to borrow from a title: tittilating as it might to snigger and gobble up laughter in that sense gluttony-parody... then again to butcher German (via tongue) - to a greater extent Martin ****** and Adolpf Luther... I see a correlation: ask me not, or why I abhor Brahms but I should abhor either Schubert / Schuman more because the Germans have orchestrating minds and not ones to succumb to piano genius: plodders and cobblers sooner than piano maneuvering manifestants... deshalb... eisen in der seele (iron in the soul): alter: rost im blut (rust in the blood).... perhaps... but through the thickening smog of Cracow's ashen-snow: a re-birth of Ishrael... Nil Ven- live in Cardiff.. Cwydyff... Rossini... Stabat Mater: the counter reformation... the spirit of music for the ill Germanic soul... and like the genius of Luther and ******... but who would have thought that the expulsion of the Yiddish from German entanglement would bring about the resurgent Heb state and by "token" an invitation for the Muzz'n'Ummah to try to settle these northern lands with its dark and brooding melancholic... like the vision wrought up by Luther culminated in ******: of flesh and bone and flawed and not superstition prone superceding a mythical evil... just a snot barrage on a moustache... at least that how's I align myself with the purpose of Scandinavian intellect: on these isles: that, if I tear and take away from the equator and the Greenwich meantime... if Iceland is part of Scandinavia... then the British Isles are magnetically aligned by dictate of the synonym... lines of geography that cut as if parallel: into reading of history... aligned sideways... mea: cusp: ein herz... a fledgling... a fleshy light of fire that's both illumination and a warmth; Herzog: blues.... adamante!
the most and probably only redemption
for the British Broadcasting Cooperation
is bundled up in radio...
not so much BBC RADIO 1 or 2...
more so 3 and 4...
besides the stalemate of visuals
that corrupt by rot and flake
of life's ****** / zenith...
redeeming, these sounds... very unlike
the television as primed for the analogy
of Plato's cave...
less shadows being projected and more
a scenario of the doppelganger
shadow-thieves... something of Islamic
and even Victorian superstition...
the evil eye the photograph the soul
ensnared: a wild entity almost animal
when given the focus of a return to
vis-a-vis God: as word: and deity: as thing...
but my point exactly is not an exacting
of anything...
I've been looking for an intellectual
reprieve from Herbert's Dune...
that isn't to say the work is difficult:
but the punctuation is curiously
a puncture of fabric and holes and buttons...
but a movie can really undermine
the joy of a reading experience esp
when there have been three adaptations:
and via Lynch there's even that nibble
on the Messiah instalment with
the Guildsman fish-frog
in an aquarium with all that orange
turmeric and cinnamon fog of colour
and hallucinogenic potency...
so back to heights of literature that would-
-n't or couldn't make a word-to-image
translation...
Jon Fosse like some satanic figurine
dwarf macabre ****** leech...
but instead of a garden and an apple...
a park and a playground in it and instead
of an apple a girl sitting on a swing...
second time round: if ever...
that would be no apple and no tree...
but a ******* a swing and a boy pushing
her... oh how I live to love her
and how she makes it bearable to be
almost my mother in terms of things
aging yet she has this girlish way concerning
her: this adolescence of wanting only
love because she knows there's only love
to be given her...
she has regressed so beautifully
that her 14 year old child seems more
adamant to be sober loved with my demeanor of taboo distancing:
but she, on the other hand is like a girl
with faking being a woman and womb...
this time round it would simply be:
me giving her a stone in the shape
of a heart with my tongue wrapped
around it: a thought in and of itself:
last night I was watching a movie about
Martin Luther and I thought about how
fertile the cognitive landscape was
for such man to emerge based upon
the plough of ridicule of Catholicism
and obviously I think
of the other Protestant factions:
but Luther was no charlatan
while John Calvin and John Knox were
but hitchhikers and no need to make
ol' 'enry VIII any less but given
rhe dynamic of the star of David:
from atop a concentration to the bottom
of the plateau of the triangle...
such fertile ground
with what was still, by then: a paganistic
extension of what still hasn't become
Hasidic level of the importance of
literacy: still persistent:
that people O plebs vagabonds
anarchists and vandals (ha ha)
are more entreated, encapsulated by
solid frame, sculpture, meaning via
colour... painting... than the gifts of
word and number...
which brings me to the conclusive remark
about a certain practice in the Ing-Leash
zunge... the pronouns are one thing
what a terrible loss of intellect:
the concept of names: names are of
people... names... a tier above what
nouns are: a chair is a noun
a table is a noun...
a planet is a noun... but...
Jupiter... there's no name for a chair
yet you I we will still call a chair a chair
and not the act of sitting on it:
yet English does the diminutive form
such illness of a slack of the aesthetic
of the diminutive...
Mateusz becomes Matti Mateo
Maciu...
Teo....
what other name?
while in English the supposed endearing
and diminutive (which is the original
intention of the diminutive form:
to give an endearing quality)
from Matthew simply Matt (door?)
a Christopher a Chris...
a Samuel a Samantha a Sam...
Peter the Pied Piper Pete...
