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Murmurings of words
so long unspoken,
now sent out across
the curved expanse
of our spherical home.
Murmurings of all our
voices and languages,
coalesced into one.
Winging out into open
space, like the nimble
murmurations of birds,
never quite touching,
yet deftly creating
virtual shapes,
markings recognizable
only from a distance.
Do birds' own souls
unfurl and unfold in
these undulations?

Starlings find aerial
corridors, travelling
together swiftly, so
to stay warm. Do we?
These murmurings,
our word-murmurations,  
fly out into the space between us,
swiftly curving back, and then back again,
before dipping low, then nesting deeply,
so very deeply, into sweetest sleep.
(My deepest thanks to Dylan Winter for his phrase "aerial corridors".)  ©Elisa Maria Argiro
Don Moore Dec 2023
Dark skies, whirring overlooking
  Illumination light, clear of clouds
Clutching, rising, bird flocks blooming
  Gathering in denuded trees in crowds

A year ago, here I sat watching these
  They came back, and now, leave again
Lifting, scattering, flocking in the breeze
  Gathering, as to fight without bloodstain

Heavens above full of dusty birds in flight
  Whirring, whirling from one shape to another
Nearing winters sun, breaks through bright
  How they flit and play, as if to some conductor

There, so very high above in murmurations
  Never lost from my sight as they dip and sway
Up, down, dancing with their leaving aspirations
  For times span, they’ve swayed dark skies grey
Vidya Dec 2011
out:
     murmurations and even
     simpler:
     the way grass grows and
     dandelion pollen rubs off on your
     nose
     the motive behind a ******
     of crows in this galaxy of
     peacocks

in:
     bloodskinbone and
     respiration and a
     heart that won’t *******
     quit.
Steve D'Beard Dec 2012
reach up, outwards, touch the frozen sky
marvel at the dancing shadow
birds in deft murmurations;
before they wave goodbye

lost swallows of yesteryear
traced flight and swift souls in
motion, like tiny frozen tears;
serenade the dying sun

gilded and immaculate
silver auburn summer glaze
to brooding blackness of night;
kaleidoscopic

marvel in the majesty, behold
inhale the epic simple beauty
exhale the stress of modernity
seize natures gold
Chris Saitta Jul 2019
She is the typesetter’s “e”

The once-rounded uncial script,
Unbroken like the solemn vow of a monk,
His whisper, a shepherd of words under the cowl,
Murmurations of the Holy Mother to the lambswool shroud of candlelight.

His candle-flock of dreams to some hill of penitent towers, war-cowed
And broken open like faith-unfended helmets, littering the ground,
With their unspeaking tassels in babbling pagan sound of wind,
That hill too, once-rounded bare under the glittering apostles of twilight.

In the abbeywork of air, calligraphy was a cipher of souls,
He unwrested demons from an inkwell of sunsets, smothered them in blotting paper,
Freed the incarnate whole to the book of hours, nib-pointed in quills and illuminated in gold,
Line by line, in Carolingian winding sheets, he returned the misshapen to the fold,
To the carpet page of home and the warm ligatures of their waiting women.
So the shutters of the heavenly house could blow light in slanted rays to a wilderness in storm.

But he never tamed the aero-elongated, descender of Troy in a “t,”
He never knew the unholiness of the underscore or fonts as ******,
Or the world unwilling to know itself in serif robes of ancient lore.
His life was a simple rounded-out syllable of one man,
Left in the muddied, unintelligible text of faith and war.

She is the typesetter’s “e” and now belongs to any hand.
For slide video:  https://www.instagram.com/p/BzmNoRhl5_w/?igshid=n0ukp97qre18

Uncial script was predominantly used between 400-800 AD and is a majuscule script (only in capital letters)
True uncial scripts were unbroken, meaning the pen wasn’t lifted.
Carolingian script was the predominant minuscule script between 800-1200 AD and was used in the Medieval ages.
Other calligraphy terms include “blotting paper,” “carpet page,” “ligatures,” and “descenders.”
Lindy Feb 2015
No laughs and no apologies
The door was left ajar
“You may assist yourself at the mezzanine.”
girls cascade as men pose
strategically
in shark skin suits
like swimming tessellations
corners fit against corners
bait fish schools
Moving in murmurations
No one ever looks up
at the ocean top glass ceiling
Their eyes are aimed downwards
waiting to see a massive shadow rising up
from the sea floor
No one knows what goes on down there
down where the sand is so cold,
where the flesh of the bait fish drift and
the ***** pick at remnants on whale bones.
Snow capped mountain peaks , murmurations in sapphire skies ..Cloud banks seeking the closure of fallen rain , Redwoods at the whim of surging winds , yet we continually seek to disprove the presence of miracles to no end ..
Copyright January 11 , 2016 by Randolph L Wilson * All Rights Reserved
I cannot forget...
אני לא יכול לשכוח

©  STEPHAN PICKERING / חפץ ח"ם בן אברהם
12 Shevet 5778 / 28 January 2018
revised:
3 Iyyar 5758 / 28 April 2018
19 Iyyar 5778 / 4 May 2018
20 Iyyar 5778 / 5 May 2018
21 Iyyar 5778 / 6 May 2018

Shabtai Zisel / 'Bob Dylan' (1964):
'Forget the dead you've left, they
will not follow you'

W.G. Sebald z"l (1966):
'And so, they are ever returning to us,
the dead'

I.

the Path / derekh is silent,
a vacuum,
resonating with the
footsteps of tzaddikim, whose
teachings transcend(ed)
the Kingdom of Night...

where there was no longer
kefitzat ha'derekh
shrinking of the road
jumping the Path
teleportation.

...un die vvelt hot geshivign,
taught Reb Elie Wiesel z"l...
& the world remained silent.

not existing for themselves,
the tzaddikim speak with the
Shekhinah from their throats,
and the mar'ot johanna
visions of johanna
are witnessed by breslover
chavurot on desolation row,
murmurations of starlings
overhead.

listening to them, we survive
to walk / dorekh
the Path, with kabbalists z"l,
R. Chiyya & R. Yose,
the chevraya kadisha
the holy companions,
a derekh through the sea,

away from the energy vampyrism
& relentless phantasmagoric
cyberstalking of
the phantasmagoric Queene,
who engages in quacker
cross-contamination,
while prising her mindfully
plagiarising lips (a mirror image
of a death's-head hawk moth)
for a crucifictionist wafer:

a tax-deductible, copyright charity
deduction for ontological delusions
long after midnight,
clutching her cossetted Yehu'di
hatreds like
a perforated osculatorium,
because, שמח בחלקו.

    ****

Reb Uri Tzvi Greenberg z"l, 1923 [trans.
Michael Weingrad]:
'For so long there has been no water
in the wells. Only curses. ...& suddenly
the icons scream in Yiddish'.

II.

Light is the absence of Darkness,
to acknowledge Rav Rebecca
Newberger Goldstein.
& the holy slow train moves
(when it does)
sideways across flat earths.

consider the post-Auschwitz dilemma for
an opus dei natz'ri  who cannot grasp
the etymology:

prae / before + posterus / coming after
praeposterus / reversed, absurd.

did Shabtai Zisel / 'Bob Dylan' influence the
teachings of R. Yitzhak Luria z"l ?

III.

memories are stalking & ambuscading,
& as you said, Reb David Meltzer z"l,
'the Yehu'di in me is the ghost of me'...

& now the hourglass is invisible...

the windows of perception
to be peered into,
not out of,
as hairline fractures
develop in the retinas of narrow-ruled
yellow writing tablets masquerading
as frenetic mirrors,

never glimpsing tzefiyat ha'yeshu'ah,
the expectation of salvation.

& we are here,  
witnessing cyberian corpses
erecting three-way mirrors to their
obbligato and  mindfulness for girl
children...the mantras of a white
supremacist ****** ****** trained to
effect genocide  at a distance, his
audible hungering  for the  rapture  
of an endloesung in his drive-by
dark carnival, having no
farraginous self to say farewell to.

Lilith, the Midrash teaches, ate the
'bones' of Her enemies, but the
****** uses prayer beads as
majong ***** fired from his cap gun.

IV.

'she' stands on the bamboo porch,
thinking the lotus leaves floating by
are a reflexion of 'her' crumbling
totenkopfverbaende phantasies.

long after midnight, she shrieks to
a cyberian Mytilene, her mind so narrow,
thoughts are forced to crawl through her
fossilised ***** majora, which she identifies

as a personal luchot ha'edot, the glass
**** molded by her proboscis tongue,
as it fabricates yet another delusion
of a 1967 that never happened.

'she' turns, stepping onto an
embroidered nationalsozialist
matt,  'her'eyes a frail ambassador
of demure malice.

it is a moment such as this, when 'her'
desire of wanting to have been an
Auschwitz  Aufseherin, cannot be  
masqued  as a playful Latrodectus mactans.

ephemeral fabrications cling to 'her' --
an unbroken dance of impetuous
mirrors, as 'she' remains on the
porch, clutching 'her' 'we' aliases,

thinking, somehow, they are 'her'
aharon ha'bris...



V.

interlude / הַפסָקָה

Kafka z"l:
'I am divided from all things
by a hollow space'

Shabtai Zisel / 'Bob Dylan':
'I felt that place within, that
hollow place, where martyrs
weep, & angels play with sin'

Rav Yitzhak Luria z"l:
after tzimtzum,
the withdrawal of
'ehyeh 'asher 'ehyeh,
there came to be
halal ha'panui,
'the hollow space'

R. Shabbatai Sheftel ben
Akiva Horowitz z"l, 1719.
Shefa tal [Frankfurt edition]
3.5, 57b [Hebrew]:
'Before the world's bere'****,
'ayin sof withdrew into its essence,
from itself to itself within itself.
It left halal ha'panui within its
essence, in which it emanated
and created' [emended from Reb
Daniel Matt 1995]

VI.

sh'ma...'mir veln zey iberlebn, iberlebn, iberlebn'
(Lublin Chassidim z"l, 1939)...
hear: 'we shall outlive them, outlive them,
outlive them'...

why did R. Moshe Sofer z"l teach
'Chadush aser min ha'toray' / 'What
is new is forbidden in the Torah'?

the trolls here & what they call 'poetry':
collections of letters on a flickering
moon-glow  computer screen behind
a suburban curtain,
letters having no glyphs or sounds,
all encased in Sho'ah denial...

and yet. white supremacist sock monkeys
cannot silence the memories of the
thousands of Yehu'dit children z"l
burned alive on pyres, June-August 1944,
in the holy natz'ri village of Auschwitz,
in october country.

לעולם לא עוד לעולם לא עוד

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
...with thanks to my akhim / brothers & poets,
D.J. Carlile & George Dance & Will Dockery
for reading previous drafts...
...and to the memories z"l of David Meltzer 17 February 1937-31 December 2016
& Anthony Scaduto 7 March 1932-12 December 2017...chaver'im / friends
& for the 'or from R. Paul Laderman z"l &
R. Meyer Goldberg z"l

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
STEPHAN PICKERING / חפץ ח"ם בן אברהם
Torah אלילה Yehu'di Apikores / Philologia Kabbalistica Speculativa Researcher
לחיות זמן רב ולשגשג...לעולם לא עוד
THE KABBALAH FRACTALS PROJECT
לעולם לא אשכח



IN PROGRESS: Shabtai Zisel benAvraham v'Rachel Riva:
davening in the musematic dark
Rejoice upon the subtle murmurations -
of angelic voices , gaggles of blackbirds performing
within naked hardwoods , Whitetail companions
dwell o'er living , wetted pasture , wintered neighborhoods
Novembers invisible strength racking evergreens ,
cold cover mingles with tall Pine canopies  
Fall turned , brown sugar fields with calling Herefords ,
bound for eventide shelters* ....
Copyright April 26 , 2016 by Randolph L Wilson * All Rights Reserved
Rick Warr Jun 2016
early morning thoughts
are blended with
murmurations of dream residue

the hard reality of my wheels on the road
is questioned by
frangible doubts of which is which

the fancies and specters of last night
are still in mind
along with getting-ready logistics
rude reality versus reluctance to focus
subconscious freedoms versus routine rigor

riding my bike too soon from sleep and
I just don't wanna know any more
Sometimes sleep is the better option
Apple Brandy warmth over my face
The telltale expression of love , kithless -
murmurations of a lonely dove
Lunar lamplight reflections tour -
the Heavens on this night from an Allatoona cove ..
Copyright April 14 , 2016 by Randolph L Wilson * All Rights Reserved
Third Eye Candy Sep 2016
i may bleed for you, but you have too...
i mean, by that... we have wars spinning wounds within us
before we let another, havoc our tranquilities -
before the heat of glowing brands have risen from the hot coals
of your dove wet eyes... Yea, i may be stammering -
but my murmurations maroon the realities of lost conviction
and in my place stands my name on a hard target.
i may bleed for you, but you have too...
you're slow in the woods where briar lurks on rat feet.
and it always rains
when
you go
to the
Fair

i bleed,
when you go
to the
Fair.
Ingrid Murphy Jul 2019
I grant you
three overused words
can never do justice
to the way my heart depends
on the continued beating of yours

But why, **** you
could you not have gone hunting for rarer birds
taken a risk with words
Netted a guillemot. A tern, a crane
even a toucan
Written a second rate poem
if I can you can
Conjured forth that secure base
with a bedtime story
for your empress of penguins
your queen of hippopotamuses
your borrower girl

One day, even soon
that flock will have lifted
not to fly south, not to return
and there'll be no more lifting and swooping, no joy
in the swerve of a turn mid-air
no undertones, no attempts to colonise
no smiling eyes

I'll be standing alone under an empty sky
there'll be nothing to look at in wonder or borrow
or any asking why

Doing justice is what murmurations are for
how you've done them and more
You showed us the world and the joy of flying - and look
here I am trying to do it too
but three little starlings will do
A starling for each of your little darlings
Three overused words in a league of their own
I know it's beneath you but see I am
beneath you
I'm down here, just here, I'm no longer hiding
and red herrings are cheaper.

Red herrings are still only
two a'penny
Nallely Martinez Feb 2021
A flowing, eventide sky melts like supple ******* feeling the warmth of the spring's embrace.
Effervescent crystals glimmer along the concavity of her body as though it were a fountain's paragon.
Her abalone eyes—kissed by the tide's mist—remain affixed to the sanctified mollusk beneath her.


Perfumed laurels of myrtle frolic through her silky tresses as the droplets of her previous home are blown by Zephyr's breath.

Garments—of a newborn's pink—adorned with roses whisper tales of yearning, whilst golden armlets purr hymns of fervor.

Nacreous regalia drifts ashore like a rhythmic pulse and grant embellishment to the hospitality of the ocean's silt.


Murmurations of Putti flutter their wings into orbit and encircle her milky frame.
Worshippers—of strictly the visionary kind—passionately rejoice over her delicacy.
O resplendent Anadyomene, may she rise amongst the sea foam's orchestra
I wrote this after listening to Violent Dreams by Crystal Castle (Sidewalks and Skeletons Remix). I misheard the lyrics and thought about the imagery of a violet sky. Soon the influence of the goddess of love began to show herself throughout the writing. The famous "The Birth of Venus" painted by Sandro Botticelli was also a major reference. I also made mention to the beautiful painting "The Toilette of Esther" by Theodore Chasseriau. I highly recommend taking a long look at it, it's entrancing!
there may be after effects
yet

nobody suggested a flock of pigeons

at 2pm that snowy afternoon

and that notes will be made

no one mentioned sleeping
later than usual

those chin tattoos
that come all beautiful
and trendy

noticed the birds several days ago
i do like the flocks even murmurations

which happen more mid wales
by the pier

you know
i haven’t been there in such a while

matt hancock

i have been staying at home now

11 months

in total
Chelsea Jan 2020
The Great Migration

Oh, how my eyes have been blessed!
To see Heaven’s tumultuous rush,
God’s artwork itself,
Racing through the sky.
Miles beyond the red-bellied and starlings.

In murmurations,
they stroke the color in the sky,
they cradle life to the Earth
And stomp on man’s naivete.

Ending nowhere and everywhere
Pride swells in their stomachs.
They believe they have won,
They believe they have no limits,
They know there is no end.
The unfailing heaviness of my Lord’s brush,
Shall humble them.

To each her own,
Because it belongs to all of us.
This story retold for eternity’s sake.
Rich specks evaporating;
Greedy, dark giants giving to all.
Oh, how the Heavens try to tell us!
If only we could look up and see ourselves in the bustle.
If only we could see them as they truly are:
Vapor.
If only we could see them as they truly are:
Dust.

Who will I be when the King comes?
Drunk as nacreous,
Honest like Cumulus,
Or tenacious as the Cumulonimbus.
Who could I be when the King comes?
Lost to the air,
Found in the ground.

Is our story one without meaning,
Burdened with unnecessary passions
Forever clouded with the certainty of uncertainty.
Oh, what can I bring?
Oh, what shall I carry?
When we are all just weightless souls,
Chasing weightless goals.
With love as our bonds
And light as the limit.

— The End —