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Breaking down the barriers of exaltation after passion due to the fragmentations of the pointed Sarissas that rose from the dome of the monastery in an unknown vertical direction on the, as advocacy of propositional logic, to surpass the truth values on the crawling positions of the annelids and the alabaster elementals reformulating when detaching themselves from the monastery of Tsambika, as they engender contracted truth from the false truth that had been anticipated. Making from the tautological truth, going back all the memory and physics actions of the Hexagonal Progeny, deriving to atomic spaces, which are known to lock in the absolute truth of combinations of accessibility of exit and entered Patmos, as resulting from Omeganimias or links of spiritual polynomials that were dissipating to complement the departure to Patmos from Mandraki up to Skala, and on the other hand simultaneous Etréstles from Dekas; Kimolos for the remission of the Duoverse communion in the width of the celestial space. The tassels of the Vexillum of Vernarth and Saint John the Apostle, Eurydice, flamed, forming the triangle of the shape of Tsambika, with the triangle of the hexagonal that parliamentary of the stays, before heading to the navigation towards Patmos.
The Vexillum, carried by the wind itself Anemoi, was only carried by these golden gusts of earthworks towards the border of Rhodes, which until now was ancient Greece with its landmarks that the loyal spirits of Alexander the Great resisted accepting his death. Dazzling himself with this noble personification of the Anemoi, he re-establishes himself as part of Vernarth's prophetic and company to the island of the Apocalypse, which after the journey of Saint John the Apostle in Judah, the Cyclades, and the Dodecanese, would begin to relive the apocalypse. written under the mandate of the trinity, as a theological Tautology, running through the same originality and devotion of the heavenly mandate, but reencausing with the Hexagonal Progeny, as if it were rewriting it for the second Time, but from the Omega Point the completion of the Omega Temple on Patmos, to the areas of settlement of democracy and establishment of the Cycle of the Duoverse, as a transition to the rank of Hegemon of Patmos, to lead the spiritual military forces that raged, from the last vestiges from Pentecontecia in the Second Medical War in Plataea in 480 a. C., until the beginning of the Peloponnesian War in 433 a. C. towards the Athenian polis as a thread of their leadership of the nation, retracted by the reinforcement of their military supremacy, by the dominion of Spiritual Judaic, coming from the Hellenic existential inspiration, which spread with total expansion with the confederation of Alexander the Great, Vernarth and San Juan Apostle, as exclusivities that would increase the conclusive campaign of Tautological Omeganymy, shadow after shadow of the naval journey that awaited them with the Tracontero Eurydice, emerging from losses of democratic pacification, conventionally finite with the division and absolutist denial of Alexander the Great, reinstating itself in the Hexagonal Progeny, in accordance with the physiognomic materiality of the restructured Map of Cinnabar bound for Patmos.

The classicism of this operation will rise to the re-establishment of its Commander Hetairoi as the bearer of the Vexillum, under the acronym of IAV, meaning the Trinitarian Hellenistic-Vernarthian existentialism, for all Macedonian Christian children, servants of Jesus Christ, like the Mashiach. The reigns will rise to the last step and then they will fall into the crisis of entropic existentialism, with launching new languages beyond all known vocabulary, with speculative and adaptive pearls of wisdom of Hellenism that is reborn on Patmos, in the elaboration of the Temple of Omeganimia and the academicism of San Juan Apostle. Alexander the Great carries with him the upstart lines of the peripatetic school, walking through Phrygana, almost stepping on the low thicket and soft leaves and that, to the rhythm of the invaders' footsteps, reverberate them towards the dreaded ears of Vernarth, imaginary plant community in the Mediterranean forests, forests and shrubs that exist, but are lacking on Patmos, are only part of the creative imaginary, which are successful in limestone soils around the Mediterranean Basin, generally near the coast, where the climate is improved, but where the conditions annual drought in summer, suggestive of the resinous flavors of a scrub becoming a dressing for transplanted trees before they arrive to meet the Katapausis, the emblem of the Parables of Procorus.

Parables of Procorus

Petrobus the Pelican in one of his wanderings was distracted by some colonial migratory birds from Rhodes, while the Cinnabar was energized. He flew exceedingly, reaching the shores of Patmos, saving himself from returning to the ship with the others of the Birthright. Here he himself met Procorus, where after brushing against the Phrygana with his wings, he was inspired in praise of the Skalá sightings. Procorus in the understanding that he was inspired by this magical bird, I narrate to him from his cranial zone, the parables of his company as a servant bird of Raeder, together now with Procorus, to welcome the ship Eurydice that was already sailing to Patmos. This assertion by Petrobus was of the Hellenic existential time, therefore before they occurred it would reach real-time synchronization, after three hundred and sixty-nine oscillations of the Anemoi under its golden wings.

Parable of Phrygana: (says Procorus by vox from Petrobus)

On the banks of, lived some seeds that were admired by the lights of the cell of San Juan, feeling that it can only be a seed if it is not recognized by another that is the same. Knowing that it is not from the Phrygana genome, they will know that they will never be able to choose a larger size. For this reason, if a Kashmar could be a branch Daughter of Zeus and the titanic Metis: Athena (the Olive Tree) (Minerva). Aspiring to greater trees, greater than the skies of comparable to the wings of Petrobus brushing against the allegories of winter when Procorus becomes a seed that flows from the envelope of the thicket, turning from its own shadow into a monumental tree by day, but at night like Phrygana goblin.

Parable of the Alnus:

The consequence of the Alnus took them out of the oratory persistence towards the heights of a tree that begged its minorities. The raceme's inflorescence, with its leaf blades on a leaf blade, invited them to follow reactivation paths due to the axils of its largest branches. When a lost sheep was lost in the Alnus Glutinous, the smallest plants that decrease or expire would approach, ready for the twigs that are carried by the legs of the lost sheep. But not when winter arrived, still very green with the olive tree that is found again in the mountains of other glutinous that co-merge like lights that dazzle the lesser leagues of Alnus, losing itself in its habitat Alder, in mixed forests with green and black sheep, among Phrygana in God's soil with tame sheep and soil with poor nutrients, but full of green shadows.

Before these two parables, Prócoro says: “It must be maintained that each one speaks with its own language, and they never take long to amaze us, first of all, the color change from green to more green, if its shape, color, and corpulence as a species with the same shadow, regardless of the hue of the size of its species”
Tautological Omeganymy on Patmos
brandon nagley Mar 2016
i.

A sapphire raceme, Symbolic dimples,
Radiciform, Ak-Shabreeze, consecrated;
Impeccable temple's.

ii.

None remembrance, of bygone vice,
Resumption of the new; perpetual
Life. Ramate by ourn rib's, sedated
By the paradisiacal.

iii.

Levitating toes, aloft the colored covenant,
O'er the bended bow, of God's plan's that
Art meant. We yaw the pleasant valley's,
We strum the lyre's of ahava; taking
Slowly to ourn peach rim's, desired
Coconut and guava.

iv.

Yealing's of another time, artist's of the
third peculiar mind, by the creator's
Design; finding another, amid the
Pearlescent hue.


©Brandon Nagley
©Lonesome poets poetry
©Earl Jane Nagley ( ahava) dedication
Raceme- central stem with flowers on small stalks.
Radiciform- means- like a root.
Ak-shabreeze- word I made meaning ( riding the storm's)
Bygone- past or former times
Vice- immoral or wicked behaviors. ( sins)
Resumption- the action of beginning something again after a pause or interruption.
Ramate- branched.
paradisiacal- of or relationship to or like or paradise.
Aloft- up above
Colored covenant I mean the covenant God gave to man kind with a rainbow telling man he's never gonna flood us again as he did. Though in the end renewal comes by fire...
O'er the bended bow. - means over the bended rainbow.
Yaw- means to move side to side.
Lyre- is an ancient like harp thing that would have been played in ancient Israel during king David's time...it's heavenly!!!!
Ahava- Hebrew word for love.
Peach rims- me and Jane lips... .
Yealings- are people of same age. I dont mean earth wise I mean in heaven. Everyone looks about same age alot of stories I've heard and when die old you go to about thirties or so. Quite amazing!!! Of course if in heaven!!!!
Pearlescent- resembles pearl like colors. Or resembles Pearl...



Note- this is second spoken one I posted on SoundCloud as well.
Just look me up Brandon Nagley  on SoundCloud.com you can find this title of the poem. At end of poem speaking one I sing a bit... Romantically of course lol. Enjoy thanks for reading poets!!!
Below is what to look up on SoundCloud. Thanks everyone.
(Finding another, amid the pearlescent hue) SoundCloud. Com
Layla Mar 2013
It burns and it stings.
It hurts.
More than drowning beneath the ice.
More than remaining in a kindled flame
She hits and I no longer cry.
Why mother, why?
  
It burned and it stung.
The markings remained, returned, and were relived
Looking, loving, and little known loathing were the known ways of living.
Never was their pity for the child that cried
Never was their relief for the child that tried
  
You were that lovely bird that understood the complications of felicity
Nothing looked the same in those dewy browns of yours.
My ever beating would cry tears of joy.
The others-they were yet to appear.
Caring Mother, o' so fair
You were that beautiful bird filled with care.
  
The others came and were not alone. Their two suitors sat on the throne.
Rampage and rage why did you come?
I began to wither and wither slumping along. So very soon I-the child of fines- became a human raceme.
The droops of the Lily of the Valley became the slumping of my heart.
My lovely bird the enemy had taken you and the person you were is far from near.
For that divine nature left its intricate self and you became irretrievable my big bird.
All of your fairness died.
With that went my pride.
  
Mother, Mother what moved you so?
Your intense spirit vanished only to supplement a monster.
Mother, Monster and your tar filled lungs.
How did I **** that liver that was so, so strong?
The lesson of pain was one you came to learn.
My darling bird why did you turn?
  
My lovely bird and your big brown eyes
I'll tell you once, but never twice.
Pain is only a flower for it blooms and dies
And a mistake can be killed as quickly as lice.
You dear bird hurt me well. Though, haven't you heard?
Weakness is a souls greatest strength.
You brought me up, then you brought me down.
You have helped, hurt, and hindered my blazing spirit.
A hero in my heart-I left you down in your deep black slumber.
Escaping those terrible nights
To go for the town of delights.

— The End —