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 Nov 4 Deja
R.S. Thomas
We met
           under a shower
of bird-notes.
           Fifty years passed,
love's moment
           in a world in
servitude to time.
           She was young;
I kissed with my eyes
           closed and opened
them on her wrinkles.
           'Come,' said death,
choosing her as his
            partner for
the last dance, And she,
            who in life
had done everything
            with a bird's grace,
opened her bill now
            for the shedding
of one sigh no
            heavier than a feather.
 Nov 4 Deja
Ben Okri
I remember the history well:
The soldiers and politicians emerged
With briefcases and guns
And celebrations on city nights.

They scoured the mess
Reviewed our history
Saw the executions at dawn
Then signed with secret policemen

And decided something
Had to be done.

They scoured the mess
Resurrected old blue-prints
Of vicious times
Tracked the shapes of sinking cities

And learned at last
That nothing can be avoided
And so avoided everything.
I remember the history well.

                                                                 2
We emerged from our ******* mounds
Discovered a view of the sky
As the air danced in heat.

Through the view of the city
In flames, we rewound times
Of executions at beaches.
Salt streamed down our brows.

Everywhere stagger victims of rigged elections
Monolithic accidents on hungry roads
The infinite web of ethnic politics
Power-dreams of fevered winds.

The nation was a map stitched
From the grabbing of future flesh
And became a rush through
Historical slime

                                                                 3
We emerged on edge
Of time future
With bright fumes
From burning towers.

The fumes lit political rallies.
We started a war
Ended it
And dreamed about our chance.

Fat fish eat little fish
Big ones arrange executions
And armed robberies.
Our ******* shapes us all.

I remember the history well.
The tiger’s snarl is bought
In currencies of silence.
Eggs grow large:

A monstrous face is hatched.
On the edge of time future
I am a boy
With running sores

Of remember history
Watching the stitches widen
Waiting for the volcano’s laughter
In the fevered winds

Hearing the gnash
Of those who will join us
At the mighty gateways
With new blue-prints

With dew as seal
And fire as constant
And a trail through time past
To us

Who remember the history well.
We weave words on red
And sing on the edge of blue.
And with our nerves primed

We shall spin silk from *******
And frame time with our resolve.
__
Source:
http://www.universeofpoetry.org/nigeria.shtml
[π™Ώπš›πš˜πš•πš˜πšπšžπšŽ]

π™³πšŽπšŠπš› πš‚πšŠπšπšžπš›πš—,
π™²πšŠπš— 𝚒𝚘𝚞 𝚜𝚎𝚎 πš πš‘πšŠπš'𝚜 πš‘πš’πšπšπšŽπš—?

𝙸'πš– πš˜πš— πšπš‘πšŽ πšπš’πš›πšœπš πš™πšŠπšπšŽ 𝚘𝚏
𝙰 πš‹πš˜πš˜πš” πšžπš—πš πš›πš’πšπšπšŽπš—.



[𝙸]
π™³πšŽπšŠπš› πš‚πšŠπšπšžπš›πš—,
𝚈𝚘𝚞 πš›πšŽπšŠπš•πš•πš’ πšœπš™πšžπš— πš–πšŽ πš›πš˜πšžπš—πš.
𝚈𝚘𝚞 πšπš˜πš˜πš” πš–πšŽ πš πš’πšπš‘ 𝚒𝚘𝚞 πš’πš— πš’πš˜πšžπš› πš˜πš›πš‹πš’πš
πšŠπš—πš 𝚒𝚘𝚞 πš πš›πš˜πšπšŽ πšœπšπš˜πš›πš’πšŽπšœ πšŠπš›πš˜πšžπš—πš πš–πš’ πš•πš’πšπšŽ
πšπš‘πšŠπš πš‹πš›πš˜πš”πšŽ πš–πšŽ πšπš˜πš πš—.

... π™°πš—πš πš–πšŠπšπšŽ πš–πšŽ πš πš‘πš˜ 𝙸 πšŠπš–.


[𝙸𝙸]
π™³πšŽπšŠπš› πš‚πšŠπšπšžπš›πš—,
𝚈𝚘𝚞 πš›πšŽπšŠπš•πš•πš’ πš πš›πšžπš—πš πš–πšŽ 𝚘𝚞𝚝.
𝚈𝚘𝚞 πšπš›πšŠπš‹πš‹πšŽπš πš‘πš˜πš•πš 𝚘𝚏 πšπš‘πšŽ πšπšŠπš‹πš›πš’πšŒ 𝚘𝚏 πš–πš’ πšœπš˜πšžπš•
πšŠπš—πš 𝚒𝚘𝚞 πšπš πš’πšœπšπšŽπš πš–πšŽ πšžπš—πšπš’πš• πš’πšŽπšŠπš›πšœ 𝚘𝚏 πšπš›πšŠπšžπš–πšŠ πš™πš˜πšžπš›πšŽπš 𝚘𝚞𝚝.

... π™°πš—πš πšŒπš’πš›πšŒπš•πšŽπš πšπš‘πšŽ πšπš›πšŠπš’πš—.



[𝙸𝙸𝙸]
π™³πšŽπšŠπš› πš‚πšŠπšπšžπš›πš—,
𝚈𝚘𝚞 πš›πšŽπšŠπš•πš•πš’ πš”πš—πš˜πš  πš‘πš˜πš  𝚝𝚘 πš πš›πš’πšπšŽ.
𝚈𝚘𝚞 πšŽπšπšŒπš‘πšŽπš πš–πš’ πš•πš’πšπšŽ πš’πš—πšπš˜ πš’πš˜πšžπš› πš›πš’πš—πšπšœ πš’πš— πš‹πš˜πš•πš
πšŠπš—πš 𝚒𝚘𝚞 πšπš˜πš•πš πš’πš 𝚝𝚘 πš–πš’ πšŒπšŠπš•πš•πš’πš—πš πš˜πš—
πš—πšŽπš  πš–πš˜πš˜πš— πš—πš’πšπš‘πšπšœ.

... π™°πš—πš πš’πš πšŠπš•πš πšŠπš’πšœ πšπš’πš—πš πš–πš’ πšπš›πšŽπšŠπš–πšœ.



[π™Έπš…]
π™³πšŽπšŠπš› πš‚πšŠπšπšžπš›πš—,
𝚈𝚘𝚞 πš›πšŽπšŠπš•πš•πš’ πš‹πš›πš˜πšžπšπš‘πš πš–πšŽ πš‘πš˜πš–πšŽ.
𝚈𝚘𝚞 πš πšŠπš•πš”πšŽπš πš–πš’ πš•πšŽπšπšœ πšπš‘πš›πš˜πšžπšπš‘ πšπšŠπš›πš”πš—πšŽπšœπšœ
πš πš‘πšŽπš›πšŽ 𝙸 πš–πšŽπš πšπš‘πšŽ πšœπš˜πšžπš—πš 𝚘𝚏 πšœπš’πš•πšŽπš—πšŒπšŽ
πšŠπš—πš πšπš˜πšžπš—πš πšŒπš˜πš–πš™πšŠπš—πš’ πšŠπš•πš˜πš—πšŽ.

... π™°πš—πš πšπš›πšžπš•πš’ πš–πšŽπš πš–πš’ πšœπšπš›πšŽπš—πšπšπš‘.



[πš…]
π™³πšŽπšŠπš› πš‚πšŠπšπšžπš›πš—,
𝚈𝚘𝚞 πš›πšŽπšŠπš•πš•πš’ πš›πšŽπšŠπš πš–πšŽ πš πšŽπš•πš•.
𝚈𝚘𝚞 πšœπš™πš˜πš”πšŽ πšπš‘πšŽ πš πš˜πš›πšπšœ πšŒπš•πšŽπšŠπš— 𝚘𝚏𝚏 πš–πš’ πšœπš”πš’πš—
πšŠπš—πš 𝚒𝚘𝚞 πšπš˜πš•πš πš’πš— πšπš˜πš—πšŽπšœ πšπš‘πšŠπš
πš›πš˜πšœπšŽ πšŠπš—πš πšπšŽπš•πš•.

... π™°πš—πš πš’πš πš›πšŽπšŠπš•πš•πš’ 𝚐𝚘𝚝 πš–πšŽ πš‘πš˜πš˜πš”πšŽπš.



[πš…π™Έ]
π™³πšŽπšŠπš› πš‚πšŠπšπšžπš›πš—,
𝚈𝚘𝚞 πš›πšŽπšŠπš•πš•πš’ πš•πšŽπšπš πš–πšŽ πš‘πšŠπš—πšπš’πš—πš.
𝚈𝚘𝚞 πš‘πšžπšπšπšŽπš πš–πšŽ πšπš˜πš˜πšπš‹πš’πšŽ πšŠπš—πš πš‘πš’πš πš–πš’πšœπšπšŽπš›πš’ πš’πš—
πš–πš’ πš™πš˜πšŒπš”πšŽπšπšœ, πšπš‘πšŠπš πšŠπšπšπšŽπš› 𝚒𝚘𝚞 πš•πšŽπšŠπšŸπš’πš—πš,
πš‘πšŠπšŸπšŽ πšœπšπšŠπš›πšπšŽπš πšŽπš‘πš™πšŠπš—πšπš’πš—πš.

... π™°πš—πš 𝙸'πš– πšœπš™πš’πš•πš•πš’πš—πš πš’πš πšŠπš•πš•.



[πš…π™Έπ™Έ]
π™³πšŽπšŠπš› πš‚πšŠπšπšžπš›πš—,
𝚈𝚘𝚞 πš›πšŽπšŠπš•πš•πš’ πšœπš™πšžπš— πš–πšŽ πš›πš˜πšžπš—πš.
𝚈𝚘𝚞 πš•πšŠπš’πš πš–πšŽ 𝚘𝚞𝚝 πšžπš™πš˜πš— πš’πš˜πšžπš› πš›πš’πš—πšπšœ
πšŠπš—πš 𝚒𝚘𝚞 πš”πšŽπš™πš πš–πšŽ πšπšžπš•πš• πšŒπš’πš›πšŒπš•πšŽ
πšžπš—πšπš’πš• 𝚠𝚎 πšŒπšŠπš–πšŽ 𝚝𝚘 πšπš‘πšŽ πšπš›πš˜πšžπš—πš -
(𝚝𝚘 πšπš‘πšŽ πš™πš•πšŠπšŒπšŽ 𝙸 𝚠𝚊𝚜 πšπš˜πšžπš—πš.)


... π™°πš—πš 𝙸 πš‘πšŠπš 𝚝𝚘 πšœπšπšŽπš™ πšπš˜πš πš—.



[π™΄πš™πš’πš•πš˜πšπšžπšŽ]

π™³πšŽπšŠπš› πš‚πšŠπšπšžπš›πš—,
πš†πš‘πšŽπš›πšŽ πšŠπš›πšŽ 𝚒𝚘𝚞 πš—πš˜πš ?

𝙸'πš– πš˜πš— πšπš‘πšŽ πš•πšŠπšœπš πš™πšŠπšπšŽ πšŠπš—πš
πšπš‘πšŽπš›πšŽ'𝚜 πš—πš˜ πš πš˜πš›πšπšœ 𝚝𝚘 πš‹πšŽ πšπš˜πšžπš—πš.


[π™΅πš’πš—]


- π™Όπš’πšŒπšŠ π™»πš’πšπš‘πšΒ Β 

       𝟢𝟾/𝟢𝟾/𝟸𝟹
some want it, I don't want it, I
want to do whatever it is I do
and just do it.
I don't want to look into the
adulating eye,
shake the sweating
palm.
I think that whatever I do
is my business.
I do it because if I don't
I'm finished.
I'm selfish:
I do it for myself
to save what is left of
myself.
and when I am
approached as
hero or
half-god or
guru
I refuse to accept
that.
I don't want their
congratulations,
their worship,
their companionship.

I may have half-a-
million readers,
a million,
two million.
I don't care.
I write the word
how I have to
write it.

and, in the
beginning,
when there were no
readers
I wrote the word
as I needed to write the
word
and if all
the half-million,
the million,
the two million,
disappear
I will continue to
write the
word
as I always have.

the reader is an
afterthought,
the placenta,
an accident,
and any writer who
believes otherwise
is a bigger fool than
his
following.
I even hear the mountains
the way they laugh
up and down their blue sides
and down in the water
the fish cry
and the water
is their tears.
I listen to the water
on nights I drink away
and the sadness becomes so great
I hear it in my clock
it becomes knobs upon my dresser
it becomes paper on the floor
it becomes a shoehorn
a laundry ticket
it becomes
cigarette smoke
climbing a chapel of dark vines. . .
it matters little
very little love is not so bad
or very little life
what counts
is waiting on walls
I was born for this
I was born to hustle roses down the avenues of the dead.
waiting for death
like a cat
that will jump on the
bed

I am so very sorry for
my wife

she will see this
stiff
white
body
shake it once, then
maybe
again

"Hank!"

Hank won't
answer.

it's not my death that
worries me, it's my wife
left with this
pile of
nothing.

I want to
let her know
though
that all the nights
sleeping
beside her

even the useless
arguments
were things
ever splendid

and the hard
words
I ever feared to
say
can now be
said:

I love
you.
he got drunk and went to sleep
in his bed
and the fire started
and he layed in there
burning
until a friend in the next room
smelled it
and ran in
and tried to pull him out of the fire
by his arms
and the skin rolled right off the arms
and he had to grab again
deeper
near the bone,
and he got him out and up
and the guy started screaming
and running blind,
he hit some walls
finally made 2 doorways
and with half a dozen men trying
to hold him
he broke free
and ran into the yard
screaming
still running
he ran right into some barbed wire
and tangled in the barbed wire
screaming
and they had to go up
and get him loose
from the wire

he lived for 3 nights and 3
days

drinking and smoking
are bad for the
health.
 Nov 4 Deja
Andie Lately
Love is in the air
To feel that eternal bliss
Longing for someone
 Nov 4 Deja
W. H. Auden
And the age ended, and the last deliverer died.
In bed, grown idle and unhappy; they were safe:
The sudden shadow of the giant's enormous calf
Would fall no more at dusk across the lawn outside.

They slept in peace: in marshes here and there no doubt
A sterile dragon lingered to a natural death,
But in a year the spoor had vanished from the heath;
The kobold's knocking in the mountain petered out.

Only the sculptors and the poets were half sad,
And the pert retinue from the magician's house
Grumbled and went elsewhere. The vanished powers were glad

To be invisible and free: without remorse
Struck down the sons who strayed their course,
And ravished the daughters, and drove the fathers mad.
 Nov 4 Deja
Ogden Nash
One way to be very happy is to be very rich
For then you can buy orchids by the quire and bacon by the flitch.
And yet at the same time People don't mind if you only tip them a dime,
Because it's very funny
But somehow if you're rich enough you can get away with spending
water like money
While if you're not rich you can spend in one evening your salary for
the year
And everybody will just stand around and jeer.
If you are rich you don't have to think twice about buying a judge or a
horse,
Or a lower instead of an upper, or a new suit, or a divorce,
And you never have to say When,
And you can sleep every morning until nine or ten,
All of which
Explains why I should like very, very much to be very, very rich.
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