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Nat Lipstadt Aug 28
the waters of the Sound, churning,
make my hands a five-in-hand knotted,
full of writhing wriggling writing poem
lines with an go<hesitant~go  slow, knowing that,inspiration is daring me, just as the  whitecaps are, troubled trolling so nearby,
gone can hear them mocking me with their
17knot  ‘breeze,’ your lyrics are but
blowing in the wind, soon enough will
shift to someone else, leavening your
deflation with a non~riser sour-dough mix
of unfinished sadness

in advance, knowings that every poem
more like a Monarch butterfly, here but
for a momentary traversal travesty,
gone faster than the eye blink, and this
infilling fleeing fleet urgency more
likely to die on the pyre of unfinished
rejected draftees, unselected for service

nonetheless ~ “follow” lyrics refuse me
to let~leave a poor tribute to vine~die, the
fingers speak in unison, urging me on,
not wanting to escape from this fantasizing
moment, urging me to tap tap tap
evermore!

“ Come taste and smell the waters of our time,”
Richie invites us all to find our own water,
let it work its magic upon our
nerve endings, but,
mine full of sendings, how?

can one sit seated in the Poet’s Nook,
same vista, no visa required ~
just to see it each time
differently, only the truly creative can love it
so much, that they tip into unexplored unexploited
veins of fresh blood and words
and eyes that discern and earn the ability
to write of the old with new inside insights

those! they are the ones you need to follow!
creators! with a small C, see them feel, see them divine with rod, their original water,
from which they emerged, and drink once more, for the water follows them like nutrients, raw materials that nourishes
and they in turn, return to their watery
birth site, their emotional placentae,
drawing from, returning to it new creations

for all of us to follow, fire our senses,
make us!
make art in all our hearts,
and don’t mind me, just

”close your eyes, child, and look at what I'll show you;
Let your mind go reeling out and let the breezes blow you,
And maybe when we meet then suddenly I will know you.
If all the things you see ain't
Quite what they seem,
Then don't mind me 'cos I ain't nothin' but a dream .
‘cos


We
ain’t nothing but a dream,
our disguised muses visiting,
pleading to be
usefully used…
A recurring line from “Follow” lyrics by Richard Merrick, sung most famously by Richie Havens, who made it his marquee signature song, and a standard, immediately ’ recognizable by anyone who listened to music in the Sixities (20th century)

<>
Let the river rock you like a cradle
Climb to the treetops, child, if you're able
Let your hands tie a knot across the table.
Come and touch the things you cannot feel.
And close your fingertips and fly where I can't hold you
Let the sun-rain fall and let the dewy clouds enfold you
And maybe you can sing to me the words I just told you,
If all the things you feel ain't what they seem.
And don't mind me 'cos I ain't nothin' but a dream.
The mocking bird sings each different song
Each song has wings - they won't stay long.
Do those who hear think he's doing wrong?
While the church bell tolls its one-note song
And the school bell is tinkling to the throng.
Come here where your ears cannot hear.
And close your eyes, child, and listen to what I'll tell you
Follow in the darkest night the sounds that may impel you
And the song that I am singing may disturb or serve to quell you
If all the sounds you hear ain't what they seem,
Then don't mind me 'cos I ain't nothin' but a dream
The rising smell of fresh-cut grass
Smothered cities choke and yell with fuming gas
I hold some grapes up to the sun
And their flavour breaks upon my tongue.
With eager tongues we taste our strife
And fill our lungs with seas of life.
Come taste and smell the waters of our time.
And close your lips, child, so softly I might kiss you,
Let your flower perfume out and let the winds caress you.
As I walk on through the garden, I am hoping I don't miss you
If all the things you taste ain't what they seem,
Then don't mind me 'cos I ain't nothin' but a dream .
The sun and moon both arise
And we'll see them soon through days and nights
But now silver leaves are mirrors, bring delights.
And the colours of your eyes are fiery bright,
While darkness blinds the skies with all its light.
Come see where your eyes cannot see.
And close your eyes, child, and look at what I'll show you;
Let your mind go reeling out and let the breezes blow you,
And maybe when we meet then suddenly I will know you.
If all the things you see ain't
Quite what they seem,
Then don't mind me 'cos I ain't nothin' but a dream .
And you can follow; And you can follow; follow...
Source: Musixmatch
Andrew Rueter Oct 2020
Hong Kong protesters out in the streets
It's there they clash with police
Fighting to avoid legislative defeat
That would put them in the reach
Of the government's gripping grief

Hong Kong was a place to hide from fascism
But became a mad schism
Driven by hedonism
Justifying a decision
For China to make an incision

Meanwhile in Mexico
They're telling the rest to go
Back to their own country
Because a fascist is hunting
Using social issues for stunting
To distract from economic punting

Mexico was a tolerant purgatory
For those avoiding a death so gory
That nobody would know their story
As the drug cartels take all the glory
With the police and politicians they're affording
Using all the drugs they're exporting

These places used to be safe havens
From corruption laden
Militant ravens
Who are actually craven
Hiding behind guns and the arraignment
Of any other tribe walking their pavement

Now there's nowhere to escape
From the horrible hate
In this globalist state
So the noblest slate
Is to no longer wait
And set things straight

— The End —