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AAron Roz May 2018
Music is loud or quiet.
Music is soft or heavy.
Music can have meaning or not.
Music can be nothing or everything.
Music is:
◾Art Punk
◾Alternative Rock
◾College Rock
◾Crossover Thrash (thx Kevin G)
◾Crust Punk (thx Haug)
◾Experimental Rock
◾Folk Punk
◾Goth / Gothic Rock
◾Grunge
◾******* Punk
◾Hard Rock
◾Indie Rock
◾Lo-fi (hat tip to Ben Vee Bedlamite)
◾New Wave
◾Progressive Rock
◾Punk
◾Shoegaze (with thx to Jackie Herrera)
◾Steampunk (with thx to Christopher Schaeffer)

•Anime
•Blues ◾Acoustic Blues
◾Chicago Blues
◾Classic Blues
◾Contemporary Blues
◾Country Blues
◾Delta Blues
◾Electric Blues
◾Ragtime Blues (cheers GFS)

•Children’s Music ◾Lullabies
◾Sing-Along
◾Stories

•Classical ◾Avant-Garde
◾Baroque
◾Chamber Music
◾Chant
◾Choral
◾Classical Crossover
◾Contemporary Classical (thx Julien Palliere)
◾Early Music
◾Expressionist (thx Mr. Palliere)
◾High Classical
◾Impressionist
◾Medieval
◾Minimalism
◾Modern Composition
◾Opera
◾Orchestral
◾Renaissance
◾Romantic (early period)
◾Romantic (later period)
◾Wedding Music

•Comedy ◾Novelty
◾Standup Comedy
◾Vaudeville (cheers Ben Vee Bedlamite)

•Commercial (thank you Sheldon Reynolds) ◾Jingles
◾TV Themes

•Country ◾Alternative Country
◾Americana
◾Bluegrass
◾Contemporary Bluegrass
◾Contemporary Country
◾Country Gospel
◾Country Pop (thanks Sarah Johnson)
◾***** Tonk
◾Outlaw Country
◾Traditional Bluegrass
◾Traditional Country
◾Urban Cowboy

•Dance (EDM – Electronic Dance Music – see Electronic below – with thx to Eric Shaffer-Whiting & Drew :-)) ◾Club / Club Dance (thx Luke Allfree)
◾Breakcore
◾Breakbeat / Breakstep
◾Brostep (cheers Tom Berckley)
◾Chillstep (thx Matt)
◾Deep House (cheers Venus Pang)
◾Dubstep
◾Electro House (thx Luke Allfree)
◾Electroswing
◾Exercise
◾Future Garage (thx Ran’dom Haug)
◾Garage
◾Glitch Hop (cheers Tom Berckley)
◾Glitch Pop (thx Ran’dom Haug)
◾Grime (thx Ran’dom Haug / Matthew H)
◾*******
◾Hard Dance
◾Hi-NRG / Eurodance
◾Horrorcore (thx Matt)
◾House
◾Jackin House (with thx to Jermaine Benjamin Dale Bruce)
◾Jungle / Drum’n’bass
◾Liquid Dub(thx Ran’dom Haug)
◾Regstep (thanks to ‘Melia G)
◾Speedcore (cheers Matt)
◾Techno
◾Trance
◾Trap (thx Luke Allfree)

•Disney
•Easy Listening ◾Bop
◾Lounge
◾Swing

•Electronic ◾2-Step (thx Ran’dom Haug)
◾8bit – aka 8-bit, Bitpop and Chiptune – (thx Marcel Borchert)
◾Ambient
◾Bassline (thx Leon Oliver)
◾Chillwave(thx Ran’dom Haug)
◾Chiptune (kudos to Dominik Landahl)
◾Crunk (with thx to Jillian Edwards)
◾Downtempo
◾Drum & Bass (thx Luke Allfree)
◾Electro
◾Electro-swing (thank you Daniel Forthofer)
◾Electronica
◾Electronic Rock
◾Hardstyle (kudos to Dominik Landahl)
◾IDM/Experimental
◾Industrial
◾Trip Hop (thank you Michael Tait Tafoya)

•Enka
•French Pop
•German Folk
•German Pop
•Fitness & Workout
•Hip-Hop/Rap ◾Alternative Rap
◾Bounce
◾***** South
◾East Coast Rap
◾Gangsta Rap
◾******* Rap
◾Hip-Hop
◾Latin Rap
◾Old School Rap
◾Rap
◾Turntablism (thank you Luke Allfree)
◾Underground Rap
◾West Coast Rap

•Holiday ◾Chanukah
◾Christmas
◾Christmas: Children’s
◾Christmas: Classic
◾Christmas: Classical
◾Christmas: Comedy
◾Christmas: Jazz
◾Christmas: Modern
◾Christmas: Pop
◾Christmas: R&B
◾Christmas: Religious
◾Christmas: Rock
◾Easter
◾Halloween
◾Holiday: Other
◾Thanksgiving

•Indie Pop
•Industrial
•Inspirational – Christian & Gospel ◾CCM
◾Christian Metal
◾Christian Pop
◾Christian Rap
◾Christian Rock
◾Classic Christian
◾Contemporary Gospel
◾Gospel
◾Christian & Gospel
◾Praise & Worship
◾Qawwali (with thx to Jillian Edwards)
◾Southern Gospel
◾Traditional Gospel

•Instrumental ◾March (Marching Band)

•J-Pop ◾J-Rock
◾J-Synth
◾J-Ska
◾J-Punk

•Jazz ◾Acid Jazz (with thx to Hunter Nelson)
◾Avant-Garde Jazz
◾Bebop (thx Mwinogo1)
◾Big Band
◾Blue Note (with thx to Jillian Edwards)
◾Contemporary Jazz
◾Cool
◾Crossover Jazz
◾Dixieland
◾Ethio-jazz (with thx to Jillian Edwards)
◾Fusion
◾Gypsy Jazz (kudos to Mike Tait Tafoya)
◾Hard Bop
◾Latin Jazz
◾Mainstream Jazz
◾Ragtime
◾Smooth Jazz
◾Trad Jazz

•K-Pop
•Karaoke
•Kayokyoku
•Latin ◾Alternativo & Rock Latino
◾Argentine tango (gracias P. Moth & Sandra Sanders)
◾Baladas y Boleros
◾Bossa Nova (with thx to Marcos José Sant’Anna Magalhães & Alex Ede for the reclassification)
◾Brazilian
◾Contemporary Latin
◾Cumbia (gracias Richard Kemp)
◾Flamenco / Spanish Flamenco (thank you Michael Tait Tafoya & Sandra Sanders)
◾Latin Jazz
◾Nuevo Flamenco (and again Michael Tafoya)
◾Pop Latino
◾Portuguese fado (and again Sandra Sanders)
◾Raíces
◾Reggaeton y Hip-Hop
◾Regional Mexicano
◾Salsa y Tropical

•New Age ◾Environmental
◾Healing
◾Meditation
◾Nature
◾Relaxation
◾Travel

­•Opera
•Pop ◾Adult Contemporary
◾Britpop
◾Bubblegum Pop (thx Haug & John Maher)
◾Chamber Pop (thx Haug)
◾Dance Pop
◾Dream Pop (thx Haug)
◾Electro Pop (thx Haug)
◾Orchestral Pop (thx Haug)
◾Pop/Rock
◾Pop Punk (thx Makenzie)
◾Power Pop (thx Haug)
◾Soft Rock
◾Synthpop (thx Haug)
◾Teen Pop

•R&B/Soul ◾Contemporary R&B
◾Disco (not a top level genre Sheldon Reynolds!)
◾Doo ***
◾Funk
◾Modern Soul (Cheers Nik)
◾Motown
◾Neo-Soul
◾Northern Soul (Cheers Nik & John Maher)
◾Psychedelic Soul (thank you John Maher)
◾Quiet Storm
◾Soul
◾Soul Blues (Cheers Nik)
◾Southern Soul (Cheers Nik)

•Reggae ◾2-Tone (thx GFS)
◾Dancehall
◾Dub
◾Roots Reggae
◾Ska

•Rock ◾Acid Rock (with thanks to Alex Antonio)
◾Adult-Oriented Rock (thanks to John Maher)
◾Afro Punk
◾Adult Alternative
◾Alternative Rock (thx Caleb Browning)
◾American Trad Rock
◾Anatolian Rock
◾Arena Rock
◾Art Rock
◾Blues-Rock
◾British Invasion
◾**** Rock
◾Death Metal / Black Metal
◾Doom Metal (thx Kevin G)
◾Glam Rock
◾Gothic Metal (fits here Sam DeRenzis – thx)
◾Grind Core
◾Hair Metal
◾Hard Rock
◾Math Metal (cheers Kevin)
◾Math Rock (thx Ran’dom Haug)
◾Metal
◾Metal Core (thx Ran’dom Haug)
◾Noise Rock (genre – Japanoise – thx Dominik Landahl)
◾Jam Bands
◾Post Punk (thx Ben Vee Bedlamite)
◾Prog-Rock/Art Rock
◾Progressive Metal (thx Ran’dom Haug)
◾Psychedelic
◾Rock & Roll
◾Rockabilly (it’s here Mark Murdock!)
◾Roots Rock
◾Singer/Songwriter
◾Southern Rock
◾Spazzcore (thx Haug)
◾Stoner Metal (duuuude)
◾Surf
◾Technical Death Metal (cheers Pierre)
◾Tex-Mex
◾Time Lord Rock (Trock) ~ (thanks to ‘Melia G)
◾Trash Metal (thanks to Pierre A)

•Singer/Songwriter ◾Alternative Folk
◾Contemporary Folk
◾Contemporary Singer/Songwriter
◾Indie Folk (with thanks to Andrew Barrett)
◾Folk-Rock
◾Love Song (Chanson – merci Marcel Borchert)
◾New Acoustic
◾Traditional Folk

•Soundtrack ◾Foreign Cinema
◾Movie Soundtrack (thanks Julien)
◾Musicals
◾Original Score
◾Soundtrack
◾TV Soundtrack

•Spoken Word
•Tex-Mex / Tejano (with thx to Israel Lopez) ◾Chicano
◾Classic
◾Conjunto
◾Conjunto Progressive
◾New Mex
◾Tex-Mex

•Vocal ◾A cappella (with kudos to Sheldon Reynolds)
◾Barbershop (with thx to Kelly Chism)
◾Doo-*** (with thx to Bradley Thompson)
◾Gregorian Chant (hat tip to Deborah Knight-Nikifortchuk)
◾Standards
◾Traditional Pop
◾Vocal Jazz
◾Vocal Pop

•World ◾Africa
◾Afro-Beat
◾Afro-Pop
◾Asia
◾Australia
◾Cajun
◾Calypso (thx Gerald John)
◾Caribbean
◾Carnatic (Karnataka Sanghetha – thx Abhijith)
◾Celtic
◾Celtic Folk
◾Contemporary Celtic
◾Coupé-décalé (thx Samy) – Congo
◾Dangdut (thank you Achmad Ivanny)
◾Drinking Songs
◾Drone (with thx to Robert Conrod)
◾Europe
◾France
◾Hawaii
◾Hindustani (thank you Abhijith)
◾Indian Ghazal (thank you Gitika Thakur)
◾Indian Pop
◾Japan
◾Japanese Pop
◾Klezmer
◾Mbalax (thank you Samy) – Senegal
◾Middle East
◾North America
◾Ode (thank you Sheldon Reynolds)
◾Piphat (cheers Samy B) – Thailand
◾Polka
◾Soca (thx Gerald John)
◾South Africa
◾South America
◾Traditional Celtic
◾Worldbeat
◾Zydeco
etc...
Lee W Mar 2015
Los and Lettes,
the horrorcore fans,
the post-******* brats,
the goths,
the stoners,
the metalheads,
Phish fans with no regrets,
To Les Claypool high on toadstool, Reggaeton  block party vets,
To the cigarette carrying beatniks,
Hipsters in turtlenecks,
Fashionable Teens wearing fashionable things,
Armani and Diamond rings,
Business men in formal attire,
Old folks about to expire,
gospel musicians getting higher and higher.
***** alley banter bands, who find their lyrics at the bottom of cans.

At that I had lost my rhyme scheme knowledge dropped on every scene to which i thought i was superior.

Nothing said in so many lines, fines paid for literary crimes.
Like fines levied for a lost library book.
Rob Sandman Mar 2016
Here come the Irishmen,kilted up and celted out,
about to to take the mic away and throw a smack into your mouth,
think they're ready lads?(nah I don't think so man)

No-one really wants a ****** sleeper hold from Sandman,
that's a pity cos your ****** rhymes are out of time,
cutting your umbilical-severing your lifeline,
save the fairytales skitz is reading grimms books,
looked into your future it was two words "you're ******"!
so **** the atmosphere,biosphere,feel the fear,
Grim Reaper in your sleep,lullabyes in your ear
like an earwig earworm but positive,
even though half the time the time things say are negative,
never mind blood type,rip the bag drink it off,
A Celt vampire,not sparkly with me shirt off
If I get me shirt off I'm Skyclad painted blue,
howlin'cross the battlefield to stick an axe in you!

A haon, a do. The only way to go is
a belt of the Celt and we're here to let ya know.
Me word is me bond and me eyes don't lie.
And I've danced with the Seidh in the dead of the night.

A haon, a do. The only way to go is
a belt of the Celt and we're here to let ya know.
Speak truths clearly,me head held high.
And I've danced with the Seidh in the dead of the night


See your guts drop,fullstop flip flop
just like 99% of all new Hip Hop,
what a mockery,you **** your pants in fear a me,
you're all the epitome of me me me me me!,
did me best to to help you out back in the day,
you spat it in me face so now I love your blood spray,
all brats,all backstabbers,not Celts,
if I take me belt off,the buckle leaves a welt,
across your facebones,skull+bones smashed bones,
are all's left if you step into the thunderdome,
to take a one on one,**** it bring your mates too
dental records-only way to ID you,
ICU will be your last place last breath,
you're literally starin' in the face of grim death
cause all your hatred is fuel for the fire-man,
its just like Thor shooting lightning bolts at Ironman.

A haon, a do. The only way to go is
a belt of the Celt and we're here to let ya know.
Me word is me bond and me eyes don't lie.
And I've danced with the Seidh in the dead of the night.

A haon, a do. The only way to go is
a belt of the Celt and we're here to let ya know.
Speak truths clearly,me head held high.
And I've danced with the Seidh in the dead of the night


You're so illiterate,words are illegitimate,
the Old ***** ******* Skitz still spits raw ****,
try try cry,cause you'll never reach the top,
best sounds like you're throwing alphabet spaghetti up,
*******,philosophy-horrorcore-got em all,
the length and the breadth of my mind is immeasurable,
so while you're miserable,wishing for some company,
I'm x'ing off the names on the list of who's dissin' me,
keep ******' me off if you want to,
I don't need a glock to blow a hole right through you,
use my skill set hackin' you old school,
modem in my left hand,right holds a power tool,
run,run,fool 'fore I let the dogs loose,
hip hop strangle hold,Sandman with a noose,
take a lesson in,kid you got your cards dealt,
whipcrack,smack!-you got a belt of the Celt.

*A haon, a do. The only way to go is
a belt of the Celt and we're here to let ya know.
Me word is me bond and me eyes don't lie.
And I've danced with the Seidh in the dead of the night.

A haon, a do. The only way to go is
a belt of the Celt and we're here to let ya know.
Speak truths clearly,me head held high.
And I've danced with the Seidh in the dead of the night.
Yes I've danced with the Seidh in the dead of the night...
"A haon, a do"
is A one,a two in Gaelic.
hope you liked this...otherwise you'll get a belt of the Celt!.
Cyclone Jan 2020
The horror core was made to store the poor; in memoirs I mourn from sorting scorns of foreign thorns, in my dorm it's never warm cause the norm is storms, of searing locust that will **** your focus notice swarms, provoking ****, so I'm torn- growing horns that force, a different course, no remorse through this game of horse, all my progress won't be forced though I will extort, to build my fort, and abort hoarse sounds from dorks, of different sorts.
Gig
6:30 am
time to hit fifty
before I hit the door
Wash away yesterday’s grind
Hoping today has more sunshine
Thrown on clothes darker than my mind
Hit the App that controls my income
Unemployment still ain’t come
So I move somebody’s lunch like a ransom
Even Ranch and Dim Sum
Cause bills ain’t immune
Morning, night and afternoon
Even when my life has gone National Lampoon
By 1:00 pm 45 miles til empty
Stretching the gas past E
I don’t need Jesus grabbing the wheel unless he putting ten on pump three
Turn the clock back before 3/16
Back before covid19
was the fiend
That has me addicted to this gig economy scene
6:00 pm refill
before the dinner rush
Helping Susie make the home like Im the one who cut off the crust  
Disgust with my lack of opportunity piled higher
So I’m burning more woods than California wildfires
Since I’m constantly on the wire
Applying To be more despite the Ravens
Moving in Closer directed by Wes Craven
Scary combination for a brother just trying to get out with his family
11:00 pm taxi as a luxury to another essential needed for my daughter
Whose father fights his introductory
Instinct to be extinct maybe it’s depression,
“What do You think?”
I ask the Waffle House waitress
Whose facelifts to expel “ the bill
$19.86,” with straightness
No hiatus dropdown 30
With the hurry hoping for a better season
For us both Like curry
Too many Wiseman on my team  
so my future is blurry
So the star I seek I see only week to week
How unfortunate but no time for grieve
It’s 4:00 am only two hours to relieve
Swiftly I snore, snooze the alarm button
The real horrorcore

— The End —