Crispin as hermit, pure and capable,
Dwelt in the land. Perhaps if discontent
Had kept him still the pricking realist,
Choosing his element from droll confect
Of was and is and shall or ought to be,
Beyond Bordeaux, beyond Havana, far
Beyond carked Yucatan, he might have come
To colonize his polar planterdom
And jig his chits upon a cloudy knee.
But his emprize to that idea soon sped.
Crispin dwelt in the land and dwelling there
Slid from his continent by slow recess
To things within his actual eye, alert
To the difficulty of rebellious thought
When the sky is blue. The blue infected will.
It may be that the yarrow in his fields
Sealed pensive purple under its concern.
But day by day, now this thing and now that
Confined him, while it cosseted, condoned,
Little by little, as if the suzerain soil
Abashed him by carouse to humble yet
Attach. It seemed haphazard denouement.
He first, as realist, admitted that
Whoever hunts a matinal continent
May, after all, stop short before a plum
And be content and still be realist.
The words of things entangle and confuse.
The plum survives its poems. It may hang
In the sunshine placidly, colored by ground
Obliquities of those who pass beneath,
Harlequined and mazily dewed and mauved
In bloom. Yet it survives in its own form,
Beyond these changes, good, fat, guzzly fruit.
So Crispin hasped on the surviving form,
For him, of shall or ought to be in is.

Was he to bray this in profoundest brass
Arointing his dreams with fugal requiems?
Was he to company vastest things defunct
With a blubber of tom-toms harrowing the sky?
Scrawl a tragedian's testament? Prolong
His active force in an inactive dirge,
Which, let the tall musicians call and call,
Should merely call him dead? Pronounce amen
Through choirs infolded to the outmost clouds?
Because he built a cabin who once planned
Loquacious columns by the ructive sea?
Because he turned to salad-beds again?
Jovial Crispin, in calamitous crape?
Should he lay by the personal and make
Of his own fate an instance of all fate?
What is one man among so many men?
What are so many men in such a world?
Can one man think one thing and think it long?
Can one man be one thing and be it long?
The very man despising honest quilts
Lies quilted to his poll in his despite.
For realists, what is is what should be.
And so it came, his cabin shuffled up,
His trees were planted, his duenna brought
Her prismy blonde and clapped her in his hands,
The curtains flittered and the door was closed.
Crispin, magister of a single room,
Latched up the night. So deep a sound fell down
It was as if the solitude concealed
And covered him and his congenial sleep.
So deep a sound fell down it grew to be
A long soothsaying silence down and down.
The crickets beat their tambours in the wind,
Marching a motionless march, custodians.

In the presto of the morning, Crispin trod,
Each day, still curious, but in a round
Less prickly and much more condign than that
He once thought necessary. Like Candide,
Yeoman and grub, but with a fig in sight,
And cream for the fig and silver for the cream,
A blonde to tip the silver and to taste
The ***** gouts. Good star, how that to be
Annealed them in their cabin ribaldries!
Yet the quotidian saps philosophers
And men like Crispin like them in intent,
If not in will, to track the knaves of thought.
But the quotidian composed as his,
Of breakfast ribands, fruits laid in their leaves,
The tomtit and the cassia and the rose,
Although the rose was not the noble thorn
Of crinoline spread, but of a pining sweet,
Composed of evenings like cracked shutters flung
Upon the rumpling bottomness, and nights
In which those frail custodians watched,
Indifferent to the tepid summer cold,
While he poured out upon the lips of her
That lay beside him, the quotidian
Like this, saps like the sun, true fortuner.
For all it takes it gives a ****** return
Exchequering from piebald fiscs unkeyed.

Its all a fantasy-
                         or was it all a mystery.
                                                        ­Have I lost all sense of reality,
                                                        ­     ­                                            all the while,
                                                          ­                                                                 ­ slipping down the banister?
                                                       ­      ­                        ;joke cruel all it Was
                                            .magister the to listening          
              -thing every While
knocked up-
                  backwards.
                               and then,
                                          **əpısdn-uʍop

Marchands de grec ! marchands de latin ! cuistres ! dogues !
Philistins ! magisters ! je vous hais, pédagogues !
Car, dans votre aplomb grave, infaillible, hébété,
Vous niez l'idéal, la grâce et la beauté !
Car vos textes, vos lois, vos règles sont fossiles !
Car, avec l'air profond, vous êtes imbéciles !
Car vous enseignez tout, et vous ignorez tout !
Car vous êtes mauvais et méchants ! - Mon sang bout
Rien qu'à songer au temps où, rêveuse bourrique,
Grand diable de seize ans, j'étais en rhétorique !
Que d'ennuis ! de fureurs ! de bêtises ! - gredins ! -
Que de froids châtiments et que de chocs soudains !
« Dimanche en retenue et cinq cents vers d'Horace ! »
Je regardais le monstre aux ongles noirs de crasse,
Et je balbutiais : « Monsieur... - Pas de raisons !
- Vingt fois l'ode à Plancus et l'épître aux Pisons ! »
Or j'avais justement, ce jour là, - douce idée.
Qui me faisait rêver d'Armide et d'Haydée, -
Un rendez-vous avec la fille du portier.
Grand Dieu ! perdre un tel jour ! le perdre tout entier !
Je devais, en parlant d'amour, extase pure !
En l'enivrant avec le ciel et la nature,
La mener, si le temps n'était pas trop mauvais,
Manger de la galette aux buttes Saint-Gervais !
Rêve heureux ! je voyais, dans ma colère bleue,
Tout cet Éden, congé, les lilas, la banlieue,
Et j'entendais, parmi le thym et le muguet,
Les vagues violons de la mère Saguet !
Ô douleur ! furieux, je montais à ma chambre,
Fournaise au mois de juin, et glacière en décembre ;
Et, là, je m'écriais :

« Horace ! ô bon garçon !
Qui vivais dans le calme et selon la raison,
Et qui t'allais poser, dans ta sagesse franche,
Sur tout, comme l'oiseau se pose sur la branche,
Sans peser, sans rester, ne demandant aux dieux
Que le temps de chanter ton chant libre et joyeux !
Tu marchais, écoutant le soir, sous les charmilles,
Les rires étouffés des folles jeunes filles,
Les doux chuchotements dans l'angle obscur du bois ;
Tu courtisais ta belle esclave quelquefois,
Myrtale aux blonds cheveux, qui s'irrite et se cabre
Comme la mer creusant les golfes de Calabre,
Ou bien tu t'accoudais à table, buvant sec
Ton vin que tu mettais toi-même en un *** grec.
Pégase te soufflait des vers de sa narine ;
Tu songeais ; tu faisais des odes à Barine,
À Mécène, à Virgile, à ton champ de Tibur,
À Chloë, qui passait le long de ton vieux mur,
Portant sur son beau front l'amphore délicate.
La nuit, lorsque Phœbé devient la sombre Hécate,
Les halliers s'emplissaient pour toi de visions ;
Tu voyais des lueurs, des formes, des rayons,
Cerbère se frotter, la queue entre les jambes,
À Bacchus, dieu des vins et père des ïambes ;
Silène digérer dans sa grotte, pensif ;
Et se glisser dans l'ombre, et s'enivrer, lascif,
Aux blanches nudités des nymphes peu vêtues,
La faune aux pieds de chèvre, aux oreilles pointues !
Horace, quand grisé d'un petit vin sabin,
Tu surprenais Glycère ou Lycoris au bain,
Qui t'eût dit, ô Flaccus ! quand tu peignais à Rome
Les jeunes chevaliers courant dans l'hippodrome,
Comme Molière a peint en France les marquis,
Que tu faisais ces vers charmants, profonds, exquis,
Pour servir, dans le siècle odieux où nous sommes,
D'instruments de torture à d'horribles bonshommes,
Mal peignés, mal vêtus, qui mâchent, lourds pédants,
Comme un singe une fleur, ton nom entre leurs dents !
Grimauds hideux qui n'ont, tant leur tête est vidée,
Jamais eu de maîtresse et jamais eu d'idée ! »

Puis j'ajoutais, farouche :

« Ô cancres ! qui mettez
Une soutane aux dieux de l'éther irrités,
Un béguin à Diane, et qui de vos tricornes
Coiffez sinistrement les olympiens mornes,
Eunuques, tourmenteurs, crétins, soyez maudits !
Car vous êtes les vieux, les noirs, les engourdis,
Car vous êtes l'hiver ; car vous êtes, ô cruches !
L'ours qui va dans les bois cherchant un arbre à ruches,
L'ombre, le plomb, la mort, la tombe, le néant !
Nul ne vit près de vous dressé sur son séant ;
Et vous pétrifiez d'une haleine sordide
Le jeune homme naïf, étincelant, splendide ;
Et vous vous approchez de l'aurore, endormeurs !
À Pindare serein plein d'épiques rumeurs,
À Sophocle, à Térence, à Plaute, à l'ambroisie,
Ô traîtres, vous mêlez l'antique hypocrisie,
Vos ténèbres, vos mœurs, vos jougs, vos exeats,
Et l'assoupissement des noirs couvents béats ;
Vos coups d'ongle rayant tous les sublimes livres,
Vos préjugés qui font vos yeux de brouillards ivres,
L'horreur de l'avenir, la haine du progrès ;
Et vous faites, sans peur, sans pitié, sans regrets,
À la jeunesse, aux cœurs vierges, à l'espérance,
Boire dans votre nuit ce vieil ***** rance !
Ô fermoirs de la bible humaine ! sacristains
De l'art, de la science, et des maîtres lointains,
Et de la vérité que l'homme aux cieux épèle,
Vous changez ce grand temple en petite chapelle !
Guichetiers de l'esprit, faquins dont le goût sûr
Mène en laisse le beau ; porte-clefs de l'azur,
Vous prenez Théocrite, Eschyle aux sacrés voiles,
Tibulle plein d'amour, Virgile plein d'étoiles ;
Vous faites de l'enfer avec ces paradis ! »

Et ma rage croissant, je reprenais :

« Maudits,
Ces monastères sourds ! bouges ! prisons haïes !
Oh ! comme on fit jadis au pédant de Veïes,
Culotte bas, vieux tigre ! Écoliers ! écoliers !
Accourez par essaims, par bandes, par milliers,
Du gamin de Paris au groeculus de Rome,
Et coupez du bois vert, et fouaillez-moi cet homme !
Jeunes bouches, mordez le metteur de bâillons !
Le mannequin sur qui l'on drape des haillons
À tout autant d'esprit que ce cuistre en son antre,
Et tout autant de cœur ; et l'un a dans le ventre
Du latin et du grec comme l'autre à du foin.
Ah ! je prends Phyllodoce et Xantis à témoin
Que je suis amoureux de leurs claires tuniques ;
Mais je hais l'affreux tas des vils pédants iniques !
Confier un enfant, je vous demande un peu,
À tous ces êtres noirs ! autant mettre, morbleu !
La mouche en pension chez une tarentule !
Ces moines, expliquer Platon, lire Catulle,
Tacite racontant le grand Agricola,
Lucrèce ! eux, déchiffrer Homère, ces gens-là !
Ces diacres ! ces bedeaux dont le groin renifle !
Crânes d'où sort la nuit, pattes d'où sort la gifle,
Vieux dadais à l'air rogue, au sourcil triomphant,
Qui ne savent pas même épeler un enfant !
Ils ignorent comment l'âme naît et veut croître.
Cela vous a Laharpe et Nonotte pour cloître !
Ils en sont à l'A, B, C, D, du cœur humain ;  
Ils sont l'horrible Hier qui veut tuer Demain ;
Ils offrent à l'aiglon leurs règles d'écrevisses.
Et puis ces noirs tessons ont une odeur de vices.
Ô vieux pots égueulés des soifs qu'on ne dit pas !
Le pluriel met une S à leurs meâs culpâs,
Les boucs mystérieux, en les voyants s'indignent,
Et, quand on dit : « Amour !  » terre et cieux ! ils se signent.
Leur vieux viscère mort insulte au cœur naissant.
Ils le prennent de haut avec l'adolescent,
Et ne tolèrent pas le jour entrant dans l'âme
Sous la forme pensée ou sous la forme femme.
Quand la muse apparaît, ces hurleurs de holà
Disent : « Qu'est-ce que c'est que cette folle-là ? »
Et, devant ses beautés, de ses rayons accrues,
Ils reprennent : « Couleurs dures, nuances crues ;
Vapeurs, illusions, rêves ; et quel travers
Avez-vous de fourrer l'arc-en-ciel dans vos vers ? »
Ils raillent les enfants, ils raillent les poètes ;
Ils font aux rossignols leurs gros yeux de chouettes :
L'enfant est l'ignorant, ils sont l'ignorantin ;
Ils raturent l'esprit, la splendeur, le matin ;
Ils sarclent l'idéal ainsi qu'un barbarisme,
Et ces culs de bouteille ont le dédain du prisme. »

Ainsi l'on m'entendait dans ma geôle crier.

Le monologue avait le temps de varier.
Et je m'exaspérais, faisant la faute énorme,
Ayant raison au fond, d'avoir tort dans la forme.
Après l'abbé Tuet, je maudissais Bezout ;
Car, outre les pensums où l'esprit se dissout,
J'étais alors en proie à la mathématique.
Temps sombre ! Enfant ému du frisson poétique,
Pauvre oiseau qui heurtais du crâne mes barreaux,
On me livrait tout vif aux chiffres, noirs bourreaux ;
On me faisait de force ingurgiter l'algèbre ;
On me liait au fond d'un Boisbertrand funèbre ;
On me tordait, depuis les ailes jusqu'au bec,
Sur l'affreux chevalet des X et des Y ;
Hélas ! on me fourrait sous les os maxillaires
Le théorème orné de tous ses corollaires ;
Et je me débattais, lugubre patient
Du diviseur prêtant main-forte au quotient.
De là mes cris.

Un jour, quand l'homme sera sage,
Lorsqu'on n'instruira plus les oiseaux par la cage,
Quand les sociétés difformes sentiront
Dans l'enfant mieux compris se redresser leur front,
Que, des libres essors ayant sondé les règles,
On connaîtra la loi de croissance des aigles,
Et que le plein midi rayonnera pour tous,
Savoir étant sublime, apprendre sera doux.
Alors, tout en laissant au sommet des études
Les grands livres latins et grecs, ces solitudes
Où l'éclair gronde, où luit la mer, où l'astre rit,
Et qu'emplissent les vents immenses de l'esprit,
C'est en les pénétrant d'explication tendre,
En les faisant aimer, qu'on les fera comprendre.
Homère emportera dans son vaste reflux
L'écolier ébloui ; l'enfant ne sera plus
Une bête de somme attelée à Virgile ;
Et l'on ne verra plus ce vif esprit agile
Devenir, sous le fouet d'un cuistre ou d'un abbé,
Le lourd cheval poussif du pensum embourbé.
Chaque village aura, dans un temple rustique,
Dans la lumière, au lieu du magister antique,
Trop noir pour que jamais le jour y pénétrât,
L'instituteur lucide et grave, magistrat
Du progrès, médecin de l'ignorance, et prêtre
De l'idée ; et dans l'ombre on verra disparaître
L'éternel écolier et l'éternel pédant.
L'aube vient en chantant, et non pas en grondant.
Nos fils riront de nous dans cette blanche sphère ;
Ils se demanderont ce que nous pouvions faire
Enseigner au moineau par le hibou hagard.
Alors, le jeune esprit et le jeune regard
Se lèveront avec une clarté sereine
Vers la science auguste, aimable et souveraine ;
Alors, plus de grimoire obscur, fade, étouffant ;
Le maître, doux apôtre incliné sur l'enfant,
Fera, lui versant Dieu, l'azur et l'harmonie,
Boire la petite âme à la coupe infinie.
Alors, tout sera vrai, lois, dogmes, droits, devoirs.
Tu laisseras passer dans tes jambages noirs
Une pure lueur, de jour en jour moins sombre,
Ô nature, alphabet des grandes lettres d'ombre !

Paris, mai 1831.

On y revient ; il faut y revenir moi-même.
Ce qu'on attaque en moi, c'est mon temps, et je l'aime.
Certes, on me laisserait en paix, passant obscur,
Si je ne contenais, atome de l'azur,
Un peu du grand rayon dont notre époque est faite.

Hier le citoyen, aujourd'hui le poète ;  
Le « romantique » après le « libéral ». -  Allons,
Soit ; dans mes deux sentiers mordez mes deux talons.
Je suis le ténébreux par qui tout dégénère.
Sur mon autre côté lancez l'autre tonnerre.

Vous aussi, vous m'avez vu tout jeune, et voici
Que vous me dénoncez, bonhomme, vous aussi ;
Me déchirant le plus allégrement du monde,
Par attendrissement pour mon enfance blonde.
Vous me criez : « Comment, Monsieur ! qu'est-ce que c'est ?
- La stance va nu-pieds ! le drame est sans corset !
- La muse jette au vent sa robe d'innocence !
- Et l'art crève la règle et dit : C'est la croissance ! »
Géronte littéraire aux aboiements plaintifs,
Vous vous ébahissez, en vers rétrospectifs,
Que ma voix trouble l'ordre, et que ce romantique
Vive, et que ce petit, à qui l'Art Poétique
Avec tant de bonté donna le pain et l'eau,
Devienne si pesant aux genoux de Boileau !
Vous regardez mes vers, pourvus d'ongles et d'ailes,
Refusant de marcher derrière les modèles,
Comme après les doyens marchent les petits clercs ;
Vous en voyez sortir de sinistres éclairs ;
Horreur ! et vous voilà poussant des cris d'hyène
A travers les barreaux de la Quotidienne.

Vous épuisez sur moi tout votre calepin,
Et le père Bouhours et le père Rapin ;
Et m'écrasant avec tous les noms qu'on vénère,
Vous lâchez le grand mot : Révolutionnaire.

Et, sur ce, les pédants en choeur disent : Amen !
On m'empoigne ; on me fait passer mon examen ;
La Sorbonne bredouille et l'école griffonne ;
De vingt plumes jaillit la colère bouffonne :
« Que veulent ces affreux novateurs ? ça des vers ?
- Devant leurs livres noirs, la nuit, dans l'ombre ouverts,
- Les lectrices ont peur au fond de leurs alcôves.
- Le Pinde entend rugir leurs rimes bêtes fauves,
- Et frémit. Par leur faute aujourd'hui tout est mort ;
- L'alexandrin saisit la césure, et la mord ;
- Comme le sanglier dans l'herbe et dans la sauge,
- Au beau milieu du vers l'enjambement patauge ;
- Que va-t-on devenir ? Richelet s'obscurcit.
- Il faut à toute chose un magister dixit.
- Revenons à la règle, et sortons de l'opprobre ;
- L'hippocrène est de l'eau ; donc le beau, c'est le sobre.
- Les vrais sages ayant la raison pour lien,
- Ont toujours consulté, sur l'art, Quintilien ;
- Sur l'algèbre, Leibnitz; sur la guerre, Végèce. »

Quand l'impuissance écrit, elle signe : Sagesse.

Je ne vois pas pourquoi je ne vous dirais point
Ce qu'à d'autres j'ai dit sans leur montrer le poing.
Eh bien, démasquons-nous ! c'est vrai, notre âme est noire ;
Sortons du domino nommé forme oratoire.
On nous a vus, poussant vers un autre horizon
La langue, avec la rime entraînant la raison,

Lancer au pas de charge, en batailles rangées,
Sur Laharpe éperdu, toutes ces insurgées.
Nous avons au vieux style attaché ce brûlot :
Liberté ! Nous avons, dans le même complot,
Mis l'esprit, pauvre diable, et le mot, pauvre hère ;
Nous avons déchiré le capuchon, la haire,
Le froc, dont on couvrait l'Idée aux yeux divins.
Tous on fait rage en foule. Orateurs, écrivains,
Poètes, nous avons, du doigt avançant l'heure,
Dit à la rhétorique : - Allons, fille majeure,
Lève les yeux ! - et j'ai, chantant, luttant, bravant,
Tordu plus d'une grille au parloir du couvent ;
J'ai, torche en main, ouvert les deux battants du drame ;
Pirates, nous avons, à la voile, à la rame,
De la triple unité pris l'aride archipel ;
Sur l'Hélicon tremblant j'ai battu le rappel.
Tout est perdu ! le vers vague sans muselière !
A Racine effaré nous préférons Molière ;
O pédants ! à Ducis nous préférons Rotrou.
Lucrèce Borgia sort brusquement d'un trou,
Et mêle des poisons hideux à vos guimauves ;
Le drame échevelé fait peur à vos fronts chauves ;
C'est horrible ! oui, brigand, jacobin, malandrin,
J'ai disloqué ce grand niais d'alexandrin ;
Les mots de qualité, les syllabes marquises,
Vivaient ensemble au fond de leurs grottes exquises,
Faisaient la bouche en coeur et ne parlant qu'entre eux,
J'ai dit aux mots d'en bas : Manchots, boiteux, goîtreux,
Redressez-vous ! planez, et mêlez-vous, sans règles,
Dans la caverne immense et farouche des aigles !
J'ai déjà confessé ce tas de crimes-là ;
Oui, je suis Papavoine, Érostrate, Attila :
Après ?

Emportez-vous, et criez à la garde,
Brave homme ! tempêtez ! tonnez ! je vous regarde.

Nos progrès prétendus vous semblent outrageants ;
Vous détestez ce siècle où, quand il parle aux gens,
Le vers des trois saluts d'usage se dispense ;
Temps sombre où, sans pudeur, on écrit comme on pense,
Où l'on est philosophe et poète crûment,
Où de ton vin sincère, adorable, écumant,
O sévère idéal, tous les songeurs sont ivres.
Vous couvrez d'abat-jour, quand vous ouvrez nos livres,
Vos yeux, par la clarté du mot propre brûlés ;
Vous exécrez nos vers francs et vrais, vous hurlez
De fureur en voyant nos strophes toutes nues.
Mais où donc est le temps des nymphes ingénues,
Qui couraient dans les bois, et dont la nudité
Dansait dans la lueur des vagues soirs d'été ?
Sur l'aube nue et blanche, entr'ouvrant sa fenêtre,
Faut-il plisser la brume honnête et *****, et mettre
Une feuille de vigne à l'astre dans l'azur ?
Le flot, conque d'amour, est-il d'un goût peu sûr ?
Ô Virgile, Pindare, Orphée ! est-ce qu'on gaze,
Comme une obscénité, les ailes de Pégase,
Qui semble, les ouvrant au haut du mont béni,
L'immense papillon du baiser infini ?
Est-ce que le soleil splendide est un cynique ?
La fleur a-t-elle tort d'écarter sa tunique ?
Calliope, planant derrière un pan des cieux,
Fait donc mal de montrer à Dante soucieux
Ses seins éblouissants à travers les étoiles ?
Vous êtes un ancien d'hier. Libre et sans voiles,
Le grand Olympe nu vous ferait dire : Fi !
Vous mettez une jupe au Cupidon bouffi ;
Au clinquant, aux neuf soeurs en atours, au Parnasse
De Titon du Tillet, votre goût est tenace ;
Apollon vous ferait l'effet d'un Mohican ;
Vous prendriez Vénus pour une sauvagesse.

L'âge - c'est là souvent toute notre sagesse -

A beau vous bougonner tout bas : « Vous avez tort,
- Vous vous ferez tousser si vous criez si fort ;
- Pour quelques nouveautés sauvages et fortuites,
- Monsieur, ne troublez pas la paix de vos pituites.
- Ces gens-ci vont leur train ; qu'est-ce que ça vous fait ?
- Ils ne trouvent que cendre au feu qui vous chauffait.
- Pourquoi déclarez-vous la guerre à leur tapage ?
- Ce siècle est libéral comme vous fûtes page.
- Fermez bien vos volets, tirez bien vos rideaux,
- Soufflez votre chandelle, et tournez-lui le dos !
- Qu'est l'âme du vrai sage ? Une sourde-muette.
- Que vous importe, à vous, que tel ou tel poète,
- Comme l'oiseau des cieux, veuille avoir sa chanson ;
- Et que tel garnement du Pinde, nourrisson
- Des Muses, au milieu d'un bruit de corybante,
- Marmot sombre, ait mordu leur gorge un peu tombante ? »

Vous n'en tenez nul compte, et vous n'écoutez rien.
Voltaire, en vain, grand homme et peu voltairien,
Vous murmure à l'oreille : « Ami, tu nous assommes ! »
- Vous écumez ! - partant de ceci : que nous, hommes
De ce temps d'anarchie et d'enfer, nous donnons
L'assaut au grand Louis juché sur vingt grands noms ;
Vous dites qu'après tout nous perdons notre peine,
Que haute est l'escalade et courte notre haleine ;
Que c'est dit, que jamais nous ne réussirons ;
Que Batteux nous regarde avec ses gros yeux ronds,
Que Tancrède est de bronze et qu'Hamlet est de sable.
Vous déclarez Boileau perruque indéfrisable ;
Et, coiffé de lauriers, d'un coup d'oeil de travers,
Vous indiquez le tas d'ordures de nos vers,
Fumier où la laideur de ce siècle se guinde
Au pauvre vieux bon goût, ce balayeur du Pinde ;
Et même, allant plus ****, vaillant, vous nous criez :
« Je vais vous balayer moi-même ! »

Balayez.

Paris, novembre 1834.

Vernarth's term overage was not exhaustive, as Vernarth would return to Alikantus after his journey to Kanthillana for the Winter Solstice and Patmos in spring. He was collecting each time in the decantation of each corollary of texts, images, narrations, and epigraphs that were being deliberately written on the flames of the Apokálypsis. All the experiences of the tragic characters in Vernarth were embedded in the papyrological Datum once it was detached from the Dragon's snout. This result and action verse became the reconstruction of the cessation of a physical body, whose final living objective was to legitimize everything in which it was uniting in the nomenclature of written prosopography, advanced in all the roles of the ruler of their own history. parapsychological incorporated in its own self-analysis until reaching Everism that reconciles its mythology as something secondary to the Tragedy for all societies that evolve in a focused technocratic aspect and the rhetorical unsaying of attacking the world that was destroyed under a redoubled dose of anesthesia of the disgruntled ideological of being judged by the entire world as a being spawned in the papyrology of Pergamon in ruins. The visibility of him as an actor drags her with the vision of him asleep under hypnosis that allows him to combine the periods of antiquity more than six thousand years ago. C. allowing him to build a person from low to high visibility in a consequence where totalitarianism was exclusive to a millenary East, in pursuit of a nascent South America suffering from the birth of itself from the geological split 120 or 150 million years ago that did not they would be enough to bring about the consequences of Spílaiaus when he allows, hears and tells me to give him the world that only he had been chosen to live in.

Vernarth welcomes and obeys his command to divide N times as a normal body could run and fall into this current maelstrom that would take him throughout Greece, Judea, Central, and Eastern Europe, from a place of origin called Kanthillana which resists the intermodal phenomenon of quantum that would overwhelm him to the point where his entire genealogy would follow him wherever he went if need be. All this was mending and composing itself in those alternating impurities of some paradigm, reinstating the constitution of the random present of Greek mythology already alive in the blood that unites the same rivers that are born of a narrator, always disposed of in the eminence of inspiration either in Olympos, Profitis, Ophel, Kantillana or any tomb that constitutes the format of electric actual mobility where it distills rapidly at the speed of emotions that will always be directed by gods who feel it before they are received by a distant reader. The elaboration design of the works is spaced from the hand of the argument that sometimes tries to hold on to the runaway reins since they are commanded by real emotions provided by unknown forces, generating a great collision and incomprehensible data header for an eye or ear human that needs the neat pause to attend to the discretions that are intertwined and accelerate with solidified sources of extemporaneous mythology diverging from prosopography components of Literature Heritages Sites.

The chattering of the monuments will be of great superiority as an addition to the compiled history never told or narrated where it intertwines with two dissimilar, dissonant geographical zones, distant in such a way that they themselves react to a thunder of life, which makes up those zones that are individualized and inanimate as sources of multidimensional fervor, causing high-sounding narrative imbalances that at times were made as a great source of the power of what makes sense or what could mean at times that could continue progressing in the potential wealth of beings that were never geographically rooted in a system of use or group accent that could be immersed in the biography of that which has never been told, since there is no record. The information that is unknown could not be collected as well as a concept that survives the networks of a shipwreck of the passing of the centuries that run between even and odd centuries of today in the antiquity of the Middle Ages, however, all this traceability leaves us in micro spaces that are not perceptible, nor in the incorporation of chronicles that can be driven by the linear ordering method. Vernarth is in itself a precipitous advance, a quantum of dissimilar interests of civilizations that survive and will survive from where they were forged, perhaps integrating the second face of a life that manages to detach itself from the vital circle, to experiment with its canceled free will and redirect its life. revived canons of a new nuance that concelebrates within the face of an unknown character of prosopography; to the same one who imposes the laws of everything he should for each own individual having the opportune world of him that receives him lavishly.

After the seventh century, the phenomena of the Mediterranean between what simply promotes a turn of the page leaves the hemisphere of each empire more distant from the social phenomena that distinguish us once the stumble of generations cannot count what is not could mend in the subsequent generation. This is why Vernarth's hybrid containing allows you to travel between immemorial times, allowing you to store them and tolerate periods that do not fit the scale of all their wills deployed towards an administration that manages to revitalize their monuments and ally them with other geographical areas that could not strictly speak of the same contemporary, having taken more advantage of them. Such efforts would make a great providence and closeness of all the garments that represented suitable characters who are still looking in their wasteland for the true chronological process that should fit their conditions. Vernarth is a great enlargement of prosopography that he has or ambitions excessively, and that may heavenly tempt him to build vaults that can fit the figure of himself equivalent, of the libertine whims that could stipulate the crosses of the early and late periods, eager and differentiated for everything that could fit in a bunch of flowers like a bunch of verses that would be destined for the available that waits to be presented from the incorrupt mound of Olympus with the chain of being repeatedly presented in the Kanthillana before the god Spilaiaus.

The tool will allow the reconstruction of each elapsed period of time, which is exactly what the submithology intends, to return to live with the villagers who tend to trace their lines of traditions, customs, and much-needed etymology to revive the peripheral description where some manage to to be protagonists, leaving aside those who should be participants in silent actors that intends to expand the euphemism that is only revived in the courts of the emperor that is not even established in an ironclad draconian family monograph, as could be seen with the vast majority of the descendants of the Merovingians. The portrait tends to allocate budgets from the treasury of who should be the budget of the vast majority of true Labrador Hoplites as true ascendants of the great hidden treasure that will provide the eloquent looks of Medousa. This is how much of the vindication of cinnabar must have been established as a burial of many individuals from the Middle Ages in the vast majority of Europe to daub the bodies in sulfur or Cinnabar to try to keep them in the underworld with their entire body in linen shrouds or substitutes, and how to preserve or how to return to an organic chemical environment from which was the union of two beings when they engendered a being by the chemical explosion of a body in the autonomous cycle of procreation. Linguistic guidelines will undoubtedly make the entire Middle Ages the creation of a symbol of faith entrenched in unionized social spheres, made up of guilds of families that were never registered in a regime or corporation to supplement the lack of the Datum that in this work is It aims to decorate, uniting all classes, latitudes, and sectors that could well deserve complete the spaces that should have been executed by intercontinental clans, offering them a history that is part of their emblematic ancestor.

I would dare to name the Hoplithography, as the archaeological social fabric forging the question that establishes the Hoplites as sowing cultures of the significance of their prosopon of military body, contemplating further than all the nations of a way of life that probably would have been perhaps univocal to a pious being of the science that surrounds him, with the loneliness of a being that does not admit that he is overcome by science that submits to autonomous man such as Diogenes of Sinope or Archimedes who join an axial connection in the evidence of the senses, but in the Solstice of Sinope 412 a. C. specifically in the efforts of Vernarth to make them participate that the free man belonged to a Don who was more removed from his gaps of mistakes or successes since the free man was going to be imprisoned in the urn that joins him to his body and not to the illusion of your senses. The gates of truth or otherwise are just a few steps away from this Vernarth Tragedy that asks for a little hint of space-time movement. All the paradoxes that linear time will persevere in great calculation errors that could be an Aporia as speculative logic, followed by the fiction that exceeds reality where the paradoxes will be unresolved inconsistencies, essentially with what untimely arises from an indication of life in a common being that is related to quantum mutes as exhibited by the explosive Parapsychology or "Paraps" that are subdivided from the different scenarios of Aporías or enclaves of logic that are conjugated with the non-existent reality, given to the mechanics of Submythology of heroes, gods, and others coming back to life in a passage of time that is not explained in some expired history book that had more to tell than what its own ruins hid from the truth that could be told. This is a wealth of objectives that this Thesis proposes, to discover in the immensity of the unknown what was and could never be told, and that the past genetically survives in varieties of classes of organic species that continue to be assembled by worlds that tend to clear and rethink what any storyteller, philosopher, historian or archaeologist can interpret.

Physics is made of a servile space or instrument of the paradox, in such a way that the events point to reopen doors that are of the unknown History that could be part of a god that did not exist until the shelves documented him as part of a living culture associating it with its patterns of daily life, politics and the chores of common human life. It would be like the Arrow of Flight with Achilles, perhaps leaving a great inheritance to Alexander the Great in the dichotomy of how it would be Zefian by instituting the balance of the world with the geodesy of the world of Vernarth, not alluding in between the time that dictates it for its governance, but rather the cosmic heart that allows guessing where the thoughts will be directed more than the elliptical of ascent, and descent how far the arrow will arrive because even so whoever finds it will be of the mental times that elapse in different fractions as it is Parapsychology not moving, but more than the time that only moves where it is not or rests to give primary indications of intelligence in which thought must establish the concrete fact that everything takes place in its elliptical, but not in dissociated thought. Perhaps the singularity of this polished rule could show that this Paradox of Zeno that everything that exists could outline that the line that divides Achilles from Alexander the Great is the elliptical of thought because in the rhetoric of parapsychology there are no contradictions if it is that in the Dimension of Hellenic History find in it a distant today that communicates with this faction of the dimensional medium. The infinitesimal calculations of the Duoverse aim to link or reconcile what is being advanced in parallel in the mechanics of neuroscience, without the need to have practical scientific vestiges to determine what inhabits the intersection of a circle of quantum with respect to another that it occupies, a classic example of Vernarth when carrying out the flashing Kenósis of his Kli or Vessel that reunites his independent non-parallel lifelines, but that of belonging to a Hellenic trunk with the mathematics that exceeds infinitesimal numbers moving all the lamps of the Universe when both demi-gods walked through the relevant infinity.

Vernarth is a paradox that begins with the analysis of his initial "V" of Lacedaemon with the intention of traveling in supposed time, more remotely than a word can be subordinated to what could reconstruct an infinite regress, which is what will happen with the Apokálypsis in question where he is the threshold section of analysis of the genesis of this work in the Kanthillana, then with the reissue of the Medico in Piacenza by recognizing the constitution of the area that is more than what any specialist can understand; that is, much further from any speculative stealth before Vernarth or after that other prototypes could arise that are indirectly related to the concretion or invisibility of Non-Visible characters, but with the arrival of the submithology genre, its structure will generate conciliatory physical fields of what that he could never refer to or know if a beginning began when the end of the prototype of an invisible being was just being gestated. Perhaps the genesis of the world is a great paradox that was looking for the beginning of the end that manages to meet with a definitive beginning allied to that of an indivisible that indefinitely and infinitely creates micro spaces where time has no place, only physics links that overlap quantumly and represent the truth of purpose.
The argument goes beyond the linear narration that tends to describe who was or was, supplanting it in that of who will be and will be whenever the bonds of a timeless continuous reality remain in all assumptions. Here it is clear the axiom of the infinity of divisibility that is predisposed by an objective to achieve an unforeseen event that is forceful as much as it is likely to plan, from the Duoverse and its composition of everything including all the magnitudes and tendencies to his feet what will add up and will be charged with what has not been built or discovered making this hypothesis of the conceptual that displaces the historical because the conceptual occurred and occurred in outdated times not altering its objective since parapsychology in its infinity of regression will annex him in every Greek, Hebrew and Western dimension and latitude in an ancient world that will always be composed of addends that incorporate it into the Vernarthian World that in turn dares to challenge that the importance of the world of emotions are not part of the study of this Thesis of Literary Heritages Sites, as an infinite potential to achieve when the Apokalypsis is definitely triggered, prior to the ascension of the Vernarth when it leaves the Megaron and its living vibrating magnetic body. The regimes are not egalitarian with the fall of the determined slave democracy of 404 a. C. It could perfectly have been ruled, making the political destinies of an entire nation that is subjugated to attract and implement political and economic experience unclear, that those who would never be sustained by a regime determined by the inclusion of quantum paradoxes would be migrated more than any political-administrative order, which never led to the development of a new dawn of science of the infinite regressions of Parapsychology that unites everything multidimensionally.

The best choice is the equivalent of Prosopography, which results from an anomaly to the rule where Vernarth's Mythology regulates the organization of prosopography, claiming to demonstrate that there are gods who intercommunicate like Spilaiaus with Zeus, claiming to establish that what is going to happen is what that he wanted for his regency the prolongation of one mythology towards another, but without it being written but "Live" this is a postulate that Submythology proposes, substituting all the method rather experimenting for the superimposition of everything to the lesson of everything that is interconnected, although maintaining the univocal root that represents all the structural, cultural, historical and sociological components that intervene at times as an entity belonging to a reality of legends that border on the reality that must be preserved vividly. The compilation lists of Greek mythology is the product of enormous processes of years that have been developed in their territorial regions, a cultural union since Christianity displaced paganism from the year 391 AD. C. tormenting virgins and nascent creeds from a multi-paganism step that was based on the diversity of their daily lives to a universal expression that surpassed all excessive freedom or nullified free will that contended with the delicate slave democracy or dissuasive militarism based on the Oracles, who never had a real interpretation of what originated from a real god or nature that governed itself, rather than a god that questioned others that only individualized their own dramas to represent them to a god that pro-tradition that he freed them or condemned them to live at the expense of a Dramatis Personae. Here is the prosopography that with the well-formulated passage and sense of defining that the Ardors of the Drama make sense of being systematized from the gods of Olympus, but also in social stratifications in part to the worldview of their own ancestors to be the most faithful interpretive of the wealth that makes up the source that structures those of us who are not destined to be deities, but if we could exist before them with a recognized pattern in average reports that could be placed when Vernarth leaves the confused division of a body that will remain in the Iridescent Hydor of the Mashiaj or when the prophetic appearance of his Mother Luccica is sustained by such a portion of a physical world, rather totally petrified before the hecatomb or end of the world, generating in her a stony and inanimate being, but if sufficiently existing to define her new role in the universe "Ab Initio" of a general objective of uniting eternity of the competo of existing of unifying the geomorphological latitudes of mythological existence with other unknown vertical cultures (Submitology) and hypothetically pool the experience of the elements of the universe as a whole to empower roles among themselves. Then unify everything that can be narrated as an imminent truth to lavish it on those who could not exist at the same time, but rather describe it with the quantum channel, as it is here that Vernarth remains conjugated to his literature, history, theory, and quality of his speech. focused on a fully portrayed and defined system of Patio V of Hellenika as the Fifth Dimension as comparisons that are rationalized with space-time, geographic-chronology submerged in a theme of Political History as the axis of states that exert social change for numerous characters who recently there they come to life, as is the case of the new stage of Zacchaeus and the Sycomoro or Saint John the Evangelist in the Hegira to Judah provided by Vernarth to rediscover its roots, and reduce what could have been but the journey of Judah if there had not been ended in a conclusive in Jaffa where the metaphor that returned to Limassol would exceed the metaphor of Rhodes as an intermediate point that perhaps nu It could never have ended.
The interrelation of conceptions is due to a Primogen of the sixth dimension that was established as it was in Izzana with the Unicorns or Uilef that carried them to Genoa, or of the Giant Camels that were transfigured in Jaffa when the Ghosts of Shiraz had an impartial interference in the successful sea off the eastern sea. The relationships of the primogeniture allow a timeless mobilization led by Eurydice as a living figurehead that structures her Orphic proselytism, further than a conventual desire to compensate for all the unfocused in the elite and the outcome in the Profitis Ilias as the maximum height of reception. Trinitarian back with the ecstasy of Saint John the Apostle as the mobile center of the Hexagonal Primogeniture, the similar inspiration of living images of Ein Karem and its shepherds.

The Birthright is a family that composes them in their faith that guides them by themselves, whose goals are primarily directed by their sacramentals from the first to the seventh Giga Camel. In the imaginary and cultural reference that is delimited by its monotheistic ideology, acquired from a Hebraic-Hellenic scientific connection, whose postulates will survive the unusual phenomenon from generation to generation, but rather infinite inter regressions that could sometimes revolutionize the entire creation from scratch interpolated by an alpha, being the same for its intended end. Behold, the crossover element of this theme alludes to objects, events, or phenomena such as the reopening of the Kassotides as a central element from which the hypothetical support of all faith could be shipwrecked, if it is put at risk of re-raising culture to save the fate of the world at risk from climate change. If two sages met in limits without knowing Schopenhauer or Nietzsche with the relevance of ideologies that would offer more factors, expanding both systems or theories as alternative areas to think free from humanism or intellectualism that somehow reveals itself at the end of the times reconciling all time of action subsequent to his potential periods, more than his written legacies because his potential lies in his social prototype more than his work, given that his virtuosity is deeply rooted as an atheist believer, more separated from any intellectual root of wisdom What if it denotes the non-existence of a Pagan or Divine Enlightened God, what would provoke the indirect means that persists of calling a society whether or not it was a believer? In the specific case of Vernarth, his entire biography revolves around a Supreme Being who appears before him as a god of mythology, and who then takes him to the portal of Saint John the Evangelist as a being of compassion who alternates with him to embrace him and your arms. Everything there is that allows to treasure, store, or interrelate in different social strata uses the divine work that a character that sheds light that can even give more brightness than any star that can be demonstrated in a written work as an essential starting base reliability of an author who is inspired, and is not inspired.

Submithology also replaces prosopography, to say the least, that unites in general circles that cease to be physical until the ethereal limen that converts them into micro translation spaces such as quantum, in the same reciprocity of a point A-B and B-A and vice versa as it stipulates the connectivity of what exalts thought, and its inheritance when rising to the point that would be the “Intellectual Heaven”. Vernarth in the present time of any researcher could attribute that it will depart from the Iridescent Hydor photo-duct by seven channelings of the spectrum of the refracting luminaire but of the concomitance of the observable Vernarth, or rather of what little remains to be able to observe of man after leaving It is sighted by the masks that caustically protect or envelop it as a waste of what is not attributable to a Politai, having conditions of dense interests of a destiny that will never be recognized or belong to it. It is because of this reluctance that the proposal of free will offers greater perspectives in a series of misunderstandings such as Empowering two famous atheists like Nietzsche or Schopenhauer at the service of believers who would never object to the full range of possibilities that they could implement from scratch, to convert a Christian who is like himself to a convert who will purge and reverse all his permissible externally in the farthest destinies that allow him to ascend in freedom of annulled will, not only on the earth with one more differentiated, but as a tender being who saves the world so that the world does not forget him. This thesis offers the man who has been bastardized or discriminated from a social marginal depriving him of alternating with nobles or well-to-do who circulate under the same roof of half humanity that allows the common man to dispense with all humanist beliefs, opposition, syncretic, etc. .) To detach from all vanity that is limited in the abandonment of any of it progressing with all creation that if it is when every living organism ceases to be on Patmos.

The Patmos reef may contain inventories, archives, demographic indexes, religious spheres, congregations as repertoires of those that will form when an external being arrives to build a society that imposes its character of contribution to society, and tends to adapt to particular aspects that the that they will be until today on the island itself, in itself demanding the leadership of an elite of the Passional of Iahvé through Saint John the Apostle in conception of qualifying him with the great stratified of the species that compromises in the optics of converting his followers, as an essay of an illusion made real ad honorum of a residual fragmentary that does little to unify the eras in which the rich and poor will be relatives not because of their genealogy, but because what the poor lead of the other to save him from an end that has another handle of his heraldry and portraits of his game that is deactivated in the collective imagination of all his progeny highlighted as a representative of mutations of numer dark ales, where nothing will be recorded only in this untrammeled probability of granting a life that resides in everything that cannot be seen or named, that transgresses all sources of prosopography as something deductive in this case Deus Ex Machina; as will be embodied in the final tableau of Vernarth's Trilogy III "Like the god who will descend from the machine or in this case from Hydor to Vernarth to take him to Alikantus with his mended golden hooves"
To conclude where it remains to argue that it can attract us from the Intuition of being more than a human who can actually live more than what can be budgeted, without prejudice to common sense that is quiet and distant from the epilogue of this work when whoever looks at it and hold on to a legacy of Heritage Site Literature, and manage to embrace it so that its pulse can be felt in each character it is in, and in each episode of a post-classical story. The derivations of a critical analysis of psychological Vernarth is greatly affected by an independent reaction of a real regime to which his fellow Hoplite Soldier leads him to the event of Arbela in the great battle of Gaugamela, integrating himself into the analysis of a reality that did not belong to him due to because he came from another remote erudition, and was only recognized for defending common acts that reflect the awakening of a new seed of value and temperament of a whole baggage of anthroponymy that could fit in all the spontaneous civilizations that manage to transgress the barriers of time and normal space, here is Vernarth who manages to fit in the names that substantiate in others that revalues them, and could appear as a perfect leadership name to access a Helot, Hoplite or Politai housing space in the same way as It could be transmitted from a leader who, together with Wonthelimar, was able to cross the Pyrenees or the heights of Ida or Kanthillana. as a high descendant of the Arakynthos Mountains of Messolonghi destined for the Koumeterium of the same name where the genealogical table of Vernarth is carved together with his brother Etrestles, under the invisible courtesies of a man when he is condemned being born from here from the numb invincible spirit of the Heroes of the Independence of Greece 1830. Finally, in this penultimate episode that Vernarth qualifies the sense of not being affected by an oppressive cause as being influenced by supremacies of ideas, creeds, philosophies, or governmental order, rather by a divine general scientific exordium that is from where he manages to interpret when the Mashiach or Messiah, will take his hands to carry him to meet the Hydor and dwell in that place with Him. The archivist will have the possibility to investigate and study in situ the paranormal events referred to as mega parapsychology, This way he will allow his vast merciful heart to be a strategist to carry in his inventory everything s the petitions of the living who remain in the land of Greece to take them to those who remain in the land via Patmos. Vernarth from the 6th century AD. in search of his genealogy he can create a meritorious dignity of giving funeral rites to his ancestors, the long-standing family coat of arms became returnable to the Reign of Horcondising: Spílaiaus and Aiónius with the major gods who waited for him to reside in the entire fringe of the invisible beings that in eternity will take chronological charge of a revolving time that will recirculate from all that is not dimensioned like a spiral dragging all the empires that request the renovation of their ruins, and of their beings that cry out for the misuse of this world and new coverage of a new world of replacement; as Vernarth's Strategoi legacy through all the reigns between Justin I and Justinian I of the sixth century, since previously a large part of Vernarth's family was exiled to the South of Spain by the then Roman Empire from the north of Venice to the Mediterranean, from here he transfers all the families of his lineage with his Coat of Arms of Lacedaemon to protect them over the course of more than 700 years. In this way, a large part of those who had to protect the family raft that was protected by Vernarth in the revolt of Constantinople after signing peace with Persia. The Apoinandros preserved all his lineage along the paths of an enthronement ritual that protected the distinctions but also the families of the world in the Mediterranean regions, curiously where a large part of this Trilogy navigates the Triacontero Eurídice together with Vernarth as Strategoi of expeditionary forces in glorious parapsychologies of the Middle Ages moving periodically from south to north of all of Hispania, even alternating with Nordic and German elites, such as Greek-Hebrew nominating Vernarth as a dignitary that will be preserved in the coat of arms Strategikon that managed to be collaborated with the Emperors the century VI, attributing that some of the most robust could be part of the elites of the Roman legions as exclusive Praetorians. In this way, all the family trunk and his insignia were migrated from the north of Venice, then to Lombardy to be redirected to Spain later in the coming centuries to South America. The Strategikon has presented as relevant to the present elaboration thanks to its representativeness regarding the egregious existence, compilation, and hoarding of relevant technical information for the performance of the distinguished tasks of ex-military, being able to be verified with absolute certainty within its family traits with its existence, and continued use as a source of the great Taktika of Alexander the Great and Saint John the Apostle as Magister Militum.

I walked in this morning,
The people spoke
The bell rang
I got to my seat
The oven is on
The lights flicker to brightness
And he begins to speak
He
Teacher
Magister
The king
Of the classroom
Smells
Waft through
Across my nose
Drifting
Into my nostrils
Sweet release
From the hell
So many sounds
Too many sounds
It's too loud
I can't hear
I can't feel
Stop
Stop!
Help me
I can't
Can't
Can't...

Latin’s a language, once so grand,
It was spoken across the Roman land.
It used to thrive with words so bright,
And now it lingers through the night.

A zombie language, roaming free,
Dead to many, haunting me.
In dusty tombs, in ancient texts,
The forgotten presence, it reflects.

Within the classroom, it’s brought to life,
Students wrestling with its strife.
A zombie language, haunting minds,
The ancient relic one still finds.

Magister chants it’s dusty lines,
Reviving long forgotten rhymes.
Latin’s undead, it haunts with grace,
A prevalent voice within this space.

A language lost, but not for all,
A language that may never fall.
In modern words and ancient prose,
Its spirit in each classroom grows.