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Wordfreak Jul 2016
What can I say that hasn't been said before?
No matter my theme I repeat the rhetoric
Previously set by poets of another age.
Whether it be a minute or millennia ago.
I've written of love, loss, brotherhood, hate,
Family, friends, war, peace, breakage and repair.
I feel like a broken record.
Please, someone turn off the ******* turntable.
A poet's cat, sedate and grave
As poet well could wish to have,
Was much addicted to inquire
For nooks to which she might retire,
And where, secure as mouse in *****,
She might repose, or sit and think.
I know not where she caught the trick--
Nature perhaps herself had cast her
In such a mould philosophique,
Or else she learn'd it of her master.
Sometimes ascending, debonair,
An apple-tree or lofty pear,
Lodg'd with convenience in the fork,
She watch'd the gardener at his work;
Sometimes her ease and solace sought
In an old empty wat'ring-***;
There, wanting nothing save a fan
To seem some nymph in her sedan,
Apparell'd in exactest sort,
And ready to be borne to court.

     But love of change, it seems, has place
Not only in our wiser race;
Cats also feel, as well as we,
That passion's force, and so did she.
Her climbing, she began to find,
Expos'd her too much to the wind,
And the old utensil of tin
Was cold and comfortless within:
She therefore wish'd instead of those
Some place of more serene repose,
Where neither cold might come, nor air
Too rudely wanton with her hair,
And sought it in the likeliest mode
Within her master's snug abode.

     A drawer, it chanc'd, at bottom lin'd
With linen of the softest kind,
With such as merchants introduce
From India, for the ladies' use--
A drawer impending o'er the rest,
Half-open in the topmost chest,
Of depth enough, and none to spare,
Invited her to slumber there;
**** with delight beyond expression
Survey'd the scene, and took possession.
Recumbent at her ease ere long,
And lull'd by her own humdrum song,
She left the cares of life behind,
And slept as she would sleep her last,
When in came, housewifely inclin'd
The chambermaid, and shut it fast;
By no malignity impell'd,
But all unconscious whom it held.

     Awaken'd by the shock, cried ****,
"Was ever cat attended thus!
The open drawer was left, I see,
Merely to prove a nest for me.
For soon as I was well compos'd,
Then came the maid, and it was clos'd.
How smooth these kerchiefs, and how sweet!
Oh, what a delicate retreat!
I will resign myself to rest
Till Sol, declining in the west,
Shall call to supper, when, no doubt,
Susan will come and let me out."

     The evening came, the sun descended,
And **** remain'd still unattended.
The night roll'd tardily away
(With her indeed 'twas never day),
The sprightly morn her course renew'd,
     The evening gray again ensued,
And **** came into mind no more
han if entomb'd the day before.
With hunger pinch'd, and pinch'd for room,
She now presag'd approaching doom,
Nor slept a single wink, or purr'd,
Conscious of jeopardy incurr'd.

     That night, by chance, the poet watching
Heard an inexplicable scratching;
His noble heart went pit-a-pat
And to himself he said, "What's that?"
He drew the curtain at his side,
And forth he peep'd, but nothing spied;
Yet, by his ear directed, guess'd
Something imprison'd in the chest,
And, doubtful what, with prudent care
Resolv'd it should continue there.
At length a voice which well he knew,
A long and melancholy mew,
Saluting his poetic ears,
Consol'd him, and dispell'd his fears:
He left his bed, he trod the floor,
He 'gan in haste the drawers explore,
The lowest first, and without stop
The rest in order to the top;
For 'tis a truth well known to most,
That whatsoever thing is lost,
We seek it, ere it come to light,
In ev'ry cranny but the right.
Forth skipp'd the cat, not now replete
As erst with airy self-conceit,
Nor in her own fond apprehension
A theme for all the world's attention,
But modest, sober, cured of all
Her notions hyperbolical,
And wishing for a place of rest
Anything rather than a chest.
Then stepp'd the poet into bed,
With this reflection in his head:

MORAL

Beware of too sublime a sense
Of your own worth and consequence.
The man who dreams himself so great,
And his importance of such weight,
That all around in all that's done
Must move and act for him alone,
Will learn in school of tribulation
The folly of his expectation.
Michael W Noland Nov 2013
.
Sometimes I've had about enough
All these ******* buttercups

Puckering up
At the first scent of gruff

It's disruptive
To my mustering

I mean

Must we
Smother trouble out of ****

Must we malfunction
Into a skit

A script

Skipp-ed
To laugh tracks

Pre-writ
Until the last laughs

Where the curtains close
To fading claps

All the cards
Are all on the floor

Little adorable torturers

Peering through the doors
Afforded by our tor-mentors

Over it
We will get

Even get on with it

Cuz all of this
This is that and that is this

Is ******* ridiculous
Is worthless

It is foulness in its stench
The bowels of our regret

Unkempt and ******
It's ******* soaked in ****

Where the credits never roll
And the patrons only stroll
On outta here for a beer
And a night on the town

And all this

Flapping of the gums
And slathering of spit

Is glossing over my ****
And it's all we will ever get

If we would just submit

Wipe the sand from our *****
And remove the ******* sticks

We might find
We have loosened up a bit

Just don't be such a little *****
And other inflammatory ****


[That's it]
Vladimir Lionter May 2020
There is no more first- class lady than Sally in
“The third watch”, the actor Sudduth (1)
Didn’t let one down, Daniel (2) and Bosco (3) at once if
You like they are ready to be in SWAT!
And now about the Police of Chicago—
How charismatic is Henry Voight (4),
As I see it the film is the super- saga,
Leroy (5), Dawson, Olinsky, Atwater (6)
Lived in this state, I’ll admire as Kevin: “Yow, Bro!”
This film is more smart than “Harry Potter”,
Kim and Erin (7)  are better than Monroe (8).  
“Southland” is also full of copes
They would serve as examples to ours
(This film placed itself at the head of TOPs):
Shawn, Regina, Lucy, Salinger—at last.
{2019}

(1) Skipp Sudduth (born in 1956)
(2) Coby Bell (born in 1975) acts Davis in the serial “The third watch”.
(3) Jason Wiles takes Davis’ part.
(4) The actor Jason Bex in  Henry’s role.
(5) Leroy Brown is from Croce’s song “Bad, bad  Leroy Brown”.
(6) John Seda (born in 1970) is in Antonio Dawson’s role; Elias Koteas is in Elwin Olinsky’s role and La Royce Hawkins (born in 1988) is in Kevin Atwater’s role.
(7) Marina Squerciati (born in 1984) is in  Kim Burgess’ role and Sophia Bush (born in 1984) is in Erin Lindsay’s role.
(8) Marilyn Monroe (1926- 1962).
(9) Shawn Hatosy (born in 1975) is in the detective Sammy’s role, Regina King (born in 1971) is in Lydia Adams’ role, Luci Liu (born in 1968) is in  the  role of the policewoman Jessica and Michael MacGrady (born in 1960) is in Daniel Salinger’s role.

* * *
Посвящается актёрам сериалов
«Третья смена», «Южная
территория», «Полиция Чикаго»
Нет класснее Салли в «Третьей смене» –
Ведь не подкачал актёр Саддат(1)!
Дэвиса(2) и Боско(3) не заменят –
Хоть сейчас они готовы в SWAT!
А теперь – к «Полиции Чикаго» –
Как харизматичен Генри Войт(4)!
Этот фильм, по-моему, супер-сага:
В этом штате в песне жил Лерой(5)!
Доусон, Олински и Этуотер(6) –
Восхищусь как Кевин: «Йоу, Бро!» –
Лучше этот фильм, чем «Гарри Поттер»,
Ким и Эрин(7) круче, чем Монро(8)!
В «Саутленде» тоже много копов,
Кто пошли бы нынешним в пример
(Этот фильм возглавил списки ТОПов):
Шон, Реджина, Люси, Салингер(9)!
{10.04.2019}

1.Скипп Саддат (р. 1956);
2. Роль Дэвиса в сериале «Третья смена» исполняет Коби Белл
(р. 1975);
3. Роль патрульного Боско играет Джейсон Уайлз (р. 1970);
4. Роль Генри «Хэнка» Войта исполняет актёр Джейсон Бех (р.
1960);
5. Лерой Браун из песни Джима Крока «Bad, Bad Leroy Brown»;
6. Джон Седа (р. 1970) в роли Антонио Доусона, Элиас Котеас
(р. 1961) в роли Элвина Олински и Ларойс Хоукинс (р. 1988) в роли
Кевина Этуотера;
7. Марина Скверсьяти (р. 1984) в роли Ким Бёрджес и София
Буш (р. 1984) в роли Эрин Линдсей;
8. Мэрилин Монро (1926 – 1962 гг.);
9. Шон Хэтоси (р. 1975) в роли детектива Сэмми, Реджина Кинг
(р. 1971) в роли Лидии Адамс, Люси Лью (р. 1968) в роли полицейского
Джессики и Майкл МакГрэйди (р. 1960) в роли Дэниэла Салингера.
Dedicated to the actors of the TV series
«Third Watch», «Southland», «Chicago P.D.»
Stacey May 2020
Sky scraping thru the air 
Intoxicating the image of eyes view
Pure essence of silence, stillness & calmality
Over towered walk from one side to the other in motionless effort 
Casualy they glide the sidewalks brazen with ambitions
Sophistication of the mind, blindly purchasing the goods, which eleqently works in tones. 
Designage of names & brands fulfilling every hearts desires to conquer the hunger of comforts to the home and persona.
Yet still the walk the 32nd street of Manhattan
Skipping down the 5th avenues of tomorrow's inspired ones.
Medelessantly coffee breaking with the girls whom they relationatly succumb their lives.
Yes I'm a english girl, 
wanting new yorks lifestyle, 
This place is & has always been where I want to be, my hearts home.
Seeing new york how I feel it in my heart.
Wanting & longing to go
Fulfil my bucket list dream. 
One day I will,
Smile as I look up to the pink blossom trees
I will stand on the bank, 
walk on Brooklyn bridge,
stand at the Harlem, 
jog at the bottom of empire state,
skipp across the sidewalks, 
Holla a taxi, 
run thru the subways, 
horse & carriage ride thru central park,
shop in  dior &  channel,
dine in the finest resturants,
drink cocktails  til dawn & say I did it
I made it I fulfilled it, my dream.....
I'm here.

— The End —