Gracefully
in breathtaking wilderness
Wild mustangs running wild
but gracious
Pure and noble
Don’t interfere.
Let it be.


Shell ✨🐚

it is like a Koel’s cry
in the midnight tremors of time
it is sweetly sour
like orange juice or an Autumn’s flutter
shrill like a woman’s touch
or day’s gold
on some purple curtains

I don’t know…

in this blue dark,
with silhouettes of a forlorn city on glass
it sounds so real
I linger here listening
blinking with the clock

for Ruth Fainlight

I know the bottom, she says. I know it with my great tap root;
It is what you fear.
I do not fear it: I have been there.

Is it the sea you hear in me,
Its dissatisfactions?
Or the voice of nothing, that was you madness?

Love is a shadow.
How you lie and cry after it.
Listen: these are its hooves: it has gone off, like a horse.

All night I shall gallup thus, impetuously,
Till your head is a stone, your pillow a little turf,
Echoing, echoing.

Or shall I bring you the sound of poisons?
This is rain now, the big hush.
And this is the fruit of it: tin white, like arsenic.

I have suffered the atrocity of sunsets.
Scorched to the root
My red filaments burn and stand,a hand of wires.

Now I break up in pieces that fly about like clubs.
A wind of such violence
Will tolerate no bystanding: I must shriek.

The moon, also, is merciless: she would drag me
Cruelly, being barren.
Her radiance scathes me. Or perhaps I have caught her.

I let her go. I let her go
Diminished and flat, as after radical surgery.
How your bad dreams possess and endow me.

I am inhabited by a cry.
Nightly it ***** out
Looking, with its hooks, for something to love.

I am terrified by this dark thing
That sleeps in me;
All day I feel its soft, feathery turnings, its malignity.

Clouds pass and disperse.
Are those the faces of love, those pale irretrievables?
Is it for such I agitate my heart?

I am incapable of more knowledge.
What is this, this face
So murderous in its strangle of branches? ----

Its snaky acids kiss.
It petrifies the will. These are the isolate, slow faults
That ****, that ****, that ****.

viscous noise rumbles
churning in a chamber of ****

like impossible realness
its sallow bulbs drip

onto a breathing bog of muck
that rolls its rotund wells around

and bursts bleeding
its tongues of moss

its tumid limbs reach up and out
sizzling shatters on walls

it mingles with the shadows;
their gaunt deformities dance

it drains in ringlets
beneath chairs and shoes
it slides past the tiles
and echoes down down

it leaves vinegar flies
to hatch in a fat rancid air

The drums of war pound once again
While war hawks screech high overhead
In a very crowded sky.
Goliath Rolls it’s heavy tread
Over David’s hapless sling
And doesn’t leave a spatter on the soil.

The Evil One puffs up in pride -
Him of the sly and snake-like eyes -
He didn’t break the Olympic Truce -
A tiny sop to salve the hatred
Roiling in frustration and despair
At lack of the ability to stop him.

The watchers huddle breathlessly
With wringing hands and hopeless eyes
Threatening to take away allowance
If one more tank should rumble over
The chalk mark on the wounded landscape
That denotes the aspiration to be free.

The great unwashed pray to Dow Jones
And check the prices at the gas pump.
Worried that the Safeway may run short
Of toilet paper, beans and Spam
And merchants will hike prices higher
And how will this affect our road trip.

Hoping that the promise holds
Of no boots on that foreign soil
We take our children to the airport
Sending them to Germany  for
Seats along the 50-tank Line
Praying that the game gets called.

People who report the news
All turn the volume up or down:
“It’s just a little foreign scuffle”
Or “Oh my God - it’s World War Three”
Neither of them are on the mark
And we must sort it for ourselves.

And all the while their windows shatter
While rockets flare across their sky
And children who can’t go to school
Must take their naps in subway tunnels,
Cradled by their fearful mothers
While their fathers shoulder guns.

The Great Bear of the East is Hungry
And Ukraine smells like frying pork chops.
ljm

you are moonlight kissed, and—
yes, moonlight kissed
and I, in winds, solidly see

beads of my beloved grief strung
in stranger fingers
spidering around reckless on strings—
and waves waves tiding, in ecstasy woven
by violins I dare not learn, by flutes seeping, and sitars
calling home a bird astray

Vivaldi: a dry Storm sob that will not blossom,
not, not, will not— twig fingers curl to taut fists as— Winter
dribbles down on the ragged red throat and
night like silk
silk silk— silks on silks opaque! Ah—

the troughs and oily hills zigzagging
through the air

and violins turn to pinpricked limbs
and strums strums skipping
tugging cruel and tearing—
plucking tendons, plucking desperate and fast

-

you are moonlight kissed as
the silver blush is teased
by sea-creatures’ scaled splashes—
a thousand good griefs tossed to air;
but I am body only
two woody legs folded in a branching of arms
next to the trunk that timidly breathes, next
to the fist-sized squirrel—

my roots like cold fat moles curled up
symphonies rush by giggling
and I do not tremble

sweet wishes so small
in their impossible distances, they
tickled almost, I trembled almost:
beneath ant-like trails of frisky teasings, I
was settled almost
as if moon on sea’s silk-draped skin
suddenly glittered in a glitching turbulence
and mermaids rose up and out
of their thick black skies of silver tremors
shaking beads out of damp-darkened hair
and questioning questioning around
who dare startle their monotonous dreamings
who dare tremble and
stir all dull-eyed creatures around; and
as if sea dared on
shifting reckless into the answerless air,
frenzied, and grasping at an empty night
causing hundreds strange havocs
for a moon so little

I mingle sometimes
and sometimes subside also
lost too, and wave too
sometimes; but here and there
there and then
washed up on shore, I am
glancing confusedly around, and I am
pecked and poked and
picked and tossed and turned roundround

and then, then
blue comes
and within it, glittery dust
and as I am slowly buried alright
and as I am alright almost
a tiding comes
from winds’ thick gossips
of a tiding bog
that will claim me again
and then falls, and pulls and it claims me, yes

and so the nights drip down on dawn
and I mingle, mingle almost, sometimes