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NV Apr 2015
I’m curious about your experience of time. Do you feel like life is moving really quickly? Is your music one way to sort of turn it over and reflect on it?

WILLOW SMITH: I mean, time for me, I can make it go slow or fast, however I please, and that’s how I know it doesn’t exist.

JADEN SMITH: It’s proven that how time moves for you depends on where you are in the universe. It’s relative to beings and other places. But on the level of being here on earth, if you are aware in a moment, one second can last a year. And if you are unaware, your whole childhood, your whole life can pass by in six seconds. But it’s also such a thing that you can get lost in.

How have you gotten better?

WILLOW SMITH: Caring less what everybody else thinks, but also caring less and less about what your own mind thinks, because what your own mind thinks, sometimes, is the thing that makes you sad.

JADEN SMITH: Exactly. Because your mind has a duality to it. So when one thought goes into your mind, it’s not just one thought, it has to bounce off both hemispheres of the brain. When you’re thinking about something happy, you’re thinking about something sad. When you think about an apple, you also think about the opposite of an apple. It’s a tool for understanding mathematics and things with two separate realities. But for creativity: That comes from a place of oneness. That’s not a duality consciousness. And you can’t listen to your mind in those times — it’ll tell you what you think and also what other people think.

WILLOW SMITH: And then you think about what you think, which is very dangerous.

Do you think of your new music as a continuation of your past work?

JADEN SMITH: That’s another thing: What’s your job, what’s your career? Nah, I am. I’m going to imprint myself on everything in this world.

What are the things worth having?

WILLOW SMITH: A canvas. Paint. A microphone.

JADEN SMITH: Anything that you can shock somebody with. The only way to change something is to shock it. If you want your muscles to grow, you have to shock them. If you want society to change, you have to shock them.

WILLOW SMITH: That’s what art is, shocking people. Sometimes shocking yourself.

So is the hardest education the unlearning of things?*

WILLOW SMITH: Yes, basically, but the crazy thing is it doesn’t have to be like that.

JADEN SMITH: Here’s the deal: School is not authentic because it ends. It’s not true, it’s not real. Our learning will never end. The school that we go to every single morning, we will continue to go to.

WILLOW SMITH: Forever, ‘til the day that we’re in our bed.

JADEN SMITH: Kids who go to normal school are so teenagery, so angsty.

WILLOW SMITH: They never want to do anything, they’re so tired.

WILLOW SMITH: I went to school for one year. It was the best experience but the worst experience. The best experience because I was, like, “Oh, now I know why kids are so depressed.” But it was the worst experience because I was depressed.
only bits and pieces 'cause the interview was quite long.

but somebody very cool and special to me, sent me this interview today, and i can't remember the last time i felt so lifted.
haven't been feeling too okay and i've been finding myself in bad spaces more often.
and he/this made such a difference.
thank you.
RILEY Nov 2013
I was walking one day
Past the city
Into the shadows of our smoke;
The fumes of our cigarettes covered the trail
Until nothing became clear for me to see.
I bumped into an ancient looking man,
With green eyes that turned pale
And a wrinkled face
That was about to crumble;
I saw him cleaning up
A newly placed tombstone.
He was a graveyard man;
I look at him and suddenly
I felt the urge to ask him,
How is it like? Talking to dead people.
He didn't answer
But I continued anyway;
How is it like to look at solid stones?
And envision her tender eyes looking back
How could we mark he territory of the dead?
As if soil could surround our spirits
How could it suffice?
To point out troubles getting no advice
Questions with no answers,
And as you speak
You don’t know if you are being heard
But you continue anyway.
How is it like? Talking to dead people;
Salute the rocks under the carves,
Knowing that underneath
Lies not wood
But a person who couldn't as much as you could,
And even if he could, you don’t know if he would- come out and talk to you,
Because maybe he’s fed up?
Maybe when life takes too long
The sweet becomes bitter
And our friends
Become but anchors attached to our hearts
Pulling us down
Marking our spirits with soil;
Maybe he’s ashamed
Of the blood stains on his folded flag,
Of the- lose knots in his piece of cloth
And you’ll never discover that
But you still continue anyway
Asking your questions;
How is it like? Talking to dead people.
How is it like talking to anti-change institutions?
And, people with no purpose in life
And, violent illiterates who seek to ****
Because death should be passed on
How is it like talking to people that will not listen?
To the governments that will not bother
To the public blinded by the minor majorities
To the children stuck in their melodramatic attitudes
Over crowded with the propaganda of teenagery
To the hypocrite schools that teach but not educate
To the mothers who give birth
To a fruitful seed, but will not cultivate;
To a father that’s always late
To his son’s birthdays
Because his job appointments
Pointed in the shape of earphones
And circled in the shape of speakers
So it’s neither him listening, nor him talking
Its them.
But nothing will change,
Yet you continue anyway
Asking your questions,
Not for the dead,
But for the resting voices
Leaving you the space to think;
To answer within
Or decide to disregard,
Leaving space for you own voice to emerge.
And as I look back at graveyard man
He was gone;
As if his body de-synthesized as soon as I finished
And the newly placed casket;
Bared his exact size,
And the tombstone
For a second there represented his eyes,
And it didn't take too long, for me to realize
How is it like; talking to the dead.
Shreya Mar 2019
I’m not scared of the dark
or spiders, bats, or monsters as much as
I am afraid
of not being accepted for who I am,
Why do you think I play
every character but me?

Let me tell you the story of my life
I like this boy,
common knowledge
but he doesn’t glance in my direction
which pushes my self esteem
further below zero.

I like a girl,
which in itself is scary enough,
Somehow my cousin can tell that I do
and she accepts me,
My best friend knows this
and she loves me more for it,
But I’m too much
of a coward to ever show the world,
because I’m voiceless
and could never protect myself.

I’m not beautiful,
I can try to tell myself I am,
but no amount of convincing is enough
to change facts,
Because reality can’t be altered
and is as set in stone
as my undesirable body and my displeasing face.

My parents don’t understand me,
they don’t care,
I sound so teenagery,
But they have no time for me,
and I doubt notice my very
existence.

The conclusion to my story is this statement in all its simplicity:
I’m afraid to face the world
because of how afraid I am to face myself.

— The End —