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aurora kastanias Oct 2017
I was born in a city and time where and when
things were described by their name in the name
of realism and truth, uncoloured nouns of honesty
depicting society as it was fearing nothing
while no one took offence, as none was intended

in the atmosphere of autocriticism and self-
deprecating humour. In the countryside village
peasants called my father the Greek, as there were
no aliens other than us and the English man
who lived down the valley. Black skins

only existed on TV, and Africa was far more distant
than maps ever suggested. Our Ghanaian origins
were a mesmerising fable to the curious ears
of those willing to imagine exotic airs, indefinite
populations they had never seen. Italians

were used to migrate abroad in search of dreams,
though no one came to dream in Rome until, they did.
First strange faces appeared for myths to become
realities integrating slowly fast-forwarding thirty years
to see, Filipinos housekeepers, cheaper butlers,

Rumanians and Moldavians caregivers to our elders,
Chinese empires beginning with restaurants and shops,
Selling almost anything one could ever think of affordable
to all, now expanding to own bars creating jobs,
employers of impoverished locals and new arrivals.

Bangladeshis taking over once-was Italian grocery cash
and carries working hard, a 24/7 policy just for some.
Those who don’t are found selling umbrellas on the road
a minute before the storm, or taking polaroid pictures
of tourists at night when the gypsies come out

of nomad camps to sell, unscented roses to lovers
unnaturally blue for the day is reserved, to picking
pockets on public transports everybody knows,
signs are put up for those who don’t. Lebanese
hairdressers hiring young Italian girls, eat in Turkish

kebab fast-foods buying halal ingredients in Iraqi stores.
Only blacks in Rome own nothing but their shoes
and reputation. Those from North African countries often deal
on sidewalks for drug addicts playing instruments
sitting next to dogs on Tiber bridges as they beg

for one more dose. Though Egyptians mainly deal
with chefs, closed in restaurant kitchens learning
pizza-making skills, while Pakistanis make excellent
dishwashers. Turning back to blacks Nigerians,
Senegalese, Malians and many more improvise

themselves as clandestine street vendors
of jewels and fake bags, the latter secretly supplied
by Italian mafia-like wannabes. Often spotted running
away from police, packing goods in white sheets, held
on their backs as they flee, leaving fallen merchandise

behind them. Finally some remain unseen, straight
from heart of darkness and surroundings they stay
strictly on TV, passing from satiric sketches of the past
to NGO adverts crying out, for help against famine,
poverty and sickness, calling for action two euros a day

via sms to keep, consciousness clean, as we close
our eyes not to see, pretend we do not know, hiding
behind words we call, politically correct not to face, take
distance from reality and truth, disguise inconvenience
and uncomfort with ridiculously embellished, jargon.

Some exceptions obviously exist, as many manage
to live outside the box, though alas and do not blame me
for speaking the truth, they remain to date exceptions
dear to my heart, as are all the characters of this portrait,
scattered pieces of humanity, pieces of me.
On political correctness

— The End —