Went to my ancestor's home on a Spring season that year..
On a Holi day in the land of Chanchadari
A peaceful morning in Hoshiarpur, the doors to Himalaya
Happy Holli day!! The kids shout with cheer
Holi Hai! Holi Hai! Lets play Holi!!!

He woke up early morning that day..
With a bucket of colored water waiting for me
I stepped outside my grandpa's door
In a split second I was soaked in a coloured water…
From head to toes… red, orange, yellow, purple… the colors of Holi…
Ohh It's a Hoi Hai day alright…
Lets play Holi … Lets play Holi..

Hails spring with ecstasy and joy!
The trees smile with their sprout
of tender leaves and blooming flowers,
The land of beauty and greatness,
India, witnessing color of happiness and peace.
Nation come alive to enjoy the spirit
A celebration of color- Holi!
An experience of content, harmony and delight.

Holi colors of red, green, yellow and countless.
A day's canvas - a riot of colors.
Lively crowd running, dancing, playing
Rainbow of colors, Lets play Holi and splish and splash!!
Lets play with the frenzy colors .. play on Holi Hai day….

I am dreaming of playing with colors with you
It is the Holi celebration after all.
I can't play inside my home, the carpets will get tainted,
I cant' play it in the yard, the grass and outer walls will get painted.
I thought I would go to the secret garden of ours,
and play with you Holi hai day …
It's a colourful day just you and me..
In love on Holi Hai day…. Lets play Holi..

Dear 2020,

     I’m sorry I write to you so much. It must be pretty annoying, having to go back and read all these. And maybe I’m writing to you when you don’t even exist anymore. Hmmm.
     Even if you aren’t alive in 2020, I still like writing to you. Like I said last time, it kind of gives me a little hope. And if you aren’t alive, then I guess Connor might want to read these… I mean they are kind of depressing sometimes so maybe that's not the best idea and I know he probably doesn’t care this much about me, but if he does care about me like he says he does… Then I think he might want to read these. It might help him better understand why I had to go.
     And if he reads these, he might know that I was never angry with him, or the world, or anybody really. I was just angry with myself for not being able to live up to everyone's expectations, especially my own. He might understand then that it didn’t matter if he did care for me, I am too paranoid to think anybody ever could. And even if I knew he cared for me, it wasn’t enough. I’m sorry, but the world is just not the place for me. I can’t handle it. I’m not strong enough. And if I hurt you by saying this, then I’m sorry. But it’s the truth. I’m not trying to make you upset by saying these things, I’m just trying to be honest, and honestly hurting you right now won’t matter because whether it’s in a week, a month, or even a year, you’ll forget me. And that's okay. I’m not trying to tell you that you should remember me. I don’t really deserve that, in a way. I’m the kind of person who just needs to be forgotten. To disappear. And I know that.
     And I know fully that saying what I’m about to is either going to be too stupid or too late, but… I always wanted to be buried in the Lower Pasture, with the dogs. But I guess… Unlike them, I don’t really deserve it. So maybe not.
     I don’t really like thinking about what happens after you die. I mean, I had of course always wanted to go to heaven, as we are taught we should want to do, but I don’t want to rely on hopes like that. I have learned already that living on hopes doesn’t work out for me. And of course, I don’t want to go to hell, either. I just like thinking that after death I just get to stay in that comfortable third space forever. That… sounds a lot more enjoyable than staying on this planet. I don’t like thinking about my funeral, either. This is because I had always pictured people being sad about my being gone, bringing casseroles to my parents, and crying half-heartedly at my funeral because let’s face it: only Connor and my mother ever really knew me. But then I think to myself, oh Holli, you know that people didn’t know who you were. You just said that. And yet you still believe that people would be saddened by your absence. You still think that people would cry at your funeral. You still think you would be remembered, and that you would linger in the minds of those around you. But that's a little selfish, a little rude, isn’t it? To think that after being who you were, and admitting that only two people got even a glimpse of who you really were, after you lied to all the rest, that people would still care about you? You know, don’t you, what happens to people who die after not being very well-known. You know what happens in the hearts of those who attend the funerals of suicide victims they did not know very well. You were one of them. You, yourself, did not know very well Jackson’s father, and you yourself, knew that his death had affected Jackson. You knew and cared about Jackson. You hated his father for doing this to him. You hated him. You know, now, that it was not Jackson’s father who did anything wrong, but the world, and you only know this because you, yourself are also being crushed underneath the weight of the world and living in it. But the others will not know that. They care about Connor, and they care about your mother, and they will hate you for hurting them. And Connor and your mother will hate you, too, for doing that to them. Do you hear that, Holli? The only people you know you love in this wretched world will hate you, hate carrying around the burden of you in their minds, hate you, hate that you existed, and maybe hate themselves for being near you. And I ask you: Do you want that?
     And I start to cry. Because I don’t want that. I do not want them to hate me. But I am helpless; there is nothing I can do anymore. I am doomed. I was born to die. That’s why I peaked in second grade, why I had always lived my life to the fullest and was true to myself. I bet that somewhere in the back of my mind, I always knew that I was born to die. I know it is my own fault. And yet I want deeply to believe that it is not. If they end up hating me, then I am sorry. I hate me too. But I was born to die, wasn’t I?
     I apologize for this letter being as dour and grim and ridiculous as it was. Haha… I really am a pessimist, aren’t I? Oh well. None of this will matter in the end, anyway.

            Love,
                     Holli

In this age of global uncertainty, clothes have become a kind of panacea for a growing number of consumers. Designers are responding to the political upheavals of the past year by injecting some much-needed humour into women’s wardrobes. Browns CEO Holli Rogers is already predicting that spring’s sartorial hit will be Rosie Assoulin’s smiley-face T-shirt. This cheery number, which reads "Thank you! Have a Nice Day!’" neatly sums up the jubilant mood of the coming season.

The logic goes that turning up the dial on the fun, the colourful and the crazy is the sartorial equivalent of Michelle Obama’s "when they go low, we go high" mantra. We may not be able to control the chaos of world events, but we still rule our own style.

It’s no coincidence that a cartoonish aesthetic, of the sort you’d find if you rifled through an eccentric child’s dressing-up box, was in plentiful supply on the spring/summer 2017 runways. Alessandro Michele’s army of Gucci geeks displayed growing swagger in garish get-ups that ran from fuzzy crayon-coloured furs featuring zebras to tiered, tinsel-y coats that rivalled Grandma’s Christmas tree.

It was a similar story at Dolce & Gabbana, where sumptuous eveningwear was loaded with pasta and pizza motifs, and drums became bags, while Marc Jacobs tore a page from a psychedelic colouring book, covering clothes with the childlike scrawl of the London illustrator Julie Verhoeven. Even ardent minimalists would have to admit that these playful looks have potent pick-me-up power.

For Anya Hindmarch – whose empire is built on feel-good fashion – all this frivolity is nothing new. "An ironic, lighter and more irreverent approach has always been my thing. People love beautiful objects and increasingly, they want to show their character – that’s the point of fashion," she says. "Customers today are more confident with their style. There aren’t so many rules. It’s about putting a sticker on a beautiful handbag and not being too precious about it."

What’s surprising is who is consuming this cartoonish style. Though there’s no real rhyme or reason, says Hindmarch, often it’s older clients who are investing in the maddest pieces – like her cuddly, googly-eyed Ghost backpack that has also been spotted on Gigi Hadid and Kendall Jenner.

The same is true of the customer for the Lebanese designer Mira Mikati’s emoji-embellished styles. Though her fans run from twenty to fiftysomethings, at a recent London pop-up one of Mikati’s most ardent buyers was an 87-year-old. "She tells me that whenever she wears my clothes people stop her on the street. They smile. They start conversations. She literally makes friends through what she wears."

Mikati began her career as a buyer, co-founding the upscale Beirut boutique Plum, before launching her own line some four seasons ago – largely out of frustration at the sameness of the mainstream collections. "I wanted to create something fun and colourful but easy to wear – that you can add to jeans and a white T-shirt, but that’s also a conversation point."

Her clothes, worn by Beyoncé and Rihanna, are certainly that: pink parrot-appliquéd trench coats, scribble-print hooded tops and dresses clad with a family of monsters who spell out her Peter Pan ethos in scrawled speech bubbles that read "Never Grow Up’" The antithesis of normcore, these designs take their cue from her children’s toy trunk and the Japanese pop art of Takashi Murakami – who returned the compliment by donning one of her patched bombers.

Mikati is clearly onto something. According to Roberta Benteler, who founded online fashion emporium Avenue 32 in 2011, it’s the cartoon aesthetic that’s really piquing women’s desire right now.

"Anything that looks like a child’s drawing or a toy sells incredibly well," she says. "Brands like Mira Mikati, Vivetta and Les Petits Joueurs inspire the impulse to buy because they’re so eye-catching. You have to have it now because there’s a sense you won’t find it anywhere else."

The exponential rise of street-style stars and the social-media machine that now propels the fashion industry also plays a part in the popularity of these playful looks.

"Designers are creating for the online world and customer," continues Benteler, who cites the Middle Eastern consumer as a big investor in these niche eccentric designs. "People find escapism in fashion and more than ever they need something to cheer them up. These are clothes that stand out on Instagram, and for designers that translates into sales."

In practical terms, in an effort to beat the warp speed of high-street copying, designers are differentiating themselves with increasingly intricate and artisanal styles that are harder to mimic. Just because these pieces have a childlike sensibility doesn’t mean they’re not beautifully crafted.

"My aim is create a handbag that you can keep as a design piece," explains the accessories designer Paula Cademartori. One of her most successful designs – the Petite Faye bag, which comes in a whole rainbow of configurations – takes more than 32 hours to create at her Italian studio. "Even if the styles are colourful and speak loudly, they’re still sophisticated," says Cademartori, whose brand was recently snapped up by the luxury goods group OTB. It can pay to be playful.

One man with a unique insight into the feel-good phenomenon is Marco de Vincenzo, who combines his longstanding role as leather goods head designer at Fendi with creating his own collection. "When we first created the Fendi monster accessories for bags we were simply playing around," he says of the charms that still loom large some three years on. "The most successful designs are created without pressure, through play."

His own-line debut bag features an animalistic paw. ‘It’s about creating something new and different for women to discover,’ he explains. "You buy something because you love it, not because you need it. Fashion is like a game – it has to excite."

When it comes to distilling this childlike abandon into your wardrobe, take cues from super style blogger Leandra Medine, who balances madcap pieces, such as her first collection of colourful footwear under her MR By Man Repeller label, with plainer, simpler ones. "It’s all about wearing your clothes with joy, and having fun, but not looking ridiculous," says Cademartori. "You don’t want to look like an actual cartoon."

It’s advice that chimes with that of Anya Hindmarch. "I love the idea of wearing a super-simple Comme des Garçons jacket and a white shirt with a really fun bag to mess it all up a bit." It’s a failsafe formula for dressing your way to happiness.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

Dear 2020,

     I’m really sorry. I don’t totally remember what I said in the last letter, but I know it was ridiculous. No one is born to die. The future can always change.
     The idea of being “born to die” is an idea from Dragonlance, Dragons of the summer flame. One of the characters asks another if his brothers, who had recently died in an epic battle, were born to die. The reader can easily see how this would be because their deaths help the story move along the way it should. And the reader sees how impossible it is that the living brother is the only survivor of the battle from his side.
     But what I said is ridiculous. I’m sorry. I can’t believe I wrote something so ridiculous in a letter to you.
     I had a good time today. Better than usual. But there was still that aura around me, that dark cloud that darkens everything. If I had had a day like this in the Before Times, before everything went spiraling downward, I probably would’ve had more fun than I did today. I’m sorry. I sound so ungrateful. But I’m not. I really enjoyed myself.
     Last week the doctor asked me if I was still thinking of self-harm. I said no. I guess I panicked because the doctor and my mother were right there, but I still think that was a lie. I don’t often take actions for my thoughts (well, sometimes I do. A few days ago I admittedly tore through my drawers in my bathroom, looking for a razor or razor head. I don’t even want to really think about what I might have done if I had found one) but I have certainly been thinking about self-harm. I think about it every day. Sometimes when I am setting my goals for myself, I will think, you have to eat less. If you don’t stop eating, I swear I’ll cut you. Yes. I know it's kind of stupid that I would talk to myself like that. But when the doctor or the counselor asks if I’ve been thinking about self-harm again, it is always incredibly hard to answer them truthfully. It is awkward and hard to explain the way I think to adults, and giving off the wrong impression in this kind of situation can be a really big deal. Like how I gave off the impression that thinking about my past didn’t bother me to my mother. She once asked me about the Harm Times in public. I was stunned, appalled, mortified, and paralyzed. It is extremely hard for me to talk to others about these things.
      But I like talking to you. Because you are a better me. A wiser me. In a strange way, I guess I look up to you. Which is good, I guess, because there really isn’t anyone else that I can look up to.
     For someone reason, for about an hour my face has felt really flushed. Like I’m blushing, or something. But I’m not, and I haven’t been doing anything except playing games.
     I think to myself sometimes. I think I am such a messed-up person, aren’t I? I probably am.
     Lately, I’ve been really tired. I think it’s just from life. It’s also a symptom, so maybe that's it. I also have been forgetting things a lot. Like how I think I’ve talked about being tired of you before, and said that it wasn’t really from staying up late, but I don’t remember.
     Sigh


     Hey. You know why I start every letter by saying that you might not exist; that in 2020 I might be dead? It’s not because of pessimism. It's not because I believe some accident will occur or I will be murdered. The accident has already, occurred. That is me. I say the things about you not existing because I can’t see the future, especially not like I used to. I used to be able to plan out every little thing about my future. Now I don’t even know what I want to be when I grow up. I can’t see very far into my future, because I genuinely believe that before I am very old I will simply **** myself, and all of this will be over. I am so certain of this that when people ask me about my future I think about how I know I will die soon, and simply tell them whatever comes to mind. I am so certain that I will die soon that sometimes I feel like I should live my life to the fullest as if I have no control over my own suicide. I am so certain of my death being soon that sometimes I used to feel excited as if it were coming soon. I am so weird. By the way, there is no ‘living your life to the fullest’ for me. There is nothing I want to do. Except maybe feel happy, loved, genuine. But blasting happy, nostalgic tunes can only do so much.
      I really, really cannot see myself very far into the future from now. I can only imagine myself being a recluse. Honestly, if things continue like this and I am still alive, I really cannot see myself in college. I’m such a mess. I’m sorry for telling you all this. This is the kind of useless **** I keep telling myself I need to keep inside.
     sigh
              Sincerely,
                              Hol­li