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244 · Nov 2024
You Know That Feeling?
Ayisha R Nov 2024
You know,
that feeling
when you like a person—
and the person likes you back?

Blissfully
coincidentally.

You know,
this feeling
when a person likes you
and you somehow,
like them back?

Ignorantly
conveniently.

Reciprocally;
reproachable.

🪞
Reflection on mutual vs. circumstantial reciprocation between two people, which is often conditional on one’s self(ish)-interest.

_________

© Ayisha Rahman, 2024
241 · Nov 2020
Bubblegum.
Ayisha R Nov 2020
I am a bubblegum
that has lost its taste.
I came in pinkish-turquoise
irresistibly innocent packaging.

I was unwrapped by you.
Chewed up by the muscles in your mouth.
Savoured by your taste buds.

Once.

I was sweet.
Sometimes too sweet,
and sugary-high
for your impulsive liking.

Popsicles.
Apple pops.

Now I am a pale-pink
-coloured bubblegum.
I am a bubblegum
that has lost its taste.

I am the bubblegum
that you stick underneath your desk.
The bubblegum that you
frequently-accidentally,
or coincidentally,
brushed your bare knees upon.

I am the bubblegum
that is hidden,
and hardened.

How I wished
you would just spit me
onto the ground.

Let them walk upon me.

How I wished
you would just spit me
onto the crumpled worn-out wrapper.

Wrap me,
and throw me
into the ******* bin.

Let them recycle me.

But instead,
you keep me glued
underneath your desk,
along with other bubblegum
that have lost their tastes.

Hidden.
Hardened.

Sometimes,
you miss my taste.

Just like how I miss
your gliding tongue
—against me.

Hardened.
Hidden.

Somebody,
scrap me.

🍬
© Ayisha Rahman, written circa 2014
188 · Apr 6
Roadside Reverie.
Ayisha R Apr 6
After
umpteenth
power naps;
2-hour drive—
gradually dissolved
into 5 hour of fleeting
microsleeps.

Driver
duty
/
duly.

Yours
truly.

💭
_________

© Ayisha Rahman, 2025
158 · Nov 2020
Women's Circles.
Ayisha R Nov 2020
The sky went white as milk.
The thorns grew wider.
Thorns stabbed her body.
She could not go any further.
Release her soul from the little cub's body.
Let her spirits roam the mountain.
Take her. Take her to the bear.
The mouth widened and teeth came down on her.
She leaned willingly into the mouth of breath and pain.
It ate her childhood and made her a bear.
Silence reigned in agony and darkness.
The trails of her footprints ended there.
She remembered the scents of mornings, of blood, and stones.
She had understood the whisper of the winds.
She swam into the river with little fishes.
She danced under the juniper tree.
She talked to the birds above.

She felt mud breathe.
The mountain was hers.

“Mother, eat my childhood”
“Make me a woman”.
Inspired by Dark Heart (James, B., 1992). This was written in high school, circa 2006.
144 · 7d
Americano.
Each sip burns my tongue,
yet the more I taste,
the deeper I’m hooked.

You’re bitter-hot,
bold and addictive,
in every drop.

No-calorie sweetness—
no weight,
just ache.

☕️
_________

© Ayisha Rahman, 2025
Ayisha R Nov 2020
"Cik" to "Puan"
"Encik" to "Tuan"

"Cik" to unwedded,
seemingly chaste,
selectively-sweet
glorified young women.

Those who appear otherwise
—to be married..
consequently,
"Puan"?

Men as "Encik"
regardless of marriage,
status or demeanour—
but only those
with higher,
superior
authority
as, "Tuan"?

"Bahasa jiwa bangsa,
kenapa kau nak terasa?"

These are some
of the patriarchy
in a white-collar vocabulary
that it is not so much
of the vocabulary
but the society

that I shall
probably
never
understand.

Jadi aku unbottle
them all out in this rant.
_________

Cik [ch'k] (n) = Miss
Puan [puoan] (n) = Madam

Encik [en.ci/] (n) = Mr
Tuan [tuoan] (n) = Sir

("Language is the soul of the nation,
why are you offended?")

Jadi [ja.di] (v, can also be used as conjunction) = So
Aku [a.koo] (pronoun) = I

_________

© Ayisha Rahman, 2020
139 · Apr 16
Low Batt.
Ayisha R Apr 16
Low
            batt,
high—
stakes.
(mi)stakes.

Moonlight.

Moon­ light.

🪫🌗
Too drained, but must. stay. awake.

_________

© Ayisha Rahman, 2025
95 · Nov 2024
Digital Blot.
Ayisha R Nov 2024
This digital blot
has been my saviour;
doing me a favour
though shadowed
as someone else’s
labour.

This digital blood
is my waiver.
Marks of trauma;
across my chest
and shoulder.

Digital.
Blot.
Blood.

Analogue?
—demagogue.

🖋️
© Ayisha Rahman, 2024
95 · Nov 2020
Menstruation Revelation.
Ayisha R Nov 2020
Today I had a revelation,
that I have always been scared of validation.
It has become some sort of a sanction,
that I could not bring myself to contemplation
- to put all the jumbled up words into prioritisation.

Yesterday I made an observation,
that I have always cared for validation.
Perhaps cos of these
painful *******,
ironic dissatisfaction,
irrational depreciation,
(ill)ogical dissociation-
juxtaposition,
period.

I have found the courage to admit the jurisdiction,
that I have subliminally craved for validation,
provocation,
affirmation,
impression.

Hence, here is
my conviction,
repetition..

Resignation.

🩸
© Ayisha Rahman, 2020
92 · Nov 2020
Bleachin'.
Ayisha R Nov 2020
Never trust the colour
on the packaging
—cos it’ll bleed;
red,
pink,
green,
blue,
black.

o'you'll bleed.

Those colours'll blend
into peroxidic concoction,
so you'll buy capitalistic conditioner
that conditions you
to buy again
and again
to prevent
the bleeding.

Adverts.

Fools.

Bleach!

🫧
© Ayisha Rahman, written circa 2019.
91 · Nov 2024
Cookin’ Your Roadkill.
Ayisha R Nov 2024
Pour couple drops
of apple cider vinegar,
onto the juicy
and plumpy
fresh meat.

Apple cider,
balsamic.

Anything
that could
wash away
—the taste.

🥩
Another perspective of pouring salt on open wound. Instead of running away from your past, you acknowledge.. cook, and eat them.

_________

© Ayisha Rahman, 2010
83 · Nov 2024
Sick and Fried.
Ayisha R Nov 2024
Sick
and—tired.

****(ed)
and—fried.

Tested,
and
tried.

🔩🪛
Inspired from a person’s feeling of being (ab)used feat Sneaker Pimps’ Spin Spin Sugar as the background track to this.

_________

© Ayisha Rahman, 2024
81 · Nov 2024
Laced-up.
Ayisha R Nov 2024
She—
torn up,
locked up,
showed up,
glowed-up,
glazed-up,
laced-up
the corset
that chokes
like a fauxly demure
pink tourniquet,
puppet

she is,
she was,
she’s been.

⛓️
🎀
© Ayisha Rahman, 2024
Ayisha R Apr 6
The web,
unraveling.

The focus,
flickering.

The world spins,
on a different axis.

LAN literally dying,
but the riffs?—
thriving.

🔀 📶
After a long Eid break, with Bad Omens’ The Death of Peace of Mind streaming fast on my Spotify — a strange symbol of freedom and chastity after the holy month.

_________

© Ayisha Rahman, 2025
73 · Dec 2020
.
Ayisha R Dec 2020
.
I used to have a voice—
until I become silenced.
© Ayisha Rahman, 2020
71 · Nov 2024
Damn, Would.
Ayisha R Nov 2024
He’s not
meant
for
      this,
for
      that,

                      ­         for you.

Instead,
he’s meant
       for
      that,
for
      this,

      but
                  not
                                     for you.

If he
wanted to,
then he ****
would.

****
—would've
done
            it
                 ­ for
                            her.
When your thoughts, hit you hard, that your words become crumbled.

_________

© Ayisha Rahman, 2024
63 · Nov 2024
Pheromone.
Ayisha R Nov 2024
You
next to me,
and I could smell
your musky
perfume,
your skin
infused with
pheromone.

On-again,
off-again.

This feeling
relapsing.

🔁
© Ayisha Rahman, 2024
62 · Nov 2024
Therapist.
Ayisha R Nov 2024
You know you need a therapist
—when you start
writing
again.
© Ayisha Rahman, 2024
48 · Feb 3
Captain.
Ayisha R Feb 3
Rooted in resilience—
but true strength also lies
in empowering others
and growing from;
criticism.

Embrace
constructive
dismiss the -ve—
for growth thrives
where wisdom
is definitive.

Sink
or
swim;
you decide,
captain.

⚓️
© Ayisha Rahman, 2025
31 · Apr 19
Borrowed Cradle.
Ayisha R Apr 19
No ring on my finger,
no lullaby, just a linger
of noise and need
that I did not choose.

A borrowed child,
and in borrowed shoes.

A borrowed cradle,
in which I am
restlessly waiting,
relentlessly reading,
this flawed fable.

How did
I end up here?
🍼

The designated babysitter.

_________

© Ayisha Rahman, 2025
30 · Apr 20
Cliffside.
Ayisha R Apr 20
Here I am
on this cliffside,
hanging—
on the verge of falling,
on a threat.

Never expected
this to happen.
But you’ve
pushed this fluidity
to its very    
                       edge.

I’ve reached
this cliff
I never
meant to climb.

I’ve
liked you
too much;
might’ve loved you
enough.

Enough.
****, I’m letting go.

I jump.
I fall.

Enough.

I rise.

🧗🏻‍♀️
When did this feeling begin, and when will it end?

_________

© Ayisha Rahman, 2025
13 · 7d
Kabuki.
I change my fac̶a̶d̶es
like I change
my kabuki,
kumadori,
masquerade.

Strongly tonic.
Delicately platonic.
Performatively
neurotic.

—— Intermission ——

Formal *****,
casual dances,
tea ceremony.

Behind the stage
persona reveals.

Canapés with
unprecedented,
unpredictable taste.

Just how you might—
I like it.

🎭
Don’t wear your heart on your kumadori.

_________

© Ayisha Rahman, 2025

— The End —