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David Walker  Dec 2012
Voices.
David Walker Dec 2012
Origins
written and directed
by
David Walker

Inspired
by
the films of
Quentin Tarantino
David Lynch
&
Rob Zombie

There is method
To his madness

                                                        ­                                                                 ­                  January 2013              
                                              ­                                                                 ­                       first draft









1. EXT. Run down project apartment complex - 3:00 am

A dark, tall figure with long black hair and a trenchcoat opens the already cracked red door.

MAN:
I'm looking for love in all the wrong places.

                                                        ­                                                                 ­                                       CUT TO:
INT. Apartment 3

A typical roach infested apartment with a kitchen built into the living room. 3 GIRLS are on the kitchen floor. GIRL # 1 one has black hair with big lips and a curvy frame and she is wearing a pair of Tripp pants and a black bra barely covering her ample *****. She has a flesh colored rubber hose tied to her left arm. GIRL # 2 has dyed rainbow colored hair, a nice smile, and a skinny frame. She is wearing a pair of tore blue jeans with smiley faces and cute in jokes written on them, also not wearing a shirt with a lacy blue bra on. She has a spoon with water and black tar ****** inside it which she is heating up with a silver Zippo with the word "Skittles" engraved into it. GIRL # 3 Has long naturally red hair, glasses and an extremely voluptuous figure. She is wearing tight black pants and a black shirt with thin sleeves. She is inspecting a covered syringe with an unsure look in her eyes.

GIRL # 2:
So, do you wanna do it or not Jane?

Snatches the syringe out of JANE's hand.

JANE:
I'm not sure. How long have you been doing this ****?

Girl #2 takes the orange cap off the syringe revealing a small needle.

GIRL #2:
Since after I graduated. About 3 years. Liz you ready?

LIZ:
As ready as I am for dat sweet tang!

Girl #2 giggles. She sticks the needle into Liz's arm, blood mixes with the brown fluid inside, and she pushes the plunger down. Liz leans back into Girl #2's arms and Girl #2 gives her a kiss.

LIZ:
I love you, Julia.

JULIA:
Well, I love you too.

JANE:
You guys are so gay!

(OS):
Save that **** for the ******* customers!

                                                     ­                                                                 ­                                       CUT TO:
Other side of room. A greasy looking MAN with short faded black hair and a scar going from the corner of his mouth to the right ear is sitting in a beat up recliner cleaning his Uberti 1873 Cattleman revolver while smoking a fat blunt and watching some kind of high budget **** with Sasha Grey in it.

JULIA:
Sorry, Mike. It didn't stop you from leaving me and Liz unsatisfied and bored, did it?

LIZ and JULIA laugh. JANE has a nervous look in her eyes.

MIKE:
Very ******* funny you wore out trick! Am I gonna have to smack the sass out yo mouth?

MIKE gets up, puts out his blunt and walks over to the GIRLS gun in hand.

MIKE:
Or am I gonna have to give your little friend a scar like mine.

LIZ:
Mike don't!

MIKE SLAPS JULIA with the side of his UNLOADED revolver and grabs JANE by her hair.

MIKE:
Who the **** are you, anyways *****?

JANE:
(stuttering)
I was walking down the street earlier today and I ran into Julia and Liz. They went to school with my sister I think. Let me go!

MIKE:
So you're a young'n. Well you have some nice big *******!

MIKE RIPS off her shirt exposing her *******. He begins to squeeze the right one. JANE SLAPS MIKE HARD!

MIKE:
*****!

MIKE lets go of her hair. Jane runs to the other room grabbing her shirt. LIZ stumbles towards him and PUNCHES him in the nose.

MIKE:
That's it! You little *** dumpsters are dead!

MIKE picks up the REVOLVER, runs to the chair where the bullets are and tries to reload. JULIA wakes from her daze. We see him load 3 rounds. All of a sudden the DOOR gets broken down and the dark clad FIGURE from the scene before pulls out a BERETTA M9 with a silencer attachment. MIKE FIRES 2 shots at him haphazardly missing both. The MAN LAUGHS and FIRES one shot that MIKE's crotch catches.

                                                       ­                                                                 ­                                       CUT TO:
2. INT. Next door in Apartment 2.

A MAN and WOMAN in their early 40's are smoking a joint and seem disturbed by the gunfire.

MAN:
(coughing)
What the hell was that?

WOMAN:
Sounded like gunshots. Do you think we should call the cops?

MAN:
**** no! There is a pound of chronic in the bedroom closet! Just pray whoever it is doesn't come over here!

WOMAN:
Okay. Are you gonna pass that?

                                                          ­                                                                 ­                                     CUT TO:
3. INT. Apartment 3.

The smoke has cleared. MIKE is begging for death and BLEEDING out everywhere, JULIA is in a daze, dumbfounded by what she just witnessed, LIZ is cowering in fear, crying, and JANE just came out of the bedroom with her TORN SHIRT on and a terrified "Oh my God" expression. The unknown assailant has a devilish grin upon his face.

MIKE:
Godfuck! **** me you sunuvabitch! Godda--

The MAN obliges. He fires a single shot into his RIGHT EYE.

MAN:
Well, looks like I got here in the nick of time!

JULIA:
(blankly)
W-Who the **** are you?

MAN:
That is of little importance right now. Who are you foxy ladies?

JULIA:
M-My name's Julia. That girl over there (points to Liz) is Liz, and the ginger is Jane.

MAN:
What pretty names! Well, I have a question. Will you three lovely young ladies gather round that despicable looking chair and listen to what I have to say, or are you going to run? Keep in mind I have rope in my trenchcoat and the fact I mean you no harm. I am just a lonely man with a story to tell, and the way I see it, what with that bruise on your sweet face, you kinda owe me.

JULIA:
I think we can stay. I just wanna know your name.

MAN:
Ahh, but I am a man of many names. My christian name is Derek. You don't need the last for now.

DEREK walks to the chair and sits down. He waves the GIRLS over.

DEREK:
C'mon I just want to tell my tale. Look, I will put the gun under the chair as a sign of good faith that neither you girls or I will start shooting the place up again. Are we square ladies?

JULIA:
What do ya say guys?

They gather in the kitchen.

LIZ:
This guy has a ***** loose.

JULIA:
Yes, but he saved us from our ****. We should humor him.

JANE:
I think he is hot!

LIZ and JULIA just stare at JANE.

JANE:
Sorry, but he is.

JULIA:
So it's agreed. We will listen to his story, silently pray he doesn't **** us and leave afterwards.

The GIRLS walk to the chair. DEREK has lit the blunt.

DEREK:
Ahh, so you have decided to join me. Good. Do you guys wanna hit this?

LIZ and JULIA shake their heads no.

JANE:
I will.

DEREK:
Great. Now, where do I begin. I suppose everybody's roots stem from childhood, so lets go back, oh say, 20 years ago.

                                                           ­       FADE TO BLACK        
Against black, TITLE CARD

October 15th 1995.

                                                          ­                       CUT TO      
4. EXT. Suburbia circa 1995.

There are three boys between the ages of 6 and 9 playing in front of a grey HOUSE with a white MINIVAN in the driveway. Little DEREK is a scrawny 6 year old boy with short brown hair and a Teenage Mutant Ninja Turtles action figure in his hands. The 2 other BOYS ages 7 and 9 are picking on him and trying to take away DONATELLO.

DEREK:
Leave me alone or I will whoop your ****.

BOY #1:
Whatever! You are scrawny and lame. Give us your Ninja Turtle now or we will beat you up!

BOY #2 picks up a STICK and starts hitting DEREK with it.

BOY #2:
What are you going to do? Get your daddy? Oh, wait...that's right, you don't have one!

The 2 BULLIES start laughing. A look of hatred fills young DEREK's eyes. He catches the STICK and slaps BOY #2 in the face with it. He then tackles him and starts beating him mercilessly. BOY #1 runs towards the PORCH and knocks on the DOOR. DEREK'S MOM answers. She is in her mid 30's with brown hair and casual clothing on, smoking a cigarette and drinking a cup of "coffee."

BOY #2:
Derek's beating up Josh again!

DEREK'S MOM:
Well, good for him! Bet that little pecker snot deserved it too. Now, Brad...why don't you take you and your friend on home before I tell your dad you play with Barbies.

LATE 20'S DEREK:
(OS)
My mother was a sweet ol' broad!

BRAD:
(sighs)
Okay, Ms. Walters, but you do know you are going to have to pull him offa Josh right?

DEREK'S MOM:
(sighs like Brad)
I suppose.

DEREK'S MOM and BRAD walk to the front yard and GASP when they notice that DEREK has knocked out 2 of JOSH'S baby teeth, both in the front and broke his nose, which is bleeding profusely.

DEREK'S MOM:
Derek Charles Walters! Get the **** up offa him!

DEREK:
(crying)
He hit me with a stick!

DEREK'S MOM:
Well, now I'm about to!

She picks up the STICK and beats his *** with it several times.

DEREK:
******* *****!

DEREK'S MOM, infuriated throws the stick down and SLAPS him across the face. DEREK runs away.
He runs to a wooded area in the back yard as far as his legs can take him.

LATE 20'S DEREK:
(OS)
Do not weep, for on that day, I met God and Satan incarnate and it turns out they existed singularly in my head.
                                                           ­                                                                 ­                          CUT TO:

5. JANE:
Like a conscience?

DEREK:
Much more. These guys are in the room right now and only I can see him. Satan led me to you guys tonight! Who knows what kind of CRAZY hijinks are in store!

JULIA:
That's it I'm outta here! C'mon gu--

DEREK fires of his M9 1 time.

DEREK:
Now, listen to me you dykey, ****** *****. I have 3 more rounds in this ******* and one
of them is reserved for you if you don't sit your tight *** back down.

JULIA sits back down scared to death. DEREK regains his composure and is "all smiles" again.

DEREK:
Phew! I don't want to hurt anybody. I just want someone pretty to listen to my ******* story. ****, if you want, I will ask you guys about yourself later on, but for now I'm going to introduce you to my best friends.

JANE:
Who are they again?

DEREK:
Ah, you were trying to pay attention. I will remember that. They go by many names. One can be called "God", "Heroic Harry", "The White Knight", whatever you envision as good, this **** is it. He is the reason you guys are still alive.

LIZ:
And the other?

DEREK:
Ahh, him. He can go by "Satan", "The ******", "The Angel of Death." He's the reason ol' crusty here no longer bothers you.

LIZ:
So you're basically ape ****, right?

DEREK:
Pretty much! Now where was I? Ah...yes

                                                       ­                                                                 ­                                    CUT TO:

6. INT. Small wooded area behind the house --- Early evening.

DEREK has made himself a nice little HANGOUT in the woods! there is a trunk with tons of comics in it, an arsenal of sharpened sticks and rocks, Batman action figures, and a Game Boy Color. He is drawing a picture at the moment.

LATE 20'S DEREK:
(OS)
There I was in my element. ****** at my mother, then all of a sudden, a deep, angelic voice rang out.

VOICE #1:
(OS...of course)
You don't have to hate her, you know. She loves you.

LATE 20'S DEREK:
(OS)
And then another, this voice sounding more playful and mischievous then the other.

VOICE #2:
(OS)
But, for how long? Do you think she meant to have you?

DEREK:
Where are you guys?

LATE 20'S DEREK:
(OS)
And then they appeared.

A 13 YEAR OLD BOY with BROWN hair and a FLANNEL overshirt over a Nirvana T-SHIRT with baggy torn blue JEANS with stains on them appears.

BOY #1:
Don't hate your mom.

VOICE #2:
(OS)
But, watch her close.

DEREK turns his head. We see another BOY roughly the same age with slightly long BLACK hair and a TRENCHCOAT over a Nine Inch Nails T-SHIRT with tight black CHICK PANTS with a CHAIN leading from his pocket to his BELT. He has a lip piercing and he is smoking a cigarette.

DEREK:
Who are you guys?

BOY #1:
Just think of us as older brothers your mom can't see.

DEREK:
Wow! I should introduce you guys to my friends!

BOY #2:
No!

DEREK:
Why not?

BOY #2:
You are the only person that can see us. Don't go telling anyone and don't talk to us in front of anyone. People will think you are nuts!

BOY #1:
Think of us as two ghosts that give you advice. Don't listen to him though, he'll get you in trouble.

BOY #2:
Shut up! Or I will kick your *** again.

BOY #1:
Not in front of him. He doesn't need to see that ****. Not now

DEREK:
What are your names?

BOY #1:
That's up to you.

DEREK:
I'll call you Joe, and him Jerry.

JOE:
Works for me, for now. Call us whatever you feel like calling us whenever you like. If you wanna call me ******* and him poophead, go right ahead.

DEREK:
Okay, but for now you guys are Joe and Jerry.

JOE:
We are going to leave now. We will show up when we think the time is right. Sometimes you will see us others you won't, but we are always with you.

JERRY:
Even when you ****.

                                                          ­                                                                 ­                     CUT TO:
7. INT. Apartment 3.

LATE 20'S DEREK:
And then I went back home and they disappeared. I reconciled with my mom and for the next few weeks I didn't see them. Brad started hanging out with me again and school was good. The years go by and still no sight of them. 4 years pass by. It's 1999 and my tastes changed. Instead of Ninja Turtles and Batman it was KISS and Freddy Krueger. By this point me and Josh had made up and Brad was in middle school. And so we go to where me and the voices meet again.

8. INT. Taft Elementary
A class of roughly 25 children in your average 5th grade home room with a stout middle aged gentleman teaching. JOSH and DEREK are in the back row sitting side by side.

TEACHER:
...And that's how the metric system works.

JOSH:
(to Derek)
Dude, did you check out RAW last night? The Undertaker crucified Stone Cold!

DEREK:
**** I missed it. I was doing homework.

JOSH:
(loud)
****!!

TEACHER:
What did you say Mr. Jarvis?

JOSH:
Sorry Mr. Cannib. I forgot to do my homework.

MR. CANNIB:
Josh, Derek, outside!

LATE 20'S DEREK:
(OS)
The old man had taken kids out of the classroom before and they always came back with tears in their eyes. As we walked outside I heard a familiar voice.

JERRY:
(OS)
If he touches either of you, kick him in the nuts!

MR. CANNIB:
I told you boys too many times! None of this **** in my classroom! Josh get over here you little *****!

OL' TEACH GRABS JOSH by the NECK.

DEREK:
Hey ******* keep your hands to yourself!

CANNIB begins to throttle JOSH. DEREK pushes him off of JOSH and KICKS the TEACHER in the nuts with FURY about 3 times and jumps on top of him while JOSH watches holding his neck.

JERRY:
(OS) While we see Derek's mouth moving

Look here, *******. You think you can be called a teacher for drinking on a farm, ******* cattle and beating children so you can have Summer vacation every year? *******, you spiteful sad man.

DEREK SPITS in the *******'S face and begins to PUNCH him when JOSH pulls him off.

JOSH:
Dude, the door outta here is right there. Lets go to our lockers, get our **** and get outta here.

DEREK:
(Breathing heavily)
Did I just do that? What the ****? Let's get out of here...now!

                                                    ­                                                                 ­                                           CUT TO:
9. EXT. Taft Elementary
A bunch of playground equipment next to an alley with a fenced in field. JOSH and DEREK are walking down the alley. It is sunny outside but about to rain.

DEREK:
That wasn't me that did that.

JOSH:
If it wasn't you who was it?

DEREK:
It w...

JOSH:
(Interrupting)
It reall
Robin Carretti Jul 2018
A-Start the best part*
A-Healthy heart breakfast

Not so fast slow down of prayers
Just come and arrive
Sheer whispering Dress Aline
shapes of water are mine

The Green Gables sweeter lime
The twins whisper in doubles
The pink fur Hello Kitty
My best of the cattle in couples
Meet her friend the Furry Sable

The loud whisperers stealing hearts
Of sleepwalkers
They call her the wanderer
He whispers and she's the keynotes
"Her Real Estate' A-Steal for her estate diaries

But their children love to whisper

The crayons Highlights of the wonderland
Building more Ancient dreams

Stealing the grapes of whisper escapes
Like  A-dream planted to remain
A steal cannot take that away
Even if it's you're last meal

Walking with the one you love for miles
Come on baby light my fire
Whispering Morrison door to save
A dream to give the world peace
Like wishing well pulling the rope

Whisper could that be your prayer of hope?*
The guitar the invisible impossible star
And he steals another dream  
Whispering shadows pass like clouds

Australian Malamutes doing the salute *

Got strung along
And lost you

*A-STEAL for an eye for an eye
     HEART
  just give a life

Whispering over again wasn't
the way to play smart
Losing my voice
How to trust someone's words
So hard like the concrete
The abundance of food
Ala carte or Dente

A-Steal dream putting it
into your mind

Whispering Falltime Women in her
Acorn-SHOE* prime time
Walk-in closet Godly light
Like the Viking of swords
Knight

Where to go who will ever know
Not a pin drop of a slight whisper
Clasping or gasping for air
The Holy Water was left

For the delicate minds
of the deer
That light talk of resistance
Lips of acceptance

With her silken pillows
Tied their dreams
Sopping wet rain
The French soothing whispering rainfalls
Wearing her trenchcoat
Whispering her sugar words
He could find me peace
to my river
Like two peas in a pod to float
A Steal how love can tweed his coat
My difference is hearts like "
Owl Hoot"
Just feel you know what's real
Often told the end is truly the taste
to breathe
Even if you are deep inside her dream
To justify her means
Like the Queen to the Diplomat
The highest authority

You almost felt only your whisper the priority
The Aristocrat cleaning up your
bad dreams
*High beams a spoiled love
Like a *** for the Tat

Not the fairytale Dr. Seuss
Cat in the Hat- or the desperation
of one last whisper
Up the sunrise eyes are speechless
The Astral my Goddess
You are the creature of the night
Shining the light never ending the battle night

Smells of baked cake through your nostrils
Rocky mountains of Colorado dreamy caves

Hearing  sounds but living in the distance
The romance blinded like a ghost
winning out the odds

The Even lovers like the Gods whisper
Canadian waterfall talking love deeper

Doing Pilates what *Yogalates loving the
yodeling dreaming watching him the diver
Going dirt biking just love the dreamy feel of hiking

"Hearing Attention ****** in the Summertime"

All blue eyes what a dreamer
The good Earthly brown so worthy
The Cafe Eyes

A steal dream like a spilled milk
Our cat "Jade Eyes" did I hear you
correctly an heir?


Summer the Kings speech air
The assembly line
Good and the bad memories
The years getting away with ******
The law of attraction what a steal in order

Erasing someone's scent
A- million stars you found your truth
Looking outside of your dream
Was your *Godly
tent
Whispering has many advantages and its amazing to see someone in your dream like your lover the mountains hiking or dirt biking and the change of seasons to *******
Icarus Kirk Oct 2013
it is cold, and you're walking, and you can't see your feet
you're numb
not just your face and hands
but everything
detached
unable to distinguish from emotions now
and emotions then

you're walking down the road
and the stars are shining
headlights flying past, rocking your body
threatening to pull you under and break you,
crush you and your mind
and everything else

you're walking down the road, and the moon is low and dark and the sky is otherwise empty
lets say that your eyes are closed
but the drivers eyes are also closed
in the car behind you
and you, perched precariously
toe the white line between death and a dirt road

everyone, it seems, is waiting
for something unknowable
a feeling
a thought
a pat on the back, signalling that everything's okay
everything's allright
it's just fine
go back to sleep
ignore the questioning looks and just
relax

the man in the tan trenchcoat is looking for you
his brothers, his family
disapprove, but
why not
you're not a  bad person
after all
you've done bad things, yeah
made bad decisions, yeah
but overall
what's so bad about sleeping in hotels when the back of your car
is not as comfortable as it looks
so you're desperate
and he's desperate
and you keep missing each other
the looks and idle touches
while comforting
scare you
you are not a  person who feels
so you cannot feel the stubble whispering over your skin
and you did not swallow openly
and stare across the tables as his blue eyes watch you
he doesn't judge you
and for that
you love him
wait.
no.
you don't love him
because that would be wrong, and decades of reinforcement are telling you this
but honestly
if he just loved you back...
there's that word again
the lights over the Arby's are hovering 100 feet above the ground
and you're freezing and alive
and maybe you wish you were dead
but you're not
and that's what really matters
probably
you hope.
i edited this a bit ago
just fyi
Lost in the seems of an Ugly Trenchcoat but I don't want to become a'frayed; seams I'm here to stay.
Anne Sexton  Feb 2010
Rowing
A story, a story!
(Let it go.  Let it come.)
I was stamped out like a Plymouth fender
into this world.
First came the crib
with its glacial bars.
Then dolls
and the devotion to their plactic mouths.
Then there was school,
the little straight rows of chairs,
blotting my name over and over,
but undersea all the time,
a stranger whose elbows wouldn't work.
Then there was life
with its cruel houses
and people who seldom touched-
though touch is all-
but I grew,
like a pig in a trenchcoat I grew,
and then there were many strange apparitions,
the nagging rain, the sun turning into poison
and all of that, saws working through my heart,
but I grew, I grew,
and God was there like an island I had not rowed to,
still ignorant of Him, my arms, and my legs worked,
and I grew, I grew,
I wore rubies and bought tomatoes
and now, in my middle age,
about nineteen in the head I'd say,
I am rowing, I am rowing
though the oarlocks stick and are rusty
and the sea blinks and rolls
like a worried eyebal,
but I am rowing, I am rowing,
though the wind pushes me back
and I know that that island will not be perfect,
it will have the flaws of life,
the absurdities of the dinner table,
but there will be a door
and I will open it
and I will get rid of the rat insdie me,
the gnawing pestilential rat.
God will take it with his two hands
and embrace it.

As the African says:
This is my tale which I have told,
if it be sweet, if it be not sweet,
take somewhere else and let some return to me.
This story ends with me still rowing.
Brian Oarr  Feb 2012
Yin/Yang
Brian Oarr Feb 2012
On chilly, weird wet nights in Seoul
lonely trash cans cuddle up for warmth,
feral alley cats zydeco in the rain,
street folk sip from brown-bags,
that will get them through the night.
Our umbrella slips through fog,
stealthy as a U-boat through depths.

I confess a fetished fondness for the click
of her heels upon the cobblestone walk;
the Angel Falls of raven hair down
the leather shoulder of my trenchcoat.
We will harbor heat within the sultry sheets,
toss carnally upon waves of sensuality,
opposites secluded in the Yin and Yang of night.
there's a spy inside the airport
Don't ask me how I know
Just believe me when I tell you
It's your job to make him show

He's somewhere in there hiding
watching, doing spy like things
he has a spylike briefcase
tied with spylike strings

He wears a spylike trenchcoat
He's hiding in plain sight
Looking for a spy at the airport
Can occupy a child's night

You know that someone's spying
But you don't know who
And you might be the spy in hiding
If their parents act as you

A child is alerted
By a man who wears dark glasses
He's looking for an airport spy
It's speeds up how time passes

You can keep a child busy
Looking for a secret spy
You know ones at the airport
Waiting for their time to fly
Bleurose Jun 2016
So here we are, just you and me. On the edge of everything and nothing, we sit staring out into the ocean of things we wish we’d done.

We hold hands, it’s a formality. I’m scared. You soothed my anxiety, because even though I was scared of you, I knew everyone else was too.

I miss making you coffee in the morning, I wish I’d loved YOU more. You always had that massive mug with two teabags or two tablespoons of coffee.

I wish your family and I could have worked. Please don’t think for a second I didn’t try. Most of my time spent at yours was on eggshells, the ones they had placed.

I miss our first year, your second. Remember that? We were so silly and full of joy. Gimmick Puppets, Plants. You and your stupid trenchcoat that ended up smelling awful no matter how much you washed it. Your long hair was nice. I liked it. It framed your smile that was as bright as the Sun that set in the West over Zephyr’s strawberry field.

The light sank in your eyes the more you were with me. I drained you, I knew that. I stayed. I lied. You didn’t trust me anymore.

I’m happy, admittedly lonely. But I know you’re happy, scared but happy. It’s always been my job to appear, do what I must (whether I know what that is or not) and watch over. The bear finds another like him, and as I remember mentioning a few times, as we lounged lazily on the sofa with our cereal, playing every bit the monsters others cast us out to be;

What on Earth is a bear doing with an angel?
Strawberry field tic tac, an evening spent watching the sunset.
Third Eye Candy Sep 2011
Soft rain has fallen
And tiny jewels are fastened to the landscape.
Succulent prisms lay strewn about
And the night sky hums.
Fumbling branches, the North Wind has apples
Falling to the damp earth -
A 'thud' becomes a murmuur in the lush,
A blanket of dead leaves
Absorb ripe fruit
And clouds part, revealing the full moon
A blush of white lights
Sparkle in the wet eyes of stray dogs.
The Milky Way... gilding creation
With Giants the size of pinholes
In a black melon.
Between low hanging clouds, a billion worlds burn.
And earthworms, born without eyes...
Look up.

To marvel at the Heavens as they drown.
Ben Jones Nov 2014
Shuffling sidewards
Off he walks
Heavy black trenchcoat
Eyes on stalks
Custom trousers
Eight legs wide  
Henry the Half-Crab
Woe betide

Awkward scrabbling
Can't hold keys
Narrow little doorway
Tangled knees
Toilet adjustments
Bean bag chairs
Henry the Half-Crab
No one cares

Can't be an astronaut
Never play guitar
Can't use a keyboard
Won't go far
Hiding from the fishermen
Far from shore  
Henry the Half-Crab
Somewhat raw
Third Eye Candy Jan 2013
Soft rain has fallen
And tiny jewels are fastened to the landscape.
Succulent prisms lay strewn about
And the night sky hums.
Fumbling branches, the North Wind has apples
Falling to the damp earth -
A 'thud' becomes a murmur in the lush,
A blanket of dead leaves
Absorb ripe fruit
And clouds part, revealing the full moon
A blush of white lights
Sparkle in the wet eyes of stray dogs.
The Milky Way... gilding creation
With Giants the size of pinholes
In a black melon.
Between low hanging clouds, a billion worlds burn.
And earthworms, born without eyes...
Look up.

To marvel at the Heavens as they drown
Lindsey Miller Jun 2012
i am being aimlessly guided by a decrepit side street.
the smell of who-knows-what hangs in the still like an occupied noose
as i strain to ignore the unpleasant moisture on my brow,
the imperceptible perspiration of emotional exertion.

my heels can decipher the coded cracks in the concrete
and converse with muffled clackings that echo from alleyway walls.
they say, "our coordinates are flawless; this is the path to freedom."
i think, to reach it alone would be more bitter than any confinement.

‘cause i left some love in an empty room miles from here—
it’s collecting cobwebs instead of affections
while the idol of unrequited passion burns
and its ashes are faxed to four far corners of a hardhearted world.

i reach a dead end and feel the breath catch in my throat.
there is nothing here but the empty cocoons of the homeless
who have hopefully lifted themselves on dusty wings to a better place
leaving me searching for signs of life in the litter they've left behind.

there is a poster haphazardly taped to the bricks;
no lettering, no information, just the face of a man.
he stares blankly at me from his paper veranda
as if i were a television set, some mundane form of entertainment.

then, unexpectedly, a hole rips through the flyer
to compensate for the boot-clad leg freeing itself from dried pulp
and stepping heavily onto the pavement below.
i stumble back in mixed horror and disbelief as appendages creep lividly from the wall

until the man with the advertised face stands before me.
he pulls a pack of parliaments from his trenchcoat pocket
and wordlessly offers me one as his lighter births infant flame.
soon, the nicotine fog hangs like an opaque grey curtain between us.

then the silence is shattered, with shards of stillness breaking against the asphalt.
"i hope you weren't attempting to be stealthy. i could hear you for miles."
the voice emitted is raspy, the sound of a dull razorblade on the neck of a convict.
i shiver fiercely in response with a zero-kelvin cold.

a frankenstein hand fights through the smoke to grasp my ashen face.
his finger to my lips is a canker sore forming.
"a pretty lil' thing like you shouldn't be caught dead in this mess."
his forked tongue forms the words of nothing i don't already know.

i push him away. "just cut to the chase. we don't need to drag this out.
you know what i came here for, so let's get it over with."
my heart spasms in protest, but i suppress it with clenched fists.
as it dejectedly thuds in my chest, i can taste the bile rising in my throat.

he raises an eyebrow, then sniggers, showing off a yellow shark-toothed grin.
"the princess has a temper! well, you've come a long way for this, sweet cheeks."
he reaches into his coat, pulls out his leather gauntlets blackened with singe.
"say exactly what you need, doll, and your old pal lucifer will handle the rest."

my lungs deflate, punctured by pins and needles of stale air
and the blood dries in my veins like cruel sun blistering the desert.
half of me begs for lockjaw. the other half manipulates the corners of my mouth.
"erase him from my mind. i can't spend my life obsessing."

a glint of guilty pleasure in the devil's red eye seals the deal.
soul extraction's just like getting a tooth pulled, i tell myself regretfully.
it's just another part you don't need, a bland and disposable item.
but it doesn't quell the fear; i'm shaking hard enough to register on a richter scale.

the man in black embraces me, grasping my ribcage in his massive gloved hands.
a flash of doubt sears through me, yet i stand frozen, crucified.
i feel satan's minions pulling at memories like loose strings
and there is chanting in my ears; evolnilr igafognir effuseht eta ivellai sihth tiw.



i come to with dry heaves and a migraine sent from hell itself
to find that i am home in bed with the sheets around my ankles.
i rise and move to the mirror, see the dark circles traced around my eyes,
and dissolve into sobs without knowing why.

— The End —