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"organist" poems
A most pious man whose well-tempered music brushed the cobwebs from the throne of God Evolution was made manifest across deep time these lyrical figures achieve the same purpose in the space between the morning star and the dawn A fallow field is sewn with pearls a moonlit beach illuminated by shadow every scrape of the fiddler's bow merges mind with the present harvests the meaning in the moment The composer that good man was for a time church organist at St. John's its notable steeple leaning all askew as a rebuke against God or perhaps the drunken architect A finger of candlelight plays across the manuscript a fugue echoes through the still church And though no living person on that still winter's night shares the organist's solemn delight the stirring mass of possibility that is posterity awaits
0
Oct 9, 2016
Oct 9, 2016 at 5:49 PM UTC
Violin Concerto by JS Bach
Softly and steadily we munch A roller motion action As we gently pass over Living in a contented silence Randomly we each call Hollow pipes we are played By the holy organist As life plays its tune Understood be very few As we submit to the herd And spiral around a oneness Mooing and mooing With a great gusto We send out O's circles spiraling Softly blowing bubbles With an oily shine We are carried forward In these bulbs of light Air filled with vibration Caressing and holding Our community with An invisible film As we all feel this Light headed embrace And the golden ring of community Is placed on our finger We say "YES YES YES " For we love her very much   Living free of hierarchy As everyone is equal Servant and master Divorced from the conflicting Ties of politics We are as level and free as The planes from which we graze Living a freedom faraway from Rank and power And enjoy the vast out stretching Places where our hearts unburdened By mountains unfold into unlimited spaces Collapsing within each breath We spread our Love with the ease Of melting butter in the African sun Far and wide In the mating season We may bumble around Like bumper cars As you can not underestimate The force of each individual As we bang and bang our way   Through life until opportunity knocks Until life says yes As our our stubbornness Is not just the perfect No But the perfect Yes to And mothers reward our newborns With her loving milk The perfect colostrum A silky bliss In the expansive community Of wildebeest and cattle Where endless love Can spread like water We can learn so very much
0
Dec 14, 2014
Dec 14, 2014 at 7:09 AM UTC
THE WILDEBEEST COMMUNITY
Softly and steadily we munch A roller motion action As we gently pass over Living in a contented silence Randomly we each call Hollow pipes we are played By the holy organist As life plays its tune Understood be very few As we submit to the herd And spiral around a oneness Mooing and mooing With a great gusto We send out O's circles spiraling Softly blowing bubbles With an oily shine We are carried forward In these bulbs of light Air filled with vibration Caressing and holding Our community with An invisible film As we all feel this Light headed embrace And the golden ring of community Is placed on our finger We say "YES YES YES " For we love her very much   Living free of hierarchy As everyone is equal Servant and master Divorced from the conflicting Ties of politics We are as level and free as The planes from which we graze Living a freedom faraway from Rank and power And enjoy the vast out stretching Places where our hearts unburdened By mountains unfold into unlimited spaces Collapsing within each breath We spread our Love with the ease Of melting butter in the African sun Far and wide In the mating season We may bumble around Like bumper cars As you can not underestimate The force of each individual As we bang and bang our way   Through life until opportunity knocks Until life says yes As our our stubbornness Is not just the perfect No But the perfect Yes to And mothers reward our newborns With her loving milk The perfect colostrum A silky bliss In the expansive community Of wildebeest and cattle Where endless love Can spread like water We can learn so very much
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65
She cannot be any more for me. Cannot touch, cannot see or know What it would mean to lie beside her. Below or above or inside her. I cannot kiss her skin enough To satisfy my tongue, At root, amid tonsil and gum. There is nothing between my legs To satisfy the ache I’ve beshouldered. Nor to give her what she wants. And yet to be the bearer of such lofty arms, I have not the strength To hold her to me, tight enough Nor strength to let her go. Therefore pianist or organist, No digits can so far reach To abrade this itch within me. To what worldly force there is to bray, No hips move expeditiously Enough to shake this wanting free Not rhetoric, charm nor Rationale Bestow words to dissuade my need. I have no arms to pull her closely, Nor shape to fit her skin. Yet I cannot be any less for her.
0
Jun 29, 2011
Jun 29, 2011 at 3:25 PM UTC
Lust Limitations
It was a very strange day A day, you could say of unrest. The day Mr Pig was wed And wore his Sunday best. Underneath the Duck’s frustrated wings He had hidden a gun. He was planning to use this weapon Once the ceremony had begun. The Organist commenced and The door flung open and in she marched. In what could only be described as a mess That had been heavily starched. Mr Duck felt repulsed Somebody had failed to do their job Mr Pig had tears in his eyes as he stared At his white overweight blob. Mr Pig’s pride and joy called the shots But not the one fired from the gun The wing took aim, the trigger released The blob fell like the setting of the sun. She hit the deck with an almighty thud Mr Duck pelted into his hiding place Where he had planned to stay the rest of the week And the guilt wiped from his troubled little face. - to be continued ...
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Aug 17, 2013
Aug 17, 2013 at 2:02 AM UTC
The Day Mr Pig was wed
There is something about churches— the sanctuary filling slowly, brass ***** pipes arrayed like halberds in a medieval arsenal, stooped ushers handing out programs as the congregation accumulates softly like snow. And the pulpit—like a queen in a hive of wooden pews all of polished walnut, stands hushed and expectant. (I know within that pulpit there is a place to put cough drops, a legal pad, second pair of glasses.) Sanctuaries have a peculiar smell, redolent of potted lilies, Youth Dew perfume, aging hymnals, the suspired breath of five hundred faithful lifting their voices to that soaring Byzantine dome. I was glad for your presence that day, the sound of your marvelous voice, the warm sense of your shoulder next to mine. You cradled a hymnal benevolently in your hand as though you were baptizing a child. "Jesus Christ is risen today, Alleluia!" I sang more loudly, I suppose, for gratitude that you were with me. I held my hymnal with more care, sang and looked up more hopefully to that pulpit than I might otherwise have done on any given Easter. I prayed more ardently for good things to happen, thought more kindly of the man beside me who wouldn’t make room when we three entered the pew but stared blandly ahead as if waiting for an opera to begin. When the minister spread his arms in benediction and bade us all go in peace, we stayed to hear the postlude and watch the Easter crowd wind its way to the narthex and spill out into the boisterous parade on Fifth Avenue. I sat there and listened with you as the organist played his sonorous farewell. When I was a boy sitting next to you in church, you might gently pat my thigh when the organist’s final note passed through the sanctuary like a great bird in flight. You would smile as if to say, “You made it through the whole service!” On this Easter, when the hymn began, and the mighty ***** notes swelled around us like God’s own voice in song, it was the thought of your shoulder near mine, your hands upon the pew, that halted my singing for a moment, to let a silent bolt of longing pass through me like a solitary dog crossing a road. Then it was gone, the thought, but so, too, was your palpable nearness, the idea of your voice ringing through the church like a celebration.
0
Apr 19, 2017
Apr 19, 2017 at 4:45 PM UTC
Easter, 2017
There is something about churches— the sanctuary filling slowly, brass ***** pipes arrayed like halberds in a medieval arsenal, stooped ushers handing out programs as the congregation accumulates softly like snow. And the pulpit—like a queen in a hive of wooden pews all of polished walnut, stands hushed and expectant. (I know within that pulpit there is a place to put cough drops, a legal pad, second pair of glasses.) Sanctuaries have a peculiar smell, redolent of potted lilies, Youth Dew perfume, aging hymnals, the suspired breath of five hundred faithful lifting their voices to that soaring Byzantine dome. I was glad for your presence that day, the sound of your marvelous voice, the warm sense of your shoulder next to mine. You cradled a hymnal benevolently in your hand as though you were baptizing a child. "Jesus Christ is risen today, Alleluia!" I sang more loudly, I suppose, for gratitude that you were with me. I held my hymnal with more care, sang and looked up more hopefully to that pulpit than I might otherwise have done on any given Easter. I prayed more ardently for good things to happen, thought more kindly of the man beside me who wouldn’t make room when we three entered the pew but stared blandly ahead as if waiting for an opera to begin. When the minister spread his arms in benediction and bade us all go in peace, we stayed to hear the postlude and watch the Easter crowd wind its way to the narthex and spill out into the boisterous parade on Fifth Avenue. I sat there and listened with you as the organist played his sonorous farewell. When I was a boy sitting next to you in church, you might gently pat my thigh when the organist’s final note passed through the sanctuary like a great bird in flight. You would smile as if to say, “You made it through the whole service!” On this Easter, when the hymn began, and the mighty ***** notes swelled around us like God’s own voice in song, it was the thought of your shoulder near mine, your hands upon the pew, that halted my singing for a moment, to let a silent bolt of longing pass through me like a solitary dog crossing a road. Then it was gone, the thought, but so, too, was your palpable nearness, the idea of your voice ringing through the church like a celebration.
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73
i was disconnected from your umbrella, as we strolled like organist thumbs akimbo over octaves of impenetrable silences that lay as shells at our feet, unperturbed. your free hand, bound to mine. enslaved to the pendulum of our quietous tandem. we note the long shadows swaying in the corona of emerging contrasts... we go arm in arm now...inhaling the fumes of our unspoken truce. reveling in the sanctity of our bond without losing a thread in our poncho to a snag in the deluge.... or raindrop teeth. we continue in our way. conjoined in our congenial orbits. disrobed from the inside-out. two columns of mute serenity... stalled where the bridge and the railing; conspire to frame the stream below with the moment of our pregnant pause. as seen from ground zero in a cataract of awe and epiphany. the mist from stones dashing about like trout draping our skin in flecks of Indra and glass spider eyes laughing at all our jokes, before the punchline finds your Abbot to Costello. we are drenched in a thousand specks of mirror. with tide pools in our crows'feet... and all the continuum of glory... the unvarnished fathoms of our symbiosis and the dignity of our invulnerable Haj to the Mecca of our Peace. II i was disconnected from your umbrella as you never believed in - having one. so i embrace precipitation with all the ****** delight of a pagan in the company of His oracle. your antlers shedding skin and divine. my spirit dwelling in a jar full of fireflies. for true.
0
Sep 21, 2017
Sep 21, 2017 at 3:04 AM UTC
i was disconnected from your umbrella
i was disconnected from your umbrella, as we strolled like organist thumbs akimbo over octaves of impenetrable silences that lay as shells at our feet, unperturbed. your free hand, bound to mine. enslaved to the pendulum of our quietous tandem. we note the long shadows swaying in the corona of emerging contrasts... we go arm in arm now...inhaling the fumes of our unspoken truce. reveling in the sanctity of our bond without losing a thread in our poncho to a snag in the deluge.... or raindrop teeth. we continue in our way. conjoined in our congenial orbits. disrobed from the inside-out. two columns of mute serenity... stalled where the bridge and the railing; conspire to frame the stream below with the moment of our pregnant pause. as seen from ground zero in a cataract of awe and epiphany. the mist from stones dashing about like trout draping our skin in flecks of Indra and glass spider eyes laughing at all our jokes, before the punchline finds your Abbot to Costello. we are drenched in a thousand specks of mirror. with tide pools in our crows'feet... and all the continuum of glory... the unvarnished fathoms of our symbiosis and the dignity of our invulnerable Haj to the Mecca of our Peace. II i was disconnected from your umbrella as you never believed in - having one. so i embrace precipitation with all the ****** delight of a pagan in the company of His oracle. your antlers shedding skin and divine. my spirit dwelling in a jar full of fireflies. for true.
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52
The church is still there at the end of the narrow road, the high hedgerows and the vicarage remain pretty much the same, but you are not, for you lie in another place of rest than this, although I don't know where. The inside is as it was, the choir stalls where we sang all those years ago, are as they were although seeming smaller, the ***** is silent now, but still where it was when the semi-deaf organist played back then. I look around me as I stand; the same smell old churches have, coloured light through the windows, the lectern where the vicar spoke (sometimes too long), and the wooden pews where the aging congregation sat and listened or fell asleep. I walk around the church outside and pass old tombstones aged by time, cross the small wooden bridge where we once stood and watched the water pass below or kissed in moonlight after choir before the ride home. I stand alone now and you elsewhere, cancer's hold took you down your brother said, that time he met me in the town, sometime after. I hear birdsong and wind in trees, but not your laughter.
0
May 29, 2018
May 29, 2018 at 6:43 AM UTC
Walking An Old Church
CONTINUING WITH THE SPIRIT OF CHRISTMAS HERE IS THE STORY BEHIND THE ENGLISH HYMN: “ONWARD CHRISTIAN SOLDIERS” "Onward, Christian Soldiers" is a 19th-century English hymn. The words were written by Sabine Baring-Gould in 1865, and the music was composed by Arthur Sullivan in 1871. Sullivan named the tune "St Gertrude," after the wife of his friend Ernest Clay Ker Seymer, at whose country home he composed the tune. The Salvation Army adopted the hymn as its favoured processional. This piece became Sullivan's most popular hymn. The hymn's theme is taken from references in the New Testament to the Christian being a soldier for Christ, for example II Timothy 2:3 (KJV ) : "Thou therefore endure hardness, as a good soldier of Jesus Christ." Now Arthur Sullivan was the son of a military bandmaster, who composed his first anthem at the age of eight, and was later a soloist in the boys' choir of the Chapel Royal. ... To supplement the income from his concert works he wrote hymns, parlour ballads, and other light pieces, and worked as a church organist and music teacher. LYRICS OF THE FAMOUS HYMN “Onward, Christian soldiers, marching as to war, With the cross of Jesus going on before. Christ, the royal Master, leads against the foe; Forward into battle see His banners go! o Refrain: Onward, Christian soldiers, marching as to war, With the cross of Jesus going on before. At the sign of triumph Satan’s host doth flee; On then, Christian soldiers, on to victory! Hell’s foundations quiver at the shout of praise; Brothers, lift your voices, loud your anthems raise. Like a mighty army moves the church of God; Brothers, we are treading where the saints have trod. We are not divided, all one body we, One in hope and doctrine, one in charity. Crowns and thrones may perish, kingdoms rise and wane, But the church of Jesus constant will remain. Gates of hell can never ’gainst that church prevail; We have Christ’s own promise, and that cannot fail. Onward then, ye people, join our happy throng, Blend with ours your voices in the triumph song. Glory, laud, and honor unto Christ the King, This through countless ages men and angels sing.” ……Posted by Raj Nandy of New Delhi.……
0
Dec 16, 2020
Dec 16, 2020 at 10:45 PM UTC
TRUE STORY BEHIND THE FAMOUS CHRISTIAN HYMN.
CONTINUING WITH THE SPIRIT OF CHRISTMAS HERE IS THE STORY BEHIND THE ENGLISH HYMN: “ONWARD CHRISTIAN SOLDIERS” "Onward, Christian Soldiers" is a 19th-century English hymn. The words were written by Sabine Baring-Gould in 1865, and the music was composed by Arthur Sullivan in 1871. Sullivan named the tune "St Gertrude," after the wife of his friend Ernest Clay Ker Seymer, at whose country home he composed the tune. The Salvation Army adopted the hymn as its favoured processional. This piece became Sullivan's most popular hymn. The hymn's theme is taken from references in the New Testament to the Christian being a soldier for Christ, for example II Timothy 2:3 (KJV ) : "Thou therefore endure hardness, as a good soldier of Jesus Christ." Now Arthur Sullivan was the son of a military bandmaster, who composed his first anthem at the age of eight, and was later a soloist in the boys' choir of the Chapel Royal. ... To supplement the income from his concert works he wrote hymns, parlour ballads, and other light pieces, and worked as a church organist and music teacher. LYRICS OF THE FAMOUS HYMN “Onward, Christian soldiers, marching as to war, With the cross of Jesus going on before. Christ, the royal Master, leads against the foe; Forward into battle see His banners go! o Refrain: Onward, Christian soldiers, marching as to war, With the cross of Jesus going on before. At the sign of triumph Satan’s host doth flee; On then, Christian soldiers, on to victory! Hell’s foundations quiver at the shout of praise; Brothers, lift your voices, loud your anthems raise. Like a mighty army moves the church of God; Brothers, we are treading where the saints have trod. We are not divided, all one body we, One in hope and doctrine, one in charity. Crowns and thrones may perish, kingdoms rise and wane, But the church of Jesus constant will remain. Gates of hell can never ’gainst that church prevail; We have Christ’s own promise, and that cannot fail. Onward then, ye people, join our happy throng, Blend with ours your voices in the triumph song. Glory, laud, and honor unto Christ the King, This through countless ages men and angels sing.” ……Posted by Raj Nandy of New Delhi.……
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30
It's life and not the Western Front you don't get the sheriffs star or go with Beau Geste on a terrorist hunt Daktari? who mentioned that throwback from the outback way back long ago? If you wanted fireworks you've got them I've got a hyperactive thyroid ******* annoyed about it but **** it's small potatoes when compared to this atom bomb we're siting on Is it all quiet? inyer dreams.
0
Nov 5, 2017
Nov 5, 2017 at 1:53 PM UTC
The organist