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ishaan khandpur Jan 2014
Let's play a game,
She said to him.
I'll keep your heart,
In this tin.

Up on the shelf,
It will lie.
In my control,
You will die.

I'll share my love,
I'll be your fame.
I'll make you feel,
Like you're born again.

You'll find in me,
Your confidant,
Your talking tree,
Your agony aunt.

And when you fall,
For i'm sure you will,
In love with me,
All over again.

I'll take that tin,
The one with your heart.
And lock it in,
My cold, dark cupbord.

For you'll be mine,
And mine alone,
My simple pet,
My talking dog.

I'll make you dance,
I'll make you sway.
All alone,
In my dark cave.

And when i'm done,
With your heart.
Love will be,
All but a mirage.

And then the game,
Will find it's end.
And you will die,
Alone again
peter oram  Mar 2012
ambigram xii
peter oram Mar 2012
The people in this place
—what are they doing here?
They come and go like actors in
a play whose star will very soon
begin to show himself,
although we have no clue

which one he is, for they‘re
all so like tin apostle
spoons, not truly separate beings
but figurines, a passive foil
to  the inscrutible hero.
Is that him, that thin

pale figure who just now
is fleeing the inquisitive
crowd? But in a while he too
is slowly reingested, merged
into that far-off world
we can no  longer be in.

The people in this place—what are they do-
ing here? They come and go like actors in
a play whose star will very soon begin
to show himself, although we have no clue

which one he is, for they‘re all so like tin
apostle spoons, not truly separate beings
but figurines, a passive foil to  the in-
scrutible hero. Is that him, that thin

pale figure who just now is fleeing the in-
quisitive  crowd? But in a while he too
is slowly reingested, merged into
that far-off world we can no  longer be in.

The people in this place—what are
they doing here? They come and go
like actors in a play whose star

will very soon begin to show
himself, although we have no clue
which one he is, for they‘re all so

like tin apostle spoons, not tru-
ly separate beings but figurines,
a passive foil to  the inscru-

tible hero. Is that him, that thin
pale figure who just now is fleeing
the inquisitive  crowd? But in

a while he too is slowly rein-
gested, merged into that far-
off world we can no longer be in.

The people in this place—what are they doing here?
They come and go like actors in a play whose star
will very soon begin to show himself, although
we have no clue which one he is, for they‘re all so
like tin apostle spoons, not truly separate beings

but figurines, a passive foil to  the inscru-
tible hero. Is that him, that thin pale figure who
just now is fleeing the inquisitive  crowd? But in
a while he too is slowly reingested, merged
into that far-off world we can no  longer be in.
EP Mason  Sep 2013
Preference
EP Mason Sep 2013
The circular confectionery tin has been there every Christmas
often replaced, often changed for a different brand
either way
every year we curse our brains and slap our wrists
for the temptation which overwhelms us
and our carefree nature, wholeheartedly encouraged by our family
''Go on, it's Christmas.''

And so, which one do we select?
of course, the one we like the most
the one with the prettiest wrapper
or the smoothest taste
the one we laugh, bewildered at others for not liking

Sneaking downstairs at night to grab a handful of our favourite flavour
to make sure nobody else can have your preference
until
eventually
all of your favourites are gone
so you settle for the ones you like, but would never choose originally
these are the second best chocolates
they have a mediocre wrapper and a pleasant taste
but they are nothing compared to the ones you would always choose

But now, you've had all of these as well
and you stare into the near-empty tin, rattling with the dull sound of the unwanted chocolates
for a moment you contemplate why anybody would eat those ones first
the colours are mundane and the taste is far from favourable

until somebody else walks past
and they peer into the tin
a hint of pleasant surprise sounds from their lips
''Oh, my favourite.''
And they select the 'dullest' chocolate left in the tin
because the faded purple is their favourite colour
and the sharp taste of orange lacquer is their favourite taste
and they wonder why you ate all the caramel chocolates first
because they would have left them until last

And now the tin is empty
every chocolate loved
by a different person
with a different taste
and when you think about what you truly love
you finally understand
© Erin Mason 2013
Fred Wakefield Oct 2012
Tuesday night and it’s Baked Beans AGAIN! Does she ever stop talking.
I used to fool myself that her snore was musical like a sweet sounding flute,
Now it’s just a snore. Too loud, all too familiar.
What would happen I wonder if I took that tin of Baked Beans on the table
And battered her to death with it.

They found the ****** weapon in the cupboard on the top shelf,
Next to a quivering can of rice pudding.
It didn’t look overly angry or guilty, it looked (for what it’s worth)
Like any other tin of beans.
However it had blood and hair around the rim.

“BAKED BEANS ****” the front page of The Sun would say,
Amnesty on all tinned goods called for, as the masses
Started taking ‘tin(g)s” into their own hands.
All over the country, partners dying at the hands of Heinz,
Or possibly cans of spam or pear slices.

The Army may catch on, a major new part of SAS training,
Close quarter baked bean tactics.
The wail of sirens as Police arrive at an incident
“Put down the weapon or we shall be forced to fire… tinned pineapple”.
A can of alphabetti spaghetti could spell death.

“Let’s not have Baked Beans tonight my love… Chinese?”
peter oram  Mar 2012
ambigram xii
peter oram Mar 2012
The people in this place
—what are they doing here?
They come and go like actors in
a play whose star will very soon
begin to show himself,
although we have no clue

which one he is, for they‘re
all so like tin apostle
spoons, not truly separate beings
but figurines, a passive foil
to  the inscrutible hero.
Is that him, that thin

pale figure who just now
is fleeing the inquisitive
crowd? But in a while he too
is slowly reingested, merged
into that far-off world
we can no  longer be in.

The people in this place—what are they do-
ing here? They come and go like actors in
a play whose star will very soon begin
to show himself, although we have no clue

which one he is, for they‘re all so like tin
apostle spoons, not truly separate beings
but figurines, a passive foil to  the in-
scrutible hero. Is that him, that thin

pale figure who just now is fleeing the in-
quisitive  crowd? But in a while he too
is slowly reingested, merged into
that far-off world we can no  longer be in.

The people in this place—what are
they doing here? They come and go
like actors in a play whose star

will very soon begin to show
himself, although we have no clue
which one he is, for they‘re all so

like tin apostle spoons, not tru-
ly separate beings but figurines,
a passive foil to  the inscru-

tible hero. Is that him, that thin
pale figure who just now is fleeing
the inquisitive  crowd? But in

a while he too is slowly rein-
gested, merged into that far-
off world we can no longer be in.

The people in this place—what are they doing here?
They come and go like actors in a play whose star
will very soon begin to show himself, although
we have no clue which one he is, for they‘re all so
like tin apostle spoons, not truly separate beings

but figurines, a passive foil to  the inscru-
tible hero. Is that him, that thin pale figure who
just now is fleeing the inquisitive  crowd? But in
a while he too is slowly reingested, merged
into that far-off world we can no  longer be in.
While wandering on a local beach
Half buried in **** and sand,
The sparkle of something caught my eye
The shape of an old tin can.
I kicked it loose from entangling ****
And saw there was something within,
A colourful creature there indeed,
An octopus in a tin.

I thought it cute so I took it home
To put in the garden pond,
Then added salt for a briny mix
So it wouldn’t think to abscond.
It swam on out of the tin to feed
And seized on a goldfish there,
I said to Diane, ‘He has a need,’
While she just tore at her hair.

‘What were you thinking?’ Diane said,
‘It’ll eat all the fish we’ve got,’
‘They’re only a couple of bucks,’ I said,
‘I’ll get some more at the shop.’
He settled right in, our strangest pet,
And cost us to feed the least,
I said that I’d name the tinker, ‘Jet’,
Diane just called him ‘The Beast’.

He started to grow, outgrew his can,
So settled down in the depths,
He couldn’t be seen for thick pondweed,
Diane said,’It’s for the best.’
The dog would bark when The Beast came up,
Would stand there, wagging his tail.
We loved that dog, though barely a pup,
Then Diane began to wail.

‘It’s eaten the effing dog,’ she said,
Her language was more than coarse,
And Rin-Tin-Tin in the pond was skin,
She said, ‘Keep it away from my horse!’
I poked around in the pool for him
Just trying to make him rise,
He bit the end of my pole clean off,
He must have grown to a size.

She said I had to stop feeding him
But that only made it worse,
He looked for food, and he got the cat
As it chased a couple of birds.
Diane was walking down by the pond
When I suddenly heard her scream,
A tentacle wrapped around her leg
It looked like a nightmare scene.

I tried my best to peel it away
The octopus was too strong,
Diane went struggling over the edge
And fell right into the pond,
It took her down to the lower depths
And ate her, clean to the bone,
I tell this tale, so you won’t forget,
Don’t take an octopus home.

David Lewis Paget
Marshal Gebbie Jun 2018
Steven my boy,

We coasted into a medieval pub in the middle of nowhere in wildest Devon to encounter the place in uproarious bedlam. A dozen country madams had been imbibing in the pre wedding wine and were in great form roaring with laughter and bursting out of their lacy cotton frocks. Bunting adorned the pub, Union Jack was aflutter everywhere and a full size cut out of HM the Queen welcomed visitors into the front door. Cucumber sandwiches and a heady fruit punch were available to all and sundry and the din was absolutely riotous……THE ROYAL WEDDING WAS UNDERWAY ON THE GIANT TV ON THE BAR WALL….and we were joining in the mood of things by sinking a bevy of Bushmills Irish whiskies neat!

Now…. this is a major event in the UK.

Everybody loves Prince Harry, he is the terrible tearaway of the Royal family, he has been caught ******* sheila’s in all sorts of weird circumstance. Now the dear boy is to be married to a beauty from the USA….besotted he is with her, fair dripping with love and adoration…..and the whole country loves little Megan Markle for making him so.

The British are famous for their pageantry and pomp….everything is timed to the second and must be absolutely….just so. Well….Nobody told the most Reverend Michael Curry this…. and he launched into the most wonderful full spirited Halleluiah sermon about the joyous “Wonder of Love”. He went on and on for a full 14 minutes, and as he proceeded on, the British stiff upper lips became more and more rigidly uncomfortable with this radical departure from protocol. Her Majesty the Queen stood aghast and locked her beady blue eyes in a riveting, steely glare, directed furiously at the good Reverend….to no avail, on he went with his magic sermon to a beautiful rousing ******….and an absolute stony silence in the cavernous interior of that vaulting, magnificent cathedral. Prince Harry and his lovely bride, (whose wedding the day was all about), were delighted with Curry’s performance….as was Prince William, heir to the Throne, who wore a fascinating **** eating grin all over his face for the entire performance.

Says a lot, my friend, about the refreshing values of tomorrows Royalty.

We rolled out of that country pub three parts cut to the wind, dunno how we made it to our next destination, but we had one hellava good time at that Royal Wedding!

The weft and the weave of our appreciation fluctuated wildly with each day of travel through this magnificent and ancient land, Great Britain.

There was soft brilliant summer air which hovered over the undulating green patchwork of the Cotswolds whilst we dined on delicious roast beef and Yorkshire pudding, from an elevated position in a medieval country inn..... So magnificent as to make you want to weep with the beauty of it all….and the quaint thatched farmhouse with the second story multi paned windows, which I understood, had been there, in that spot, since the twelfth century. Our accommodation, sleeping beneath oaken beams within thick stone walls, once a pen for swine, now a domiciled overnight bed and pillow of luxury with white cotton sheets for weary Kiwi travellers.

The sadness of the Cornish west coast, which bore testimony to tragedy for the hard working tin miners of the 1800s. A sharp decrease in the international tin price in 1911 destituted whole populations who walked away from their life’s work and fled to the New World in search of the promise of a future. Forlorn brick ruins adorned stark rocky outcrops right along the coastline and inland for miles. Lonely brick chimneys silhouetted against sharp vertical cliffs and the ever crashing crescendo of the pounding waves of the cold Atlantic ocean.

No parking in Padstow….absolutely NIL! You parked your car miles away in the designated carpark at an overnight cost….and with your bags in tow, you walked to your digs. Now known as Padstein, this beautiful place is now populated with eight Rick Stein restaurants and shops dotted here and there.

We had a huge feed of piping hot fish and chips together with handles of cold ale down at his harbour side fish and chip restaurant near the wharfs…place was packed with people, you had to queue at the door for a table, no reservations accepted….Just great!

Clovelly was different, almost precipitous. This ancient fishing village plummeted down impossibly steep cliffs….a very rough, winding cobbled stone walkway, which must have taken years to build by hand, the only way down to the huge rock breakwater which harboured the fishing boats Against the Atlantic storms. And in a quaint little cottagey place, perched on the edge of a cliff, we had yet another beautiful Devonshire tea in delicate, white China cups...with tasty hot scones, piles of strawberry jam and a huge *** of thick clotted cream…Yum! Too ****** steep to struggle back up the hill so we spent ten quid and rode all the way up the switch back beneath the olive canvass canopy of an old Land Rover…..money well spent!

Creaking floorboards and near vertical, winding staircases and massive rock walls seemed to be common characteristics of all the lovely old lodging houses we were accommodated in. Sarah, our lovely daughter in law, arranged an excellent itinerary for us to travel around the SW coast staying in the most picturesque of places which seeped with antiquity and character. We zooped around the narrow lanes, between the hedgerows in our sharp little VW golf hire car And, with Sarah at the helm, we never got lost or missed a beat…..Fantastic effort, thank you so much Sarah and Solomon on behalf of your grateful In laws, Janet and Marshal, who loved every single moment of it all!

Memories of a lifetime.

Wanted to tell the world about your excitement, Janet, on visiting Stoke on Trent.

This town is famous the world over for it’s pottery. The pottery industry has flourished here since the middle ages and this is evidenced by the antiquity of the kilns and huge brick chimneys littered around the ancient factories. Stoke on Trent is an industrial town and it’s narrow, winding streets and congested run down buildings bear testimony to past good times and bad.

We visited “Burleigh”.

Darling Janet has collected Burleigh pottery for as long as I have known her, that is almost 40 years. She loves Burleigh and uses it as a showcase for the décor of our home.

When Janet first walked into the ancient wooden portals of the Burleigh show room she floated around on a cloud of wonder, she made darting little runs to each new discovery, making ooh’s and aah’s, eyes shining brightly….. I trailed quietly some distance behind, being very aware that I must not in any way imperil this particular precious bubble.

We amassed a beautiful collection of plates, dishes, bowls and jugs for purchase and retired to the pottery’s canal side bistro,( to come back to earth), and enjoy a ploughman’s lunch and a *** of hot English breakfast tea.

We returned to Stoke on Trent later in the trip for another bash at Burleigh and some other beautiful pottery makers wares…..Our suit cases were well filled with fragile treasures for the trip home to NZ…..and darling Janet had realised one of her dearest life’s ambitions fulfilled.

One of the great things about Britain was the British people, we found them willing to go out of their way to be helpful to a fault…… and, with the exception of BMW people, we found them all to be great drivers. The little hedgerow, single lane, winding roads that connect all rural areas, would be a perpetual source of carnage were it not for the fact that British drivers are largely courteous and reserved in their driving.

We hired a spacious ,powerful Nissan in Dover and acquired a friend, an invaluable friend actually, her name was “Tripsy” at least that’s what we called her. Tripsy guided us around all the byways and highways of Britain, we couldn’t have done without her. I had a few heated discussions with her, I admit….much to Janet’s great hilarity…but Tripsy won out every time and I quickly learned to keep my big mouth shut.

By pure accident we ended up in Cumbria, up north of the Roman city of York….at a little place in the dales called “Middleton on Teesdale”….an absolutely beautiful place snuggled deep in the valleys beneath the huge, heather clad uplands. Here we scored the last available bed in town at a gem of a hotel called the “Brunswick”. Being a Bank Holiday weekend everything, everywhere was booked out. The Brunswick surpassed ordinary comfort…it was superlative, so much so that, in an itinerary pushed for time….we stayed TWO nights and took the opportunity to scout around the surrounding, beautiful countryside. In fact we skirted right out to the western coastline and as far north as the Scottish border. Middleton on Teesdale provided us with that late holiday siesta break that we so desperately needed at that time…an exhausting business on a couple of old Kiwis, this holiday stuff!

One of the great priorities on getting back to London was to shop at “Liberty”. Great joy was had selecting some ornate upholstering material from the huge range of superb cloth available in Liberty’s speciality range.

The whole organisation of Liberty’s huge store and the magnificent quality of goods offered was quite daunting. Janet & I spent quite some time in that magnificent place…..and Janet has a plan to select a stylish period chair when we get back to NZ and create a masterpiece by covering it with the ***** bought from Liberty.

In York, beautiful ancient, York. A garrison town for the Romans, walled and once defended against the marauding Picts and Scots…is now preserved as a delightful and functional, modern city whilst retaining the grandeur, majesty and presence of its magnificent past.

Whilst exploring in York, Janet and I found ourselves mixing with the multitude in the narrow medieval streets paved with ancient rock cobbles and lined with beautifully preserved Tudor structures resplendent in whitewash panel and weathered, black timber brace. With dusk falling, we were drawn to wild violins and the sound of stamping feet….an emanation from within the doors of an old, burgundy coloured pub…. “The Three Legged Mare”.

Fortified, with a glass of Bushmills in hand, we joined the multitude of stomping, singing people. Rousing to the percussion of the Irish drum, the wild violin and the deep resonance of the cello, guitars and accordion…..The beautiful sound of tenor voices harmonising to the magic of a lilting Irish lament.

We stayed there for an hour or two, enchanted by the spontaneity of it all, the sheer native talent of the expatriates celebrating their heritage and their culture in what was really, a beautiful evening of colour, music and Ireland.

Onward, across the moors, we revelled in the great outcrops of metamorphic rock, the expanses of flat heather covering the tops which would, in the chill of Autumn, become a spectacular swath of vivid mauve floral carpet. On these lonely tracts of narrow road, winding through the washes and the escarpments, the motorbike boys wheeled by us in screaming pursuit of each other, beautiful machines heeling over at impossible angles on the corners, seemingly suicidal yet careening on at breakneck pace, laughing the danger off with the utter abandon of the creed of the road warrior. Descending in to the rolling hills of the cultivated land, the latticework of, old as Methuselah, massive dry built stone fences patterning the contours in a checker board of ancient pastoral order. The glorious soft greens of early summer deciduous forest, the yellow fields of mustard flower moving in the breeze and above, the bluest of skies with contrails of ever present high flung jets winging to distant places.

Britain has a flavour. Antiquity is evidenced everywhere, there is a sense of old, restrained pride. A richness of spirit and a depth of character right throughout the populace. Britain has confidence in itself, its future, its continuity. The people are pleasant, resilient and thoroughly likeable. They laugh a lot and are very easy to admire.

With its culture, its wonderful history, its great Monarchy and its haunting, ever present beauty, everywhere you care to look….The Britain of today is, indeed, a class act.

We both loved it here Steven…and we will return.

M.

Hamilton, New Zealand

21 June 2018
Dedicated with love to my two comrades in arms and poets supreme.....Victoria and Martin.
You were just as I imagined you would be.
M.
peter oram  Mar 2012
ambigram xii
peter oram Mar 2012
The people in this place
—what are they doing here?
They come and go like actors in
a play whose star will very soon
begin to show himself,
although we have no clue

which one he is, for they‘re
all so like tin apostle
spoons, not truly separate beings
but figurines, a passive foil
to  the inscrutible hero.
Is that him, that thin

pale figure who just now
is fleeing the inquisitive
crowd? But in a while he too
is slowly reingested, merged
into that far-off world
we can no  longer be in.

The people in this place—what are they do-
ing here? They come and go like actors in
a play whose star will very soon begin
to show himself, although we have no clue

which one he is, for they‘re all so like tin
apostle spoons, not truly separate beings
but figurines, a passive foil to  the in-
scrutible hero. Is that him, that thin

pale figure who just now is fleeing the in-
quisitive  crowd? But in a while he too
is slowly reingested, merged into
that far-off world we can no  longer be in.

The people in this place—what are
they doing here? They come and go
like actors in a play whose star

will very soon begin to show
himself, although we have no clue
which one he is, for they‘re all so

like tin apostle spoons, not tru-
ly separate beings but figurines,
a passive foil to  the inscru-

tible hero. Is that him, that thin
pale figure who just now is fleeing
the inquisitive  crowd? But in

a while he too is slowly rein-
gested, merged into that far-
off world we can no longer be in.

The people in this place—what are they doing here?
They come and go like actors in a play whose star
will very soon begin to show himself, although
we have no clue which one he is, for they‘re all so
like tin apostle spoons, not truly separate beings

but figurines, a passive foil to  the inscru-
tible hero. Is that him, that thin pale figure who
just now is fleeing the inquisitive  crowd? But in
a while he too is slowly reingested, merged
into that far-off world we can no  longer be in.
peter oram  Mar 2012
ambigram xii
peter oram Mar 2012
The people in this place
—what are they doing here?
They come and go like actors in
a play whose star will very soon
begin to show himself,
although we have no clue

which one he is, for they‘re
all so like tin apostle
spoons, not truly separate beings
but figurines, a passive foil
to  the inscrutible hero.
Is that him, that thin

pale figure who just now
is fleeing the inquisitive
crowd? But in a while he too
is slowly reingested, merged
into that far-off world
we can no  longer be in.

The people in this place—what are they do-
ing here? They come and go like actors in
a play whose star will very soon begin
to show himself, although we have no clue

which one he is, for they‘re all so like tin
apostle spoons, not truly separate beings
but figurines, a passive foil to  the in-
scrutible hero. Is that him, that thin

pale figure who just now is fleeing the in-
quisitive  crowd? But in a while he too
is slowly reingested, merged into
that far-off world we can no  longer be in.

The people in this place—what are
they doing here? They come and go
like actors in a play whose star

will very soon begin to show
himself, although we have no clue
which one he is, for they‘re all so

like tin apostle spoons, not tru-
ly separate beings but figurines,
a passive foil to  the inscru-

tible hero. Is that him, that thin
pale figure who just now is fleeing
the inquisitive  crowd? But in

a while he too is slowly rein-
gested, merged into that far-
off world we can no longer be in.

The people in this place—what are they doing here?
They come and go like actors in a play whose star
will very soon begin to show himself, although
we have no clue which one he is, for they‘re all so
like tin apostle spoons, not truly separate beings

but figurines, a passive foil to  the inscru-
tible hero. Is that him, that thin pale figure who
just now is fleeing the inquisitive  crowd? But in
a while he too is slowly reingested, merged
into that far-off world we can no  longer be in.
Mary Ann Osgood Apr 2010
The wind used to carry your whispers to me
gently,
lifting them from your distanced lips,
carrying them to my distanced ears.
The wind loved our delicate romance
and would do any favor
simply to hear
your next beautiful dance of words,
or to watch me smile,
heart melting,
at your whispered adoration.

But now it is restless, itchy summer
and though the wind rarely blows past
my ears,
I know your words drift slowly to me,
floating,
lingering,
whispering:
I miss you, I miss you, I miss you.
Poetic T Sep 2014
A thousand tin candles*
Light the floor
Each one burns
Heart
Sight
Love
A moment that still
Burns within my heart
Every day more candles
Burn
Flicker
Love
Is the fuels that makes
Each one burn
Each one is a memory
Of a beat stored
Love,
Beats,
Eternally,
Forever burning on the
Walls
Of my
Heart
A thousand tin candles
Burn brightly within the beats of my love.
AL Marasigan  Jul 2016
1:40 am
AL Marasigan Jul 2016
1:40 am,
Ganitong oras mo ‘ko sinagot
Ganitong oras mo pinaramdam sa’kin na mahal mo rin ako
Ganitong oras ko narinig ang mga katagang mahal kita mula sa’yong mapupulang labi
Kaya naman, sa ganitong oras ko din isisiwalat kung gaano kita kamahal
Matagal ko na ‘tong pinaghandaan
Di ko nga tansya kung ilang letra, ilang salita o ilang talata ang nasulat ko
Di ko na tansya kung ilang araw ko ‘tong kinabisado para lamang maging perpekto sa harapan mo
Di ko tansya kung ga’no nga ba kita kamahal, nung tinanong mo ‘ko
Pero ngayon, ito na.
Ala-una kwarenta ng umaga, ginising ako ng isang panaginip
Panaginip na nagbigay init sa puso kong natutulog.
Ito din yung oras kung
kailan ako’y natataranta kasi nga may pasok na naman.
Ito rin yung araw
kung kalian kita unang nakita.
Di ko alam kung tadhana nga ba, na napaniginipan kita bago kita nakilala
Tandang-tanda ko pa…
Yung mga ngiting binigay mo sa’kin nung ika’y nasa panaginip ko pa lamang
Tandang-tanda ko pa…
Yung mga ngiti mo
Nung tinanong mo ‘ko kung
kailangan ko ba ng tulong
sa mga akdang-araling binigay sa’tin ng ating mga ****
Tandang-tanda ko pa….
Na hirap akong makatulog
kasi nga
di ako makapaniwala na ang babaeng napanigipan ko’y
Magiging kaklase ko
Kaya naman
Sinet ko na ang alarm sa 1:40 am simula nung araw na yun
Araw-araw
Para lamang itext ka ng goodmorning at gulat naman ako
Kasi nga, nagrereply ka pa sa ganoong oras
Destiny at meant for each other nga naging mantra’t mentality ko noon.
Di ko nga alam kung ako ba’y nasa loob pa ng isang panaginip
O ito ba’y kathang-isip na lamang
Masaya ako!
Hindi, Mali
Sumaya ako simula noon
Kaya naman ginagawa ko ang lahat ng gusto mo at pinipilit gustuhin ang mga ito
Para lamang matugunan ko ‘tong pag-iisip ko na
TAYO NGA’Y PARA SA ISA’T-ISA
Nakakatawa kasi nga dumating yung araw na para nalang akong tangang
Di ginagamit ang kokote dahil nagpakabulag na sa tinatawag nilang pag-ibig.
Tangang, pinabayaan ang sarili para lamang mapasaya ka
Tangang, pinaubaya ang lahat sa mga salitang *“Mahal kita”

Tangang, akala na ang lahat ng bagay na ginagawa mo at ginagawa ko ay
Si tadhana ang may pakana*
Ngunit di pala, ito pala’y purong katangahan na lamang
Ang akala kong nagpupuyat ka rin para lamang makareply sa text ko pagsapit ng 1:40 am
Ay di pala talaga para sa’kin
Ang akala kong panaginip na nagbigay init sa pusong malamig na natutulog
Ay panaginip pala na sinunog ang natunaw ko nang puso dahil sa malaanghel **** boses
Ang akala kong pananginip na nagbigay kulay sa buhay kong matagal nang matamlay
Ay panaginip pala na sa sobrang kulay ay nagbigay kadiliman na lamang
Ang akala kong perpektong panaginip
Ay panaginip palang maraming butas at naging isang masakit na bangungot na lamang
Mahal, sa ganitong oras mo ‘ko sinagot
Sa ganitong oras mo binigkas ang mga salitang matagal ko nang inaasam-asam
At sa ganitong oras mo din binigkas ang katagang
“Tapos na tayo”
1:40 am
Nagising ako sa isang panaginip
Panaginip na purong kadiliman na lamang
Panaginip kung saan ang kasiyaha’y naging purong kalungkutan na lang
Mahal, sa ganitong oras ko isisiwalat ang lahat
Kaya maghanda ka na,
Kasi di ko tansya kung ilang salita, ilang talata o ilang araw ko tong pinaghandaan
Para lamang maging perpekto sa harapan mo
Di ko tansya kung gaano nga ba mo ko minahal
O kung minahal mo ba talaga ako
Pero ngayon, ito na….
1:40 am
Malapit nang masira ang aking tainga dahil sa pagtunog ng orasan.
Ginising na ako ng katotohanang wala nang ‘TAYO’
Kaya naman ako’y
Bumangon, tumayo’t binago na ang alarmang inilagay,
Gising na ako, gising na gising.
Masaya, masayang-masaya!!
Kahit wala ng ‘TAYO’

Time Check: 1:41 am
Spoken Word Piece.
Copyrights Reserved.
                                                         -Alenz Marasigan

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