I am ten crows, twenty-three starlings,
one tree, a world of racket, every dusk that ever was.

I am a holy heart four angels defend,
other times I am nothing but flesh and fingertips.

There are four seasons, three necessities,
two sides to the moon.

The window has eight panes;
I am in them all.

It's a lot closer than you think
eternity
pick any particle, molecule, atom
my love for you
it's there

Melancholy tea;
Steaming so delicately
Filling with transparency
Light fragrance and an indirect
Flavor of neglect in
A rimmed broken teacup.

When the sun goes down
I have my first drink
standing in the yard,
talking to my neighbor
about the alder tree
rising between our houses,
a lowly tree that prospered
from our steady inattention
and shot up quick as a ****
to tower over our rooftops,
where it now brandishes
a rich, luxuriant crown.
Should we cut it down?
Neither of us wants to --
we agree that we like
the flourishing branches,
shade like thick woods.
We don't say it,
studying our tree in silence,
but we know that if the roots
get into the foundations
we've got real trouble.
John goes back inside.
Nothing to be done in summer --
not to those heavy branches.
I balance my empty glass
on top of a fence post.
In the quiet early dark,
those peaceful minutes
before dinner, I bend down
to the flower beds I love
and pull a few weeds --
something I've meant to do
all day.

My wife, a psychiatrist, sleeps
through my reading and writing in bed,
the half-whispered lines,
manuscripts piled between us,

but in the deep part of night
when her beeper sounds
she bolts awake to return the page
of a patient afraid he'll **** himself.

She sits in her robe in the kitchen,
listening to the anguished voice
on the phone. She becomes
the vessel that contains his fear,

someone he can trust to tell
things I would tell to a poem.