Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,
are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an

Dear Friends, kindly read the Foot Notes at the end for
better appreciation. I tried to convey some interesting
information in my verses for my few interested readers!
Thanks, -Raj

THE STORY OF ALPHABETS:
PART ONE

INTRODUCTION
Alphabets are the noblest and the greatest of
inventions of our civilization,
For transmitting human thoughts and concepts
through visible notations!
In the olden days those magical symbols and
signs,
Could be written and understood only by the
priests and scribes !
But with the invention of printing, literacy began
to spread, * (see notes below.)
When people began to read and write with standard
Alphabets!
The 26 English letters with which we read and express
ourselves so easily and well,
Has a legendary and checkered past, and an unique
Story to tell !

FROM PICTOGRAM TO WRITTEN SCRIPTS :
The story of writing can be traced back to over
thousands of years you see ,
From pictogram to ideograms and various cuneiform
scripts!
From the ancient Sumerians and the Egyptians, to
the Semitic tribes;
Up to the Phoenicians, the Greeks, right up to the
Roman times !
Till the Latin script got refined into modern alphabets,
And with 26 letters our literary aspirations were met !

PICTOGRAM & IDEOGRAMS :
Ancient pictogram and symbols were painted and
carved on rock walls and caves, -
But speech sounds and letters remained unrelated !
Followed by the ideographic, logographic, and the
syllabic stages ,
Evolving into written alphabets through these different
phases!
Ideograms expressed an idea through visual or graphic
symbols,
Giving rise to Chinese script without alphabets, but
with only ideographic symbols! @(notes below)
The Sumerian cuneiform and Egyptian hieroglyphs
were the oldest of these,
Let me now tell you something about the Sumerian
script !

CUNEIFORM WRITING :
On that land between the two rivers the Tigris and
the Euphrates,
Which the Greek’s called ‘Mesopotamia’,
Rose the earliest of ancient civilizations called
Sumeria!
Those Sumerians used a stylus, - the head of a
squared-off reed ,
To inscribe wedge shaped angular symbols on
clay tablets - for their accounting needs!
These tablets could be dried in the sun to form
hardened scripts ,
And also recycled if necessary, giving birth to the
Cuneiform Script!
The earliest clay tablets date back to 3500 BC ;
While archeologists and linguists could detect
and see ,
That with modifications over the centuries this
script was also used, -
By the Akkadians , Elamites , the Hittites and the
Uratians ;
And scholars say that it was the forerunner of the
hieroglyphs of those ancient Egyptians!
The earliest clay tablets found in Mesopotamia,
Indicate accounting of barley crops by the Sangu
of Sumeria!
Sangu was the Chief Official of their Holy Temples ,
Who recorded all temple wealth on clay tablets, –
with cuneiform symbols !
Herodotus the Greek historian tells us a story ,
About a letter sent by the Scythians to the Persian King
during the days of Scythian glory!
This letter contained symbols of a bird, a mouse,
a frog, and five arrows;
When translated it read: “Can you fly like a bird, hide
in the ground like a mouse, leap through the swamps
like a frog? If not, do not go to war with us, -
We shall overwhelm you with our arrows!”

EGYPTIAN HIEROGLYPHS :
Hieroglyph comes from a Greek word meaning
‘sacred inscriptions’ ,
Consisting of a large variety of images representing
sounds, as well as ideas and actions !
The images were depicted in rows or columns , -
oriented from right to left ,
And the signs were positioned as if looking towards
the beginning of the text!
They were used from end of Prehistory to 396 AD,
And the last text was written on the walls of the
Temple of Isis, on the Island of Philae !
The oldest one dates back to 3100 BC, - inside the
Temple of Ramesses II at Abydos ,
Where Thoth the ibis-headed God, - patron Deity
of Writing and Scribes is seen ,
Holding a scribal palette in one hand and in the
other a stylus of reed ;
And King Ramesses II holding up a water *** , -
To assist the great Thoth, their Writing God !

HIERATIC, DEMOTIC & COPTIC SCRIPTS :
The hieroglyphics were used for many varied
situations; -
Written on temple walls, statues , tombs , papyrus ,
and as monumental inscriptions !
Through its 3000 year’s long history it developed
into three other written scripts; -
The Hieratic, the Demotic and the Coptic, as
reformed hieroglyphic scripts !
Hieratic script was simplified with a more cursive
form ,
Could be drawn more quickly as over the years it
also reformed !
Though used in administrative and business text ,
Also found its way into literature and religious texts!
Around 600 BC it was supplanted by the most cursive
of all scripts,
Herodotus called it ‘Popular’ so it became a ‘Demotic’
script, meaning 'popular' !
Unlike the Hieratic, which on papyrus with a stylus
and ink was written ,
This 'popular' one could be engraved, and also hand
written, -
On a hard surface, and on papyrus by the ancient
Egyptians !
This script was found in the middle section of the
famous Rosetta Stone, $ = (see notes below)
Which for centuries held the secrets of the Hieroglyphic
Code alone !
And finally, during the 4th century AD, when Egyptian
was written with Greek alphabets,
We arrive at the last stage of the Egyptian language;
Which came to be know as the Coptic Script, with the
adoption of the Greek alphabets.
During the 2nd and 3rd centuries AD , Coptic became
the pre-Christian Egyptian language.
However, after the conquest of Egypt by the Muslims
in 642 AD,
Arabic became the main language of Egypt gradually.

A PAUSE & A BREAK :
It is interesting to note that all these ancient scripts ,
Inscribed on rocks , or written on papyrus or
engraved on wooden strips ;
Were written from right to left, with only consonants ,
Without any punctuations or any break!
Till centuries later, due to the innovative Greeks, -
Vowels got introduced to shape up the Alphabets!
Here friends I pause to take a break .
In my Part Two I shall tell you about those Semitic
Scripts ,
About those seafaring Phoenicians who preceded
the Romans and the Greeks;
Those worthy forefathers of the Latin alphabets ,
Which gave birth to ‘English’ with its Anglo-Saxon-
Germanic roots ,
Happily blending with some French vocabulary, -
Making English as unique as it possibly could !
-by Raj Nandy

FOOT NOTES : -
Friends, I tried to keep it as simple as possible for my readers;
adding Notes as explanations & for all knowledge seekers!
= Johannes Gutenberg in 1440 set up the first Printing Press in
Europe. William Caxton in 1476 set up the first printing press in
Westminster, England, he was the first English retailer of books!
* = Lascaux cave paintings of animals in SW France are 16,000
years old! Similar types also found in Spain and Africa!
= Pictogram date from the earliest cave paintings; represents
concrete nouns. Some civilizations like the North American Indians never
ventured beyond pictogram stage! Ideograms – the next stage, represents an abstract idea and verb also.
The Egyptian word-sign showing image of an Eye +a Bee+ a leaf = meant ‘I Believe’, i.e. Pictogram & Ideogram combined ! Since they did not write verbs, we do not know how they pronounced it!
Logograph = each written sign represents an actual word & Not sound of the word!
A tree is shown by the image of a single tree. A single logogram could be used by a plurality of languages to represent words with similar meanings.
After 3000 yrs of use, a large no. of symbols & the chasm between oral & written script made the Hieroglyphs obsolete!
The Semitic people tried to improvise a better script with limited consonant signs only!
@ = The Chinese use a combination of pictogram & ideograms along with complex symbols, but with only through association of spoken words; instead of alphabets!
$= Rosetta Stone, discovered by the soldiers of Napoleon in 1799 in Rosetta. The hieroglyphics on the stone was inscribed in 196 BC in the Ptolemaic Era. The French scholar Jean Champollion deciphered the script, and thereby solved the mystery of Egyptian Hieroglyphics for the world! .
* ALL COPY RIGHTS RESERVED BY RAJ NANDY

i don't know why i found redemption in the tetragrammaton, sure, my mother cared for two elderly jewish ladies, one escaped the Holocaust (surname Roßhandler) and the other of established English rooting (surname Rockman... thanks to her, upon completing my g.c.s.e. exams i got a complete collection of Bernard Shaw's plays) - but i find it there, ping-pong salvation every time, translating it akin to arithmetic: 1 + 1 = 2 is very much akin to Y              H            W          H, which i started calling the perfect chirality - chiral meaning non-superimposable:
                                       A                      &                  E, i too ventured to call the double H dualism a déjà vu - but i know see them as vantage points, more electrons and quantum physics than protons and neutrons - well, it ****** well fits the schematic: sine (M) and cosine (W) - sure, crude, but i'm not looking at the geometry of the mouth... language on the base of pure optics... and no, not necessarily adjective noun compounds for emphasis to argue a point, just easily an easily accessed point of reference...     so quantum physics calls it the non-independent ontology of electrons: a. particles (Y, centre 0 on the x, y, z graphs - apart from the heliocentric and the geocentric models, here's another one of similar causality)... and b. waves (W, the formerly stated trigonometry suggestion) - and hence the two vantage points bound to H... apart from Adam and Eve lodged in between... which suggests that the geocentric analogy of electrons is bound to electrons behaving like waves... while the heliocentric analogy of electrons is bound to electrons behaving like particles: microcosm Copernicus blah blah; well, more like pseudo-Aristarchus of Samos.

20th century literature is, quiet literally
something akin to the cave paintings at
Lascaux - big brother isn't watching -
nor is the publishing old guard -
i just find it unreal that so much rests upon
the internet these days, the people have no
idea what power has been granted them,
they petty the use of the internet with
their earthly squabbles of a marketplace,
while, running parallel: the lost infatuation
with democracy as necessary organisation -
turns out it's unnecessary organisation:
because we ain't go anything better -
hence political disillusionment - rampant in
what western society deems the pinnacle
and the Libra of a fine balancing act -
religiously? that famous: "mystery of lawlessness"?
that's the internet - imagine a time when you
could bypass some publisher, some adherent
to a state doctrine, when you could turn poetry
into physics, not the waffle of metaphysical Keats
waiting for a kettle to turn into a volcano
or a whistling horse, but to turn the dial to
point at the reality of things:
quantum physics (derived from quanta,
a variation of datum: particularity of input
energy) gave poets breathing space,
metaphysics became shadowy, Hades like
learning, obscure and all the more necessary
to build-up its strength while puritan physicists
lost their sway of power with the fears of
the atom bomb and all things quantum -
so while the physicists became dazzled with
all things quantum, the metaphysics took off...
entombed in an apathetic (without pathos)
subjectivity: a calm heart, much more than an
embracing heart - yes, i am aware that i have my
wacko moments of feeling, but this ticker is
made of stone - and that usually means a chaotic
thinking process, spontaneity being the key
in involving yourself with real-life narratives
then never suppose a character study: what you see,
is what you get: my sanity plateau?
talk about music rather than make poetry musical,
it's a pale shade of red or blue when you
have guitars and orchestras and the poet,
a voice in the wilderness - nothing but pins dropping
to exemplify the talk... i don't understand
the need for poetry being a kindred of musicology,
i don't understand rhyme, i don't understand
being conscious of poetic prescriptions of technique
very much akin to language's artefact minded
grammar: noun
                                v. poetry's pun
grammar's verb
                                       poetry's metaphor... etc.
my deviation? being an adherent toward music,
and returning poetry back to its true purpose:
puritan narrations - not conscious of what's
expected, or what defines the art,
very much the beginning of cubism and later
innovations in art, i just can't stand rhyming poetry -
it's too conscious of itself by what it's defined by,
we have learned of a new subjectivity:
the unconscious - we might as well exploit it
while objectivity gets crushed into bewilderment
by quantum physics -
thus said: i feel like i'm a dervish spinning
counter-clockwise in a chaos of tornadoes spinning
clockwise while listening to two songs:
tool's *right in two - and muse's stockholm syndrome:
i can't be bothered translating the feelings
entombed in these two songs with a rhyme...
poetry should be less stuffy than it already is...
it should be a statement of the supreme effort: freedom.
all of this? spurred on by rereading passages from
Jung's gegenwart und zukunft (1957), alter:
          the undiscovered self (1958) -
it's seemingly odd (but not too odd) that books
written by psychiatrists are more popular than
philosophy books in the anglophile culture -
as already stated, i can't read philosophy in english -
maybe this is why psychiatric literature is so easily
accessible in this tongue, what with the self-help
movement, it the grandest prescription that no pill
(unless it's a sleeping pill) can be prescribed -
i'd say, if you want to read philosophy in english,
i'd start off by reading a book from psychiatry -
Jung is by far more adaptable than Freud
(Freud's for the rich people who have ***
written on their foreheads in permanent ink -
        and: daddy didn't care, mama was
                                     struggling feminist who
     forgot to breastfeed me) -
       but of course the 1960s Scottish superstar
(who drank, rightly so) from Glasgow: Laing.
well, sure, the Hungarian Szasz (shash, not sas,
or zaz... shish kebab... it ain't the difficult) -
impromptu deviation: what's funny about Heidegger?
he says: you need to study Aristotle for 15 years
to get him... and that's very much true for him also...
two years... TWO YEARS it took me to read his book.
that's what's interesting about this book,
a literary anorexic, in at 79 grams (pages) -
the interesting point? in physics, there are things
that are not independent of observation -
i like that conundrum, the mere idea of it is titillating -
running joke for the past two years: ***** ***** tat for tat
months later -
                          well... i'm not the one trying to
dress you up in a straitjacket with a label: this is poetry...
can't see **** for miles with how i write.
so there's a purpose, some things are depending on
being observed - which is a good thing, which means
that this world could not be independently sustainable -
its dependency on existing lies akin to our
desire to be independent of it - so all the religious
blah blah means something - even after 3 years
of rigorous studies in chemistry i come back into
humanism with a furore of agitating religious paraphernalia -
mind you, i do have a scientific approach toward
language - grammar and algebra combined -
meaning? certain words have become post-grammatical,
i.e. algebraic - not categorised as nouns or otherwise,
but as algebraic signatures: primarily because no one
really knows what to do with them, apart from
church yoga, standardised: e.g. x = god,
            i = y                  and the                  world = z,
predictably transcending the casual use of language
when shopping for cheese in a Parisian grocery store...
err... je ma'pel gorgon, avoir vous fromage?
nope, took to English too much - i was learning French
in primary school, but i had an existential crisis
aged 9 or 10... my brain refused to learn another language
after having just learned one from scratch -
                               the mute in class soon turned into
an avaricious reader... so parallel to my life, i now hear
stories about children being diagnosed with depression...
try being thrown into the deep-end of the pool
with your former development using a language
automatically, into having to learn the language without
no major influence of a teaching authority...
                                  no wonder the accent game
   sort of imploded and i started speaking sometimes tosh,
sometimes posh, and sometimes east London oh'rite?
                             ale casem tes jak rolnik -
                            owszem, czasem jak mieszczanin też.

you know what i find funny? the phrase: i could eat you. juxtaposing vide cor meum against... this is the part where punctuation marks are never collision prone diacritical marks... but then again, there's that dietary joke... i could eat you... dependence on your bones not being properly disavowed within a langoustine broth... and there you are: a grey area mindful of Stalin... *****! i'm trying to humanise ******, stop interrupting! where once a moths' flutter, later a rainbow in the nacht! mind that niqab... nicht would mean nothing. some insinuated cappuchino, some cackles... some said cutie-pies invoking rouge cheeks... every time i watch these culinary shows i get thinking about cannibalism to counter veganism... and then i laugh... i don't want to find stinking socks and political correctness as "my way, did it to suit Lascaux cavern graffiti"... i preferred wanking than keeping up with women... it's the song i heard before lambs stiffened and muslims became muslims, and falafel was mince... ******, get under the hosepipe and you're there, all freely gagging for the fizz... a touch of tinsel... vide cor meum... return of policy... as half-heartfelt kaleidoscope returning to define a rainbow... i love that phrase given the palette opportunity... i could eat you. it's the demonic encouragement that solidifies the stench into what's to be seasoned properly... i don't know.. the phrasing: i could eat you sounds more formidable in delayed practice than: i can **** you... plus the gazpacho... which means: Batman ate cold cauliflower soup and slurred to slurp the question: but it's cold? Baldwin replied: it's supposed to be! they said orthography as a rigidness of aesthetic, i said... that's questionable whether any is applicable, given we're talking about graffiti.

i got tired of sensing other people's jealousy,
and tried to love them,
which ended up to be as much as a matrimony
toward one woman, ambition-bound
to incarnate the matrimony of swans...
  and the poor old ******, left to fantasy in
his days as a widower...
   every time i look at a lonely swans
i try to duck-quack the thing into existence...
            but there are variation of marriage...
a west london accountant can speak terrible
crap against an ethnicity i try to not identify with...
but i am courageously borne from,
    and therefore have to express some affiliation...
as a matter of principle...
  i rather not, but iu must, even though i sprechen
a host tongue... and am, therefore,
embedded with claims of socialite elitism...
                 but then i compare...
and these these comparisons are the due phrase...
Marilyn Manson's *a minute of decay
is a chance to hear the bass guitar overpower
           the drums... a bit like a culinary pistachio
moment in a risotto...
   i want room to breathe in!
     i want vaughan williams' fantasia on a theme
by thomas tallis... i sanctify the need
   for prokofiev's lieutenant kíjé's suite...
(dots are optional, the syllables aren't,
a classical dot above the iota might revel in
being the defining moment of tonguing /
dissecting a word... but it doesn't have to be so)
i need air to breath in, a moment to whimper...
why do the **** love Chopin and not Liszt?
   a bid ******* odd... i don't like either Chopin
or Liszt... because as Kaiser Yoseph said
in amadeus... to many notes...
and i agree... vivaldi made violins into cherub
       pumpernickle sparrows -
you danced, you joyed, you came across St. Vitus' dance...
   you were doing arithmetic as concord speed
within a framework of even (white) and odd (black)
numbers... once you played the nocturnal Fabergé -
someone suggested you move the ******
  goose to the Hermitage, and frame it!
why are the Japanese are the only Europeans in Asia...
      never mind, they just are,
hence they compete for playing Chopin like they consider
sushi to be a culinary exception of the tartar -
minus the influence, obviously, hence the stress to
impose Chopin... but never Liszt... odd...
          template virtuoso and you think of Liszt
than you might conjure Chopin...
           better than that... conjure champagne
bottles blundering to the volcano's worth of fizz...
still... the Japanese are a curiosity...
first of all: they abide by Chopin and chopsticks
not being utilised when gobbling sushi...
   they have the ambassadors of kimono,
samurai, origami, karaoke, bonßai (zye, rye),
          Fukushima... Hiroshima... yep, that place
were stanley lee derived the concept of x-men...
          still, they have permanent ambassadors in
opur midsts... words that can't be "translated" due
to etymological puritanism...
       finally the Portuguese sailed away, and founded
Brazil on the promise of an infinite supply of toothpicks
from the Amazon -
or? hai sensei!           hatch that with the catchphrase:
     kajagoogoo: shy-shy, hush-hush, eye-to-eye.
          we're storming the labyrinth right not,
and i still can't believe that poetry revolves around
the rhythm of rhyme... play any ping-pong, lately?
     no wonder poetry is a peacocking dollop
of clogged-up cow dung... it's just asking
for a *****-slap in a playground.
           but why Chopin and not Liszt?
the **** are what Napoleon was to the Duchy of
Warsaw... they love that arithmetic of
a pebble-dasher's *******...
       wet dreams... some authentic curiosities of
civilisation still have them... i wouldn't recommend
listening to them recounting the fables, personally...
i'd listen in on the succubus jerking them off...
  and just recently i was walking the deaf streets at
night with a bottle of beer and felt the bottle
of beer almost being tugged from my hand...
  and some say that eating a woman's umbilical-chord
is what's necessary to live as a man to later
sing some aria; or like drinking a pregnant woman's
**** will ensure you don't become myopic...
             i don't like Chopin,
i don't like Liszt either... i want a room, and a chance
to breathe... at the end of the classical expression
summarising the wind, we had a return
to the rooting in Africa... earthly delights
and a grumbling stomach in need of feeding,
  jazz did the work for us, jazz still had
an orchestral element to add a Lacan of all things
worthy of deconstruction...
       but then the French came along and shoved
fondue into our ears... and we said
alight with an eureka moment... pop!
             n'ah... the moment when the bass overpowers
the drums... i really have this wild fascination
with the bass guitar...
                 because i don't get Mozart,
and i do think that Handel did much more than
even the sacrificial lamb that Beethoven is...
                  listen... poetry doesn't have to be
music... rhyming is ping-pong anyway...
but as long as you feel in debt concerning music,
the music will come on its own accord...
today i was rattled by a mix of dub (without a step)
and beck's odelay... cruise-missile dylan...
give or take...
      well, given the italicised pr.s. (pre scriptum) -
much later an aged blonde boasted about snorkeling
******* and young ****... and missing out
when she teased me coming back to her abode...
           moth steals from a butterfly,
butterfly never turns into a daisy...
                       you're still a **** and i'm about
half of the total worth of being a ****...
which makes as equal... or queue more.
           variably condoned to be synonym with
mosque...  but i said mannequin...
     it's this **** with the five a day....
Christendom mentioned fruit & veg...
Islam mentioned variations of a murmur...
   is prayer classified as fruit, or vegetable?
you're as bewildered as i am...
   i too thought tomato is a fruit...
turns out it's a vegetable...
primarily due to basil, feta, and the mediterranean.
               herring belong in the baltic,
******* attempting that sort of ballistics...
ask about the relationship between
              a. yan sobieski
         b. ******
                    c. window on arabia (vienna,
counter st. petersburg) -
     oh you'll get many thanks...
sure... you'll end up becoming assured
that dogs don't need petting, but training,
and that you have to make all friends bound
to be kenneled, because they won't learn otherwise;
it's a bit sad...
          for about a minute...
                   you tried being peace-abiding,
peace-mindful...
   you wanted to state compassion...
  in the end people need a slap... or as 2000 years of
history proved... a crucifix.

A poem is
a hand traced
on a cave wall
that finally says,
"I was here,"
that's all.
  - mce

sensible history begins with a, b, c, x y z... it doesn't begin with the lascaux cave paintings... that's hardly an attempt to make the gazelle cryptic from 3d to 2d... we're talking making human history beginning with encryption... modern day programming... and with the birth of a - z is the beginning of human history... the limb of darwinism categorising us in the simplicity of animals lost... it won't work otherwise asking for artistic comparisons... i'm talking the lost effort to show how we started to think, for we started to forget the lascaux representations as the vector of direct articulation... to the representation of the vector of indirect articulation, until hitting the brick walls... the kantian a priori e = mc squared / tetragrammaton... which no monkey could have originated with in that robinson crusoe story without the beginning of the onomatopoeia ooh ooh rub the belly tap the head eat a banana: words are the x-rays of images.... at least the chinese ones were animate... and the latin cain & abel were simple.... originating in the musicology with the sire - lessened. western europe sang; eastern europe fudged a wolf pack in the **** segmentation of the full throttle of curses via retina dilated for the full pleasure of culture. there was always the korean quirk-fest with the south, it was always a question of the north... i almost jumped  the bandwagon of chi and complex phoneticism in the complex usage of mongol-anglo correctness chi via sire... to make 仁 (ren / jen) as simple as apple to distinguish lactose from fructose; tell me latin was as simple as hebrew and mandarin as complex as xylophone notation.... where the former was atomisation and the latter compounds with one identifying 26 sounds and the latter identifying 26,000 nouns / images.*

so... so you get to repeat yourself
from tokyo to las vegas?
fascinating, the classic crowd pleaser,
and the loss of rivers constantly
winding with the coordinates (0,0)...
well here’s one from the z-axis... harps of the snooze
will govern the surveillance parameters
of attempted anonymity of that “return to” state
prior to being the same in the global framework persistence
of advertisement and charities;
after all... just a bunch of mongrel dogs ******* your leg
with unexplored narcissism due to acne.
ah yes... the fame part of translating a hiatus into
an existential haiku of creativity;
well, we can't beat the chinese or the blue indians
on this... they might only write poetry in the form
of haikus... but there's a billion of each!
the red indians are a zoological specimen / white man
erasing them due to the cuisine of scalp ******* baked goodies...
no, but seriously... there are about 4 million norwegians,
and there's a book out there that a tenth of norwegians have...
poetry in large building blocks of man
provide scarce poetry... haikus... the narrative is cherished
with taxes and caring for grandparents...
it's **** beside that... i mean, didn’t the cavity of
taking photography undermine out photographic memorisation
of things? there’s no memory to think about with a photograph.

coming back full circle... but not exactly...
rereading ted berrigan's sonnets
is like:
      unlike: my dreams, my love...
my thirst my youth that i gladly blind-spotted
and it passed me: with not bye-bye...
not that i am old enough
for a retrospection...
  but i also, don't suppose it can ever
be a mythological time
akin to... march, april, may of
a 1963 of the u.s. of a.
            i never go around the: h'american
love for acronyms...
i never will...
two best things out of this said continent /
nation... 20th century poetry and...
bourbon...
i would have added cornbread
to the list but i've never tried...
but my god
        they really did love their milk:
esp. via seeing it in movies and some
h.b.o. "what's not a soap opera"...
#metoo: i too love milk...
but... not when eating dinner...
on it's own... and if i feel congested
then milk in the morning
with some strawberries...
usually does the "trick"...
but unlike any other time in history
when words were written
somehow: democratically and not,
because of a churn of a behemoth of
talent: like: Shaky Pear...
               not all... spectacular?
exactly... but not one to really
allow himself a statue status...
  such was the prodigy of a people:
once upon a time...
once upon a time there was also
a soviet pact...
now i'll just focus on pedantic *******...
i.e. the colon...
how it is primarily a punctuation
mark of a prepositional nature
to fathom a rubric, a list...
e.g. in a supermarket, you will probably
find: watermelons, whiskey, eggs...
honey... butter...
or... it's employed as an emphasis
when otherwise italicised letters
would do as much
ergo...
   i do wish: you could
"vs." i do wish, you could...
          then again... the stress is not
on the pronoun of you...
but whether this one of a you:
could, would, should, will, no...

it's been a while since i've liked what
i write... i guess it must be
a while longer because this
just stinks of forced-jack-****
of... "scared of an empty canvas":
it screams! beg the crows to
pig me...
beg the crows to peck me...
beg the crows to pluck my eyes
out... beg the crows at the pig's trough
beg the crows: i'm an omelette
of minced flesh...
not an omelette a
tightening of herr burg & herr er
with glue of most certainly
egg... breadcrumbs...
maybe... may-be... flour...
of the relevant culture from the past
century:
thespian shadow-thieving -
what if John Wayne were to be staged
in a biopic of Lyndon B. Johnson...
just as a reminder:
where my southern comfort comes
from...
backtracking to: some ******* of
a little town where the meme
of the slender man roams...
it's hardly not terrible to have this
romantic, nostalgic view of
1960s h'america and not the 1950s...
if i were a german
bound to the 19th century's closure
it would have been
the mystery of the ancient Greeks:
so i'm told no great nostalgia
on the crux of the expansion
of Rome: not a lot of thinking
upon the shoulders beside...
       "thinkers" like Cicero and Seneca...
congested with names...
cruel underworld of
a crab-bucket...
fatty farts against not wind:
below an entire grey body of water
of: must we forget(?)
             beside all this reason to:
abstract...
the drawings in the caves of Lascaux...
at best Kandinsky attempted
to replicate the "blur":
at worst he replaced the ox
with a deconstructed something or
alienated the "other" of
a rectangle...
mind you: the X (chi) is a surd...
Las-Cow...
  lasso me in... escape the tumult of sounds...
today this one word
started boiling in me...
no use to converse with it / over it...
i'd sooner be found digesting some
offal: like beef intestines in a broth (
beef-comb): sooner me nibbling
on goat's hooves...
- the word?
oh... it involved tonne...
   but it was missing -ne...
        whatever the word was:
i still remember the word: cloud...
as i might remember...
clot... and cauliflower...
            to stand in the light of the most
abstract: outside of the realm
of space, time...
then to have to return to the glued realms...
like... before the discovery of
dinosaur bones...
people were drawing pictures
of dragons...
fire-breathing creatures...
fire from the meteor...
accepted orthodox narrative "parallel"...
to imagine dragons from what?
seagulls and wriggling spines of
lost eyelid serpents:
insomniac lizards?
             i abhor fatalism more than
i might ever like to join
the nihilistic gypsy circus of
alcohol and ***** ****:
  skin's between the muscle, the fat:
toward the bone(s)...
  this is too eerie, even for me:
i might like to lapse into
some variation of existentialism
with solipsism on the fore...
barrage of verbiage: perhaps some loan
word... perhaps:
notably in english: none...
in the clamours of the niche:
   claustrophobic esque nostalgia for...
words from worms...
the sound made by slugs
when digesting glass, ice and pressured rocks
that... time... devours...
where to begin a resurfacing narrative
from?
  historically - rather...
ahistorical - easier for the atheist...
easier for the atheist
than the a-historicist... no?
              much easier to be an atheist
than to be... so laughed at having to conjure
past events like they might
lead one into commanding an army
of figurines...
that there must be some mediocre events
worth more than...
the john f. kennedy's speech about...
moon, nationhood and one's place in it...
is more important than...
the charge of the winged
hussars at the siege of Vienna...
well then...
that in the beginning there was word
and the word was god:
honestly?
poetry would call it: counter evolution...
we didn't evolve from apes:
we devolved from apes...
we... fell...
        divine inspiration...
to have to explain a load of camel riddling
******* along the way of
the humps and the seven rivers,
the seven mountains etc.
why would i need clothes and... fashion...
if i could still be a 300lb gorilla
with my own fur?
why would i need bonsai tigers
as company when i could
have life most exciting...
most congenial: most social in a little
pride...
for a computer or a telephone
i abhor... for the letters i see...
i could take my mortal self to the highest
perch of the crown: that's a tree...
i would never have had to leave
Africa and wander: desolate toward
the ***** of Alaska or Siberia...
a dream-esque state of affairs...
Darwinism is too much of
an a posteriori perspective...
      
      it's not that i don't like it:
but it's one of those arguments: structured
to erase any if all history...
the impeding doom for the "individual":
some... "now"...
it's not like Philip Augustus, the Capetian would
be desired to have
a mention...
well... under darwinism it's unlike
the Copernican collective revolution...
solo-projects astound:
some common grounding with this: hearth...

my pet peeve is also with the people
that are bishops of Darwinism...
who can't see uselessness of
having to apply something
a posteriori... having to agitate the sleeper-cell
of the unit of man...
i don't see the point of waking
individuals one by one...
hell: altogether now: yes!
but at the same time...
it's useless... hindsight is useless...
notably when studying history...
it **** with the momentum of life!
darwinism has ******-off with the momentum
of life...
e.g. subjectivity is an illness!

thank **** i'm forever subject to gravity...
and the english crown... but not forever...
and how they cite: subjectivity ill...
yet they are subjected to the scientific facts...
"objectivity" round-up...
they don't object to the facts...
the science...
next to none snooker + poker ******* teasing
with pokers & a giggle... march...

intellectually not hardened:
by the preface of the hard boiled egg:
later, much later...
screamed against a tile upon a tile:
glued together with some mayo for
a paste...

    for an atheist to live without
either the concept of time,
"concept" aside: that there is time,
that there is space...
for pauper me to allocate the...
Fwench scoop on the matter: pyramids!
what space is: a barren creature...
what time is: an unforgiving ******
of replica of past events...
what "god" is...
a most forgiving Ottoman of
leisure...

not what i will do upon entry
into eternity:
but, rather... what i will not have
to "encounter":
i see no evolution:
perhaps the simplest explanation
that guarantee the mind of gravity
extending to the serpentine
of plants via phototropism...

we devolved to be so conscious
of so much that leave
us adding so little to what could
encapsulate us with details
of managing "the whole"...
we have our structures...
our striking contrasts of cataracts...
what we pet we ingest with
cancer what dies
sooner we have probably poached
or snookered into an ivory trade...

we evolved for a headache...
a bunch of walking abortions...
i see no gorilla enslave
a giraffe for ****'s sake...
a body of horse... exists...
from chowing / chewing on grass...
the dietary requirements
of the omnivore of a "hulk":
rattle my wheat basin!

what isn't atheism is: what's ahistorical?
remind me what is!
cosmopolitan superiority
of argument: "argument"?!
           leave me with
Odin and Slender Man...
leave me with the oldest superstitions that
allowed me to gravitate toward
a purpose that was never
about the crisis in stand-up comedy...

for christ's worth of cross
and if that's not bad:
i just wanted a broom...
or a *****...
if i were desperate enough:
a *****...
sell that ****(e) to Syrians
if you must...
when i asked for a shovel
i received a circumcision suppose...
i asked for a shovel...
not now when Israel has
been established to drivel against
goat, goad & gott...
i can replenish the Berliner
cosmopolitan scoop.... for hush, hush...
will h'america charade with
a white knight charge?

no... i bet so!
this new... nuanced... axis of heave!
and even still: "evil"....
how one tribe "allows" themselves
to "think" they are expatriates...
the other tribe didn't follow suite:
not enough powdered *******:
not enough cumin, coriander,
turmeric...
EASTERN EUROPE...
lesser former soviet ****...
oh sure... the expatriates of Xina...
and...

   lesser people of Yugoslavia...
Greek is not European:
PIGS...
      once upon a time: jarring...
add a year or so to the equation...
just plain ******* dandy / annoying...
the lesser Europe... EAST...
well... **** me: bon voyage and your
sharia!
niqab me later...
         ****'s a brownie of a cuckoldry
and lacklustre and still calls it:
the beacon for all people
to glorify: brain-drain manifest themselves in...
to champion!
i was late to the party...
your... masochists had priority status
to exam the arguments...
i have a mushroom's growth
of animosity for these supposed:
higher tier people, these natives:
oh god... i love the tongue...
i own it...
   from what i heard some of the natives
are dyslexic.

sometimes the title would just do,
                                                                      in the days
when fame doesn't echo throughout
the ages, where to find
   a Hector or an Achilles?
             only in times when life was
precious that it was doubly precious
by being audacious and teasing death -
where are the death-teasers among
us? who among us is a death-teaser?
no one... the myth of Sisyphus isn't
exactly a myth... what was a myth
in the 20th century is the plateau reality
of the 21st century -
                             there's a great joke
concerning Norway...
    a book sold half a million copies
          in a country populated by 5 million people...
so it's basically a village mentality "nation"...
i already said you should teach evolution
on the canvas of vikings rather than working
from neanderthals...
            berserker turned cultural clique -
the joke about the british decision to leave the e.u.?
hmm... multiculturalism? taking the genes
     to the cleaners in fear of hereditary weak genes?
isolated muslim communities who think that
britain is a country that's 75% muslim?
           it's, the, *******, irony... the brits can be
as well gifted in rude humour or smug with their wit,
but they've hardly explored their gaft of irony,
well, that's a miscomprehend use of a word,
for the mere phonos of the word: i had to use it...
   like gaffer is the chargehand on a building site.
what i mean is that the brits put so much energy
into a monty python sketch that they can't see
the irony they're implementing...
         can england ever become clique?
              did the british empire ever exist is a similar
question: yes, the british empire imploded,
we have three generations of the Raj living in
Islington, three Saudi generations living
in Marble Arch on Edgware Road...
                           we have hobnobs Harrods
lit up like sitting on a marble toilet with gold plated
toilet seats... tacky... that **** is tacky...
          and when people get rich, they just have
   a new way of saying they're poor... no taste.
me? i feel like having a patron... the pope, for example...
for all the god willing reasons i should have been
the poet along with the Renaissance masturbators
of the ******* in clay.... boy... Donatello really rubbed
that impression right into a David post *******...
look 'ere, placid like a gluttonous mosquito...
n'ah... fame these days is too much of a corpus -
it attracts hyenas and vultures once the lions
got bored...
   fame these days is too much c.c.t.v. -
             the omni eye looks at what colour my ****
was (and what consistency) from last Wednesday.
plus modern dialectical discourse has either become
too much solipsistic / autistic... or it's a wanking
marathon... which makes assurances to unsafe
*** between partners, and ultra safe *** between
pundit and *******, with the *******'s
reassurance: i get regular health checks...
        i mean, when she's so hot that after zenith
you jump into the bath and pour cold water
over yourself and she remains in bed *******
herself looking at you? genuine scenes there...
i have a ****** imagination... experience is so
much better... i'd rather slit my wrists than
work for Disney.
no, wait... wait! there's a point coming, referring
to the title... yep...
   a culinary rebellion against modern art backed by
Cézanne... you seen the recent Turner prize?
         i used to see a Turner prize every time i went
to the recycling centre near Upminster...
or a car-boot sale down Walthamstow...
i also used to go and see the dog-races down that route...
E17... when you used to have yella-double-decca
buses 123 and 179 travel the route...
        alright... look at a Cézanne still life...
(i call it instilled life) - now... can you imagine any
artist attempting to depict a modern culinary
experiment? can you, imagine a heston blumenthal
on a canvas in oil or watercolour?
      no, because you can't!
                                  the china or porcelain is the canvas
and there you have: a painting.
             this is a culinary rebellion against modern
art... the chefs decided to work from scratch,
or what you might call: working from Cézanne,
just because we returned to the Lascaux caves
  with huge open space art galleries and a toothpick
   that is cited: abstract of a pine...
                           and it takes 20 cubic metres to
be admired...                     (ever tried nagging?
  it's a steam-release, or like watching an entertaining
homosexual, same ****, different cover);
    and if you have a thumb's worth of a litre bottle
of whiskey? well... hail west!
             no sane artist would re-apply the modem of still
life into depicting modern cuisine...
  i know, i know... some dynamism went into
             turning a pear into a poached pear...
the hand of god...          but that transfiguration cannot
escape the stillness... it's not moving...
                 it's prefiguring a diner (not a place, a pundit
in a restaurant) doing a minor Pavlov experiment
when the plate is before him... at this point,
unless he's not a starving refugee, i think appetite is abstract.
          you know what was in the background
while i was writing this? ambiance...
  feng shui... refrigerator ambivalence...
     in a world when a chinese cobbler gets paid 2 squid
a day... and a poet in england gets paid zilch or close to
10 quid in a decade.

ząb... or tooth... zęby... or teeth... the lesser Ezra in me is more bewildered by the non-existent strain of either vowels or consonants in English, than the Chinese ideogram... i agree: you must have an idea when reading Chinese, and a population of over a billion... and subsequently a well-known linguistic complexity, a thrice-over Chinese wall in the eye and off the tongue, to later precipitate into an ease in making the mathematic tongue acrobatic... but then have no theoretic procession to study the complexity, or hear a xylophone... i'm the membrane mid-way between burying the Latin anecdote Beijing... and asking to kiss the hand of Marco Polo... had he wrote the Quran... i'm just simply juiced for one reason, this is my take on the corner-stone rejected... ******* the crucifix, and tickling the feet of the crucified one... as anti-jew as i can be... well: volk zu γoλγoθα... or volk zu γoλγoφα... compass! mein kompaß! alter: volk zu ßιναι! oh look... quantum physics... it behaves gleiche y = w, ~i, >ł.... and into a p.s., as γ = Υ (upsilon contra gamma)... once more, the lesser Ezra in me is bored with the Chinese ideogram, it's translated plain and simple, perfécto arithmetic! and the billion-strong populace... applause to the Chinese politicians... democracy as an pure English export is not wanted... it's decadent, and ripe for only decay... please, god or yoga no... we can do without it! this is the lesser Pound... i could be fascinated with the Chinese ideogram, but i'm frankly occupied with addressing the English encryption.... mind you, that translates as: you missed a spot... and they did keep their language so diacritic-free in order to form the global empire... which can only mean that mad geniuses and other akin stipend students will ever appreciate... but my fascination with diacritical marks, or their lack, is akin to Ezra Sr.'s fascination with the complexity of the Chinese ideogram, or rather the syllable form of not enraging the trinity, therefore concise, xi (ξ), chi (χ), chow (χω) mein (μεjn / μει - gagging ιota: main... mejn... replaced by additional curvature of j), kfu mang thu! kuchi kuchi, kat(h)mandu.. gucci gucci... rattler... or pinky on the black key in a piano concerto... the odd number... thus the english siamese of i and j, the only letters with diacritical marks, beginning with ιota being the one under-dressed... and they are indeed there, for clear syllable intake, as a way to pave for the architecture of punctuation, and what could be later described in the real world, as a punctured rubber tire, or a sewing technique, in the guise of tartan to a cayleigh whirl / orthodox scot that's: ceilidh... ****** me, god's a pauper, leaving him out in the cold of nonsense when man just asks for kejl i, p.s. dogged out hound harking grammaton, and some random number outside of tetra.

pst! look in the woods! you might find him there!
music always overpowered my
need for women, i always found music to
be antidote
  to ensure women exist -
               dunno, dough]nut -
or dunno, it just happened...
      CENSOR MR. CENSOR!
HELLO?!
                  LOSER. HTML
IS INFECTED.... now i'll come off as paranoid...
    but then i am typing in paradox
  land...
                my keyboard is ******...
a case of etymology... *wargi - and
pysk - or usta, and buzia -
one's kiss kiss,
      Tarkan style...
  but i wonder why when i listen to
  in extremo's rotes haar...
i imagine dwarfs dancing,
        but then the prancing pony of
hedningarna's vargtimmen -
       which might    
mean *******, but
then it might mean something
in Finnish... vargtimmen: meaning: close your lips...
in Finnish; so bound to the word trim...
trim your lips.
even though the people didn't move,
a lot of ******* children made Poland their
home... for example wargi, which
means usta... add a p to usta
and you'll end up saying: she's empty, barren.
no wonder the transgender movement
occurred in english... words have no
feminity or masculinity... so ***...
they're asexual, apathetic...
   a male can't own a table
in the Freudian sense of signifying a phallus...
stupid me blaming St. Thomas' gospel,
when the problem lay within the realm of per se...
       i have to add: it's a bit foggy where i'm right
now... and my html is a bit bonkers...
     but it still stands as Finnish and Polish
versus English non-mythical when sniffing
the **** crack of America...
          fog ought to be enough, apparently it isn't,
you need to care to
economise and work to an ethic of working
so hard throughout the year for a 2 week holiday,
   and then end up throwing away your food produce
and then feel irritated by a homeless person...
   so yeah... you're grand!
          i mean i am...
the we is automatically bewildered...
i couldn't pet a woman, women are much more
than cats, and i pet two cats and hate them...
     not having women means i am resistible...
if i were irresistible i'd be insane...
      the magnetism of prefix convergence...
   re- means again, not against...
   and in- can also mean a-,
          every time i speak the scandi tongue
like i might found saying the lazy way an english
man says ****-,
               i feel like jumping up and down...
hed- -nin- -garna!
      hey hey **! jump you mo fo!
                     and i live in england and i care to
take to escaping english, that's really messed up...
i can't listen to the tongue... a bit like my russian
girlfriend said to me: Polish is just static,
sh sh sh sh ch ch ch ch... i mean, the best
***** in the universe are done by the people that
really hate your ethnicity,
they love you as a person, and the person they
love to ****, but then the collective unconscious
comes along, and they say the most horrid
things in between the orchestra of vowels during
the ******... babe, you drowning? i know
i am.
            if a yiddish man would come along,
he'd write yzwz... because that's how h became
z in the grapheme sz and ch...
                 and paradoxically: it's not the smallest
sound... and if the Latin grapheme continued its
existence... and was regarded as the smallest
linguistic unit, it has to mean that
    two names converged... it means that
the coliseum will overpower the church...
   which means that the Latin man had names for
his letters... and it was never all about music
and castratos... it was never a simple a when
the Greek said alpha, or it was never as simple
a b when the greek said beta...
vargtimmen! purse yer lips! ye gods, pout!
  duck-alliances throughout!
   yack yack yack... quack... ******* ponces
and narcissistic nuances...
yes, when w = v = w = ł -
               when it is meant to invoke the ugly duckling,
and a swan, and a łabądz -
my soul is already Scandinavian bound...
  like Frankenstein's Jr., to the fog, the snow, the frost...
      if Spinoza is the prince, then i'm the king,
the tetragrammaton just drops out like
a birth of an antelope - it just drops out of language,
but it only drops out, once you have used
a language associated with diacritical marks...
knowing solely English or Russian Cyrillic won't
help you... it really does just drop out from
the ****** of nothing like an antelope on the savannah
plain... but given there's no diacritical
distinction in it... being born into a language that
uses diacritical markings to ensure there are
distinctions, makes studying the tetragrammaton
all the more fascinating...
English uses no diacritical marks, neither does Cyrillic...
the Greeks are cosmos (polish slang reference
to them being on l.s.d.) with their niqab of
diacritical usage when English Latin remains
slap-stick naked... come on! put on a ******* bow-tie
that might be at least the french acute over
e!         éh?!           knowing the lazy sod, he won't!
but such is the joy of experiencing etymology
with music... to associate
vargtimmen... a Finnish compound word,
with the English word trim...
         or the word dimmed...
           and the Polish clear-denotative word
for lips... i.e. wargi... or usta...
  timmen might also mean: to bite...
  warga is the singular of wargi, i.e. bottom lip,
    to bite the bottom lip...
            does the music in hedningarna's expression
say much? no it doesn't...
   poetry can be the least musicological
         when analysing music...
             the best poetry can attest to is:
gauging your eyes out with it's bewilderment that
it has become such a primitive art,
   compared to the etchings in the caves of
Lascaux...  how that's really said?
                 obviously las-cow...
                  or proper: lascau(x)...
            the two tier of language... those who live
off it as noun-to-noun... and those who live
off it as hand-to-mouth... solely verb in action...
    it's actually a great shame that i should be writing this
and having a father who perfected the craft of roofing...
  i feel more an imbecile, and even more a rooster
in a wheelchair...
        so much for having a russian girlfriend for a summer
and an egyptian friend for no reason;
don't worry, you won't write a biography about me,
  such nuances of language with a personal twist
can remain where they are, in the archeological
dept. of nowhere.

Down the hallway
dimly lit eyes peak open
from pores on the pale painted skin
covering each door.
Jesus sings a song
while listening to stories
of the resurrection from other people
on their fourth trip
back to this world.
Walls white as paper
scratched with caveman markings
like Lascaux
hidden under sound
from black screens
with holes in their faces
opening and closing
at the touch of their faces.
Bushes of green trees cover concrete
like an oasis in the sand.
At its end
a large window
keeps thick skinned
scaly trees at bay
near a chair, cushioned and pink
pointing back up the hallway
from which to sit
and ponder these things.

cold today
wind from the North

sit by the fire
read a bit
then fix the door

dog walk, pull my coat tighter
carry a notebook
pretend I'm a writer

stare at the wall
the wall of the cave at Lascaux
Swimming Stags
see what the cave man saw

I drive home, slowly.
The trees lining the road look the way I feel:
Ambivalent.

Some of the leaves are brilliant
Shining he way this amber ring does
And some have flat warm tones
Like the ochres the shaman, in his trance,
Brushed onto the walls
Building a miracle at Lascaux.

The dead ones
Lay still
Until a big rig barrels by
And they fly up in circles
And settle back where they began-
They're shiftless, no better than you or me.

when i see postmen delivering letters,
                                   i think they feel ashamed
of having a poet among them rise
to such global prominence,
i could end right now and have reached
an Urban II pulpit, just as he
was getting started...
  i used to admire Mr. Know-how for a time
out of sympathy... but then that slowly died,
only because i found people who
had some respect for learning to tie
their shoelaces, and spell words...
      it turned out to be the most abhorring
form of rebellion,
       i could have written all possible
synonyms of red in acronym, just to
make the use of the thesaurus made for
better use... or said ultra-acronym
variations or red, like: crying-mason...
and you would have hopefully said crimson...
  but let me be clear... he got my attention
in Glasgow... but after a while...
    even if i had a cradle of appeal
i might come off as lousy...
               but still, when i read him write
like this needed to be a dyslexic statement,
i thought he might write something illuminating
in hieroglyphics...
           i wish i had a respect for not spelling
words correctly... grammar **** or not...
                    there's no point playing with genes
if you're not creating a plateau on
the internal organs of fathomability...
  genese don't necessarily translate into memes...
     people with a perfect good set of genes
will only still be football players...
        just gagging for a concussion to show-off
their Achilles bravery... i have heroic
   drinking battles, no one bothers to celebrate
new year's day with me... i found out
the hard way: even the brothels aren't open
on new year's day these day, as Auden might
have predicted, all the lonely hearts go to...
oh right... perhaps it was the male-on-male
orientated brothels that worked throughout the year...
  after a while it's not that you despise the body
for all its necessarily purposes,
      but after a while, the body does so little
that the niqab does so much more,
    after a while the head wearing a kippah
does so little aisatsu, that you start to ridicule
the practice as an excuse to headbang at a rock
concert in a maggot pit...
after a while the hair does so little that the hijab does
so much more...
                  can you imagine a Mongol inventing
a hijab? horse-skin ****** wrapped around your
head... thank god for the silk road and the silkworm
produce from china, or wool from the shepherding
states...
             otherwise? a ******* tragedy...
    it's also true in reverse... buddha curled his
******* using the thumb... but he bluffed
the sign-language and necessarily pokered that one
into sign-language saying: down the middle!
           we had sundials and clepsydras for a reason,
as we also had libras, for a reason.
            should i fear a man with only one book?
or should i fear a beast with only one "word"?
  well, these days the former is true,
    but when lions said more than men in terms
of authority... could could complain it wasn't so?
  let's just imagine, that whatever we write today
will not reach a heritage status of the paintings
in the Lascaux caves.. well-brokered that statement...
since an african mask carved into an Baobab
by a shaman will fetch much more worth
at a tribal convention, than a african mask
enshrined into confusing a baobab with an Acacia
fetch at a gordon gekko's winning prize
for the most caviar rather than sushi being ate.
the point is... i was just thinking of writing a short
introduction to an actual poem i intended...
                   you never expect such things to happen,
esp. given you just escaped building the pyramids
safely rooted in masonry, and having to
     wield some Atlantean imagination
for the hanging gardens of Babylon...
to be later told: oh don't worry, we have people
to build as a colliseum, you stick you
to intellectualism of the four letters...
   and then jesus comes along and about a billion
people are rounded-up talking about salvation
by reading only one book, saved by complicating
only reading this one book, by stating
how many times certain words are used in them,
to ensure everyone after Moses can plagiarise
ancient Egyptian into contemporary Hebrew
(only when Charles II can speak Bulgarian or
Romanian)...            horrid numerology...
oh! oh! there are 20 references to the word pray
in the bible! it must mean something!
   how about? bla blah bla blah....
well... d'uh! blay and blaw: Otis Redding (doughnut /
       ice-cream man)
                               and        Sam Cooke
(don't know much about hissing tories)
    so true too, turns out Abel (blay) was also known
as clay.... even though Cain was the vegetarian...
   so that makes Cain (blaw) the god-wind when
Cain slaughtered Abel and the earth unearth
      a curse that made Cain into a nomad and less and less
into a vegetarian... ah, the Scoots buckled and backed me
up on whether blaw came with the lyrics
      son of a preacherman, and whether my
    rubric arithmetics of sentences could ever chirps
up that smokey blonde Dusty.
   hey man... sit up for 48 hours, write about
writing on napkins, and then have a whiskey,
and watch 2 gloomy days turn into clear-skies
  and a visible sun, setting.

Half our bodies oxygen,
      by mass.
Transfermium Wars-  who knew?
      elemental naming controversy,
      my new favorite war.
Americium-241 in your smoke detector,
     alpha emitter, ionizing ****.
Dual atomic clocks- Ytterbium lattice-
     understanding would taint this fun.
     (Apparently there is a Time and Frequency
     Division somewhere).
Solid to vapor- if only we sublimed
     our way home, though maybe better
     suited for air signs. An earth sign, myself,
     sticking to terra dirtus.
2, 8, 20, 28, 50, 82, 126- the Magic
     Numbers in physics- full nuclei,
     like full bellies- maybe our magic years too...
     'cept for 126- unless you're a Galapagos tortoise.
Manganese blackening bulls in Lascaux.
Plumbum latin for lead, ala plumbers and their pipes
     of yesteryear.
Fire and brimestone actually fire and sulfur,
     still wrathful, though I always
     imagined brimstone as being a
     damning brick falling.

You won't be synthesized, maybe never discovered,
                yet we sense you near, proposed metal,
                silvery white and ghosting....
                              
                                      119.

Cave Art

The caves of Altamira, Spain
were painted, it is said
not by one or a collaborative few
pondering together the arrangement of forms into a composition,
but by strangers
wandering in and out,
each adding independently their own designs--
a hand or deer or buffalo--
their mark upon the world.

So, too, it was on the walls of the gas station bathroom.
The wandering strangers left their marks
not in pigments of red or yellow ochre
but with technology quite new—
sharpies, pocketknives, and written word.
They etched their works in jagged strokes upon the peeling paint.

Their subject matter mostly centered
incoherent curses
but one corner housed
a whole political debate.

They had no antelope nor spears
but still, a ghost of beastly hunts—
of chasing or of being chased—
perhaps is recognized.

Spacious though the canvas was,
it struggled to contain the thoughts
of its collaborators—
so much they had to say
that like the painters of Lascaux
they simply overlapped the strokes of others who had gone before,
interlocking cries into a web.

To a conservator’s dismay,
some of their words were silenced
by a mist of sapphire aerosol spray
but still, they can be read
by those who care to see.

An anthropologist who stops and looks quite carefully
can trace the lines below the paint
and read what lies beneath—
the testaments of artist souls and neolithic dreams.

what a whacky weekend, it's finally over, a shift at the Romford ice rink watching Romford Raiders vs. Peterborough Phantoms, selling tickets, ones by card, others by cash, checking pre-booked ones... and then? the easiest shift... watching the game... i have to be honest: the first time i watched ice hockey live i was bored stiff... but then again i was on top of the stands looking down on the game... from a high place looking down? it's... a really **** sport... BUT... today i had more flexibility... i was next to the rink... i have to admit: to watch ice hockey properly you need to be really close to the ice... and compared to the Oxford United shift?! **** me... im never doing that ****** shift ever again! ten hours out of the house and for what? £35 quid? here i can wear black trainers, i don't need to wear a white shirt or tie... i "work" for 4hours and get paid for 5... plus? i can cycle here and be back before i know it... total time spent out of the house? maybe 4.5hours... plus at the ice rink might get a free hot dog like today and a free drink: plus as it happens in ice hockey, the whole play-stop routine the DJ will play some sample of a song, today i managed to hear a sample (donkey's years old - September Cry For You... i knew it but forgot it, but remembered the lyrics: you'll never see me again ¶but that's not about all of that... i was talking with my coworker about finishing our shift at Wembley yesterday, she finished much later... oh! it took me ages to get home! i only got home at 4am - i sort of blundered and replied: yeah, me too... she's quick to pick up lies - but didn't the trains work? oh no, they did. so how come you only got in at 4am? oh, i don't know (****, one little white lie will not pass her, she was already growing suspicious, i should have just told her the hypothetical truth that i managed to get home at after just 1am... and i would have, i got to Stratford and spotted that the Southend Victoria bound train was via Romford, and not via Shenfield... it was supposed to come in 5 minutes by the time i was standing on the platform, but suddenly it became delayed, a passenger was taken ill... it would take forever for the train to start again... the original plan was to go the brothel, but i figured: i might as well go home early, get some chicken on the way at Romford and catch the last bus home, get in early and write for a while... but then the ill passenger made me return to my original plan). ¶well an hour or two later i had to own up as to why i came in at 4am, so i told her: well, you know... the reason why i came home at 4am is because i had, a slight, ahem "detour"... she looked at me smiled and sort of giggled... oh: that sort of "detour"? yeah... the beautiful thing about this was that i gave no further explanations... maybe she figured it out, maybe she didn't...

I.

well... at it's not me scribbling with squint eyes after having
have to catch four night buses to come home from Wembley
from a shift at 4am... this time i stopped over
at the brothel...
i can't help myself:
i can hit the ultimate high but then follow up with
the lowest of lows...
i even managed to buy a t-shirt... ****'s sake...
what are the chances of a "tour" of "compensation":
paying tribute to a drummer...
with only two dates of tribute... today's currently the 4th...
i don't exactly: love love Foo Fighters...
they can't topple the pyramid of Red Hot Chilli Peppers...
but it's still so much better than
what i heard the previous night.. Garage...
i had to buy that £40 t-shirt... they were running low
on the one i really liked: the yellow one...
i bought the black one... waited...
soon the merchandise shops opened again and the yellow
one was made available once more...
oh man... it's 4am and it's not like i just took 4 night buses
to get home...
i took the tube from Wembley Park to Stratford and then...
plans changed twice... i was originally planning
to visit the brothel... then...
a Southend via Romford bound train was supposed
to come... o.k. forget the brothel...
but then... a passenger became ill on the train
and the train became delayed indefinitely...
**** me... off to the brothel i go...

it was sort of gladdening to have seen
    josh homme...
                 brian johnson... liam gallagher...
roger taylor... rufus taylor...
   brian may... who else was there?
brian mccartney... the pretenders, i.e. chrissie hynde...
i had the best view in the stadium...
at the far end opposite the stage... fifth level Wembley...
in the disabled (accessibility sector)...
easy... boring... 12 hour leg numbing shift...

no... i don't really like the Foo Fighters...
i like Andrea though, our supervisor... this tiny little
creature with spectacles that looked
so quirky lifting her spectacles up
and looking at a page when writing like she might
have looked at bacteria through a microscope...
darling: she called me...
      yes: the the great big world would eat me up
with a yawn and i'd still reply: yawn great big
world... should i meet her ever again:
a woman of my implant idealism... of borrowed books
and failed loves...

i have a t-shirt to prove that i was at this gig...
that's all i have... but i don't think i was there...
i think i was looking for my shadow in Andrea's shadow...

i'm pretty sure someone died...
oh man... going to the brothel this tired is always a bad
idea... more unprotected ***...
but this time Khedra was different...
she kept whispering: **** a blonde little baby into me...
half asleep but nonetheless with a *******
i was thinking: what?!
three aphrodisiacs... the proper cider... exercise and
excess tiredness...
a complete ****-up of the senses....

even now it's coming to 5am and i'm thinking about
that *******'s slapping of a shift at the ice-rink
tomorrow from 4 through to 8...
i never thought that ice-hockey could be just a boring
sport to watch...
i.e. where's the puck?! hockey to me is a bit like
monotheists in prayer...
lunatics... at least the pagan Hindus throw spices
and more spices around to cover themselves in excess of
what can be sometimes missing in nature...
but monotheistic reasoning for procrastinating
within the confines of labouring the bend and beating
of prayer to an otherwise deity that demands
the "prayer" of "thought" rather than
the deification through a "prayer of the body"
and use of the tongue...
    monotheism ought to never be about pseudo-paganism
of procrastination with idle words on idle
tongues of idle bodies... the matrimony of lunacy
of bending objects...
monotheism is a sort of telepathy...
a telekinesis...
prayer should be abolished in monotheism...
as well as all the lunatic deifications of monotheism...
esp. in Islam and Judaism...

                monotheism ought to start to equate
thinking with speaking...
by that standard... collapse it furthermore...
the freedom of thought is not the same as the freedom
of speech... in that writing: with writing being
the extension of thinking: the medium of writing
is not an invitation to speak, but rather an invitation to think!
monotheism speaks like the pagans speak...
too much... monotheism has as many mantras
as polytheists have...
the only difference is that the monotheists have
abstracted their deities as cryptic language structures...

in the crypts of the ciphers:
one can find at least one decipher... some sacred word...
either over-used: e.g. blah-lah
or under-used: the acronym yhwh...
of Æ... when Adam was a Siamese twin with Eve...

i'm sort of... half blinking... i have these half closed
eyes: i'm squirming and pretending to blink....
i lay mountains in a single valley
and later called this same mountain range
a witness of the canary's song that could
encompass a folding of a cave to boil a river
to a standstill: from a sea create a river
and from a lake a mirror...
what miser ******* i'm thinking:
thank god i'm simply thinking it rather than speaking
it in arena of rhetoric...

let clouds be puffs of negative-salt clusters...
negative-salt clusters so that they can absorb
"positive-water" into their invisible gobs...
and... like seagulls... carry the food-stuff over
kilometres of agony... from sea toward land...
from rivers to the lakes...
and then back again... from the lakes toward
the seas...

II.

i must have been really tired yesterday, i just abandoned
part I. altogether: i don't want to know what i've written,
i'm not rereading it... i'll have to rewrite some aspects
of it...
                 today i feel livelier and actually awake...

1. i figured out the brothel, finally! it took me some time!
half an hour sessions... no more those 1 hour sessions...
why? i can go more often, ergo i can **** all of them in the brothel,
so much so that i will have to start looking for
a new brothel... one hour sessions don't work anymore:
if i am to please a woman who i never met,
i either will or i won't... and that will be within the confines
of half an hour...

2. my three favourite aphrodisiacs are:
(a) cider + a little bit of whiskey + a cigarette or two
(b) exercise
(c) tiredness... my god... every time i came back
from a very long shift i would try to relax before
writing by jerking off... each and every time i would
get a ******* like clockwork....
i guess tiredness switches the mind off completely
and you feel more and more uninhibited...
mix that with aphrodisiac (a) and made (c) comparable
to the effects of (b)... hey presto!

a rare moment for me... original thinking while sitting
and listening to my father dictate to me
the invoice i'm just writing
myślnik: i.e. dash or hyphen (-)
od nowego akapitu / wiersza:
            from a new / "poem"
it's not actually a new "poem", it's more a new verse...
i.e. it's lazy speaking because it's not
actually akin to the sign applied in medieval
times to use up as much paper with
an indicator for a new paragraphs
employing the ¶ (the blind P): come to think of it,
i think i'll employ it in the italic section of the intro.
i just added... them... the pilcrow...
it was used to use up as much paper as was available...
these old texts never wasted space...
but a revelation came when writing my father's invoice:
thank god i'm an employee and i do not have
to write any invoices or do any tax self-returns...
of all the people employed i don't know whether anyone
else is in my position...
but the revelation came with...
i remember my English teacher: the Scot didn't teach us
much English... he introduced me to jazz and a love
for Led Zeppelin rather than Black Sabbath...
but i remember his one major lesson:
you, don't, start, a, new, sentence,
with: a, conjunction, namely: and!
you can't stand a sentence with And...
what is the semi-colon for?

after all, what's the semi-colon in Arabic?
either the letter(s) dh (the H is a surd borrowed
from the name of the Hebrews' deity)
                  ذ or Z(ed)               ز    -
aren't these semi-colons?! ; ذ ز
                                                               ­ ?

but i had a split consciousness: the cat that was sleeping
in my bed decided to jump out of the window and
sit on the roof of the kitchen...
while i was typing the invoice...
when i got back into the bedroom he was still
sitting on the roof... i have an invisible leash
on my cat... the moment he saw me perched
on the windowsill: i smoked one cigarette: he noticed me...
he jumped straight back into the room
and is current sleeping on my bed...

a split consciousness? what song to listen to?
the original i started with? September cry for you?
Collie Buddz Sensimillia?
Stephen Marley hey baby / iron bars
or Combichrist sent to destroy?
obviously the foremost...

i had to scribble this note down in between writing
the invoice:

/ aesthetic:
                                                      ­   look up Gothic
    bl.... blah blah. Also...                  a script and ᚱᚢᛖᛋ
                  no!                                       ­                       Σ
b (scribbled out)
"           "          "   ; also

                                          via example of And at beginning
                                             of (a) sentence
                                             is a massive
                                                         ­     no-no! /

some Copernican rotations in place... notably
via the Runic E (ᛖ) and the Greek S (Σ)
and obviously the work that went into crafting
the Roman S and ...
huh? i never heard about this 'un... the sigma-reflection...
what's this?

                           σ² ≡ E

id est: a twofold reflection on one plane
produces the operation of identity;
     any planar molecule has at least one mirror plane.

ugh... coding... something for termites...
    <p><var>a²</var>
                                   and what modern poet dabbles
in STEM methodology? people are still complicated?
or just plain ******* daft... having created so many complications
of their / adding toward their lives outside of themselves?
i think it's the latter...
there's no longer a need to concern oneself for
"being there":

Heidegger was slow on picking up on what
Zhuangzi talked about beyond his grave:
   the... grammatically correct "concern": or rather...
in the eyes of the Chinese rather than the German
concept of "there being" as that of concern...
the Chinese variant was always "being there" with
a sense of non-doing... some thing are unchangeable...
yes, pressed by the continuum of un-change-ability...
you can't alter the sun or the gravity the planets are fed
by it...
  to orbit...
               unlike Egyptian hieroglyphs... Chinese hieroglyphs
are ideograms... they are more than sounds:
they are as simple as sounds of letters...
whether alone or coupled... but they are also IDEAS...
ergo, they are ideograms...
"being there" is one of these...

                           在: zai... roughly, i'm not an expert...
i'm a: LA-IK... but Heidegger preached the wrong sort
of thinking, if Tao is the correct sort of thinking:
this is the contention (from the Chinese prespective)
against the German interpretation of da-sein...
i'm not concerned: that would be very Christian of me...
i'm not a fraud of F.O.M.O. (fear of missing out):
that takes concern... i know i can't change the world:
i can only change myself in order to grow into myself...

ANY AND ALSO are grand examples of when
the semi-colon ought to be used in a sentence,
a semi-colon is a follow-up to a thing already stated...
... yes... i use that puncture marker when
i'm following up one thought with another...
it's not aesthetically pleasing, but then again i am not wasting
any paper or using a type-writer...

but i have (i've) seen too many books in print
where a sentence opens up with such: DISGRACE
(the negation of grace, the prefix dis-, id est)

it figures... i'm too intelligent to **** neuro-typical women...
i need to **** prostitutes...
i'm not even paying myself a compliment...
i walked back from the shift peering into the houses...
ageing couples... one on one armchair
another on another armchair... living the easy:
mortal life... oh **** me...
alone again... the children flew their nest...
just waiting for a spot in the old people's home:
Protestantism is so cruel when it comes to old age...
it's spectacular when you're young!
me? i'm sticking around...
i applied the Japanese method of *******...
sure... no long partner: no need to talk...
at least the Japanese are unabashed about
complications of housing... at least they're open
about the ラブ ホテル (rabu hoteru)...
spares me the need to **** prostitutes: but no!
oh no! no no!
i need to **** prostitutes to avoid my makeshift
boney **** of a hand!
i need to eat, i need to sleep, i need to ****...
i don't care what the WASPS spew from over the "pond":
i stopped listening a long time ago...

hey! Darwinism preached adaptation...
i'm adapting! it's called... have you heard the term?
E-VO(h)-LOO-SH-ON?!
i know it's spelling evolution...
but you hardly hear the T to begin with...
well... if God made Poland his playground
(according to Norman Davis)
i'll just make England MY... mein SPIELPLATZ!
sorry... not England: ING-LEASH!
this is my playground!
                  
                                 well if God can make Poland
his playground for the Turks, the Swedes,
the Russians and the Germans to pretend to tickle
and juggle... i'll make his favorite tongue:
my... playground... i''ll make sure as many people
come to London as are readily available...
let's see, "god"... who's going to start having
a *****-fit... i can watch the natives become minorities...
don't worry... i'll fit in just plain dandy with the other
minorities: they won't even know where the ****
i'm from... they'll think i'm English but when i tell them
that i'm not German they might have a second
thought: why have so many Arab names
popped up as "friends" on my facebook?!

that's the thing about Slavs... English speaking people
associated Orcs with Africans...
well... where's Mordor? East?!
last time i checked... are these people going to be throwing
pronoun-grenades at the Russians as the Russians
starve Europe from a gas supply?!
oh sure sure... the "worship" of "correct" pronoun
usage is already keeping me warm: the warmth of WRATH...
maybe i didn't have children because i thought that:
my natural intelligence wouldn't be passed down
and they would become products of their
environment and peer pressure?!
i think so... i think i refrained from having children
because i thought: mein gott! and what if they might
be swayed by idiots?! guttrauer (good grief)...
imagine!
- but as i was walking back from the shift...
i noticed these old couples... me god, their ageing so quickly...
i sticking put... my parents invested in me...
now i'm going to invest in them...
i'm not moving... i'm not going to rent...
i'm sitting on money! i'm sitting on Smaug's ransom!
i'll keep them youthful for as long as i can...
they will not be sitting in two armchairs alone
before a t.v. with pictures of their children and grand-children
hanging on the wall...
they'll just have to deal with the insolent drinking
alone little me...
i'll entertain them... i'll do the household chores...
i'll cook for them... i'll do the d.i.y.:
they're not going to be packaged like ******* mushrooms
into the dark into an old people's home...
and whatever women that comes into my...
ah... ah ha ha ha... what woman? for a relationship?!
relationship with: what, exactly?!
i already have sway over a woman's body whenever i feel
like it: whenever i feel like...
do women have intellect? i.e. talk about what?
other people... i've heard it before...
you couple with a woman and all she wants to do is
talk about how happy she is when she's with you seeing
other women being single: how "superior" she is...

what conversation? the best conversations i ever had
were with strangers or when i started to write...
when i untangled my thinking into not-thinking...
i wouldn't appreciate a life of simply being lazy
existentially... this is not the right sort of time to be lazy
existentially: why? becoming existentially focused
by the simple demand of external forces that force
you to beg for explanations: just like the 20th century
proved is no beginning or, for that matter:
an encapsulation of: what?
do people really think literacy is omnipresent?!
if it truly was... we wouldn't have people scratching
letters in graffiti mode on brick walls like
those of Lascaux... sure... the caves imploded:
but the skyscrapers exploded...

how times change...
back in the day, even Milan Kundera lamented
the sayings of Neville Chamberlain...
what were those?
how horrible, fantastic, incredible it is that
we should be digging trenches and trying
on gas-masks here because of a quarrel in
a far away country between people of
whom we know nothing
that explains a lot... Czechoslovakia is
just a little bit nearer Ukraine... Ukraine is on the map!
far far way: i'm pretty sure the British became
confused by digging the Suez canal:
India suddenly became West of Ireland...
when it came to navigating ships!

that's the thing about the Slavs... we'd sooner start
a war amongst ourselves than succumb
to some Germanic festering wound of the intellect:
pronouns! blah blah ha!
the Germanic consolidation project for Europe:
hell! bring the entire world to our shores!
that's an Germanic intellectual starvation project!
the Slavs, like Orcs: would sooner fight among
themselves than tempt the idiot cross-eyed
serpent of the Germanic Twilight of Intellect...

today i learned the reason why i was so attracted
to that middle-aged woman from London Stadium
who looked like a frightened doe: in head-lights...
i was coupled with her at the Basildon shift...
isolated... i had to talk to her...
       Chill-y... she's actually Turkish... i would have
never known! i like Turkish and Romanian girls...
hell... if English girls have this post-colonial
black fetish against their fathers...
i'll pick one (fetish) for myself... wait... i have one...
we're good... we're equal...
now? more! more! more!
i need to fry my mind with as much ****-box-*****
as possible!
i'm not stopping: something was woken in
me that should be sleeping a tight monogamous sleep...
that's not, going to happen...
like all the beautiful girls that turn out to
be prostitutes: akin to nature's sake:
everyone would love to live through
seeing a tornado, a daffodil blossom...
******* a beautiful girl...
a man with many arrangements:
i don't want to be selfish...

last night was just, plainly, weird...
i can't remember the last time i was asked so many
questions...
Khedira asked me: so... did you prefer Michaela...
who? the short plump girl with great ****?!
the blow-up *** of pump?
or did you prefer the taller girl?
i'm just asking, as a friend... the former...
something was afoot...

the wind blows in cold into my bedroom...
it's a welcome breeze... it folds itself around
my ankle prior to strangling me around the neck
while kissing my forehead...

the glorious 4 were sitting there...
the one with the glasses was incredibly talkative...
Mona... Mina? does it matter... she was wearing
glasses...
where have you been? i ripped off my
bands... showed her: Wembley... the Taylor Hawkins'
tribute concert... oh... dearest Adriana...
that supervisor... please don't call me darling...
not when we're working... my name is enough...
out of the 4 i chose the predictable non-****** ****..

as you do...

i haven't seen Khedra for a while... the started with her
usual *******: thank **** that she doesn't charge me
for unprotected ***... either oral or vaginal...
i felt sort of relaxed-tired from not having to put
on the rubber... but we Polacks and Turks are
cleanly people: we wash ourselves regularly...
i can't remember the last time i *******
a *****-load into a woman while she whispered
into my ear that she wanted a blonde baby:
eating and burning my blonde mustache and love-bruise
of hair growth (catching up to the length of
my length of beard... some ******* quarrel between
a boy and a girl while i was leaving Wembley,
he breaks the argument... direct her sight toward
me with: i love your beard! my bib?! i.e. t-shirt...
forty quid... i'm later informed he was talking about
my beard and not my t-shirt... what?!
i've just spent 6 hours in an environment
where you have to don ear-plugs...
what?! i can't her you! EAR PLUGS!
you can still hear the music, but you can't sense
the vibrations! bib?! 40 quid... oh! right... oh! beard...
yeah... thanks... it took 3 years to grow)

but i had to **** Khedra firt... i slapped her ***...
she slapped me... i wish she slapped my face...
i deserved it... i was asking permission without asking
permission: oh... Mina looks lively...
the one wth the glasses... she's happy...
how about we have a *******...
that's the second time i've bee asked to have a *******...
i know Khedra could make a ******* magical...
seriously... i watched as she harked up some bad
*******...
next time i told her... before she gulped and swallowed
an "oyster" of my missing *******...
2nd ******* *******... well... **** me...
i'm not exactly readied to disembody myself:
quit certainn limbs: on a whim...
who's paying? of course i'm paying!
i'm not paying for food! i'm paying for the *******!
dating is such a 20th century sort of past-time...

people: get with the times!
the 20th century requires closure:
you're not giving it!
   i told her: next time... next time...
sure... you and Mina can please me...
i hope this second ******* will be much better than the frist...
i'd love to see you two kissing...
before competing for the oyster Olympics
of slapping ****...

me god... first she ****** me off then she decided:
you did enough work arching over me in the missionary
position... i'll ride you...
women are strange that way...
they speak during *** like men might speak
during sleep...
what i heard...
what didn't i hear? i'm sure as **** knowledgeable
not hearing any lies...
i don't pay for lie... i pay for ****....
after she finished her oral ***
and climbed onto me and told me to look into
the mirror...

i was thrilled with warm-shivers...
it wasn't an ******...
but close enough...
           she was stalling... shivers...
shivers: she was stalling a ******...
******-lost *** is... is what it is...
i was her parterened self re-partnered...
he clicked: a wet ***** a hard-on ****
of an uncircumcised phallus...

upon insertion? you always aim below
the floral patterns of the ****...
of the *****... you aim an inch above the ****
at the root of the ****...
it's a bit like undoing a woman's bra...
inserting your "weapon" into a woman's
"shield"... sword-sheath-sword-sheath...
metaphorical, "metaphorical": of course...

but she did say: you taste all of them!
don't me mind! if i'm readying myself...
you choose another: choose another!
have as many women as you please!
don't feel obliged to choose only me!
well: doesn't love have to be shared?!
i can't be selfish! i can't just love one woman
when so many women are left loveless!
can i? i must love as many woman as are readily
available!
if i find boy exclaiming: i love your beard, mr.
i'm pretty sure the women are tediously shy
about a great number of details about me!

die forderungen von dies nacht ar fertig!
the demands of this night are finished!
ein tag kann gewinnen sie mit
morgen sonnenaufgang

                                              alle­ mit morgig verheiße.

The fact of the matter is
        We are jots
        Future fossils
And that is our splendor

We are embedded in limestone and slate
        In the giddiness of yellow daisies
        In redwood colossus and wild grass-blades
We ride the coattails of small histories
        To become endless saga
        The place where godhead dreams
We pound the shores of countless drinks
        In unrelenting swell after swell of redesign
And burst forth on the walls of Lascaux
Teaching destined masters to cross the line
        Proving the double helix --

I lost my mind at Lascaux
Where I spied the red ochre handprints and understood
Why trace the arc of an arrow through the sky in red
Unless you understand that when the shaking hand misses the mark
Dry mouths at home will cry out in hunger
A hart makes no expression when its life is spared

When his wife came home sick, he said
"This isn't her."
And together with kin and neighbors,
He sought to beat the fairy out of his home.
He burnt her in the fire.
He wrapped the black fairy in a sheet and threw it in the river.
They found him in the church, whispering,
"It won't be long now.
It won't be long."
Before the altar, he had knelt
And pressed his soot-caked hands to the floor.