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How strange, the pull that tugs my heart, toward a distant sea.

How haunting are the sound of sea gulls crying eerily.

The allegory still remains, of timeless waves in life

Turning rock to shifting sands, the sea winds, like a knife.

And yet, amidst the turbulence, serenity and love

The struggle of the sea and shore, that fits so like a glove.

The music breaks my heart in two, this ballad by the bay.

And I shall hold it in my soul, this song we used to play.

I still can hear the rollers as they broke upon the beach.

And even though I’ve gone back home, my memory, they reach.
This poem comes from a dream.*

Sun—as February ordains it
roseate—early
twisted inordinate—in gray blanket
Snow has sifted to the pockets, wrinkles
the cuff of his woolen cap

An old hand rubs stubbled cheek
Snow flickers and falls again
in a dazzle

As he groans and stirs—
sparrows sing
As he struggles to sit—
sparrows sing
As he exhales into the chill
he considers the lilies of the field
Their luminous curling petals rise
steam or hope?
or just white smoke
wandering from the tiny fire
He sits a while to listen
to sparrows bickering in the bushes
then bursting into song

They have their audience

Across in a court of broken glass
and toppled stones
a room— still partially intact
Kindling gathered
Marta melts snow for tea
peeling potatoes in her lap
Stops to blow on hands
Marta’s heart—decent, visceral
like her hair—bun, kerchief
like her words—few in the failing
like the wounds of her smile

And Mikhail—harnessed
to the sounds of service
Orderly rhythm in ruin
hush    hush     hush
of a broom stroking cobbles
Mikhail—his hands wrapped in rags
old warrior  
now, restorer of places to live
Stops, removes his cap
squinting sunlight into the channels of his face
Then turns toward unsteady shuffling behind him

“You shouldn’t.”
Tears interrupt
reaching for the broom
“You shouldn’t do this for me.”

“No, no, Holy Father. It is little thing—
a little thing I do.”
A number of references from "The Sermon on the Mount," particularly, "Consider the lilies of the field..."  and that "a sparrow does not fall to the ground outside the Father's notice."

White smoke is a sign to the waiting world-- that a Pope has been chosen.

An article in *The Guardian* today about how there are groups that hate the present Pope for his renunciation of  tradition, wealth, pomp, and the "Vatican Courtiers".  Made me think of this poem from a dream.  Although not a practicing Catholic, I like the present Pope.
which period shall I resound the four
verses one, the rhyme?  shall I use parentheses
or just write free, might I space
or italicize or leave this un-glamorized?

I walk down the long six-story concrete steps
a step at a time divining
the barren apartment
the govt spends
its money on above hovering

You think I want to live here
in this danger rat infestation
its free but that don't make me happy
I have a baby
and the world calls me a freeloader

obviously, I have decided to
write this in stanzas
it doesn't flow like the steps
this woman walks down daily
I do my best

sometimes I sleep with men when the cupboards bare
I decided to break the flow up

for why
I don't know

I have gone two weeks without diapers before and my baby
I would do anything for her so don't judge me. I
am not a *****.

I am trying to survive.  

Again I interrupt her story to inject-
poetry has to make a difference, it often doesn't rhyme, it
isn't made to be  syllables and meters.
It is to make a difference. Let me shut up.
let her speak.

I didn't mean to bring a child into this hell. But I gave in
to one night of weakness, Now I am stuck  on the sixth floor here in this bleak *** building with no hope no
idea how I might make her life better.
I have tried god.

All I have now are the streets.

The streets are brutal.
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