Not lying when eating in bed.

Words settled in the brain,
Left behind by others,
Remind us of them.
We often wish to erase them forever.
In moments of crisis,
The dirtiest and most tainted words come to mind,
While those drowning grasp onto good words.
Words are insignificant to some, they say,
Yet they still leave red lines on our white ribbons.

I have buried my love again,
I dug it out from the earth,
I said, "God, I still love you!"
I hugged the cold wall,
I wanted to feel something.
Often, I betray myself,
Our problems vary in their weight.
You turned into a sharp spasmodic pain.
Maybe Aphrodite would have understood me!
Love is beauty, most people say,
But it doesn’t concern me, nor my love,
For I live in darkness,
I glorify the feelings of affection.

Newton was the name of the garden where I sat,
My knees were tired,
My hands rested on my tired knees.
After much walking, I wandered into this quiet garden.
I can think of nothing but fatigue,
With two kilometers left to reach home.
A breeze blows,
I almost want to lie beneath the trees and sleep,
Even if an unholy dream comes to me,
I probably can’t risk sleeping here,
I simply don’t want to lose my credit card again.
I count and feel every step that leads me home,
Fatigue turns us into people
Stuck in crisis, in dead ends.

Do not resemble another
For autumn won’t touch them the way it touches you.
Your taste receptors will never be the same.
Your dreams are not alike.
You won’t understand the same book in the same way.
Do not say you are the same,
Even if you are twins.
The déjà vu that grasps you for a moment
Detaches you from reality—
You are not another, not in another time,
You are one individual
In the present dimension.
You are not other.
Let us create catharsis for ourselves,
For we seldom feel it from others.

You stand on an ice-covered road,
Feeling the cold beneath your feet—
Your black, grotesque car is warm
But you don’t get in,
You simply don’t want to go anywhere, not to any house.
The driver who was taking you watches,
He can’t find the right words, he’s confused.
You’re like the hero from Camus’ The Stranger, but it’s cold with you,
Pain torments you because you’ve seen so much,
What hurt you, how much more will hurt you, senseless hatred, too much love, pain, pain, even more pain.
Wrong people, out of place.
You kick the ice,
You feel nothing!
A wrong feeling.
"Wrong" by Depeche Mode is the right song
For this moment.
Wrong from the start,
The wrong people by your side, misplaced.
Where do you stop?
You dissolve into the road, the driver continues in your place.
You’re sleepy, you simply fall asleep.

I want to listen to the playlist I used to play before, when I would carelessly throw thousands of music tracks into love, connecting with another world, traveling through it, finding the people I had lost, and telling them what I couldn’t say back then.

I would reread Mauriac, Hesse, and every book I’ve ever read.

I would relive those feelings, the initial emotions when I first discovered Francesca Woodman’s photography.

I would go back to that café I used to frequent, where I would sink into sadness, have something to drink—even though I neither drank nor smoked back then.

I would find a small dimension for myself, just as I wanted, to escape sorrow. I would shelter myself there for a few years and return with a clear mind—free.