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I

She’s sleepwalking again,
my nine-year-old daughter,
who shares the bedroom
with her sister down the hall.
She’s kicked off the covers
and wandered downstairs,
somnambulant, her bare feet
moving as though in a dream
across the kitchen’s linoleum
floor to the back of the house.
The porch door smacks shut—
a gunshot—and she is gone.

For a time, I watch her from
the open bedroom window.
Her diaphanous nightgown
absorbs August moonlight.
She steps slowly, a pale flame
floating across the back field,
the wiregrass up to her knees,
avoiding a copse of redbuds,
skirting shrubs and stones.

When her small figure succumbs
to shadow at the edge of the trees,
I put on my bathrobe and follow.

II

At first, she is lost to me.
I break into a delirious run,
scratched on my cheek
by a redbud branch.
Reaching the tree line,
I see her standing still,
shoulders stooped,
a luminous cattail
bending down.

She hovers above a sleeping fawn,
the warm bundle curled at her feet.
I contemplate the white spots
scattered on fur, thinking, velvet stars.

But when I place a hand
on my daughter’s shoulder
I see blood flowing fresh
from the doe’s abdomen;
red entrails slipping out,
pooling on pine needles.
Stepping closer, I remember a moment
earlier that evening: a jar of preserves
spilled carelessly on the kitchen’s stone counter,
the soft dishtowel soaking scarlet in my hand.

At the edge of the creek, a second doe
watches us with opaque, joyless eyes.
My daughter puts her finger to her lips;
the doe tenses, blinks, and bolts away.

I lift my daughter and carry her carefully
home, her head buried in my shoulder,
blades of grass clinging to my bare feet.

III

My daughters' room:
holding her in weak arms, poised
to lay her on top bedcovers,
I notice her sister’s empty bed,
neatly made, the blankets smooth
and tight across the mattress.

An anemic moth bangs
against the window pane.

The light flicks on and suddenly
I am awake, remembering all of it:
the dry diagnosis, the slow whir
of hospital machines, the smell
of old flowers, and somewhere
in my daughter’s stomach,
the cruel mathematics
of cells metastasizing.

My wife stands in the doorway,
her hand on the light switch.
My arms are empty. I gaze
down and see our daughter
nestled under covers,
breathing softly, asleep.

I see the pale white skin of my clean bare feet.

You’re sleepwalking again, my wife says.
She touches my unsullied cheek, hooks her
fingers through mine, and shuffles me down
the hall to bed. Head sinking into the pillow,
I gaze out the open bedroom window and weep.

The moonless sky cradles its constellations:
bright grains of salt scattered on soapstone;
my hand trembles, unable to wipe them away.
Thoughts spin slowly
in controlled revolutions
on prayer wheels stem
from start to finish
with impermanence,
and like the purity of
water vapor they come only
for us to release like
inflated balloons…

A soft sigh catches the wind
An involuntary sob escapes regression,
and startled slumbering revelations
might impede our purpose
yet in unison it seems we
are all for the very first time
learning how to breathe

Written by Sara Fielder © Feb 2016
When I was 17,
the wreckage
of my home
smoldering
a hundred miles east
of my degenerate
disposition,
I worked
the carnival,
bathed in iridescent light,
kicking the crap
out of time with
my alligator boots,
spinning carousel stories,
exhaling cigarette smoke
in circles above the perfumed
heads of carnal housewives,
the calliope music
swirling endlessly,
a loop of depot kisses
and whiskey lust,
my leather gloves
softened by torn
ticket stubs and
legerdemain.

Beneath big top canvas,
the lonesome doves
of my past tangled
with boxcar bandits
and funhouse shades.

I set the clowns aflame.

On taught ropes
of reckoning,
I tilt-a-whirled
toward evening’s
inexorable blade.
Grateful
for the way
you loosened my tongue
unlocked the longing
let nature, unfettered,
spill forth

For the keys
to the dance floor,
the illusion
of manhood -
the sing-songs,
punch-ups,
lock-ups
and lovers

But that part played,
what's left
is loveless.
You weigh on my mind,
you get in the way,
you pin my arms
and force your way in

My boys are watching.
You'd have them think
this was normal, natural -
you're waiting
with your glistening invitation
to take them down
this perilous path

Wasted
days wasted
they watch.
I wish
myself washed
of this witchcraft.

I'll raise a glass
in this hall of mirrors
then set it down
untasted.
We'll always have
the past, I suppose.
Now please,
just let me be.
 Oct 2016 Stefan Michener
Mae
Please
I just badly
need to know
**Was it enough?
I really can't afford to fail another one..
Brushwork

If I were a jazz pianist I would pay
my dues in one lump sum on a tip
from some country singer on his way

down who gives me the shirt off his back
a Nudie with piping and plenty
of rhinestones that catch the stage

lights just so and sweep in reflection
across the polished planes of my 1890
rosewood Steinway Grand Modal C

a beaut with a pedigree, one I won’t fail
to mention from the stage in the second set
during the pause between How High The Moon

and I Love The Life I Live from behind
a bobbing cigarette, sharing the remarkable
fact that this is the very same piano

Mose Allison played in a two night stand
at the Blue Note in 1962.  Later I’ll work Jimmy
the trumpet player’s name into a tune and trade

winks with the guy on upright bass
the drummer slack jawed oblivious, lost
to us all in some very tasty brushwork.
Nightfall
Under the twinkle
Of a fading star
Wind & Rain
They whisper together
If you are alert enough
Do something
For someone's heart
So that your own heart
Can secure its wishes
The moon and the sun are eternal travelers
With a most refreshing smile
For me
And for you
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