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Valerie Gillis Apr 2012
One square
poised on the board
unimportant, overlooked
by Bishop's blessing
and Knight's March.
As Queen's cut circles
round lost rice fields,
the rain runs clear
off curved, stone tiles.
The luckiest children
play here in exile
barefoot in pure mud
or asleep on woven reeds
their moments unfettered,
ruleless; unlimited
on an island of green
in a monochrome sea.
Here, they rest.
The peace of pawns
who never learned to play.
I wrote this poem while traveling in Japan.  I passed a little wooden hut in the middle of a series of rice fields that struck me because it was so out of context with the industrial cities I was traveling through.  I thought about all the wars and conflict Japan has seen, and wondered how long that little wooden hut had been standing there.
a wafer
on a
bee that
said enough
to her
workers how
this milky
flavor with
pone would
butterfly the
Queen as
Ester said
a ruleless
bunch there
was made
of gold
in mambo
a dance with a note
Juliet Oct 19
I looked at you

I looked at you
Like I look at rain in summer,
Like fresh-brewed coffee,
Pressed thick in winter’s hunger.
Playing chess on a ruleless board—
Close the doors—ignore the mess.

I looked at you, like I watched
The sunrises on Australia’s east coast, back then—
Too soon to be awake,
Till my eyes grew tired,
Shame aching my lashes.
Stay open. Stay open.

“Wounds close in time,” they said.
They said—I meant—I meant—
But my lids bent slowly,
Asleep by noon, covered
In blankets of ash.
Power-napping us
Into coma, into dust.

I tried, I tried—
But if love isn’t born as a phoenix,
It’s only gold-plated, fading into rust.

I looked at you.
You did not. You did not.
I’m sorry—you’re not.

— The End —