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LN Dec 2014
Our walls
white against white
decorated with jasmine flowers
that have witnessed everything.

They've seen the french
speaking the language of love
with weapons of destruction in their hands
carrying our nation's sons
six feet under their footsteps
stepping on honor's history forever.

"Ya worood al yasmeen"
with pearly white petals,
and bright green stems
I've watch you grow over our house
year after year
hanging high and low
gazing at the loss below.

I am now far, distant like a stranger
the homeland has put smiles on our faces
that glow in albums of badly taken pictures
that will haunt my path across oceans.

One day, the heart will ask for home
and I shall listen to it
as it yearns for the sweet scent of jasmines.

My grandmother's house once filled with love
now emptied
her biggest fears coming to life
pictures hanging on the wall
ghosts of love so short-lived
but remind me to tell her
that she is not alone
there are flowers like angels watching from above.
Whenever I go to Algeria I notice the jasmines that wait for me there every year.
Timothy Brown Jul 2013
A ghost use to be something I was.
I'd pop up, do some crazy stuff
and disappear, just because.

Even though my interactions were brief,
I changed the lives of the people I encountered.
Due to this, my disappearances caused much grief.

I've turned that nasty habit into something constructive.
A series of poems, the contents uncorrelated.
Still, the theme is reproductive.

They are all random thoughts and incomplete theories
A complex ball of conflicting emotions.
I'm talking, of course about my "Ghost" series!
Written for a friend
© July 4th, 2013 by Timothy Brown. All rights reserved
Audrey, look out the window and see your dreams.
Brydie, lay on the carpet and think of home.
Charlie, stand in the garden and let the rain wash the pain away.
Danielle, shout at the skies for this awful weather.
Ellen, smile as you see a rainbow in the distance.
Fiona, stick out your tongue to soften their fall.
Gemma, pretend there's nothing falling from the sky.
Hannah, dance in the rain in that favourite dress of yours.
Imogen, jump into puddles, one after the other.
Jade, wave to the people going past in their cars.
Keri, open your hands to cup the cold water.
Laura, laugh as the neighbour's umbrella turns inside out.
Molly, hope the grass is better for football tomorrow.
Natasha, sigh as you drive through it all.
Olivia, read a book by the nice warm fire.
Paige, sleep through the hammering of the droplets.
Queenie, scream as you dash through the storm.
Rhianne, fall back onto that squishy armchair inside.
Steph, pray for the sun to come out soon.
Tuula, watch the leaves huddle against the kerb.
Una, listen as they patter patter on the rooftop.
Victoria, take off those sodden shoes.
Whitney, snap another photograph or two.
Xandra, run to get back home to your family.
Yasmeen, follow the trail of the water on the window.
Zara, give up waiting for the rain to stop.
Written: March 2012.
Explanation: A poem written in my spare time. The girls are all named after people I know, except F, Q, U, W, X and Z.
jack Oct 2020
you are afraid to die in your sleep because you think you will forget how to breathe. it’s okay if you do; this mortal, dying body isn’t something familiar to you.

neither is the air you breathe, or the soil beneath your feet, or all what this body craves and all what it needs — but it’s okay, see, you’re not lost. not yet, anyway. you simply don’t know where you want to be.

you aren’t even sure if you do want to be.

but here you are.

here you stand, in all your glory, void of any connection to this planet and its people, and your ears ring. you listen. you don’t care, but you listen and you hear voices, coming from beneath your feet, and they’re calling out to you — they’re calling out your name, telling you where you need to be —

and it’s right here.

damascus. she’s a city built on seven and she has many names — the ones you call her are the ones  your heart claims. jasmine blooms at night but thrives under the sun; shameless and proud, aggressive and loud. and you love it more than you’ve ever loved.

it’s damascus, and it’s a holysite come nightfall, at midnight. you follow your heart and wander around, and you forget not to breathe so you end up drowning in the jasmines — the yasmeen, and that’s when you realise it —

you are more alive than you have ever been, standing right there, in all your glory, with the yasmeen framing the old streets and glowing in the moonbeam. you are more alive than you have ever been.

you try not to breathe, but it’s too late, and your fear of dying in your sleep is replaced.

a newfound fear of living forever swims in your head, haunting your thoughts like a shark with its eyes on a prey. you’re afraid of living forever. it’s okay if you do; you know that the world will someday turn gray, you know that it will all fade away, but you won’t be alone.

the voices calling out to you — your ancestors, kings and queens, artists and their muses, the ones who wrote history and the victims of the margins, the saints and the sinners and the ones who got away with their sins — their voices will always be there, echoing in the air you breathe, calling out your name from the soil beneath your feet.

they will always be there, and so will this city — damascus, the city with an infinite faces and endless names. the city, the beloved of fate, the sister of destiny.

and if she were not fate’s beloved, how do you explain her immortality? and if she were not the sister of destiny, how do you explain the fact that you ended up here, with all your mortal, dying glory?
jack Oct 2020
to be damascene,
you cease to exist in dimashq
you start living behind the scene.
you fall in love with a mask
and an infinite faces underneath.
you learn her names without needing to ask
and you carve them onto your heart,
letter by letter, one after the other.

to be damascene,
you cease to remember what love and hate mean.
you start loving the rain and the scathing heat,
you start hating the brick walls and the old streets.
you fall in love with yasmeen
and imagine him tattooed on your skin;
little white flowers drawn in black ink,
so fragile yet so keen.

to be damascene,
you start loving from the bottom of your heart
which desires the unspeakable,
the good, the bad, the colourful, and the gray
and you start hating from the depth of your eyes,
which have seen far too much
to let you turn your head away
and act like everything is okay.

to be damascene,
you cease to love unless it’s a sin,
you let go of the songs and the notes,
and you start to sing along
with birds and bricks and bullets.
you treasure memories over lives,
and you let go of the present,
all you do is reminisce.

to be damascene,
your words cease to make sense
as you mourn the present tense,
and you worry about the jasmines
and the city you grew up praising and cursing,
but you remain painfully aware
despite all the senseless words no longer say,
and all the things you cease to be —

to be damascene
is to belong to a city unlike any other;
an immortal city with an undying soul.

and if your body falls
the way jasmines do,
and if your home falls
the way bullets do,
and if your world falls
the way lovers do,

she will still be there:

a new world will rise
and she will be there still,
right in the center.
she will have a new name
but her children will rarely use it.
she will live a new chapter
and her children will be writing it.

to be damascene, is to believe in it.

— The End —