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K Balachandran May 2012
In to the mystery of the night, i wander
the tangled tarantula garden
canopied with prophesies of light,

Lit windows are making
overtures to desires
night unleashes at these hours,
hear the buzz in the air
its time to make love,
darkness forgets  hurt and embraces light.

i walk alone,
but an enchanting witch wait
for me somewhere in a garden bench,
to take me by my  hand to her secret haunt
filled with thick smoke of ****
where she will remove the drapes
to let me see the truth.

On her quill and cactus bed,
she would make me understand,
how far is pleasure from pain
why darkness stalks light,
a jilted lover, walking a few steps behind,

I've heard her, once whisper
to wind in her husky voice
"A  life written off by those
who measure out life with coffee spoons,
as spent in vein; this life of mine,
could have its secret treasures,
no charlatan could ever guess about
a serpent's diamonds
very few get to see,
its dangerous to pry, i forgive their ignorance"

Words induced by her dark power
has layers of meaning
but to many it was just meaningless jabbering,
just magic mushroom blabber

She nibbled and nicked my earlobes,
in between intoxicating purrs,
told me the meaning of caterwauls,

"Its not pain, its not pain,
once you get in to the stream
you only want to drain,
in to the vast blue ocean"


I recognize now,  it's Walpurgis night,
as i walk in search of my witch,
i see dancers around bonfire,
revelers totally out of their minds,
carouse at the heart of the night.
And i see them all, witches in marine blue dresses,
enchantresses in blackly black,
coquettish red or groovy green,
I wait for her to appear,
the only one in resplendent white.
Walpurgis night : (Walpurgisnacht in German)The Night from 30 April to 1st May when witches were supposed to hold a celebration in the middle ages(Witches Sabbath in 15 & 16 century)
Cody Edwards Feb 2010
Sky is pitch and crystal cloud
Wild figures languor on the dusty ground.
Eight pairs of darken haloed eyes
Strike the blue to blacken.

Bring the night.
And bring the work
The work by voice and light
Work with reddened hands
And verbal glance at a
Smaller place that must
Be walked: a faster pace
To lose the mortal race.
Mellow hours decay with gracelessness
That cannot be dreamed

On April nights no one in the road
Can be exempt. Nothing is exempt
At the stroke of the hour.

A step cracks in the deep
In those woods with painted fronts
A step that eats a flower
Sending up devotions.
****** rocks the riverbed
Hums a note in the still.
White shoes in black line
Mechanical clarity, footfalls.
Frissons from foreshadowing
A judder and a burial.
A burial in white.

It reeks of adrenaline, God's own ketamine,
Is sundered somewhat by a Sunday.
Sunday suit and six strong suitors
Following suit to the spot

No one could say. Still, the air
Is too hot with electricity to suffer it.
Tomorrow we can say
That we all knew the night's dread
Export, but for tonight we pray
Our lambs are all a-bed
And not a one of them
Is dead.

No one taught Ophelia to swim.
The hateful eating orange of dawn
Mocks her slow and stymied progress.
© Cody Edwards 2010
The hands of the clock were reaching high
In an old midtown hotel;
I name no name, but its sordid fame
Is table talk in hell.
I name no name, but hell's own flame
Illumes the lobby garish,
A gilded snare just off Times Square
For the maidens of the parish.

The revolving door swept the grimy floor
Like a crinoline grotesque,
And a lowly *** from an ancient slum
Crept furtively past the desk.
His footsteps sift into the lift
As a knife in the sheath is slipped,
Stealthy and swift into the lift
As a vampire into a crypt.

Old Maxie, the elevator boy,
Was reading an ode by Shelley,
But he dropped the ode as it were a toad
When the gun jammed into his belly.
There came a whisper as soft as mud
In the bed of an old canal:
"Take me up to the suite of Pinball Pete,
The rat who betrayed my gal."

The lift doth rise with groans and sighs
Like a duchess for the waltz,
Then in middle shaft, like a duchess daft,
It changes its mind and halts.
The *** bites lip as the landlocked ship
Doth neither fall nor rise,
But Maxie the elevator boy
Regards him with burning eyes.
"First, to explore the thirteenth floor,"
Says Maxie, "would be wise."

Quoth the ***, "There is moss on your double cross,
I have been this way before,
I have cased the joint at every point,
And there is no thirteenth floor.
The architect he skipped direct
From twelve unto fourteen,
There is twelve below and fourteen above,
And nothing in between,
For the vermin who dwell in this hotel
Could never abide thirteen."

Said Max, "Thirteen, that floor obscene,
Is hidden from human sight;
But once a year it doth appear,
On this Walpurgis Night.
Ere you peril your soul in murderer's role,
Heed those who sinned of yore;
The path they trod led away from God,
And onto the thirteenth floor,
Where those they slew, a grisly crew,
Reproach them forevermore.

"We are higher than twelve and below fourteen,"
Said Maxie to the ***,
"And the sickening draft that taints the shaft
Is a whiff of kingdom come.
The sickening draft that taints the shaft
Blows through the devil's door!"
And he squashed the latch like a fungus patch,
And revealed the thirteenth floor.

It was cheap cigars like lurid scars
That glowed in the rancid gloom,
The murk was a-boil with fusel oil
And the reek of stale perfume.
And round and round there dragged and wound
A loathsome conga chain,
The square and the hep in slow lock step,
The slayer and the slain.
(For the souls of the victims ascend on high,
But their bodies below remain.)

The clean souls fly to their home in the sky,
But their bodies remain below
To pursue the Cain who each has slain
And harry him to and fro.
When life is extinct each corpse is linked
To its gibbering murderer,
As a chicken is bound with wire around
The neck of a killer cur.

Handcuffed to Hate come Doctor Waite
(He tastes the poison now),
And Ruth and Judd and a head of blood
With horns upon its brow.
Up sashays Nan with her feathery fan
From Floradora bright;
She never hung for Caesar Young
But she's dancing with him tonight.

Here's the bulging hip and the foam-flecked lip
Of the mad dog, Vincent Coll,
And over there that ill-met pair,
Becker and Rosenthal,
Here's Legs and Dutch and a dozen such
Of braggart bullies and brutes,
And each one bends 'neath the weight of friends
Who are wearing concrete suits.

Now the ****** make way for the double-******
Who emerge with shuffling pace
From the nightmare zone of persons unknown,
With neither name nor face.
And poor Dot King to one doth cling,
Joined in a ghastly jig,
While Elwell doth jape at a goblin shape
And tickle it with his wig.

See Rothstein pass like breath on a glass,
The original Black Sox kid;
He riffles the pack, riding piggyback
On the killer whose name he hid.
And smeared like brine on a slavering swine,
Starr Faithful, once so fair,
Drawn from the sea to her debauchee,
With the salt sand in her hair.

And still they come, and from the ***
The icy sweat doth spray;
His white lips scream as in a dream,
"For God's sake, let's away!
If ever I meet with Pinball Pete
I will not seek his gore,
Lest a treadmill grim I must trudge with him
On the hideous thirteenth floor."

"For you I rejoice," said Maxie's voice,
"And I bid you go in peace,
But I am late for a dancing date
That nevermore will cease.
So remember, friend, as your way you wend,
That it would have happened to you,
But I turned the heat on Pinball Pete;
You see - I had a daughter, too!"

The *** reached out and he tried to shout,
But the door in his face was slammed,
And silent as stone he rode down alone
From the floor of the double-******.
C'est plutôt le sabbat du second Faust que l'autre.

Un rhythmique sabbat, rhythmique, extrêmement

Rhythmique. - Imaginez un jardin de Lenôtre,

Correct, ridicule et charmant.


Des ronds-points ; au milieu, des jets d'eau ; des allées

Toutes droites ; sylvains de marbre ; dieux marins

De bronze ; çà et là, des Vénus étalées ;

Des quinconces, des boulingrins ;


Des châtaigniers ; des plants de fleurs formant la dune ;

Ici, des rosiers nains qu'un goût docte effila ;

Plus ****, des ifs taillés en triangles. La lune

D'un soir d'été sur tout cela.


Minuit sonne, et réveille au fond du parc aulique

Un air mélancolique, un sourd, lent et doux air

De chasse : tel, doux, lent, sourd et mélancolique,

L'air de chasse de Tannhauser.


Des chants voilés de cors lointains où la tendresse

Des sens étreint l'effroi de l'âme en des accords

Harmonieusement dissonnants dans l'ivresse ;

Et voici qu'à l'appel des cors


S'entrelacent soudain des formes toutes blanches,

Diaphanes, et que le clair de lune fait

Opalines parmi l'ombre verte des branches,

- Un Watteau rêvé par Raffet ! -


S'entrelacent parmi l'ombre verte des arbres

D'un geste alangui, plein d'un désespoir profond ;

Puis, autour des massifs, des bronzes et des marbres

Très lentement dansent en rond.


- Ces spectres agités, sont-ce donc la pensée

Du poète ivre, ou son regret, ou son remords,

Ces spectres agités en tourbe cadencée,

Ou bien tout simplement des morts ?


Sont-ce donc ton remords, ô rêvasseur qu'invite

L'horreur, ou ton regret, ou ta pensée, - hein ? - tous

Ces spectres qu'un vertige irrésistible agite,

Ou bien des morts qui seraient fous ? -


N'importe ! ils vont toujours, les fébriles fantômes,

Menant leur ronde vaste et morne et tressautant

Comme dans un rayon de soleil des atomes,

Et s'évaporent à l'instant


Humide et blême où l'aube éteint l'un après l'autre

Les cors, en sorte qu'il ne reste absolument

Plus rien - absolument - qu'un jardin de Lenôtre,

Correct, ridicule et charmant.
Dr Mike OConnell May 2014
Brian Patrick

Cold blooded, darkly dripping
Teeth; long, sharp and oozing red
Nails extending beyond the reach
Wings embracing the night sky

Beelzebub scans the upper crust
His cantations include the depth of misery
The collector of souls and destroyer of flesh
The Rake, the conveyor of death

After the vernal equinox, preparations to begin
The first of the year yields way to St. Wineblad
Blood, body and soul gathered
More to continue for Walpurgis

As the sun sets, the three-eyed raven appears
The signal propels The Rake to flight
Searching, searching for worthy sacrifants
Low over the cornfields he marks his prey
Halloween:Truth or Tricks??
Halloween evolved from "All Hollows" Eve. It originated from the pagan holiday honoring the dead. On All Hallows Eve, the veil between the world of the living and the world of the dead was thin. It allowed the souls of the dead to come back to earth and walk among the living

Halloween is a religious holiday belonging to the Roman Catholic Church. ... The holiday is “All Hallows Day” (or “All Saints Day) and falls in Nov.

Jehovah's Witnesses: They don't celebrate any holidays or even birthdays. Some Christians: Some believe the holiday is associated with Satanism or Paganism, so are against celebrating it. Orthodox Jews: They don't celebrate Halloween due to its origins as a Christian holiday. Other Jews may or may not celebrate it

While the Bible doesn't mention Halloween specifically, it does, of course, have lots to say about the forces of evil. ... Scripture is full of stories where good and evil are pitted against each other, as well as Bible verses that offer wisdom about facing darkness, deception, and fear in your own life.

Samhain (pronounced 'sow'inn') is a very important date in the Pagan calendar for it marks the Feast of the Dead. It is also celebrated by non-Pagans who call this festival Halloween. ... Samhain has been celebrated in Britain for centuries and has its origin in Pagan Celtic traditions.

A few observations:
HALLOWEEN is the most important day of the year for Devil worshippers, according to the founder of the Church of Satan, and everyone else has been urged to avoid celebrating this “dark” day

Anton LaVey founded the Church of Satan in the US in 1966.

He was the country’s most prominent Satanist up until his death in 1997 and authored several books, including The Satanic Bible, The Satanic Rituals, The Satanic Witch, The Devil's Notebook, and Satan Speaks.
In the Satanic Bible, Mr LaVey wrote: "After one's own birthday, the two major Satanic holidays are Walpurgisnacht (May 1st) and Halloween.”

Walpurgisnacht, or Saint Walpurgis Night, is a German annual event which is known in German Folklore as Witches Night.

Even today, the Church of Satan recognises Halloween as an extremely important day for evil.

The occultists’ website states: “Satanists embrace what this holiday has become...
Whats your views about it???
David Barr Mar 2014
Cloven hooves continue to dance around the fire at Walpurgis Night, as we keep at bay those phantom hounds which salivate with carnivorous intent.
I love your costume.
Can we hang sprigs of foliage or butter our bread in faith, as we converse into the dawn?
Let us also cook dairy products on this sacred altar as cattle walk around the flames of Bealltainn.
But please do not place a blindfold upon me nor mark me with coal, as I do not wish to enter the flames threefold.
I am alive.
I belong to the Northern Hemisphere where crops flourish in the name of fertility.
¡Pradera, feliz día! Del regio Buenos Aires
quedaron allá lejos el fuego y el hervor;
hoy en tu verde triunfo tendrán mis sueños vida,
respiraré tu aliento, me bañaré en tu sol.Muy buenos días, huerto. Saludo la frescura
que brota de las ramas de tu durazno en flor;
formada de rosales, tu calle de Florida
mira pasar la Gloria, la Banca y el Sport.Un pájaro poeta rumia en su buche versos;
chismoso y petulante, charlando va un gorrión;
las plantas trepadoras conversan de política;
las rosas y los lirios del arte y del amor.Rigiendo su cuadriga de mágicas libélulas,
de sueños millonarios, pasa el travieso Puck;
y, espléndida sportwoman, en su celeste carro,
la emperatriz Titania seguida de Oberón.De noche, cuando muestra su medio anillo de oro
bajo el azul tranquilo, la amada de Pierrot,
es una fiesta pálida la que en el huerto reina,
toca en la lira el aire su do-re-mi-fa-sol.Curiosas las violetas a su balcón se asoman.
Y una suspira: «¡lástima que falte el ruiseñor!»
Los silfos acompasan la danza de las brisas
en un walpurgis vago de aromas y de visión.De pronto se oye el eco del grito de la pampa;
brilla como una puesta del argentino sol;
y un espectral jinete como una sombra cruza,
sobre su espalda un poncho; sobre su faz, dolor.-¿Quién eres, solitario viajero de la noche?
-Yo soy la Poesía que un tiempo aquí reinó:
Yo soy el primer gaucho que parte para siempre,
de nuestra vieja patria llevando el corazón.
neil jones Jan 2021
Then came October: the season of fruits and mellow fruitfulness
When leaves are green, with hues of dappled red
Then yearns my heart for pastures new and wide
To seek the woods and walk.
A lonely life but pleasant calm and free
No office mine, nor castle, nor the sea
But land and woods and dale and sward and lea.
Be not the leman not the layman and take not the plough
The leaves are falling – Come – Come with me now!

The birds migrate; in flocks they wing, they soar
They will not stay and face the winter’s ****;
With no return ‘til winter’s gone and o’er.
Come – let the forest ring with tunes and song
And drink WassHeil like Saxons gone ere long.
No cage of stone, nor brick, nor wood
To sit in while cold winter lasts,
We shall yet be like bards of Cymraeg blood
Until the day when we shall raise a brood
Who are born free and have no need for life
In towns but live for song and food.
E’er civilisation turned men’s hearts stone cold
Away from *** and ***** and axe
To offices and pay and perks and tax!

The wanderlust is in my eyes
I seek the land and starry skies
Alone – so I may freely roam
And feel beneath my feet the good, rich loam.
Like bards of old who sang of hill and dale
No wine for us but good clear headstrong ale
The land, the land, will call me evermore
And evermore I must say nevermore
The years is dying – ah but so is man
As leaves fall down, why even so, doth man
Who seek to ascertain the reason why.
When squirrels hibernate, they make good cheer
The summer comes and goes but they fear
Nought but man who kills for sport.
For autumn is the season when all beasts
Are chased and hunted, killed and caught
Of wanton destruction of life and limb

And man; he thinks that he may climb
Up to the stars, with his great intellect
But winter makes him cut and ****
The trees most wonderful to ward off chill
Of winters bite by burning them on fires.
Alas! give me the days of lore and lyres,
When fruit is ripe and beasts and fowls,
Make ready for the coming tribulation,
Of winter when the land is seized and fast.
Alas! Is man the King of fauna now and past?

Oh not for them the holocausts of war.
And yet man has the tales of Pagan Rites
Walpurgis Nacht and Hallowe’en
Which he has had since air was clean
And pure and earth as yet unsullied.
When man and earth were young and free
Man should go back to being primitive
When then, surely not now
He did know how to live.

— The End —