
No gas chambers to be seen, no gas fires either.
The people get colder.
Younger and older.
They're full of lost and lonely souls.
Women, and children.
All the same goal.
From a home that's unstable, to a missing table.
Complete with Gingham table cloths, brilliant white with squares on.
The message is nobody cares on our planet.
The windows are catching the glint of the light.
The windows hang open, all day and all night.
They're nowhere in sight.
The windows that is.
No windows, no doors, just fences.
Not often daytime.
More often night.
This Skid Row is full of children that cry.
Some of whom die.
Too many in fact.
Some born in transit.
Too many are stuck.
The world turns it's face away.
To the displaced just another day.
(c)Livvi

Childhood dreams
Were shattered long ago.
New dreams were distilled
From tears and fears.
Bitter dreams withered
By reality.
But dreams nonetheless.
They fall away like
November leaves.
Drawing strength
From love. From work.
From life’s purpose.
She perseveres.
A struggle on a slender
Precipice
Never looking down.
Acceptance is a clever
Way to deal with pain.
Clutch it to your breast,
Make it yours.
Devour it. Spit it out.
She has had her fill
Of acceptance.
Tomorrow perhaps
Devoid of dreams
Will sustain her
And take her to
A place of peace.
Where she is loved
And loves herself.

by John M. Ford*


The worm drives helically through the wood
And does not know the dust left in the bore
Once made the table integral and good;
And suddenly the crystal hits the floor.
Electrons find their paths in subtle ways,
A massless eddy in a trail of smoke;
The names of lovers, light of other days
Perhaps you will not miss them. That's the joke.
The universe winds down. That's how it's made.
But memory is everything to lose;
Although some of the colors have to fade,
Do not believe you'll get the chance to choose.
Regret, by definition, comes too late;
Say what you mean. Bear witness. Iterate.

For Katharine R. Cole

If gormless is as gormless does unite
That past of him and present me, I’ll turn
His other cheek against his waning sight;
I’ll **** his Hamlet soul to cringe and burn.

But dripping cannot thick or think in depth.
Blobs like blackened bulbous beads of eyes
Persist on shrinking into transits swept,
And down through dullard pools of choking fire.
Yet treacle binds my bole wood vocal chords
In rapture from such silence to withdraw
From sand that quickens, thickens, and distorts.
Can earth and water’s union mask my flaws?
The answer dares to dream but I refrain.
My name is Mud. Dear God, that is my name.

The foot: an endlessly dull point
Breathing technique, perfected by Roman Bill,
And a tall, sinewy, fine china ***** heel,
Cheap to most and worthless when submerged, submerges.
The tough Elephant hide surface
Of a swamp-like state and state.

Q. How does one become embroiled in such a located province of mind?
A. Alcohol’s venomous beauty and cheap living costs.
     The South.
    
An Elephant on a scooter stares blindly
At its own reflection circling the limb,
Shrugging dew drop eyes at what man had forgotten.
Not once, but twice.
    
The foot becomes a divulging calf of information
Sputtering in this bubbling torment of beige,
And pulsating around like an African tunnel
Waiting to be filled – fulfilled – ******.

    
The knee complies,
                      Sinking,
                                 Slowly,
                                          Not painlessly,
                                                             Not quick.

     The mercy of a lethal injection’s lie becomes
Absurd when one’s limb is the needle;
One’s brain the plunger of acceptance.
His gasp, a roar of silent fruit ripening in a
Mode too fast, cutting life and laundering
Expectancy whilst hanged from a
Whined whimper of Penance.
Purgatory’s whistle blows for time.  

II

A small red car clenched tightly
In the hands of a tightly tiny black boy,
His eyes huge and deep, but white; untouched by
Time’s clock or the weight of granite black that
He leans upon. Plastic tires screech horizontally along the
Structure of a Library’s historic insight.
Below, the ground is dry.
Beneath him, the ground is solid.
    
        Meanwhile, molten muck pulsates around
Our swirling antipathy of soul crushing
Nullness, with a lack of guilt unimaginable.
It bubbles, it bubbles: it toils in boiling rubbles
Of the past’s present and All I Could Have Been.
And I have never, could never
Sink lower in reality;
Blow harder against punishment’s wind;
Cry for this other as a **** filled wound weeps down her face.
    
The swirl of liquefied dirt and sand bags me,
Drags me, as if some *** lover of Hades is not done
With what is left of me. Disease to spread: just a little, just
A little more, like the detrimental bottle that
Knew me.
    

      As the hip is engulfed, an angle of almost perfect
Ninety creates  itself against the horizontal extremity
And puny ballsacksquash entails. Useless yet overused;
Timeless yet impressionable, pensionable. Gone.
Nothing knows me but this thickness’ quickness.
          That wants too much
From nothing               but existence
And the scab that fastens with time.

III

Turn the bottle back and find strength to
Outpour the clock and grant eternity.
Non compliant strength paid a fiver
For a soul worth two at the most.
A penny for the worthless: For the sickened lame.
Empty time feeds rays of golden from the sun fuelled
Encrusted *******, mudfast on heat.
This somehow seems like action.
Firm firmness but cracked with ease and
Non-returnable once inflated;
Non-negotiable on the bloodorgans of salt.
Weakness and powerlessness: *****.
*** for tat, for ***, ***, ***. For tat.
    
     The Elephant rises.
You brought this upon yourself, this rain of mud;
This treacle that will dry when you are dirt.
You would not let it ******* lie.
All of your ******* life: this strife, that wife.
     Your second leg (the grasper) tries,
     At length, to shield your heart:
     The only thing that cries.
     That does not want to die.
     Cartoonish bubbles of brown pop to the tune
     Of Loonies; of your shoebox brain that screams in vain.
What is your name? What is your want?
There is no blame you ******* maniac.
Everyone knows. Sink awake. Sink.
     Rest: do not sleep. Freezetimeframe.
     There is one more timeless point to make.


The sun and moon meet brief: the seconds count,
But die shy of one minute. Clear the road.
‘Tis dusk, I fear they named it. Raise the mount
And sacrifice another drowned sot load.
The moment thence: Anonymous descent.
The digger meets the dead in buried time.
The wish is washed in mud, the liver spent.
The blood-stained hands of Glasgow dodge the crime.
Make speed my sick sad Miller, grind the grain
Of Galloway, Gibb, Neave, Dunlop and Cole.
Your ghost will haunt your tag if not your brain.
Your heart should part this city river’s soul.
The sunjoke frozen, captured, stumped, and framed.
My name is Mud. Dear God, that is my name.

I got no boat to row away with
No time to float and say that this
Is a dreaming play date

I got no plane to hit the skies with
To fly high in the night life
Letting those clouds kiss the tips
Of my wings

But I got me and a little bit of
Daydreaming space tripping stuff
Lying in bed
But in my head
I am everywhere

long lost years
our master, Shakespeare
traveled to London for four days
no shillings or good garments in his bag

he stayed in lodge inns
penny a night
he had to gave up with a sigh

the smell of midden-heaped lanes
from the slum tenements
he had to bare for nights

he held both jobs
holding patron's horses
or prompter's attendant

and as destined to be a playwright,
his plays express aspects of life that transcend time
he wrote to be remarkable
and to put food on the table

illuminating human experience
a genius mind...

a playwright, poet and actor
that we will always admire.

Amiens sings: Under the greenwood tree,
Who loves to lie with me,
And turn his merry note
Unto the sweet bird’s throat,
Come hither, come hither, come hither:
    Here shall he see
    No enemy
But winter and rough weather.

  Who doth ambition shun,
  And loves to live i’ the sun,
  Seeking the food he eats,
  And pleased with what he gets,
Come hither, come hither, come hither:
    Here shall he see
    No enemy
But winter and rough weather.

Jaques replies:   If it do come to pass
  That any man turn ***,
  Leaving his wealth and ease
  A stubborn will to please,
Ducdamè, ducdamè, ducdamè:
    Here shall he see
    Gross fools as he,
An if he will come to me.

Lady Macbeth washed her hands
cleaner than Pontius Pilate
with a new improved, bio-enzyme
oxy-bursting, 99.9% germ-scouring
recommended by dermato-logists
scented with rose attar
oils from Arabia
and spermaceti soothing
unguents from long dead whales.

She’s going to the nail bar
for a manicure and application
of semi-permanent, diamond-
tipped, acrylic base-coated
in red blood enamel.

She’ll scratch
and etch rich tattoos
on her husband’s back
with every ******, he will shudder
with pain and delight
He’ll soon forget long, dark nights
bewitched by ghosts and ambition.

© M.L. Emmett

Come, silver moon, alight on troubled clouds,
Gift them thy saintly glow lifting the gloom
Levied below, with flowery haloed buds
Springing forth like the lamb from mother's womb,

Light up anew hedgerows and quilted fields
Where cattle sleep in clusters like faint stars,
Constellations huddled upon the wolds,
Breath nebulous as fogging stale cigars;

Ill omens thrive to drift in darkest times
From cloud to stony cloud above the night,
Watching for victims from high lofted climes,
Raining full pent up fury of their might:

Come, silver moon, gift troubled clouds thy lining,
Hope lives in thee as long as thou art shining!

It is deafening silence
Beneath the lanky pine shrouded of darkness
And the bed of needles soft under hand,
Snow sits shallow and dulled behind a curtain,
The hushed breath of a boy out of hand,

And the bark rough against back,
And the stick of sap against the palm, and the screech
Of tires far afield, and the breakneck cold
Cries with hidden desires of dark shadows breach
In the low mountains of housed hills where silence holds.

Once when warmth was in the heart
Among the walls solid evergreen held,
As the food hot and the flames low, a boy unfolded
The truth of heart that smoldered in anguished meld,
Rushed and tumbled forced out upon the wold

Of snow. And alone then
In the darkening cold, run by the streets light
And the pavements white with turned ash and the men
Roosting asleep while the barking dog grew trite
Whom echoed among the covered grounds and then

Stumbled on with anxious limb,
Thus feet sting, the glacial frost bitterly bites,
The hooped ring luminescent and hung, the lanky pine
Comforting in its shelter bare of lights,
And there to rest and rebuild new spine.

“He knelt, he wept, he prayed,”
By the hurt of his heart feeble in the dense dark night
And huddled bellow the knotting pine though in the homes,
In the past warmth, in the slow light,
At the loves gracious hold, he wished to roam.

“He knelt” in spindled branches,
“He wept” being cast out, “he prayed” to the hidden gods
That he be found rescued restored to right
Darkness pushed aside by the cars beam and the boy at odds
And the shimmering diamond studded earth and the black white

Into that light of promise
He wished to go but he sits eyes closed to darkness
With out the car which passed and broken he stands.
His heart wrenched breaking him choked by the collar
And up the way whence came to the shattered lands

It is deafening silence,
Reentering in the house torn, in the whirl-
Wind of heated battle, into his room
He crawls, in the slow light of the dreams world.
And he rises with new light arching through the sky.

When daisies pied and violets blue,
  And lady-smocks all silver-white,
And cuckoo-buds of yellow hue
  Do paint the meadows with delight,
The cuckoo then, on every tree,
Mocks married men; for thus sings he,
              Cuckoo!
Cuckoo, cuckoo!—O word of fear,
Unpleasing to a married ear!

When shepherds pipe on oaten straws,
  And merry larks are ploughmen’s clocks,
When turtles tread, and rooks, and daws,
  And maidens bleach their summer smocks
The cuckoo then, on every tree,
Mocks married men; for thus sings he,
              Cuckoo!
Cuckoo, cuckoo!—O word of fear,
Unpleasing to a married ear!