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Late at night is when I think
And try to I clear my head
I often stay awake all night
Just laying in my bed

As soon as I get comfy
Thoughts start racing in
I start to question everything
and regret my every sin

At first the thoughts are gentle
Like what will I do tomorrow
But as time crawls by; they escalate
Till I'm drowning in my sorrow

I think of all my failures
Every detail of what I did wrong
After hours of reliving pain
I convince myself I don't belong

I suddenly feel isolated
and like the silence will never end
I feel like I will never escape
There's too much I just can't mend

I feel overpowered and worthless
Like I'll never do anything right
I hide till the world fades away
And I'm awoken by the light

I realize a new day has come
It's time to put on a brave face
I put those negative thoughts away
Until I return to this place
 Mar 2014 witchy woman
Tom McCone
Upon a web strung across vast fields of
pure and distant velvet nothing,
perfect back-traces of the flickering past
revolve in place, in silence,
signs puddled for an instant from abandoned
corners of clusters. Polaris sieves a movement,
severs Octantis in a slated blink of being as quiet
reaches from further clutches, as a light quivers against
the dark, enshrined in its own solace, drinking from
a garden of heaviness; a sigh slips, echoes and lingers.

A tidy emptiness wavers in the tide of
time-shifting constellations, pulses lost in the single
night that never stems. A fine dust propagates
under the breath-patterns of its own constituency.
No symbol spoken, the still moment reaches and
encompasses all, heaving in glass moments compressing
beneath layers, bathed ablaze and curling through its
own precessing maw. Gathering, spiralling pieces of
uncoalesced millenia hurtle against an again hurtling
arm of a freckle gathered on a point of dust drifting
between caverns diving through the weight of walls holding
all that support their standing. A drop of light quivers
from each mouth, hides in crevices where smaller droplets
stand firmer at each junction, stand shining quietly with
no motive, dials slipping. The dripping lays down sheets,
climbs no corridor, designs a movement of no consequence;
dries out, knowing full well all the while. A ghost remains,
or a breath, both ultimately of finite import:
an exhalation or mote of dust.

Rain won't fall, the creek remains and, in tumult etched of
rigid symmetries, forges splits in azure. A broken fullness,
a glimmering product to permute and dissipate repetitions,
the slow formation of a complete emptiness.
In fine tapestry woven through the murk bellowed, the pattern
twists, coiling fingers through itself, the coalescing rotations
play out silence in no coda. The creek was never there.
Rain makes its way.                                                                  
                                       Capsular soil gives, capitulates petrichor,
defies dust aridity to cling in soft bundles about the child,
clothed in broken wings, tail clambering, all fine splits decided
upon countless repetitions passed. Light hovers and lights stand,
spin, in turn, as intervals chew tails through no static
motif, each gesture a mockery of predecessing broken ground
as fingers sliver ever toward known constancy,
blankets of warmth, an unclosing eyelid. Thus shuffles
awake the clamberer, to stretch and arc against potentials,
to fluoresce and bathe in radiance. A greater scheme
mingles at the tips of outstretched arms carrying wings
to break and flesh to guide a canopied architecture into
clearings laid out below twinkling webs to fold through
and let breath be taken as pawprints slowly form the
fingertips of a new architect. The children of the
child watch silent as motion trickles from centuries'
fortune. An emblem hangs in soft light on a ripple over
all-but-still water, cohort as glittering fragments strewn
beside. A bird's cry is lost in the marsh.                        
                                                      Again,
moments of absolute movement lay out beds of stillness, of reprieve.

At sea level, the curling faultlines feed open plain from
glass tears and monuments fleck the landscape of horizon.
To a pivoting sequence carves tiny bound structures in
self-image, a boiled-down replication to forge immemorial
traverse, a hairline fracture led blind through lakes of ice.
Still, to carry forward in a display of conviction, fine
splitting lineage diverges and cross-pollinates. First a
step, then a meadow, a panorama, three scores of
underbrush, seven mountains cradling a single pass,
two endless expanses of peat, one river for the life
of a child, three nights of no sleep, a resolve,
six iterations, one modification, seventeen snowfalls,
one feat built slow to grandeur, three months at sea,
three years at sea, three thousand years, seven oceans,
four hundred billion innovations, a blink of an eye. From
closed wings rise ordered patterns to clamber, always
asleep, to punctuate that immutable grove of light now
organized in transient gleams of projection and
nomenclative claim. Hollowed bellies of these
unstirring colossi, in turn, self-assemble and
writhe against an upturned gradient: disorder
bares teeth, crafts homogeneity and stumbles
on as Polaris dutifully continues in slow march
and reclaim of a ghost still cycling and hiding.

Finally, the moment takes grasp of all else
and itself, and parts tides of now-distant lights
through the ceiling and collapses where, between
word-laden walls, a tiny and terrified piece of
it attempts to reveal to all else that the moment
is already
gone.
written for a reading; never read anyway.
11-12/03/14
Oh,
I love spring.
With the frogs jumping
Upon lily pads.
With the wind blowing
Cool against my face.
Just so peaceful.

Oh,
I love spring.
With the crickets playing
A colorful song.
With the sun being
A pretty gold.
Just so wonderful.

Oh,
I love spring.
With the green grass
Soft against my checks.
With shooting stars
Soring in the night sky.
Just so brilliant.

Oh,
But this spring was different.
The frogs didn't jumping
Upon the darkened lily pads.
The wind was blowing
But with a ugly stench.
Just so uncomfortable.

Oh,
But this spring was different.
The crickets weren't even playing
A sad and lonely song.
The sun was red with anger,
Behind the dark clouds.
Just so much loneliness.

Oh,
But this spring was different.
The grass was not green
And was hard under my feet.
And the sky,
Oh, the sky.
Was covered in clouds.
Could I not see
One star fly?

Oh,
That spring was a silent spring.
For the only noises
Came from yourself,
And the factories
And cars that flew behind you.

Will we be forever stuck
In a silent spring?
We all want that
old-couple-sitting-on-a-bench
kind of love.
A love that lasts a lifetime.
Today is the first day of spring
I can’t wait to see my favorite flowers
**Bloom
I'm so happy that the snow is almost gone, I love flowers
 Mar 2014 witchy woman
Sarah
You're love.
You're the bite, the sting...
the words that are hanging on my jaw.

You're my little bird.
 Mar 2014 witchy woman
celestial
ves·tige /ˈvestij/ noun.

a trace of something that is disappearing or no longer exists.


there is still a vestige
of love for you
left in my heart.

there is still a vestige
of the words that you
whispered to me
at night;
etched in my skin.

there is still a vestige
of your kisses
lingering
on my lips.

there is still a vestige
of *you

in
me.
i really hope i used "vestige" in the correct context (haha...)
I live to fall at times of worries.
It's fine to feel complete bliss.
Tell your sad straight.
To  feel your touch of goodbyes.
It's a  privilege to have been near them.
Where ever i will go time is set in stone.
Maybe a single rose can stand on one stem
so, can I.
 Mar 2014 witchy woman
Tom McCone
curling up into all sweet confusions
that trickle down from
your touch,
we become the sky, as birds fall
from above. i lose
a tactician's leverage throughout
this fog; a descension
if you were the moon,
an aberrance,
if you were a single leaf,
dripping from this
tree coiling up to
the lights hung on
netted strings set under
the darkness of the sky,
where-ever you have been.
where-ever you are.

   so,
   do the stars still shine solely for you,
   the nights you most need them?

perhaps i have
gone blind,
just when i need to see you,
more now than ever.
perhaps i've just
been sleeping
a little
too long, inside this cave.

   does the sky still divide the sea?

but, undoing the buttons on your grip,
you build declensions on foundations
of realisation: with full authorship of
your motions, you know you could
go anywhere, love. you now know
away from i is any road, every treadmark
save this single one.
                             and mine is hardly treacherous,
but you'll still only find me in mountaintops,
so i could barely blame you if the path gets
too narrow, or too long-wound.

   do the clouds still turn images
   in full colour, late afternoon, to
   remind you of shapes i imitate
   in all fractured disappearances?

i've seen retreat from so
many sides now, the addition of
yours could
hardly make a dent. not that i
would not lament a loss like you,
more than anything.

   yet, don't
   worry, never
   worry, i can still stay in motion.

still, if you see fit to
collect all broken pieces of me,
and build up this cottage, or nest, you can keep
your heart here long as
you like, darling.
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