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mark john junor Sep 2013
but you are smooth in full regalia
reptilian in your lounge suit
your westchester upbringing
shows in your brooks brothers snake skin boots
so she knows your from old school money
and plants a perfumed eye on your rear end
it sticks there like sweaty glue
every inch of her polished skin
fermented at great expense
and you thought suntans were hard to pay off
try having the ***** pickled in whiskey
but the divorce would leave you
a destitute sideshow on rodeo drive
with nothing but your mansion and your jag
standing between you and the unwashed masses
so you make her slap on another layer of makeup
you drop another crotch rocket happy hardness pill
and slip a few more bucks over the border to Switzerland
and drop a quick prayer to the twin god of Morgan and Stanley
that the market holds for one more day
lounge lizard
pushing seventy
with a twenty two year old ******
on one arm
and the keys to the rolls clutched in your liver spotted hand
your ready for anything
you may be king of the florida keys
but
gotta respect the cash flow
if what your pointless poison
bites off your **** more than goes into your mouth
then ya gotta wonder kiddo
if moving back to the homestead
in Spuyten Duyvil
might be better than lettin lifestyle carjack your life
that twenty two year old ***** you got poured all over your lap
has more spider in her than girlish charm
shes a train wreck waiting to happen
ill get ya to the border safe and sound
don't 'cha worry bout that
have you headed north
fore they even know your gone
may be the king of the florida keys
but it high time we get ya
back to brooklyn fore they bury you down here
for a friend.
Now, moving in, cartons on the floor,
the radio playing to bare walls,
picture hooks left stranded
in the unsoiled squares where paintings were,
and something reminding us
this is like all other moving days;
finding the ***** ends of someone else's life,
hair fallen in the sink, a peach pit,
and burned-out matches in the corner;
things not preserved, yet never swept away
like fragments of disturbing dreams
we stumble on all day. . .
in ordering our lives, we will discard them,
scrub clean the floorboards of this our home
lest refuse from the lives we did not lead
become, in some strange, frightening way, our own.
And we have plans that will not tolerate
our fears-- a year laid out like rooms
in a new house--the dusty wine glasses
rinsed off, the vases filled, and bookshelves
sagging with heavy winter books.
Seeing the room always as it will be,
we are content to dust and wait.
We will return here from the dark and silent
streets, arms full of books and food,
anxious as we always are in winter,
and looking for the Good Life we have made.

I see myself then: tense, solemn,
in high-heeled shoes that pinch,
not basking in the light of goals fulfilled,
but looking back to now and seeing
a lazy, sunburned, sandaled girl
in a bare room, full of promise
and feeling envious.

Now we plan, postponing, pushing our lives forward
into the future--as if, when the room
contains us and all our treasured junk
we will have filled whatever gap it is
that makes us wander, discontented
from ourselves.

The room will not change:
a rug, or armchair, or new coat of paint
won't make much difference;
our eyes are fickle
but we remain the same beneath our suntans,
pale, frightened,
dreaming ourselves backward and forward in time,
dreaming our dreaming selves.

I look forward and see myself looking back.
Tomorrow is St. Patrick's Day, again,
and I'm wearing green shoes, green shirt--
overeager as usual. I've never really enjoyed St. Patrick's Day, or any other holiday, for that matter, and I find
it ironic that the more significance we give to a person or
event the more their meaning is deluded. But it's good to have something to look forward to.

Today, in America,
St. Patrick may as well be a naked, red-headed lepperchaun.
People don't care about him as much as me; they don't get out of bed
each day that week wearing green and scoffing at
the timid early-spring sun gazing at the short-sleeved men and
brown-thighed women.
Maybe it matters to them that suntans at the beginning
are only de-tubed relics of an ancient, burning photosynthesis
relinquished to the ground. It matters to me more that
these women think-- even more, know!--
that it is too late in the early spring to cover their legs and
allow the pale, unready skin lie in hibernation.
They want to show the men their defined calves and
undefined dreams. They fain naivety with bright hues, such as Kelly.
And I frown, because I know they have to do this, or
I wouldn't notice them. Waking up and putting green shirts on
the whole week leading up to St. Patrick's day.
Anticipating the Spring, which is already here, they raise their glistening
arms in the air and lean back, smiling, to sing a toast to the short, Irish martyr.
Who wouldn't rub their flesh with dripping tongues for fingers?
MMXII
mark john junor Nov 2013
babe sweet makes a hasty get away
in her 57 Chevy
after robbing the bank
of its pen and pencil sets
someday she's gonna be a writer
and she don't want to run outa ink
not while the words can run like
fine wine from her stumbling fingertips
her drunkard style staggers through the clean vision
with a brush stroke that wanders between the lines
and sometimes wanders out of em
and straight to the borders of insanity
she pauses and thinks to her left behind lover
that the last ship of my life
may indeed have sailed but your not among my regrets
and that's enough for her
so she commits her pilfering of the salesclerk's pocket
and flees with relief pasted falsely on her face
babe sweet drives fast fast to the southern town
and picks up a smile she saw standing by the
side of the dirt road
but little did she realize that
some dirt don't wash off
and her new comfy smile had baggage
of his own in the form of a colt revolver
with a few spent shells
spilling outa his pocket
so they run into the night trying to escape their
separate desperate pasts
she looked at him with a lonely yearning
but he openly saw only that he wanted to get straight
with god and his mamma
if he could only work up the courage to abandon
this trail of tears
they both collapsed into a small  hotel
down in floridas treasure coast
and spent days waiting and watching the evening news
for sings that the world had even noticed them
they are there still
babe sweet and her regretful smile
look to everybody like mona lisa recovering from a ******
someday he will get the courage to get right
someday she will go home to her bed and breakfast
but for now they gather suntans and scrape a living
out of cast off bottle caps
happy enough together and sometimes that's enough
Solace  Sep 10
Summered
Solace Sep 10
but she'll crack a joke and it'll fry in the pan
yoke running suntans like we're not burnt
plan like we weren't drowning in tick marks
learnt that those sparks don't set us alight
snarks sizzle and kite our cheap cameras up
fight or flight, ****-ups stroll us over to both
makeup's made of oaths and expired lippies

and

growth was just memories we'd left behind
cities were left unsigned and roosters hum
spellbinds bit off crumbs of our holidays
sums done sideways with scrambled minds
haze of upturned blinds flip us sunny-side
rinds of orange chide us but our hats are gone
stride down, we egg on, sandals beg mercy

but

crayons colour sprees in glasses-off views
degrees weren't those corkscrew rollercoasters
drive-thru karaoke, poster bed fairy lights dim
toasters retorted, skim reading as shoes kick dust
limbs stiff, favour a cuss but don't do big talk
buses see less than walks, distance is a job
toolbox couldn't fix this throb.

so

maybe if we hadn't lit the fuse twice
it might not have fireworked so quick
but i'm glad we rolled that dice
getting summered was a cement
to those heat-blown bricks.
LJW Sep 2015
Tobacco, the first intoxicant wrapping me in a gauze of sultry skip days,
Wine, beer, swimming pools with bikinis, suntans, tropicana oil,
Kansas heat on concrete. Lawrence, Ks, KU, art and black, red ochre conti crayons,

Life drawings of nudes on platforms, fat, poor,
glamorous models, how i wanted to be one of them
stripping myself in front of you all,
my young beautiful naked body
you'll never see that again.

Fresh grass and lemonade,
Volvos driving across our country
55mph...80 was faster.

One night stands
led to terror.

Hurting men forever.

Barns and Nobels stealing book
coffee was new
young at 25.

Walking the street in Kansas City,
Warwick street with it's three story walk up
trimmed colonial white
1995.

Tea, herbs, kale with sesame,
Health food shops on corners
young women of 23 starting their biz.
We could do it our own way back then.

Abortion, adoption, college graduation,
law school, med school, drop out,
write.
chelsea burk Dec 2014
Traffic noise and the scent of an approaching thunderstorm
drifts in through the door,
naively left open,
igniting reflections of simpler days spent
smoking cigars behind rusted machinery
and fallen trees in
Grandma's field, 
and how we would take picnic lunches
and bottles of ***** 
to the riverbank,
laughing before the fire
smearing silt onto our faces and bodies,
keeping the sun away 
as we walk
across the waterfall,
wading in the stagnant flows of August, 
when the water was so hot
it felt like the whole world was on holiday,
all bonfires and suntans
laying us in respite from the heartache
of the winter prairie. 
Whiskey and pickup-truck beds
yielding sanctuary 
from chores or the chaos 
of family. 
The same song I'm listening to now 
lilting from the truck's cab
so new
and full to the brim with meaning,
while the dashboard lights 
illuminated sweetheart dreams 
of the city,

averted eyes 
revealing the dark 
of lies 
hidden in the soil,

and how we would leave this place,
surrendering the anonymity
of shooting tin cans off log fence posts,
grass stains and muddy flip-flops
to brick tower exhaust fumes
and a cheap pack of cigarettes
smoked in a dingey bar
over a whiskey sour
and a notebook
covered in country flowers,
painted fingerprints writing
homesick sonnets to lovers 
abandoned amongst the cornstalks and glass bottles,
40-proof promises 
concocted in homemade stills 
and disassembled beneath the city skyline
that obscures those stars
On which we pleaded 
and wished for 
our emancipation.
Copyright 2006 chelsea burk

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