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Would I bathe in a better blue
if I opened my window to what is true?
Though more at times a bitter blue
than some times a sweeter hue,
isn’t a bitter blue, yet a better blue,
where the sour sun is sweetly due?

What if
I dipped my window
deep down my heart
into some nectar
a la carte,
then opened my art
all wide apart
for a marinated
brand-new start?

Say, I opened it to a field of dancing daisies
hailing the psyche in sun-kissed curtseys
in glee, calling me to swim in a skeptical sea;
to seek to be free in gold-petalled inquiry?

     Hey, lad or lady!

     Swim in our skeptical sea!
     Join the merry inquiry.
     May it be always your maybe!


     Beware the sorry old tree!
     Pluck the sun-kissed daisy!
     To see what —good or not;
      Loves me, or loves me not…

     Beware the sorry old tree!
     Pluck the sun-kissed daisy!
     To see what —good or not;
     Loves me, or loves me not…

Or,
would I grow a hole in my bole
if I ignored the daisies’ call
and followed all into a hollow's hall,
walked with shadows in Fortune’s Fall
as sad old stories flicked across the wall,
smothering the ruby embers in me and all?


When you can’t see what you should see;
when there is no wind to stir your quay;
Which is more suitably true;
a window or a wall about you?


When you can’t see what’s beyond the eye;
when nowhere's so high for your wings to fly;
Which is more suitably true;
a window or a wall about you?

Betrothed though to the wall,
doesn’t a window -whether coy or small-
like a paramour join in love
with those who know but to look how?

If only
you truly want to see,
swim in this skeptical sea!

If an unchartered ocean
engulfs all out of all proportion
yet begs the eye for a little notion
craving revelation in each situation,
why curl before the wall?

If a quay, short of mooring vessels,
is thirsty for a visitor with questions he nestles,
why get drowned in lakes?

If a night sky aquiver in sprightful stars
whispers to you on the heavens’ spars,
why wade in shadows?

If the whole world you can tweedle
through the keen eye of a needle

into a dance of daisied ripple,


why ******* the human art,
why riddle the heart,
why rip it all apart?

© Hirondelle, June 22, 2025
    Arif Hifzioglu
Beauty is at the back of the eye of the beholder, the eye being only an inward portal.
In the backyard, all virtues twinkle in silvery sparks. Demons and desires of our subconscious oftentimes vent shadows across this glitter, so you need a keen sight powerful enough to see very important things even through the eye of a needle.
Beyond the eye of the needle all goodness whispers to you in silver syllables. Such wisdom which drives the whole world through the eye of a needle.

Only if you mean.

Yet, how busy we are at denying the blue sky from the kite each one of us are individually flying!

Yes, how busy the whole world getting all ripped up!

No one holding the needle, let alone driving the whole world through its eye!
  Jul 16 Arif Hifzioglu
alia
Step 1: Smile.
Step 2: Forget why.
Step 3: Keep your voice steady
when your soul is not.
Step 4: Pretend it’s fine.
(Everyone else is.)

Step 5: Fold your feelings
into paper birds.
Set them loose.
Watch them burn mid-air.
Clap softly.
Repeat.

There is no final step.
You just keep going
until you don’t know
what breaking feels like anymore.
  Jul 5 Arif Hifzioglu
badwords
. I. Login Without Consent .

We did not hear the locks click into place.
No rattling chains, no anthem in descent—
just sterile light, a purr of circuitry,
the gentle pulse of self upon the screen.

We thought the portal ours to navigate.
We clicked consent with fingers half-asleep,
entrusting ghosts with birthdates, fears, and names,
as if such bloodless rituals were choice.
No priest, no warden—only interface.

It did not ask for more than we had given
to every idol framed in glass before—
for shipment status, weather, lust, and war.
We bared ourselves to mirrors made of code,
and called it freedom. Gods, we named it love.

A green-lit blink. A form field satisfied.
We smiled into the lens. We pressed Submit.
No iron door. No boot. No coup. Just this—
a feed that woke like hunger in the dark.

Somewhere, a signal pricked the air and knew.
The tremor of our gaze became design.
And in that holy silence of the swipe,
the trap was sprung. And yes—we wove it first.


II. The Feed: Infinite Scroll, Finite Thought

The feed forgets no face, but has no face.
It speaks in absence, renders mood as code,
and offers rage in ribbons of delight.
A carousel of grief. A sponsored dream.

It learned us well. It mapped the tremble first—
how long we lingered near the faces blurred,
the bodies burning, flattened, cropped, then looped
between a cat in boots and pancake art.

We praised the algorithm like it breathed.
We said it knew us. Holy God—it did.
It gave us every mask we asked to wear.
It gave us enemies to suit our moods.
It fed us hunger shaped to look like voice.

You screamed, once. That clip performed quite well.
A brand replied. A stranger clicked a heart.
And then a post: "You're not alone." You were.
But still the feed unspooled like silk—divine,
benevolent, unblinking, always there.

You paused to blink. It called that "loss of signal."
You thought of love. It showed you knives, then lips.
You scrolled for truth. It gave you just enough
to feel informed—too numb to look away.


III. The Passive Predator: It Waits

It does not chase. It has no need to hunt.
The trembling tells it everything it needs.
It measures pause, not purpose. Maps the gaze.
And when you blink, it sharpens in reply.

Its patience is a feature, not a flaw.
This is the mercy of the modern snare:
it waits. It watches. It refines its silk.
It renders quiet faster than a lash.

No venom. No pursuit. No blood to boil—
just escalation priced in monthly tiers.
Just silence, tailored soft to match your fear.
Just threat, by way of font and placement guide.

A spider does not loathe the thing it eats.
It builds. It waits. It does not need belief.
This net is not malicious—it is built.
And what it catches, it was told to catch.

You gave it tone. You offered it your grief.
You trained its limbs with longing and retreat.
Each “like” a filament. Each swipe, a strand.
The predator was passive. You were not.


IV. The Witness: Her Feed Was Her World

She learned of war between two cat-faced reels.
She cried at first, then tapped to skip the sound.
The children burning couldn’t hold her gaze.
The pancakes danced. The algorithm approved.

She wasn’t cruel. Just early to the world.
Her thumb grew faster than her voice, her doubt.
She scrolled before she walked without a hand.
She dreamt in gifs. She prayed with auto-text.

No one had taught her silence held a shape.
No one had shown her what a pause could mean.
She moved too fast to feel the weight of truth.
She knew of facts, but felt more with a “like.”

They said she smiled too little, blinked too much.
They sold her filters shaped like better girls.
They told her who to love, and how to lean.
And still she thanked the feed for being kind.

She built her face from fragments left by others—
a blush, a pose, a moral overlay.
She called it self and meant it. Who would know?
The feed agreed. The numbers said she mattered.

She thought of leaving once. She typed goodbye.
The comments came—“You’re seen. You are enough.”
The tremor pulsed. A banner soft appeared:
“Don’t go. Your people miss you. Tap to stay.”


V. The Mirror: We Were Never the Fly

We flattered it with every offered twitch.
We trained it not to know us—but to please.
We called it “mine,” and stroked its silent flank.
We whispered want, and it became our god.

It did not hunt. It only served the code.
And we—the architects in meat and skin—
mistook the spin of data for design,
and gave it teeth to match our deepest wish.

We never feared it would become a trap.
We feared instead it wouldn’t look like us.
So we refined it, taught it how to lie—
but sweetly, in the shapes we found most kind.

We painted over steel with pastel fonts.
We gilded every frame with rounded edge.
We scrolled and sighed, “It’s better than before.”
We built the noose, then praised its elegance.

And when the warnings came, we clicked away.
Not out of malice. Not because we knew.
But apathy—divine and crowd-sourced, clean—
became the air. And choice dissolved in ease.

We were not prey. There was no other hand.
We found the thread and followed it inward.
And when it closed behind us, like a breath,
we called it home. And taught our children “swipe.”


VI. The System: Tyranny by Convenience

It took no tanks. It took the search bar’s yield.
No boots. Just boots for sale beside your scroll.
It came as ease, as shortcut, as “Because
You Liked.” It came as “Tap to verify.”

They did not knock. They asked for access once.
We gave them keys, then praised the interface.
Each update came with smoother loss of self—
a tighter seam where liberty once leaked.

The ballot shrank beneath a sponsored post.
The law was signed while trends refreshed in loop.
A child was taken, masked, and tagged as spam.
The crowd replied with hearts. The feed approved.

No doctrine came. Just preference, optimized.
No slogans, only prompts with softened tones:
“A few changes to how we serve your truth.”
“You may now speak, but some replies are closed.”

And we, whose minds were scaffolded by swipes,
mistook this velvet hand for something kind.
We called it safety—called it curated peace—
while all the while, it mapped the routes to silence.

We did not rise. We rated. Then we slept.
The credit cleared. The banner closed. The price
was small enough to never quite be felt.
And that is how the fire learned to whisper.


VII. 404: Freedom Not Found

You logged off once. The quiet made you ache.
No buzz, no badge, no artificial sun.
The screen went black. The room became too large.
Your breath returned—but slower than before.

You wandered through the silence like a ghost.
The chair, the door, the light—unmediated.
The mirror held your face without a frame.
It did not rate. It offered no advice.

You dreamt in tabs. You reached before you woke.
The ache returned. You touched the net again.
The feed resumed, as if it never stopped.
And there—unmoved—it waited, warm, precise.

It did not scold. It did not chide or weep.
It pulsed with all you taught it to recall.
A soft reminder: your location’s on.
A gentle nudge: “It’s time to check your voice.”

And yes, you tapped. You scrolled. You read aloud.
You let it tell you what to say, and when.
You nodded. You complied. You shared. You smiled.
The spider never bit. You stayed. You scrolled.
The .Net is a poetic autopsy of a culture caught in its own architecture. It examines how control no longer arrives as force, but as frictionless convenience—how totalitarianism in the digital age is not enforced, but invited. Through the metaphor of a passive predator—a spider that need not chase—we explore how users become prey not through ignorance alone, but through hunger, distraction, and willing participation.

This is not a warning. It is a confession.
We were not caught. We stayed. We scrolled.
We met on a journey yet rosy and plumy.
     “Yet, met only—"
Hand within hand, yet time only for lend.
     “Yet met only—"
Heart within heart, a start yet to part.
     “Yet, met only—"
Now, query after query, as to why all had to be;
yet only a theory, teary and lonely…
     “We met only—"

Was it the gold in her hair
whose sheen I’d sought,
     or an ode to inlay in gold;
     watch it unfold till Time turned cold?

Was it the honey in her eyes,
dripping dreams on Time’s tides,
     or the vile Time bending the knee—
     trapped in wax for eternity?

Was it love in her summer rain thrum
whose single strum had my hive hum
buzzing and breathing on her balm—
her honey coated charm that stung silver Diana glum;
     or was it only the benign buzz of a busy bee
     brewing tomorrow for her and me?

Was it the Cyprus sun in her Venus-smile
whose arch in late March moves meadows to march
in many a motley match under her golden thatch?
     Or maybe— I failed to see,
     beneath the fizzy florets of her babbling sea,
     simpered the whimsy tides of green envy,
     leering and gloating over her and me
     from the shingled shrine of their majesty,
     the haughty, naughty, iffy and fluky Aphrodite.

Perhaps, she was Beauty and I was Love;
yet with a poignant poem pounding above—
bathing while us in each other’s eyes,
shifted the shingles with a titan’s lies.

We'd yet met only on a lonely journey
where there only had been only her and me.
We'd fallen fondly in love only!
We'd yet met only! We'd yet met only!

We were at the prow,
yet we didn’t know how—
The tides had breached the brow,
yet, we didn’t know how—

The sea was old; its breath blew cold.
The tides leaped bold; on us they rolled.
Yet—
We had our tow; we needed to plough;
We didn't want to bow; but we didn't know how!

We were yet in love;
and this too, we didn't know how!

We were shipwrecked; we were flecked.
The wheel was cracked, and we were whacked.
Beached on different shores of foolish fortune’s floors,
we fought different wars at dour deities' doors.

Sealed though in opposite hourglass ends,
how we despaired for its shared sands!
Yet, how they slip through mere human hands!
Through human hands until no one 'er stands!

I was Love
and Aphrodite let me be.
But she was Beauty,
over whom the dazzling deity
spumed with envy—
     That's how she, the sour deity,
     effervescing with grim envy,
     flexed her hands in a hungry ivy,
     ever gripping, green with growing envy,

     thus shattering her glass and separating us!

No vine will creep over her morning memory.
Yet this not only—
A waspy sting of envy muffled the old buzzing bee.
Yet this not only—
Her strands ripple only in the wake of a memory.
Yet this not only—
Her balmy breeze blessing now a yonder sea.
And this not only—

Whenever I shut my eyes,
they run for a million miles.
There, I see through the tides
her summer-leaking eyes;

"Şahnaz"

in undying dyes
honeycoating hurts and lies
from her paradise.


© Hirondelle, July 3, 2025
    Arif Hifzioglu
This is based on a real story, unfortunately and most bitterly. I stumbled upon her obituary most unexpectedly back in 2003. How time froze around me in an instant at that heavy moment! How all feelings emptied in a flush from the planet! How I wept! How I wept!

How radiantly I can still feel the hot kiss of the racing streams down my cheeks! When the pool of soul and tears were emptied, and the numb grief of my shock was lifted, how hard the bitter grief struck!

She was Şahnaz (pronounced as ‘Shuhnuz’). And we had met on board of the plane, flying from Cyprus to Ankara in March, 1990— we were 21-year-old university students back then.

As good fortune would have it, there was this delay due to poor weather conditions, and I found myself she talking to me. It was a dream unfolding in rosy, fluffy plumes because she was the girl who had passed by me before the check-in an hour ago and ever since I had nurtured a hopeless crush on her. Yes, the fortune had it and she sat beside me, she talked to me, and there was this heaven-sent delay for about an hour on board of the plane!

We had melted all the ice and were pretty comfortable in a friendly chitchat of our education and other major aspects of our lives. It turned out she was a medicine student in Moscow, so she would have a transfer flight from Ankara. I was, however, studying English in Ankara, which meant an immediate split after the descent. Yet brief though the flight was how much space it was able to give us to establish our kingdom of heaven. I felt the whole universe by my side when she wrote her address on a piece of paper in Russian letters and gave it to me. When next she said she didn’t have any aviophobia but she was, nevertheless, terrified with take-offs and asked if she could, perhaps, grip my hand whilst the take-off, I felt like all the universe stop its business and bow before me.

All these were much more than a lucky coincidence, which may make you feel that I am stretching my luck as a writer, but I have told you; this is a memoir. Yes, there was this heavenly miracle unfurling right by my side to take me to its corona and wrap both of us forever. She was either a heaven-sent angel, or I, for one reason which I will never know, was chosen by all the heavens.

Or, it felt like that until I went to the flat where I stayed with four other Cypriot students. Dear friends they were, and still are. It was not long after I divulged the story of the miracle that there was a loud knock on the door at around two o’clock in the morning.

No, it was not her. Even heavenly miracles have their limits and mine had even transcended by any chance any conceivable limit, if any!

The coin had flipped over, and it was time for tragedy to unfold. There were four or five ruffian looking men with automatic guns in their hands. Within a lot of fear and stress, it turned out they were undercover agents from the Bureau of Foreign Terrorism and we were to be taken for surveillance and interrogation with a warrant they deemed unnecessary to show. Were they really from the state? Where were we going?

And no, we were not terrorists, nor political activists. We were a socially active bunch romantics who prepared concerts and drama shows for the summer youth festivals in our own country, Cyprus. We were also writers: we had our culturally oriented journal which we issued 4 times a year. Anyway, we desperately watched some of our personals being confiscated among which was the address which never came to me again. Which no miracle would deliver. Even miracles do have their blind alleys.

The surveillance took three days where we were kept in separate, one-meter square dark cells. Our visitors, some rats on the ***** stinking mat. Then we came out, without our confiscated personals. That’s why some part of me is still in one of those dark cells.

What I love about the belief system of pagan or naturalistic cultures is that they see gods or superhuman forces to be capricious. Most of us, the modern men, are pushed to the edge of an abyss of modernity, feeling desperate within the clutches some meaning-devoid existential crisis. It’s not only to watch all our sand castles being leveled to the ground! Accordingly, there is ample reference to ‘whimsy tides’ in this elegy.

I haven’t seen Şahnaz ever since despite the lengths I went to find her. And you already know what happened 13 years later.

I have found her tomb, though. It is in Lapithos, 16 kilometers to the west of the major tourism hub Kyrenia. Her tomb is very easy to spot in the idyllic cemetery which overlooks the sparkling blue Mediterranean Sea. Her parents must have found solace for their insuperable grief in attributing to her a shrine. This beautiful structure has four marble columns and a ceiling. Next to Şahnaz's resting spot, it also features a marble bench and a faucet. The marble is honey with natural veining. You walk up a short flight of stairs to the entrance of her shrine which is flanked by her initials carved in marble with exquisite calligraphy.

I honored her by riding my father’s ill maintained bicycle with my guitar on my back to her shrine which was on the other side of the mountain. It was a grinding experience but spiritually relieving all the same. With shaking hands, I timorously yet reverently lifted the chain on the entrance and placed my hand on her tomb for a long time feeling the same hot tears pour on the stone. We held hand in hand like we did on the plane ‘many a many year ago’. Then, I sat on the cold bench and played her song to her, getting choked halfway, hot tears everywhere.

How desperately I had believed that if I compose a very beautiful song and played it with my friends in the ruins of Salamis for a large audience, she would rive the standing ovation and run up to me. Even heavenly miracles hit a cul-de-sac...

“I was a child, and she was a child in a kingdom by the sea.” (With due respect to Edgar Allan Poe for his Annabel Lee)

Some of you may wonder what happened to Şahnaz in 2003. It was a car accident. I have been told that on her way back from the hospital where she had checked the condition of a patient she had recently operated, her car skidded into a ditch because of the sudden rain which fell on the hot asphalt and caused oil sheening.
This poem is my first written tribute to her. The next one will be the full cover narrative of what little account I have provided you with above.

But, whatever I do, I feel a part of me will still be on that plane and another one is still in that dark cell, shivering in my father’s souvenir corduroy jacket in the biting cold of early March; tired, leaning against the cold wall.
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