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ALEXANDER K OPICHO

(Eldoret, Kenya;aopicho@yahoo.com)

Poetry is a network of rivers
One river flowing into another
A big river into a small river
A small river into a big one
Some rivers are dead in the catacombs
Others are rapidly flowing down
And up their course making noisy
Roaring waterfalls and poetic whirlpools
Full of the ripple circumlocution as
The whirlwind of gales in the harmattan
And this is the spirit of poetry.

I will sing the songs of Schiller
Hugo, Shakespeare the bard
Alexander Pushkin and Mayakovski,
Homer and Dante the Frenchman son of Maugham
And Dante the Italian father of the divine comedy,
I will sing their songs as they are European rivulets
Of poetry flowing into huge water masses
Of African poemocracy in which
The poetic dystopia is clearly
Couched in the gears of black and white.

I will sing and chant the songs of India
Land of Tagore by shouting his name
Rabitranathe Tagore! Sing for me
The ways of the Indian baby
Your Indian voice is mellifluous like the
Zulu ****** dances Song in full watch
Of King Mswati with dint of libido.

I will sing the songs of revolution
From Bolivia and Chile, neighbours
Of Mexico and Brazil; Brazil in which
Pablo Neruda the dog burrier is a religion
In which was born Paul Freire who forgot
To sing for the world chants and the songs
Of pedagogy of the dystopian poet
Pedagogy of the utopian thespian
Pedagogy of the dystopian bourgeoisie
Pedagogy of the cacotopian capitalist
And pedagogy of the utopian Marxists
Who are mealy mouthied with mutton in  between their ears
Manufacturing and venting dystopian phantasmagoria
I will sing.

Poetry is the river Nile of Africa
Cradling from Uganda at Entebbe
Flowing to Egypt into the Mediterranean Sea
Leaving the statue of Mahatma Gandhi at the cradle
Chanting the pearls of the satyagra
That; in God there is truth and
In truth there is God,
As poetry of Nile flows upwards
Not carrying only poems of love
Or bourgeoisie cosmetic Haikus
Singing carols of summer and Christmas day
But its poetic fluvial is washing away
The heavy social **** of Globalectics
Fearing Pushkin and his love
Shakespeare and his **** of Lucrece
Vladimir Mayakovski and
His slap in the face of public taste,
Schiller and his Cassandra
Master Homer and his Odysseus Iliad
Mocking in an ugly  snook
The Albatross book of the English verse
In tune with Yeats and Rudyard Kipling
Reversing the stanzas to sing of
The world as the Whiteman’s burden.

I will sing everyman and his *****
Every woman and her *******
Every ****** and her flower
I will sing them all and their names
And duties of roles pertinent
In healing the world, abode of mankind
From the impish Mr. Hide of cacotopian streak
To pave way for the saintly Dr. Jekyll
To lull man to sleep in his Cinderella
Of social utopia
As Robert Louis Stevenson
Holds the world a stage
Of dystopia.



Thank you for your audience!
Yo, Beremundo el Lelo, surqué todas las rutas
y probé todos los mesteres.
Singlando a la deriva, no en orden cronológico ni lógico -en sin orden-
narraré mis periplos, diré de los empleos con que
nutrí mis ocios,
distraje mi hacer nada y enriquecí mi hastío...;
-hay de ellos otros que me callo-:
Catedrático fui de teosofía y eutrapelia, gimnopedia y teogonía y pansofística en Plafagonia;
barequero en el Porce y el Tigüí, huaquero en el Quindío,
amansador mansueto -no en desuetud aún- de muletos cerriles y de onagros, no sé dónde;
palaciego proto-Maestre de Ceremonias de Wilfredo el Velloso,
de Cunegunda ídem de ídem e ibídem -en femenino- e ídem de ídem de Epila Calunga
y de Efestión -alejandrino- el Glabro;
desfacedor de entuertos, tuertos y malfetrías, y de ellos y ellas facedor;
domeñador de endriagos, unicornios, minotauros, quimeras y licornas y dragones... y de la Gran Bestia.

Fui, de Sind-bad, marinero; pastor de cabras en Sicilia
si de cabriolas en Silesia, de cerdas en Cerdeña y -claro- de corzas en Córcega;
halconero mayor, primer alcotanero de Enguerrando Segundo -el de la Tour-Miracle-;
castrador de colmenas, y no de Casanovas, en el Véneto, ni de Abelardos por el Sequana;
pajecillo de altivas Damas y ariscas Damas y fogosas, en sus castillos
y de pecheras -¡y cuánto!- en sus posadas y mesones
-yo me era Gerineldos de todellas y trovador trovadorante y adorante; como fui tañedor
de chirimía por fiestas candelarias, carbonero con Gustavo Wasa en Dalecarlia, bucinator del Barca Aníbal
y de Scipión el Africano y Masinisa, piloto de Erik el Rojo hasta Vinlandia, y corneta
de un escuadrón de coraceros de Westmannlandia que cargó al lado del Rey de Hielo
-con él pasé a difunto- y en la primera de Lutzen.

Fui preceptor de Diógenes, llamado malamente el Cínico:
huésped de su tonel, además, y portador de su linterna;
condiscípulo y émulo de Baco Dionisos Enófilo, llamado buenamente el Báquico
-y el Dionisíaco, de juro-.

Fui discípulo de Gautama, no tan aprovechado: resulté mal budista, si asaz contemplativo.
Hice de peluquero esquilador siempre al servicio de la gentil Dalilah,
(veces para Sansón, que iba ya para calvo, y -otras- depilador de sus de ella óptimas partes)
y de maestro de danzar y de besar de Salomé: no era el plato de argento,
mas sí de litargirio sus caderas y muslos y de azogue también su vientre auri-rizado;
de Judith de Betulia fui confidente y ni infidente, y -con derecho a sucesión- teniente y no lugarteniente
de Holofernes no Enófobo (ni enófobos Judith ni yo, si con mesura, cautos).
Fui entrenador (no estrenador) de Aspasia y Mesalina y de Popea y de María de Mágdalo
e Inés Sorel, y marmitón y pinche de cocina de Gargantúa
-Pantagruel era huésped no nada nominal: ya suficientemente pantagruélico-.
Fui fabricante de batutas, quebrador de hemistiquios, requebrador de Eustaquias, y tratante en viragos
y en sáficas -algunas de ellas adónicas- y en pínnicas -una de ellas super-fémina-:
la dejé para mí, si luego ancló en casorio.
A la rayuela jugué con Fulvia; antes, con Palamedes, axedrez, y, en época vecina, con Philidor, a los escaques;
y, a las damas, con Damas de alto y bajo coturno
-manera de decir: que para el juego en litis las Damas suelen ir descalzas
y se eliden las calzas y sustentadores -no funcionales- en las Damas y las calzas en los varones.

Tañí el rabel o la viola de amor -casa de Bach, búrguesa- en la primicia
de La Cantata del Café (pre-estreno, en familia protestante, privado).
Le piqué caña jorobeta al caballo de Atila
-que era un morcillo de prócer alzada: me refiero al corcel-;
cambié ideas, a la par, con Incitato, Cónsul de Calígula, y con Babieca,
-que andaba en Babia-, dándole prima
fui zapatero de viejo de Berta la del gran pie (buen pie, mejor coyuntura),
de la Reina Patoja ortopedista; y hortelano y miniaturista de Pepino el Breve,
y copero mayor faraónico de Pepe Botellas, interino,
y porta-capas del Pepe Bellotas de la esposa de Putifar.

Viajé con Julio Verne y Odiseo, Magallanes y Pigafetta, Salgan, Leo e Ibn-Batuta,
con Melville y Stevenson, Fernando González y Conrad y Sir John de Mandeville y Marco Polo,
y sólo, sin De Maistre, alredor de mi biblioteca, de mi oploteca, mi mecanoteca y mi pinacoteca.
Viajé también en tomo de mí mismo: asno a la vez que noria.

Fui degollado en la de San Bartolomé (post facto): secundaba a La Môle:
Margarita de Valois no era total, íntegramente pelirroja
-y no porque de noche todos los gatos son pardos...: la leoparda,
las tres veces internas, íntimas, peli-endrina,
Margarita, Margotón, Margot, la casqui-fulva...-

No estuve en la nea nao -arcaica- de Noé, por manera
-por ventura, otrosí- que no fui la paloma ni la medusa de esa almadía: mas sí tuve a mi encargo
la selección de los racimos de sus viñedos, al pie del Ararat, al post-Diluvio,
yo, Beremundo el Lelo.

Fui topógrafo ad-hoc entre El Cangrejo y Purcoy Niverengo,
(y ad-ínterim, administré la zona bolombólica:
mucho de anís, mucho de Rosas del Cauca, versos de vez en cuando),
y fui remero -el segundo a babor- de la canoa, de la piragua
La Margarita (criolla), que navegó fluvial entre Comiá, La Herradura, El Morito,
con cargamentos de contrabando: blancas y endrinas de Guaca, Titiribí y Amagá, y destilados
de Concordia y Betulia y de Urrao...
¡Urrao! ¡Urrao! (hasta hace poco lo diríamos con harta mayor razón y con aquese y este júbilos).
Tras de remero de bajel -y piloto- pasé a condueño, co-editor, co-autor
(no Coadjutor... ¡ni de Retz!) en asocio de Matías Aldecoa, vascuence, (y de un tal Gaspar von der Nacht)
de un Libraco o Librículo de pseudo-poemas de otro quídam;
exploré la región de Zuyaxiwevo con Sergio Stepánovich Stepansky,
lobo de donde se infiere, y, en más, ario.

Fui consejero áulico de Bogislao, en la corte margravina de Xa-Netupiromba
y en la de Aglaya crisostómica, óptima circezuela, traidorcilla;
tañedor de laúd, otra vez, y de viola de gamba y de recorder,
de sacabuche, otrosí (de dulzaina - otronó) y en casaciones y serenatas y albadas muy especializado.
No es cierto que yo fuera -es impostura-
revendedor de bulas (y de mulas) y tragador defuego y engullidor de sables y bufón en las ferias
pero sí platiqué (también) con el asno de Buridán y Buridán,
y con la mula de Balaám y Balaám, con Rocinante y Clavileño y con el Rucio
-y el Manco y Sancho y don Quijote-
y trafiqué en ultramarinos: ¡qué calamares -en su tinta-!,
¡qué Anisados de Guarne!, ¡qué Rones de Jamaica!, ¡qué Vodkas de Kazán!, ¡qué Tequilas de México!,
¡qué Néctares de Heliconia! ¡Morcillas de Itagüí! ¡Torreznos de Envigado! ¡Chorizos de los Ballkanes! ¡Qué Butifarras cataláunicas!
Estuve en Narva y en Pultawa y en las Queseras del Medio, en Chorros Blancos
y en El Santuario de Córdova, y casi en la de San Quintín
(como pugnaban en el mismo bando no combatí junto a Egmont por no estar cerca al de Alba;
a Cayetana sí le anduve cerca tiempo después: preguntádselo a Goya);
no llegué a tiempo a Waterloo: me distraje en la ruta
con Ida de Saint-Elme, Elselina Vanayl de Yongh, viuda del Grande Ejército (desde antaño... más tarde)
y por entonces y desde años antes bravo Edecán de Ney-:
Ayudante de Campo... de plumas, gongorino.
No estuve en Capua, pero ya me supongo sus mentadas delicias.

Fabriqué clavicémbalos y espinetas, restauré virginales, reparé Stradivarius
falsos y Guarnerius apócrifos y Amatis quasi Amatis.
Cincelé empuñaduras de dagas y verduguillos, en el obrador de Benvenuto,
y escriños y joyeles y guardapelos ad-usum de Cardenales y de las Cardenalesas.
Vendí Biblias en el Sinú, con De la Rosa, Borelly y el ex-pastor Antolín.
Fui catador de tequila (debuté en Tapachula y ad-látere de Ciro el Ofiuco)
y en México y Amecameca, y de mezcal en Teotihuacán y Cuernavaca,
de Pisco-sauer en Lima de los Reyes,
y de otros piscolabis y filtros muy antes y después y por Aná del Aburrá, y doquiérase
con El Tarasco y una legión de Bacos Dionisos, pares entre Pares.
Vagué y vagué si divagué por las mesillas del café nocharniego, Mil Noches y otra Noche
con el Mago de lápiz buido y de la voz asordinada.
Antes, muy antes, bebí con él, con Emmanuel y don Efe y Carrasca, con Tisaza y Xovica y Mexía y los otros Panidas.
Después..., ahora..., mejor no meneallo y sí escanciallo y persistir en ello...

Dicté un curso de Cabalística y otro de Pan-Hermética
y un tercero de Heráldica,
fuera de los cursillos de verano de las literaturas bereberes -comparadas-.
Fui catalogador protonotario en jefe de la Magna Biblioteca de Ebenezer el Sefardita,
y -en segundo- de la Mínima Discoteca del quídam en referencia de suso:
no tenía aún las Diabelli si era ya dueño de las Goldberg;
no poseía completa la Inconclusa ni inconclusa la Décima (aquestas Sinfonías, Variaciones aquesas:
y casi que todello -en altísimo rango- tan Variaciones Alredor de Nada).

Corregí pruebas (y dislates) de tres docenas de sota-poetas
-o similares- (de los que hinchen gacetilleros a toma y daca).
Fui probador de calzas -¿prietas?: ceñidas, sí, en todo caso- de Diana de Meridor
y de justillos, que así veníanle, de estar atán bien provista
y atán rebién dotada -como sabíalo también y así de bien Bussy d'Amboise-.
Temperé virginales -ya restaurados-, y clavecines, si no como Isabel, y aunque no tan baqueano
como ése de Eisenach, arroyo-Océano.
Soplé el ***** bufón, con tal cual incongruencia, sin ni tal cual donaire.
No aporreé el bombo, empero, ni entrechoqué los címbalos.

Les saqué puntas y les puse ribetes y garambainas a los vocablos,
cuando diérame por la Semasiología, cierta vez, en la Sorbona de Abdera,
sita por Babia, al pie de los de Úbeda, que serán cerros si no valen por Monserrates,
sin cencerros. Perseveré harto poco en la Semántica -por esa vez-,
si, luego retorné a la andadas, pero a la diabla, en broma:
semanto-semasiólogo tarambana pillín pirueteante.
Quien pugnó en Dénnevitz con Ney, el peli-fulvo
no fui yo: lo fue mi bisabuelo el Capitán...;
y fue mi tatarabuelo quien apresó a Gustavo Cuarto:
pero sí estuve yo en la Retirada de los Diez Mil
-era yo el Siete Mil Setecientos y Setenta y Siete,
precisamente-: releed, si dudaislo, el Anábasis.
Fui celador intocable de la Casa de Tócame-Roque, -si ignoré cuyo el Roque sería-,
y de la Casa del Gato-que-pelotea; le busqué tres pies al gato
con botas, que ya tenía siete vidas y logré dar con siete autores en busca de un personaje
-como quien dice Los Siete contra Tebas: ¡pobre Tebas!-, y ya es jugar bastante con el siete.
No pude dar con la cuadratura del círculo, que -por lo demás- para nada hace falta,
mas topé y en el Cuarto de San Alejo, con la palanca de Arquimedes y con la espada de Damocles,
ambas a dos, y a cual más, tomadas del orín y con más moho
que las ideas de yo si sé quién mas no lo digo:
púsome en aprietos tal doble hallazgo; por más que dije: ¡Eureka! ...: la palanca ya no servía ni para levantar un falso testimonio,
y tuve que encargarme de tener siempre en suspenso y sobre mí la espada susodicha.

Se me extravió el anillo de Saturno, mas no el de Giges ni menos el de Hans Carvel;
no sé qué se me ficieron los Infantes de Aragón y las Nieves de Antaño y el León de Androcles y la Balanza
del buen Shylock: deben estar por ahí con la Linterna de Diógenes:
-¿mas cómo hallarlos sin la linterna?

No saqué el pecho fuera, ni he sido nunca el Tajo, ni me di cuenta del lío de Florinda,
ni de por qué el Tajo el pecho fuera le sacaba a la Cava,
pero sí vi al otro don Rodrigo en la Horca.
Pinté muestras de posadas y mesones y ventas y paradores y pulquerías
en Veracruz y Tamalameque y Cancán y Talara, y de riendas de abarrotes en Cartagena de Indias, con Tisaza-,
si no desnarigué al de Heredia ni a López **** tuerto -que era bizco-.
Pastoreé (otra vez) el Rebaño de las Pléyades
y resultaron ser -todellas, una a una- ¡qué capretinas locas!
Fui aceitero de la alcuza favorita del Padre de los Búhos Estáticos:
-era un Búho Sofista, socarrón soslayado, bululador mixtificante-.
Regí el vestier de gala de los Pingüinos Peripatéticos,
(precursores de Brummel y del barón d'Orsay,
por fuera de filósofos, filosofículos, filosofantes dromomaníacos)
y apacenté el Bestiario de Orfeo (delegatario de Apollinaire),
yo, Beremundo el Lelo.

Nada tuve que ver con el asesinato de la hija del corso adónico Sebastiani
ni con ella (digo como pesquisidor, pesquisante o pesquisa)
si bien asesoré a Edgar Allan Poe como entomólogo, cuando El Escarabajo de Oro,
y en su investigación del Doble Asesinato de la Rue Morgue,
ya como experto en huellas dactilares o quier digitalinas.
Alguna vez me dio por beberme los vientos o por pugnar con ellos -como Carolus
Baldelarius- y por tomar a las o las de Villadiego o a las sus calzas:
aquesas me resultaron harto potables -ya sin calzas-; ellos, de mucho volumen
y de asaz poco cuerpo (si asimilados a líquidos, si como justadores).
Gocé de pingües canonjías en el reinado del bonachón de Dagoberto,
de opíparas prebendas, encomiendas, capellanías y granjerías en el del Rey de los Dipsodas,
y de dulce privanza en el de doña Urraca
(que no es la Gazza Ladra de Rossini, si fuéralo
de corazones o de amantes o favoritos o privados o martelos).

Fui muy alto cantor, como bajo cantante, en la Capilla de los Serapiones
(donde no se sopranizaba...); conservador,
conservador -pero poco- de Incunables, en la Alejandrina de Panida,
(con sucursal en El Globo y filiales en el Cuarto del Búho).

Hice de Gaspar Hauser por diez y seis hebdémeros
y por otras tantas semanas y tres días fui la sombra,
la sombra misma que se le extravió a Peter Schlémil.

Fui el mozo -mozo de estribo- de la Reina Cristina de Suecia
y en ciertas ocasiones también el de Ebba Sparre.
Fui el mozo -mozo de estoques- de la Duquesa de Chaumont
(que era de armas tomar y de cálida sélvula): con ella pus mi pica en Flandes
-sobre holandas-.

Fui escriba de Samuel Pepys -¡qué escabroso su Diario!-
y sustituto suyo como edecán adjunto de su celosa cónyuge.
Y fuí copista de Milton (un poco largo su Paraíso Perdido,
magüer perdido en buena parte: le suprimí no pocos Cantos)
y a la su vera reencontré mi Paraíso (si el poeta era
ciego; -¡qué ojazos los de su Déborah!).

Fui traductor de cablegramas del magnífico Jerjes;
telefonista de Artajerjes el Tartajoso; locutor de la Esfinge
y confidente de su secreto; ventrílocuo de Darío Tercero Codomano el Multilocuo,
que hablaba hasta por los codos;
altoparlante retransmisor de Eubolio el Mudo, yerno de Tácito y su discípulo
y su émulo; caracola del mar océano eólico ecolálico y el intérprete
de Luis Segundo el Tartamudo -padre de Carlos el Simple y Rey de Gaula.
Hice de andante caballero a la diestra del Invencible Policisne de Beocia
y a la siniestra del Campeón olímpico Tirante el Blanco, tirante al blanco:
donde ponía el ojo clavaba su virote;
y a la zaga de la fogosa Bradamante, guardándole la espalda
-manera de decir-
y a la vanguardia, mas dándole la cara, de la tierna Marfisa...

Fui amanuense al servicio de Ambrosio Calepino
y del Tostado y deMatías Aldecoa y del que urdió el Mahabarata;
fui -y soylo aún, no zoilo- graduado experto en Lugares Comunes
discípulo de Leon Bloy y de quien escribió sobre los Diurnales.
Crucigramista interimario, logogrifario ad-valorem y ad-placerem
de Cleopatra: cultivador de sus brunos pitones y pastor de sus áspides,
y criptogramatista kinesiólogo suyo y de la venus Calipigia, ¡viento en popa a toda vela!
Fui tenedor malogrado y aburrido de libros de banca,
tenedor del tridente de Neptuno,
tenedor de librejos -en los bolsillos del gabán (sin gabán) collinesco-,
y de cuadernículos -quier azules- bajo el ala.
Sostenedor de tesis y de antítesis y de síntesis sin sustentáculo.
Mantenedor -a base de abstinencias- de los Juegos Florales
y sostén de los Frutales -leche y miel y cerezas- sin ayuno.
Porta-alfanje de Harún-al-Rashid, porta-mandoble de Mandricardo el Mandria,
porta-martillo de Carlos Martel,
porta-fendiente de Roldán, porta-tajante de Oliveros, porta-gumía
de Fierabrás, porta-laaza de Lanzarote (¡ búen Lancelot tan dado a su Ginevra!)
y a la del Rey Artús, de la Ca... de la Mesa Redonda...;
porta-lámpara de Al-Eddin, el Loca Suerte, y guardián y cerbero de su anillo
y del de los Nibelungos: pero nunca guardián de serrallo ni cancerbero ni evirato de harem...
Y fui el Quinto de los Tres Mosqueteros (no hay quinto peor) -veinte años después-.

Y Faraute de Juan Sin Tierra y fiduciario de
Look!  The state of Israeli has taken us to dark caves,
Left us hanging between western drones
And pious chauvinism of the Islamic state,
We only harvest terrorist bombs intermittently,
As true benefactors are turfed in tight security,
Where mankind linkers an actuary determines not
Only God’s shrewd calendar has salvaged mankind
From the land based time bomb ready to trigger,
But Israeli’s avaricious eye on the lands of Palestine
Wavers not in any tincture of measure,
And western appetite for the Arabic oil wells
Has now gone fluvial spilling the moral brim,
Both have sandwiched us amid delicate edges
Tracking us down to the dangerous courtyards,
Where humanity forlornly gapes at the gathering storm,


Islamic state here comes newly fangled
Fully amoured like Arabian knights
In the dhow of Sind Bad the sailor
Sharpened to date by eastern wisdom
Where China hovers like scavengerous vulture
Waiting for sweet dish of the war plunders,
As Israel giggles at the western folly
Ever jumping into war on a simple trigger,
Evinced in the war on Iraq eked on twin towers
When the true bombers were not Arabs
But shrewd Jews who ployed and stunted
For Islamic fate on the American guillotine,

Israeli state was faked in the formation
Allowing the oil venturists to flock
Menacingly flock from America to Palestine
To usurp land that belongs to the least armed,
On whimsical claims in the  fables and rituals
Skewed to favour the tongue of Ptolemy,
Otherwise, who among us has useless history?

The state is formed by identical population,
Definitely numbered for reasons of law,
How many Israelis formed the 1948 state?
Where were the Jews coming from?
How long had they been away?
No good answer will come than drones,
It is folly to claim land you never owned
Because your foremen hailed it 14 centuries ago,
You forcefully encroach on it with force and terror
Killing and ****** the genuine land owners
Israeli!  Listen to my voice of vision;
Soon God will withdraw his favour from you
For you have ***** the weak and the poor,


Which way Africa! Which way?
Will you take to cross the battle field?
Of the possibly coming horrendous war
Between Islamic state and West backed Israeli,
Don’t go to the West in support of Israeli
For after the war Israeli will become a lion’s cub
That eats the dog foster-mother on its maturity
For a Jew prefers an Arab a thousand times,
More than he does to a black and gentile African,
Let us go east and do business with the yellowmen.
Once I was in England, and happened to encounter the carpenter’s ire,
He was struggling to get out of the lot of poverty, with all mighty,
He woke up every day at dawn, pushing the plane throughout a day,
He liked no stories when working, as Europe’s economy is no joke,
It needs toughness of mind, soul and muscles, hence his work ethos,
His wife covered no space in his hearty, as she was only a cost center
He like not eating all the time, foodiusness weakens the wallet anyhow,
He liked not whistling as he pushed nails into the wood,
He detested lest doing it makes him look like a *****,
His son often played around, when he was working
One day the heaps of sawdust covered up his claw-hammer,
He thought his boy had stolen it, to pawn for candies
At the notorious Jewish shop in the neighborhood,
But in contrast the lad said he knows not,
Where the hammer was, he did not take it,
Carpenter’s ire went fluvial, amokish age,
He sledge hammered his son to death,
Only to discover the hammer
Was underneath saw dust
Where he wanted to hide
The cadaver of his son.
Kate Borlasa Jan 2018
Once upon a time, I dreamed about thee
I saw a charming prince, so dear it amazed me
His eyes were as bright as the twinkling galaxy
Such a fantasy it could be

In every word he speaks makes the gardens bloom
It even brings life to the corpses in a tomb
My dear, what is thy name?
And from whence hast thou came?

I dreamt about thee, sailing on a tranquil sea
If only you could see through me,
How you lit my heart aflame
Oh dear, heed me in heaven’s holy name!

My soul drifts connecting our streams into one
Our sails paddled through leaving the waves behind
I see thee, mirrored from the sea, fine-lined
Your reflection was even brighter than the sun

Our sails drew closer when the sea aggravated its wrath
How can nature be so unkind?
Away we go, departing our path
Now my rhyme is lost like a wanderer in the night
Lora Lee May 2017
take me
to the
space where
the  magnets of
                  our souls
rise up in mad thunder
sadness pushed
right out of stratosphere
a tidal wave rush,
       no warning--
as flames seep
through our skin
the burn cleansing
those cracked cuts
                          of glass,
searing granules of pain
that foam up
             from our pasts
and our wounds
get so pumped up
with love
       they bloom exotic
into
      floral entities
curious and strong
offbeat shapes
of undefined texture-
yet they suit us,
each throbbing petal
      intoxicated in
endorphin glow,
         softening as
tender eyefuls
of kisses embed
themselves in
our torrid earth

I will wrap my tendrils
                       around you
I will carry us, freshly seeded
   through these aching,
whipped-up winds
I will follow the arcs
  of aurora borealis
         beatific crystalline
I will let the wings beat
fast and full,
as they are meant to
I will release the
quicksand haze
of heaviness
that sometimes consumes us
and unravel depths
of the chaos within
In the meantime
just underneath,
a mere scratch
   under surface
a width of a molecule
from the pulse of skin
roars the breath of
            eternal blaze
etched in the silent layers
of your
              tattooed gaze
inked upon my essence
           in ancient runes
carved upon my heart
my quivering thighs,
a bond sealed in blood
and lingering sighs
Under dark rocks
rays of prismatic
                     rainbows
burst forth
unexpectedly,
        in phosphorescent miracle
release us from
our caged-up fury
Liquids morph into solid,
still iridescently fluvial
I reach out to you
pour fire
       in your veins,
for you are
      my Light
ebullating our souls
in healing trance
through the
       restless echoes
of
      night
https://www.youtube.com/watch?v=0KHUELwTj2g
iridescent Sep 2013
we're just like rain
penetrating the dancing dusts
joining other droplets as one
forming vast oceans and fluvial rivers
some are calm while others make choppy waves

the sun sends rays in our direction
beckoning and urging us
we return to the clouds
travelling places to
rejoin the water bodies
somewhere else this time
and we make homes for creatures
and we reflect the moon and the city lights

some of us rest the tired souls
with our silent but loud pitter patters
some of us flow down the
busy roads and quiet countrysides
some of us collect in lakes
some scribble storms and some paint rainbows

then we return to the clouds once more
and we meet as we fall back to earth
two familiar translucent crystals reflecting each other
and this time we might hide from Sun and Cloud
because we wish to travel on our own
just us
two raindrops
Juba you are ******-red!
Like noon-back of the red sea,
As if Tinka and Nuer we know,
Is complexion-ly red?
But no, they are all dark,
Under weight of melanin,
Only that your guns yell deaths,
And fluvial rivulets of blood,
Afloat are fear-ridden refugees,
From a slaughter of your nation
To which you **** not,
As if you have a spare-part,
No, guns in Juba must down be
For us to talk and talk
By not listening to the echoes
Of our clans, tribes and races,
Only for our ears to ***** high
In dear audience to the agony,
In the voices of the widows,
Orphans and the starved ones
That had their trust and love
Once endowed into you
The state of Sudan in Juba,
V
Llegaste a mí directamente del Levante. Me traías,
      pastor de cabras, tu inocencia arrugada,
      la escolástica de viejas páginas, un olor
      a Fray Luis, a azahares, al estiércol quemado
      sobre los montes, y en tu máscara
      la aspereza cereal de la avena segada
      y una miel que medía la tierra con tus ojos.

      También el ruiseñor en tu boca traías.
      Un ruiseñor manchado de naranjas, un hilo
      de incorruptible canto, de fuerza deshojada.
      Ay, muchacho, en la luz sobrevino la pólvora
      y tú, con ruiseñor y con fusil, andando
      bajo la luna y bajo el sol de la batalla.

      Ya sabes, hijo mío, cuánto no pude hacer, ya sabes
      que para mí, de toda la poesía, tú eras el fuego azul.
      Hoy sobre la tierra pongo mi rostro y te escucho,
      te escucho, sangre, música, panal agonizante.

No he visto deslumbradora raza como la tuya,
ni raíces tan duras, ni manos de soldado,
ni he visto nada vivo como tu corazón
quemándose en la púrpura de mi propia bandera.

Joven eterno, vives, comunero de antaño,
inundado por gérmenes de trigo y primavera,
arrugado y oscuro, como el metal innato,
esperando el minuto que eleve tu armadura.

No estoy solo desde que has muerto. Estoy con los que te buscan.
Estoy con los que un día llegarán a vengarte.
Tú reconocerás mis pasos entre aquellos
que se despeñarán sobre el pecho de España
aplastando a Caín para que nos devuelva
los rostros enterrados.
Que sepan los que te mataron que pagarán con sangre.
Que sepan los que te dieron tormento que me verán un día.
Que sepan los malditos que hoy incluyen tu nombre
en sus libros, los Dámasos, los Gerardos, los hijos
de perra, silenciosos cómplices del verdugo,
que no será borrado tu martirio, y tu muerte
caerá sobre toda su luna de cobardes.
Y a los que te negaron en su laurel podrido,
en tierra americana, el espacio que cubres
con tu fluvial corona de rayo desangrado,
déjame darles yo el desdeñoso olvido
porque a mí me quisieron mutilar con tu ausencia.

        Miguel, lejos de la prisión de Osuna, lejos
        de la crueldad, Mao Tse-tung dirige
        tu poesía despedazada en el combate
        hacia nuestra victoria.
                                          Y Praga rumorosa
        construyendo la dulce colmena que cantaste,
        Hungría verde limpia sus graneros
        y baila junto al río que despertó del sueño.

        Y de Varsovia sube la sirena desnuda
        que edifica mostrando su cristalina espada.

        Y más allá la tierra se agiganta,
                                                        la tierra
        que visitó tu canto, y el acero
        que defendió tu patria están seguros,
        acrecentados sobre la firmeza
        de Stalin y sus hijos.
                                        Ya se acerca
        la luz a tu morada.
                                      Miguel de España, estrella
        de tierras arrasadas, no te olvido, hijo mío,
        no te olvido, hijo mío!
                                          Pero aprendí la vida
        con tu muerte: mis ojos se velaron apenas,
        y encontré en mí no el llanto,
        sino las armas
        inexorables!
                              Espéralas! Espérame!
Carlo C Gomez Jun 2020
Perched against the fluvial
in respite from the wind
an ex-animate, eolian tumbledown
made from bone & decay

Deep within
its unearthly womb
sits the curled elongated shape
of the perfect organism
BLT's continued challenge- to write a poem using the Merriam- Webster word of the day, eolian.
Inútilmente fui
recorriendo senderos
entre mármoles.

Luz
de prodigiosa hondura.
(Toda la noche había
llovido. Al clarear
cesó la lluvia. Nubes
navegaban el cielo;
nubes blancas).

Inútil
fue recorrer senderos,
buscar tu nombre. Inútil:
no lo hallé.
Y recé una oración
por ti -¿por ti o por mí?
Después te olvidé. Sean
los muertos los que entierran a sus muertos
Estaba
tan olvidado todo!
Pero esta noche...

¿Por qué será imposible
verte de nuevo, hablarte,
escucharte, tocarte,
ir -con los mismos cuerpos
y almas que tuvimos,
pero con más amor-
uno al lado del otro...
(Ilusión descuajada
del espacio y del tiempo
lo sé para mi daño).

Yo te hablaría lo mismo que hablaría,
si yo fuese su dueño
mi verso: con palabras
de cada día, pero
bajo las que sonara
la corriente fluvial
de la ternura.
Como se hablan los hombres,
conteniendo las ganas
de llorar, de decirse
«te quiero». Sin llorar
ni decirse «te quiero»,
que es cosa de mujeres.

Qué quedaría entonces
de ti, después de tantos
años bajo la tierra.
Dónde hallarte -pensé
aquel día. No estamos
jamás donde morimos
definitivamente,
sino donde morimos
día a día.
Pero esta noche...

Te abrazaría, créeme,
te besaría,
te daría calor,
te adoraría. Haría
algo que es más difícil:
tratar de comprenderte.

Y te comprendería
te comprendo ya, créelo.
Nos va enseñando tanto
la vida... Nos enseña
por qué un hombre ve rota
su voluntad, y sueña,
y vive solitario;
por qué va a la deriva
en el témpano errante
arrancado a la costa,
y se deja morir
mientras mira impasible
cómo se hunden los suyos,
la carne de su carne,
su hermoso mundo...
Son líneas sin sentido
éstas que trazo.
Yo mismo no comprendo
qué es lo que dejo en ellas.
Acaso sea música
de mi alma, arrancada
de modo misterioso
por tu mano de muerto.

Tu mano viva.
Yo pensé en ella, pero
era una mano muerta,
una mano enterrada
la que yo perseguía.

Inútilmente fui
buscando aquella mano.
Se estaba convirtiendo
en festín de las flores.
En vaho tibio para
empeñar las estrellas.
En luz malva y errante
que da su son al alba.
Estaría mezclándose
con la tierra materna.
Se hacía mano viva:
lo que es ahora.
Te abrazaría, créeme.
Te daría calor.
Te comprendo ya. Entonces
no era tiempo. Fue un día
de septiembre, en Ciriego,
-un cementerio que oye
la mar- el año mil
novecientos cincuenta.

Cuando vivías, eras
un extraño. Aquel día
entre mármoles, fui
buscándote, tratando
de comprenderte. Sólo
esta noche, de modo
inesperado, al fin
he comprendido.

Tarde,
para mi daño.
Andrew Rueter Feb 2021
Winter spills over Kentucky
like a splash of liquid nitrogen

what eats is scarce because what's eaten is scarce
scavengers search trash cans—enjoying the warmth inside

ice scabs over fluvial lakes
once their revenue streams have been frozen

a faint, far away generator screams away the cold
like smokestacks on the horizon

(all that smoke must mean something
I figure something must be burning)

a fire burns somewhere—I'm not there
I'm here, and here, there's a fire over there

crimson cardinals appear through neutral trees
like I was struck in the head with a blunt object

darkness drifts overhead where geese drift away
as Kentucky loses consciousness

gauzy snow is wrapped around the state
—a cold compress for the fall's wounds

time heals all wounds
but is a wound itself.
Y, en fin, pasando luego al dominio de la muerte,
que actúa en escuadrón, previo corchete,
párrafo y llave, mano grande y diéresis,
¿a qué el pupitre asirio? ¿a qué el cristiano púlpito,
el intenso jalón del mueble vándalo
o, todavía menos, este esdrújulo retiro?

¿Es para terminar,
mañana, en prototipo del alarde fálico,
en diabetis y en blanca vacinica,
en rostro geométrico, en difunto,
que se hacen menester sermón y almendras,
que sobran literalmente patatas
y este espectro fluvial en que arde el oro
y en que se quema el precio de la nieve?
¿Es para eso, que morimos tánto?
¿Para sólo morir,
tenemos que morir a cada instante?
¿Y el párrafo que escribo?
¿Y el corchete deísta que enarbolo?
¿Y el escuadrón en que falló mi casco?
¿Y la llave que va a todas las puertas?
¿Y la forense diéresis, la mano,
mi patata y mi carne y mi contradicción bajo la sábana?
¡Loco de mí, lovo de mí, cordero
de mí, sensato, caballísimo de mí!

¡Pupitre, sí, toda la vida; púlpito,
también, toda la muerte!
Sermón de la barbarie: estos papeles;
esdrújulo retiro: este pellejo.

De esta suerte, cogitabundo, aurífero, brazudo,
defenderé mi presa en dos momentos,
con la voz y también con la laringe,
y del olfato físico con que oro
y del instinto de inmovilidad con que ando,
me honraré mientras viva -hay que decirlo;
se enorgullecerán mis moscardones,
porque, al centro, estoy yo, y a la derecha,
también, y, a la izquierda, de igual modo.
Todas las músicas naufragaron en el piélago:
con los dedos unidos se hundieron verticales
-buzos maravillosos-
y se quedaron adormidas sobre el túrbido seno
fluvial: pues ni siquiera en linfas saturadas de sales!

¡en aguas dulces zozobraron mis musicales alborozos!

Danzando venían -tanagras sensüales,
lujuriosas mozuelas-, ondulaban los senos gordezuelos,
el vientre sobrio, los muslos calipigios.

Todas las músicas naufragaron en el vórtice
cuando hacia mí venían -grávidas de prodigios-
cuando hacia mí tornaban -pletóricas de vuelos-.

Con los dedos unidos, mis alborozos musicales
se hundieron verticales.
Profesor de sollozo -he dicho a un árbol-
palo de azogue, tilo
rumoreante, a la orilla del Mame, un buen alumno
leyendo va en tu naipe, en tu hojarasca,
entre el agua evidente y el sol falso,
su tres de copas, su caballo de oros.

Rector de los capítulos del cielo,
de la mosca ardiente, de la calma manual que hay en los asnos;
rector de honda ignorancia, un mal alumno
leyendo va en tu naipe, en tu hojarasca,
el hambre de razón que le enloquece
y la sed de demencia que le aloca.

Técnico en gritos, árbol consciente, fuerte,
fluvial, doble, solar, doble, fanático,
conocedor de rosas cardinales, totalmente
metido, hasta hacer sangre, en aguijones, un alumno
leyendo va en tu naipe, en tu hojarasca,
su rey precoz, telúrico, volcánico, de espadas.

¡Oh profesor, de haber tánto ignorado!
¡oh rector, de temblar tánto en el aire!
¡oh técnico, de tánto que te inclinas!
¡Oh tilo! ¡oh palo rumoroso junto al Marne!
Zywa Jan 2019
You are a flowing body
of water in the river
just like me

rolling around you
my alluring nymph
you run fast and deep

ripple over hard rocks
and leave them smoother
in your sparkling wake

We caress the fish
embrace the water lilies
and rustle with the reeds

let us stay, it is good
here, the birds too
are swinging back

my fluvial dear
I don't want us
to reach the sea
For Conner Masterfield, who wrote "she is a river"

Collection “Take a picture, now”
Kate Borlasa Jan 2018
It isn't my first time in Verment's Lair,
from the past few years, I've encountered its humid air.
The streams and rivers are fresh and clean.
Fortunately, not infested with creatures ever so mean.
I feel wonderful... The breeze sends me to sleep.
Like a warm beating heart to keep
me alive, I seek for thee.
Like a lover, I will strive.

I ventured forth where distant scenes widen my view.
The valley and the mountains, bathed in fluvial blue.
Like Rorikstead, the plains are suntanned tundra.
But my darling dear, as rare as aurora,
Thou art nowhere in sight.
Let's go home, and leave thy endless dream.
I am here, my dear, thy safe haven, gleam.

A frigid land, Oh Verment's Lair!
My heart is breaking...
For someone I know not where!
But I shall not go home.
I must find thee, though thee not appear.
The primeval trees, and starlit sky,
The snow capped mountains, they are my seer.
Fear not, my dear, my hopes are widened eyes.

So the wanderer journeyed alone,
past the path of his heart forlorn.
His fate been kind, and found his love
under the glowing highest of the high,
his lovely maiden lies...
But the glow suddenly pilfered from the sky
The thorny night thrusted through his translucent heart…
Seeing his love affair... a cast of light, and died.
Kideía Tou Vernarth, The sky was lost in colors; everything was snowy white, shimmering with white clouds that were arranged on top of other pearly ones, which tend to break from above the stupor brought by the Cherubim and Seraphim to receive Vernarth and Alikantus. Arriving at the highest plain, Vernarth spotted the Mashiach who was guarding him, he was wearing a white garment, and on his neck was an ornament that the Hoplite Soldiers of Arbela had given them. When Vernarth dismounted he saw on his Lynothorax a Hoplomachus, which was the same medallion worn by warriors to face the divine death in combat, given by a Thraex, who always accompanied him with the Kantabroi with the sulfur mists after the battles, oxidized wore a manica in the arm that seemed to signal with the tip of the finger the XIX chapter of the Apocalypse of San Juan Apóstol, in both legs an ocrea labeling the chorus of hexameters that chanted the Sybils to revive them. And on his head that turned three hundred and sixty degrees, he carried the Leonatus with another Elbmo under his arms with eyepieces with grid and crest, on his right leg, a Xiphos hung like the telamo that he took from both angles of his legs to approximate to carrying his steed pulled by his hands.

His belly heaved with anxiety, in his hands came to the folder that Drestnia and Etrestles had written that he had condescended to from the Koumeterium of Messolonghi, saying:

"All the cities of the world will be called Athens... because from there you will reach Patmos where you are in all places." Everything is ancient because soon it gets dark, and the funeral speech is the first death that you saw when you were an infant..., all the people who are with your majesty yearn for civil that you implicate in the legacy of the deep Christmas in Patmos, with mantles, wines, rolls and thick Corinthian wines in his credible creation Patmiana leaving them in the corridor that reaches the end, where the alabaster replaces the burning manger..., as a tale of two stories and struggle, which are exalted narrating the wars after which their dominated lands are suspended in the waters of the Aegean, and tinged with the apparent unrealized pact.

The whole world will be called Patmos, where nothing and no one will defeat you without first a dirge when the gargoyles of your veins sob, when their capitulation is filled with culture that swirls between the white tablecloths of Kissamos and Kímolos, this is where the Sarissas They will parade through the pantheon like thousands of solitary spears towards the perpetuity of the heritage that doubles the clouds pregnant with liquid bronze, to be scattered throughout Athens like stoles of marble chaff that the Meltemi carries with the prudence of ennobling the first shocks of the storms that predict your departure. Nothing of minimalism or arbitrariness that cannot be resolved in loopholes that are hidden among the requirements, in which all the threats have been admonished from the fallen canopy on your integrity, on the Cherub that fights with his empty hands like a beautiful fallen angel at the dawn of Miletus, already being a state governed by the Hoplomachus with his dyed sword, where you can see what and you can be more than a convention of gladiators, such as this and in fact disposed towards the courage of what the courage produces with the infamy of seeing you pray alone in its black stretch. In everything you were left alone, favorable only to the disagreement of what you should be or do because you will not be able to return, you are already a legionnaire who carries the world on his back struck down with his Kantabroi Corinth. Why did you sully yourselves with your weathered hands, why somehow the Nikephoros bring victories that are slow to come and soon gone? Thirsty for victories they bring vessels and flows incapable of satisfying you in the immensity of their anguish, and everything is done just when what fits in my thinking fills my belly, and what saturates the belly is tied to the Rudder of your precocious olive trees, from so much that the atabal sounds, it turns it into empires of stones that do not coin the subsidiary complaints of their war, if you dare of hostiles that bring food for dinner and of everything that pours the tediousness of piling up leftovers where nothing is enormous anymore What a grievance to sigh. Vernarth, the world of Messolonghi and its eternity comes to give you the admission of a Commander!, who deals with greatness and simplicity, as you can understand from sixty-four springs that have closed the eyes of Pericles just like yours, where the laws will have to indemnify and fill vessels that remain empty for this toast "Stin iyia sas o Khaire" from Elpenor to your house and health from a Nikephoros prayer book or conquest to win over everything, ... but continue drunk alive and reborn in other taps condescending of mythological swings, where the laws revive the second or third vigils of treats that lead into the orbit of a Hoplite.

I see you comfortable in the klimós that take you to the Empyrium, where the scattered saliva mixed with wine is confused with models of taking you to your new home? Do it again. In the eighth Cemetery of Messolonghi a great revolt has been made, she prescribes to pay you honors with Markos Botsaris at the head of which all the gold spilled on the table will be made with bows and arrows, shields, and spears to take them to Patmos and Athens, for fluvial sounds that sound like the Hékein or formality of lavishing to do or utter, so that everything is in favor of desolate places that will not be felt throughout Greece when they understand that you carry all the laments of the Warriors who hide behind the moor so as not to see them sob, still feeling the drums of the compass of a victory where wine runs that is written in the stands of Epidaurus, signing the chaste peace with its Medical Wars. It seems good to you that the ghosts speak of democracies, and that they also govern them with the spill of the satisfaction of public ovation that only does it with two or three flags, Oh Brother, I dress in foreign attire that enlivens your lightness from head to toe, I want to see you revived on the plains without stopping riding with Alikantus, free from all stratagem and fantastic scents of lavender, and summer-roasted grasses from the hall of the Athens oven. Do not be afraid, we have distances that are difficult to overcome, it will be the expulsion of our hearts if we allow ourselves to be overtaken by the watering of their rudeness that always complains of open will, do not be afraid, Pericles trusts your departure just like you at sixty-four, of such a Syntagma double 32 who appreciates you right and left in our companies, with courage obsequiously in becoming where the wind rises in Abdera.

We can dare to say that we are a group of seven, in the association of 25 men from the Syntagma who will accompany us, divided... but not divided! That it is nothing more than death as a double life that is put in front of you, that shows its opposite face of the Syntagma where victory and defeat offer omens of revival in both battles, not all of us are saved by our annihilation, nor by its quality of picking ourselves up even among the vanquished of invisible conflagrations or just because of the excessive feeling that is not imbued with beauty in what ends or begins, we know that you will come in Solstices and Equinoxes free from its austere plagues, and reborn from Aspasia or social life of gatherings that draw your eyes from seeing so much beauty light up in the theater that never ends, for this we know that we will measure what fits in your bladder, and the wine that we are ashamed to recognize in order to satisfy you, Oh Brother, receive from a whole nation and from the buried of Messolonghi how happy they will see you to come to visit us, whose boasting Homer eulogy disowns, with plausible lightning strikes from all frontiers if a Sycamore makes your initial on its bark, granting a new star to Greece where you will be able to observe that it bears fruit from where you will not be able to taste it, otherwise you will be able to affirm yourselves well from the trunk where you will be able to write values that resemble it by virtue of the Kashmar that points to the Aegean Sea .

An immortal never affirms him about a sycamore, rather he affirms himself with probity that resembles the richness of a story written by locals who know well that they are spring harvests. No one can have more praise than Drestnia, and I to receive you in our land cleared of enemies and sit at our table for the sole fact of avenging challenges that speak of saving and falling back, of counterattacking with perseverance carrying in your hand what breaks the Light and becomes your subject "The Sword Xiphos". In the end, the voices are filled with hope and fortune of your sword that could stop time, and bring you made of meat in the herd of Mosul as a weak naughty, for this equivalent with our parents who enjoyed our votes, such cenotaphs and that The weak have to live protected by strong walls that have to record in their narrow urns, empty and perplexed by Freedom from other unfortunates who will not enjoy it, who will not be afraid to die in the land that does not recognize martyrs who are still destined to live gloriously declining. How foolish it seems to you when the mouthful of bodies from the battlefield rise with it to the sky of all, and of evils that are made benevolent by so many miracles to live next to them, fearful right there before the city bailiff who does not dare to dare to bury you in their domains, to see you resurrected in the domains or district of the fearful ruler. Now wear your halo, take it with your five senses, and make of them courageous thirds where your precinct declares that no one will erase or forget it”
Kideía Tou Vernarth
Mateuš Conrad May 2020
i must be in one of those... "moods"...
    i must be in such circumstances follow an almost
ritual: the beauty of life...
coupled with the "fairness" of it...
notably when sharing it with people:
of a more... "south of the border"...
a more sour invitation to it...

                  my "free will": my... what little is it...
when someone else might: rest assured...
express his or her... "alternative"...
                      this a choice...

the wine has ran! down into the gob that
sometimes forgets to thirst...
and when not thirsting... does the unpardonable...
shelters itself in the abodes of ruining
patterns of shadow devoid of bodies...

drinks! listens to scandinavian pagan songs...
tiresome... tiresome those byzantine chants...
for all their worth: but enough is enough...
it would be the most precious time...
to translate some Horace...
   such be my need for solace -
but translation itself is hardly a comfort...

                       the cut-off reads...
   at *** tonantis annus hibernus Iovis
        imbris nivisque (conparat)...
       tonantis - thunderer
     hibernus - wintry
               annus - annum - year...
        imbris - growth...
        nivisque - snow... the cut-off is already:
as always crude...
                                    the whiskey is here!
and the romance of powder...
cheeks and roses! but we might as well
begin: from a beginning...

  beatus ille qui procul negotiis, ut prisca gens
mortalium, paterna rura bobus exercet suis
solutus omni faenore
    neque excitatur classico miles truci
  neque horret iratum mare
                       forumque vitat et superba civium
potentiorum limina.
   ergo aut adulta vitium propagine
altas maritat populos at in reducta valle
     mugientum prospectat errantis greges
inutilisque falce ramon amputans feliciores
insertit aut pressa puris mella condit amphoris
aut tondet infirmass ovis.
              vel *** decorum mitibus pomis caput
autumnus agris extulit,
         ut gaudet insitiva decerpens pita
certantem et uvam purpurae,
    qua muneretur te, Priape, et te, pater Silvane,
tutor finium.
           libet iacere modo sub antiqua ilice,
modo in tenaci gramine:
labuntur altis interim ripis aquae,
           queruntur in silvis aves fontesque
lymphis obstrepunt manantibus,
                             somnos quod invitet levis
.

thus listening to some of what the british
patriots have to offer...
i'd call them the demeaning "natives"...
but then i have on offer...
scottish nationalism
and welsh nationalism...
not to mention the irish: but i'll mention them...
english nationalism...
      hmm...

solution: repatriation... of the "invaders"
of Brimingham...
i know what deportation looks like...
on the weekend that Dianna was
"repatriated": her coffin was towed...
the home office came knocking...
    father doing a runner...
         visiting grandfather broke up his affair
with sober -
'nice com-pew-ter' said the home office
grey...
i was left in tears and punching
the wall...
       so much for integration...
          did my best lizzy... the paperwork...
"got in the way"...
            doesn't matter: the kosovans came
in 1999 circa etc.
     the canines are out...
                  where is my, mosque?
                          where is my kebab stash?
beside the 2004 tsunami...
          
home is where: i have a sparrow's worth
of fear: and perhaps a heart...
when i land in warsaw and try to escape it...
i land in warsaw: i'm a native of these parts:
am i "at home"...
i'll walk you down route 25 bus
past all the babylon and i'll tell you:
nothing like it!
dodo among the peacocks...
humpty-dumpty and sacred cows brigade...
that's not quiet me... but...
         touch 'em with a two metre long
****** if you must!
      
   my affairs with england...
was supposed to be a stop-over...
further argentina... h'america...
     the bleach baptism: ha! ha! h'america!
in search of a great-grandfather...
   guess this is "home"...
sure as ****... warsaw isn't!
      
                   and these concerns...
i will not sing the: god save the queen...
i'd rather whistle to: the british grenadiers fife
& drum... on a scale of: a *****... a nilly...

italy is being "invaded"
germany is being "invaded"
denmark is being "invaded"....
england and france are being "invaded"...
no guns, no tanks... no blitzkrieg?
"invasion"? or just slacking and slurrping
a neo-liberal old liberal pompous brat affair?
sleep more sleep a more dire sleep...
wake up when it's all over...
in the hands of the other...

   an invasion: an "invasion"... no tanks...
just the stories of sorrow from knife-crime
statistics... collateral and human shields...
such concerns...
if it's not the invaders it's the romanians
picking lettuce or the polacks
on construction sites...
but i am as much an exile as anywhere...
and i don't really have a high degree of concern
for my "tribe": either...

   the slow warfare of economic ruin concerning
a town that was sizing up a status of city...
with two metallurgy theatres of operation...
gone: gruzy... heaps of rubble...
           hersch! herr hersch!
     how iz zis evens pozziblah?
               i don't mind the invaders...
marry one: then i might...
   have a little calipso moment and count:
the number of shades of cinnamon,
copper, bronze and cherokee...

                      whiplash... i must be daft...
not to have learned a thing or two from
the **** and the ******... to have to learn
a new: "thing or two" from the... liberals
with their: no tanks, no planes, no microwaves,
no l.s.d. "freedom's freedom" policy!

england big... big O england...
big o: O and exclaimation mark: O! england...
i am not wed to your daughters...
nor the father or grand fairy pater to
them either...
               i didn't bring a mosque!
i didn't bring a flag!
i didn't bring a suntan that retains its
glue in winter!
i didn't bring anything...
beside... there's this idea of a nation...
and there's that...
of a diaspora... which of course...
you had... but didn't...
when... the "proselytes" decided that:
an english diaspora is not:
in our vision... what would become
the invested: hope and character to build
as a grand, u. s. of a.....
so much for the "motherland and the fathertongue"...
or the "fatherland and the mothertongue"...
whittle ol' england...
whittle ol' bargain: and more!

i brought sauerkraut and a poppy-seed cake...
the german might as well have brought
the former... but it's hardly an argument:
the "invaders" from the east brought their own food...
shame... seeing you gobbling down a curry
and a kebab...
who am i to complain?
i eat them too! i have an arsenal of spices
that would most likely compete with
the nuke arsenal of russia!

                      i didn't "integrate" you didn't
"integrate"... i have your tongue as a dearest: polly...
who doesn't want a *******?
that h.p. sauce is genius?
              well... and cricket? but i'll eat your
gob-*****... you will not eat mine...
so you have your bangladeshi "invaders"...
your friday night: chinese take-away and soho...
ahem... "soho"... chinatown...

who's to be complaining?!
exotica! ex-o-tica!
                     shrimp **** and watermelon *****:
requiring... ***** extensions to **** around
with: **** jamai... can oh she cancan but not
in the parisian "sense"...
          
        well... given that this was supposed
to be a translation of Horace...
here's my ****** translation of latin...
it's not a curry... it's not a mosque...
it's not a burning flag it's not a turban...
it's not a roman catholic on a pike...
dying a death more formidable than
a crucifixion...
i'm guessing a viking settling in york:
with something of a believable
scandal when sense of humour is concerned...

i can't promise stale: hardly any poetry...

fortunate he, who from the city's uproar from afar,
free like people of older date,
    with oxen ploughs the fief of hereditary role,
oblivious to either profit or toll,
he doesn't know, what is the **** of a battle horn,
he doesn't tremble, when the sea grieves a vengence,
shuns away from the forum's uproar,
        he doesn't, like customers - who -
                 protrude under the doubling of the wealthy.
he prefers the lush shrubs of grapevines -
with shoots wed to the stump of a poplar tree,
overseeing, leading herds of roaring cows
into and among pastures on the slopes
of mountainous valleys...
             hunt boars... interlock with beef...
                  so as to have a noble variety of fruit,
from pressed plasters: honey sieved into amphorae
or clipper woolly sheep of the herd.
                - and when golden autumn above
the fields - donning a wreath of harvested wheat:
raises its head -
with what kind of ecstasy / delight...
tears the sight of grafted pears...
                   and bunches in clusters of purple -
should for Priapus and Silvanus,
     watchman's bordering copper, bring forth:
the first gifts.
     how pleasant to rest upon cushioning grass
or under a an old and shady oak:
where fluvial trends in precipitious stance
of banks errodes...
                     where the birds' graceful nagging...
foliage murmurs, streams of water incessant:
thus a dream make... unexpectedly
.

estrada: tempus...
                            auditores? lemures!
stage: time...
            the audience? ghosts!
that's bound to happen... binding oneself
to a Horace...
       with what's already available...
the stage: the audience....
and beside: the audience: time...
        well... i rather enjoy entertaining...
a stage of time: and the audience of ghosts...
than have to resort / retort to
the latter "debacle"...

             i, didn't... bring an "invaders"...
detail... lucky for me...
of the german the zeppelin and the ******...
you didn't even have to taste
anything by the leftover mongol...
that crimea became the capital of
the diaspora... that the mongol became known
as the tartar...
                                      chebureki...

endear me! have you humpty-dumpties!
your sacred cows!
your mosques! your chinatown!
your frizzy and your froth!
your angst your liberals and your
huguenots!
your passive-aggresive secular "christianity"
tingling with **** atheism...
"your"... Birmingham!
"your"... Loon'don...
                            
             clywed y çymraeg!
                                    éist clann gàidhli!

seobheith!
           no heidegger: no "there"...
                        anois!
              
        YMA!
                                     YMABODAU!
i leave Wstminster to the porky-pies...
who with and with: "who":
where else?!
At dinner I am retying my shøelaces
when yøu say ønce møre
gø øn, again
is what I hear
   what the waitress hears
as she dumps
anøther blønd-haired pint
in frønt øf me with a grin that clearly states
she’s telling yøu høw tø say that phrase is she
the three-wørd term
unsayable tø øutsiders

høp step jump
øf a phrase
the language fluvial
like a lake sluicing weeds
cønsønants like dripping water
vøwels that huddle tøgether
as if the cøld is cøming in
the irregular phlegmy intønatiøn

there are candles here
whøse lives expire in silence
a glut øf armchairs
where what cøuld very well be
the wøølly Jumpers expø
før the year cøngregates
triplets øf fingers running
thrøugh their straw-bløøming chins

despite the side-track
I still døn’t knøw why
the ø’s are impaled
my møuth and tøngue
haywire as if tøssed in the wash
the demøn shibbøleth
øffered tø me
and that tablespøøn øf mucus with it
rull grull mel fluøl

the wørds dribble øut
bunch øf slushy søunds
she laughs
says I’m a løst cause øn the matter
and that I’d be better øff with hygge
which is surely the søund made
when løng yawning in the mørning
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Ryan O'Leary Nov 2023
.           =====

                 *
             =====
            
            

Perhaps it is too small,

get a magnifying glass.


All the components for

the ******* are there.


The blue lines on both

sides are not decorative.


They are the Euphrates

and the Tigris fluvial's in

“ Mesopotamia " which

means (between rivers).


This has been the ****

Hebrew Jew Zionist plan

since they squatted the

lands of the Palestinians.


Too bad, Hamas has put

stop to their evil ambitions

of a greater noxious Israel.

— The End —