gives the poem momentum.’
Tuesday afternoon seminars
and your photocopied stanzas
are like ***** shots to me. I don’t
say this, a spaghetti-haired boffin
opposite mentions pentameter
but I almost drool at ‘fizzle of static
the luscious shock, / honey, think
you’d taste like candy canes / waltz
on my tongue, my ruby
Bristol for uni. Last I heard
she’d got a PGCE, cushy position
at an Ofsted-says-good secondary,
good for her. The invite surprised me.
How many years? It’s all careers
and top-floor flats now with
the parquet floors, schamncy fridges,
not villanelles and criticism
meant to be constructive, comments
spiked with jealousy, and
A minute in, a cup of something,
voice long gone among the swill,
thud of a mid-2000s track blaring
obnoxiously through the top-floor flat
of the lad who played midfield
and his glitter-cheeked missus, who,
if I recall, moved from Leeds to
Tuesday.’ A lipsticked smile,
jeans with riotous tears.
Now I know what’s coming, the
pitiful shotput for attention,
the ‘truly marvellous effort
and the use of sibilance (insert
chef’s kiss sound).’ But I dither,
muter than a French mime,
hits me for six and I know
I won’t know you, not now or ever,
there’s never enough time
when I see you in the kitchen,
expelling laughter like it’s almost archaic,
the opportunity, missed, but all right,
it was indie-rock headaches,
cold in goal in the park next to Asda,
not a time to recite my saccharine lines
to a northern delight but I wanted to,
once, then, to know what might’ve been,
if I’d waltz on your tongue.
Written: April 2022.
Explanation: THE TOP LINE SHOULD BE ITALICISED AND THE EXACT LAYOUT OF THIS POEM CAN BE FOUND IN INSTAGRAM. A poem written in my own time as part of Savannah Brown's escapril challenge. A link to my Facebook writing page and Instagram page can be found on my HP home page.
