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Edward Coles Sep 2014
School children walk by in their dirtied rugby kits
as a reminder that it only takes five years for
inertia to calcify and turn into a state of mind.

I smoke by the front door, ear to the hallway
in case a phone call comes from the government,
lending me money so that I can break up the days.

There is no need to change. No reason to pull out
of these clothes and take to window shopping
in the market town of charity shops and fast food.

My bed is full of crescent moons in nightcaps
and faceless stars, sewn together in Indonesia,
some small hands that gave me a comfort which

faded through wash cycles and pill-drawn sleep.
I have given myself to application forms and binary,
Yes/No answers to my heritage and right to work.

All I can do is lie exhausted in the night sky,
draw the curtains from daylight, and hope that
poetry is enough to punctuate the afternoon.

I thought depression was a creative drama;
a way to filter reality into a thousand petalled lotus
flower that blooms through broken skin and sends

algae past the ionosphere and into the breathless
lung of space. There is caffeine for food and boiled
sweets to give the sensation of mint and sugar.

I thought depression was a poet's ultimate muse.
I thought depression brought the most peaceful sleep.
I thought happiness came in basaltic columns,

echo chambers that sang with water flutes and
siren songs. I thought that I would find the current,
lengthen my back, and then float to dry land.
c

— The End —