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PNasarudheen  Dec 2012
Oh!Rama!
PNasarudheen Dec 2012
Oh! Rama!

Oh! Rama,”reme ithi rama”
(Makes us happy so Rama!)
Here, mourn and sigh Ahalyas
In every atom of rocky hearts
Of India; as Sahasralingas spy.
Ambush, spring on praying preys.
Rushi Gauthams suspicious  curse
In repentance they bless retribution.
Oh! Rama, with your soft feet touch,
Liberate the poor pious chaste Ahalyas,
Sathi, Savitri, Seetha and Panchali,O!
Sultana Raziya, Jhansi Rani ,Indira Gandhi,
Think of their vicissitudes, the path they tread!
  Patriarchy exerts pressure on Matriarchy, O!Mum!
Bharat matha is molested by Kuberas and Mamons.
And her daughters are robbed and ***** ruthlessly, alas!
Oh! Rama,”Dharma Samsthanardhaya “come with dirge
Of the degenerated culture of Vultures, save thy women folk.
  Make people to think right, to follow right path, to tell true words.
To live in Eeman (Dharma) not to inflict pain to other co-habitants.
Without negative there is no use of  positive, so is woman and man.
They are like protons and electrons to the flux of family life peaceful.
Oh! Rama , teach, Dharmorakshati Rakshita:,”repentance gives retribution
   That will bring peace, progress,  stability, justice and unity; not  Pax Romana
PNasarudheen  Dec 2012
Oh!Rama
PNasarudheen Dec 2012
Oh! Rama!

Oh! Rama,”reme ithi rama”
(Makes us happy so Rama!)
Here, mourn and sigh Ahalyas
In every atom of rocky hearts
Of India; as Sahasralingas spy.
Ambush, spring on praying preys.
Rushi Gauthams suspicious  curse
In repentance they bless retribution.
Oh! Rama, with your soft feet touch,
Liberate the poor pious chaste Ahalyas,
Sathi, Savitri, Seetha and Panchali,O!
Sultana Raziya, Jhansi Rani ,Indira Gandhi,
Think of their vicissitudes, the path they trod!
  Patriarchy exerts pressure on Matriarchy, O!Mum!
Bharat matha is molested by Kuberas and Mammons.
And her daughters are robbed and ***** ruthlessly, alas!
Oh! Rama,”Dharma Samsthapanardhaya “come with dirge
Of the degenerated culture of Vultures, save thy women folk.
  Make people to think right, to follow right path, to tell true words.
To live in Eeman (Dharma) not to inflict pain to other co-habitants.
Without negative there is no use of  positive, so is woman and man.
They are like protons and electrons to the flux of family life peaceful.
Oh! Rama , teach, Dharmorakshati Rakshita:,”repentance gives retribution
   That will bring peace, progress,  stability, justice and unity; not  “Pax Romana”..
vircapio gale Aug 2012
boasting of the god of love's attentions,
this magicweaver lures her prey--
conjures forth her whim
seeking quench of fickle thirst within
attempting avenues of guile
numerously failed, and baits another heart
to suit her object's mate,
whose favors hail from Shiva
unto dominion everywhere,
  except at forest hut where Rama--
with Sita --honeymoons in exile
having snapped the cosmic dancer's massive bow
to win her for his wife, yet bound
by family word to wilderness
  in elder-shade of mystic eagle
guarded by their builder,
brother Lakshmana, in whose absence Kamavalli comes
to woo the godlike archer for her own.

little bells on anklets ring--
from creeper snagged
as if in venery yearning,
urgent vines would find their way to rest on skin
and squeeze in verdant rooting underform
prancing by, playfully demure
to enter subdued greenery
of Panchvati's gated yard
to catch the stoic Rama's eye
in invitation flashing for his gaze:
a sculptured form of flawless grace
nubile teeth shining from the forest dark,
a smile unassuming of callipygean sway
beneath the flitting lashes of her iris' swell

baffled there he stirs to praise her openly
as perfect--
despite his inner-goddess-for-a-wife he keeps inside--
with tripping words
welcomes and blesses this new girl,
exalting her with blushing queries,
sylvan surging rush to know
interrogate her mystery,
rapt in wide-eyed wonder verging beatific breath--
but learning of her lineage...
begins to plot their deaths.

banter light,
flirtations with a hidden, cosmic weight to pun against,
his praise asserts its hold
pretending bachelorhood;
his kindly, transauthentic voice resists
and in a sympathetic, skillful tone, promulgates
a drama to entice her eager mind--
ironic fancies of domestic bliss
flow from Rama, subtle jests
become her plight obsessing
into darkness embered with her lust
to truly claim him as her love,
her grandiosity defused in simple
entertainment quipping of their castes
and then with sudden burst entranced in luminescent rays of stunning rustic glow
from cottage comes his wife to claim her presence known.

the blow is dealt: Manmatha lays Kamavalli's fate: to self-disintegrate

jealousy to deafen gods, in cave retreat
to nurse her spite, surrounded in a dance
of serpent flails to sate her woe,
and only feed in ouroboros knotslip pulse
a lump-filled throat of gulping incite forward zest salacious
pungent flare of earth identity of fang and blood
the cry to shudder down a wolfine howl
in blast of animal, from screaming womanhood
the swoon precipitate-- vast height, abysmal fall
on being spurned by one who led her on
into delusion wrapped in sham an alter self
she met in bed a thousand cravings razing sanity
into a hate for moon, for elements themselves,
railing at Manmatha's haze infernal globe within and out
projecting Rama's face transfixing her inept
in wracking convulse whine of every cell,
her being sweating out imagined arms,
palms of his to cup her, lift from hellish pit of stifled longing never known 'til volcanically regrown--
in new love's throws an innocence of honest
selfhood found in him, bizarrely enemied in Lila's
killing spree of ego-dolls of lotus costume tracing all
searching through his fresh phantasm for her quelling salve
his diamond ******* targets for her soul
his broadness engirthing her to moan until her last in ecstasy
unknown asura-brew untold invented only now forever lost,
the moment fondled vastly gone,
his chest but gossamer instead of flesh
the emerald shoulder glimmer fake
the boundless confidence exuded in his
tender skin's encapsulated sinew strength
merely thought on causing pelvic quake
repeating there an apparition for her nearly endless letting out
he comes for her a demon double of her making
demi-god creator-demon vision for her writhing,
abandoned to the ambrosia torment he provides
wailing at the cavern sky her prison boudoir den
enscaled with slither pile coat of snakes, masturbatory wake of swooning still again

through to dawn..
in which psychotic break decides:
Soorpanaka births herself anew--
possession of her goal, or suicide.
the dewy spectra shines reflection of the choice;
rave committal forms its mould--
exhaustion hatches colorspray of plots,
braving mutilation to abduct,
lies and bribes surmounting each before
in ****** propositions to her ever widened bed,
else demonic armies loosed,
infatuate Ravana's heart
with illusory snare of golden Sita's rumored wares
to get her man alone and hew derision
with her desperate charm, by cantrip or war
spawned from deeper lairs of a broken,
fallacious heart, toward matrimony
or destruction bent













.
Didn't it sound a lot like something
He said a long time ago?
Now it makes sense
Dripping from honey lips

I lowered the box into the ground
Empty but only I knew as much
Nothing to see, nothing to touch
My own heart was buried deeper down

Looking up I saw you shed a tear
For all I was laying to rest
Was to you a memory blessed
A short respite, the re-emergence of fear

Or maybe I had it wrong
You could have known all along
I could have been the one deceived
Or maybe I only thought you believed

Step back
She sings the Mantra
Let her finish
Before we continue

Hare Krishna ¥ Hare Krishna
Krishna Krishna ¥ Rama Rama
Hare Rama ¥ Hare Rama
Rama Rama ¥ Krishna Krishna

I could tell you reasons for what I've done
Before the passion flamed
I dreamed her naked, unashamed
Innocent as the day was young

I thought it was love that drove me on
Even when the snake bared it's fangs
Injected it's venom of change
Convinced my compassion was strong

Now I know that it can't be forgiven
The arrows pierce you from behind
Weaker still your weakened mind
And contaminate your imagination

Stole a page from God's playbook
I'm sorry, my old friend, that you fell
But I have ****** myself to hell
Just one page was all it took

this end is for me even more than it is for you
the fog in the forest is still sickly thick
and you can't see the forest for the trees
I dragged it out for too long
but I know your ignorance is blissful and I don't blame you
I'd do the same thing if I were in your shoes

It was my own guilt that stopped me cold
Made me think twice of what I'd done
I know you'd just soon it go on and on
(And on and on)
But seeing you so often demeaned is getting so very old

•••••••••••••

Cry when you hear the song
Crying is often the best thing to do
Break down for an hour, in the back of your mind
Know it gets better when the grieving is through
Don't take anything she said for granted
She felt she had good advice
But you gotta let it work
Learn how to pray
Build a fortress around your mind
Evict the rogue voices

"This is rebirth
The hardest word
Held under water
This is death
I'm out of breath
Held under water"
           - Dustin Carpenter
            "Held Under Water"
             (big sleep., 1988)
Karunakar Saroj Aug 2014
I bow to Lotus Feet, which gives me eternal peace
I am incomplete without your compassion
you healed my heart when it was thrown and shattered
you picked me up when I struggled to get through
you gave me hope when it seemed so out of reach
I am nothing without you

Where ever I go, found not alone
your glorious touch was always with me
Nectar drop of Gita, feels presents of yours
O! my Lord Krishna show me the light on my path

your Flute stirs the Universal Consciousness
And Gita enchants the Transcendental Consciousness
O! Lord of the whole Universe, Omnipotent Master of all
Grant me a glimpse of Thyself,Be pleased to come and live inside me                                            

-----------------------------------: :---------------------------------



By : Karunakar Saroj

(In the love of Lord Krishna)












“hare krishna hare krishna krishna krishna hare hare hare rama hare rama rama rama hare hare”
Meera  May 2018
Sita
Meera May 2018
The princess who chose
To live in exile
Holding  the hand of her husband
With a beautiful smile

Framed in a guile by Ravan
But she didn't fall in his wicked ways
Despite being held captive
And tortured for nights and days

She refused to go with Hanuman
When he came to rescue her
Insisted that Rama come openly to defeat her captor
In Rama's honor exile did she prefer

On the Ravan's  defeat - to prove her purity
She had to walk through fire
But the flames neither touched her body
And nor her attire

The fire bowed in her honor
But that wasn't enough
For the clouds of gloom  
Were towering above

The world has never been fair to women
Despite of proving her purity
Sita had to leave
It was the height of cruelty

Cause Rama was as weak
In the face of his men
As strong he was
In front of Ravan

Rama- the man
Sita loved enough to die for
Asked her to leave
To the path that led abhor

Just imagine the way Sita would be looking at Rama
With whom she had to part
For he was standing dumb like a statue
When her world was falling apart

Would she have accused or looked down at him
As she asked mother earth to swallow her
She was going back to where she came from
In order to save the last shred of her honor
Sita was raised by King Janaka; she was not his natural daughter but sprang from a furrow when he was ploughing his field. Rama won her as his bride by bending Shiva’s bow, and she accompanied her husband when he went into exile. Though carried away to Lanka by Ravana, she kept herself chaste by concentrating her heart on Rama throughout her long imprisonment. On her return she asserted her purity and also proved it by voluntarily undergoing an ordeal by fire. Rama, however, banished her to the forest in deference to public opinion. There she gave birth to their two children, Kusha and Lava. After they reached maturity and were acknowledged by Rama to be his sons, she called upon her mother, Earth, to swallow her up.

Sita is worshipped as the incarnation of Lakshmi, the consort of Vishnu. Though often regarded as the embodiment of wifely devotion and self-sacrifice, she is critical of Rama at times, even in the earliest version of the Ramayana, and in some of the later versions of the story she departs from the idealized, chaste image of the earlier text.
LEGEND POETS Jul 2020
“Call on Rama! call to Rama!
Oh, my brothers, call on Rama!
For this Dead
Whom we bring,
Call aloud to mighty Rama.
As we bear him, oh, my brothers,
Call together, very loudly,
That the Bhûts
May be scared;
That his spirit pass in comfort.
Turn his feet now, calling "Rama,"
Calling "Rama," who shall take him”
“When the flames
Make an end:
Ram! Ram!—oh, call to Rama.”


-Edwin Arnold.
Octavio Paz  Jun 2017
La rama
Canta en la ***** del pino
un pájaro detenido,
trémulo, sobre su trino.
Se yergue, flecha, en la rama,
se desvanece entre alas
y en música se derrama.
El pájaro es una astilla
que canta y se quema viva
en una nota amarilla.
Alzo los ojos: no hay nada.
Silencio sobre la rama,
sobre la rama quebrada.
Know throughout as

Mohan the enchanter.

or even Gopala or Govinda

Jagganatha is known as



Shri Krishna appeared in Gokul

Many legends have been told

with skin as Jambul as a jamun

And flute music like the song of a bulbul



Legends and stories carry on

through rasleela, they are known

through Krishna Lila, they are showcased

but all throughout the king is born



His radiance appearance of

Jambul skin and a peacock feather

or even crown in Tribhanga and his flute

with sweets notes of love



As a warrior in the battle of Kurukshetra

Throughout the Mahabharata, he is known

here he shared with Arjuna

what is known as the Bhagavad Geeta



Hare Krishna Hare Krishna,

Krishna Krishna Hare Hare

Hare Rama Hare Rama

Rama Rama Hare Hare



With this, I offer my salutations to you

Oh Lord Krishna,

Please accept my humble

request to thee
Raj Arumugam Oct 2010
Part 1 At the Saint’s Book Store (Singapore, 1970)


when I was just 15
and just after
a trip to the National Library
I saw a slim volume
at the Saint’s Book Store
(named after a TV series
and true to the borrowed name,
a second-hand book store)
and its spine said: Kama Sutra


Now that’s a title
they don’t have at the National library,
I mused
and I took it down off the shelf
and stood, agape -
transported to Ancient India
by the very seductive picture
on the cover page;
didn’t make me feel like a saint at all


but my reader’s instinct
got the better of me
and so I opened the book
in which the Introduction
ran boringly longer
than the main meat of the text
and so I went on to
Vatsyayana’s
own enigmatic words


This I must have-
I said to myself,
after only five pages of Vatsyayana
and the sticker label on the
used book replied: $2.50
I bought the book
and walked home
and had no lunch that day






Part 2 ***** Science


What are you reading?
asked little Somu,
a year younger than I was


It’s a Science book,
I said, turning away from him

If it’s a Science book,
the little rascal said,
why are you hiding it behind
another science book?


Mind your own business,
I said,
Hardly taking my eyes
off Vatsyayana’s classic


I’ll mind my own
if you tell me what it is;
otherwise dad
will come to know of it-
and you won’t be able to tell
him to mind his own business


Oh! I said, angry and afraid,
and I threw down my books
(the cover book and the hidden book).
You’re too young for such things.


But he looked at me
as only a dangerous blackmailer can
and I yielded to his request -
I would summarize aloud each chapter
for him as I finished reading each
(That’s the trouble when
fate throws you in
with siblings who don’t read)



And day in and day out
over the next few weeks
I summarized the Kama Sutra –
no, I don’t think I summarized,
I extemporized,
I added details, I confess –
for the benefit of non-reading Somu
that silly pumpkin of a brother
who didn’t understand a word of what I said!






Part 3: Weird History



That night as we lay
on our mats on the floor
Somu asked me:
You know…I was thinking.…
ever since you provided
your summary of the Kama Sutra
delivered in such melodramatic actor’s voice…
I’ve been wondering….Do you think Dad knows
the Kama Sutra?



Oh, I said immediately.
How would
dad know
about the Kama Sutra?
It’s been banned In India
since the middle ages.
He only knows
Hare Rama, Hare Rama…
Now, maybe it’d do you good
to repeat the mantra 100 times
and go to sleep…
You might end up in Vaikunta.


And then insomniac Somu said:
What’s that book you were reading
this afternoon
covered behind your
school History Text Book?


Oh God! Nothing escapes the eyes
of this sibling who came a year after me;
and I had to make an honest reply
or he’d pursue me to the ends of the earth:
Oh, it’s another book
I found at the Saint’s Book Store;
it’s called The Perfumed Garden;
it’s in Arabic and you won’t understand a word;
you can read it when you’re fifty
because that’s how long it’ll take me to translate the work


Somu, the silly sibling ever,
sat up on his mat and looked at me suspiciously:
When did you learn Arabic?
You can’t even read Tamil properly,
you monolingual Indian!



And irritated, I said:
Oh shut up and sleep…
Don’t you go digging into what I do.
I learn all sorts of things in my own time –
and you’re best, little brother,
to stick to Hare Rama, Hare Rama
Or Hara Hara, Siva Siva…




And for that,
the traitor of a brother told all our school mates
I was reading ***** Science
and weird History!







Part 4: The Puritans Come Home



What is a young boy
just turned fifteen,
said the outraged visitor to my father
doing with a copy of Kama Sutra?
And he pointed his bony finger
at me, sitting with my brother Somu
and his thirteen-year-old son Kittu;
we kids sat on the floor
and the dignified adults
sat elevated on the sofa

And he continued:
So, tell me,
what is a young boy like
that doing with erotica?
Is this the time for him?
This is the time for him to study
his textbooks and do his homework.
And the outraged father
pointed his finger at my sheepish father
and he continued:
Your son goes to the same school as my son –
and I’m afraid he’ll be a bad influence.
At History lessons and Literature class,
my son reports,
your boy asked the teachers why
they don’t teach Kama Sutra.
This is outrageous and crazy!



My father looked at me
but couldn’t see my eyes
thanks to my state-welfare
horn-rimmed glasses
and he said to the outraged visitor:
I don’t know…
He reads all sorts of stuff…
He discovers all these books
at the National Library
and bookshops…
He’s read Gandhi’s biography…
and now it appears
he’s discovered Kama Sutra…
Should we really stop him?



The uncertain father slumped in the sofa;
but the outraged father jumped up
dragged his son Kittu to the door
and he turned around and said:
You call these discoveries?
Get him to stick his nose
in his school textbooks!
He will come to no good!
He will bring you shame!
You call these discoveries?
I’m not coming here anymore –
and turning to his son
he said:
Don’t ever talk to that boy;
don’t you ever be near him!

And off they went,
Outraged Father and Trembling Son
into Dusty History.





Conclusion


My father and I looked at each other;
not a word was said –
and he is not here today
for a translation of what I write here now


As for my little brother
that traitor who had told Kittu,
I took both books
The Kama Sutra and The Perfumed Garden
and hit him smack on his head:
and he has remained
stunted physically and mentally ever since








Postscript



What’s that thick book,
said Somu two weeks later,
on the shelf?

That’s Origin of Species
by someone called Charles Darwin,
I said.

Is it one of those ***** books?
he asked.

I think so, I said. I heard some religions
have it blacklisted
so it must be *****.

And what’s that one beside it?

That’s Shakespeare, I said. Complete Works.

Is it another of your ***** books?
said Somu.



Well, I said to this juvenile sibling
just a year younger than I.
There must be many ***** parts in the volume…
You can never escape dirt…it’s all part of life.
vircapio gale Aug 2012
on moonstone slab Manmata flames again
from out of ashes rises, gloating unfinality of Shiva's dance
reincarnate offering of endless Self
in Lakshmi's avatar
a fateful prince's heart to lance

and lanced his heart her visage did,
                                                     though with vaster pinions fully pierced was she, in depths
                                                          ­                                                                 ­                 without rivalry~

his lust was sharp to invite solitude,
but easy to conceal,
he imagined cupping her against him,
scoured memory of upward glimpse,
inch  by  inch
with added imagery, invention moulding her
beneath his grasp
from forehead curls along
glowing skin and eyes
to curving, palatially appareled ******* . . .
her open lips . . .  her hips
--but after, merely to dismiss
and even sleep a bit
and quip inside at irony
to be at mercy
of a girl in flowers
when he with arrows demons lay to rest
(though she would, within the selfsame hours lose her wits ;)

in cityscape descried the triad:
gold dome gifts for sky
in shining generosity
Mithila's people overflow with joy
exuding free abundance carelessly--
jewelry loosed on playful street
from overkeen embrace, is left to lie;
loss in ever-present wealth nigh obsolete

musth of elephant, froth of steed,
floral garlands tangle, line and mix
for clouds of honey-bees to lick their feast.
a bustling of virile acrobatic populace--
symphonic mux of chaos tressed,
metropolis of idylls coalesced;
drums, races, grinning faces flinging courtship,
smirking merchants under wigs
bathers splash exotic fish to flit and weave
while ballads sift for higher pitch of love

from elevated terrace ladies prance
and watching from an inner spire
the princess spies her prince--
emerald shoulders, lotus-petal eyes
Vaikunta hidden from their mortal sight
but straining recognition there,
a union ageless as the stars
inspired suddenly another first:
Rama's transfixed stare she feels and meets,
strangers locked entwining glances
--fated simultaneous-- electric heat   like
from a planet sparking for the taste of outer space --
the lightning burns its mark ensouled
in blooms beyond her ripe, anthophilous form,
verdant visions planted in the rays of light
between two instant loves
to slip inside the eyelid entrance
and evermore impregnate with a glory ill,
as separation wills,
to colonize throughout with other Being there
phantasmal yearnings of entrancing elegance
--from dawn of time instilled, akashic script
of binding hurt with joy in love's embrace
condemn desire to a writhing term
when not imbibing such togetherness
a worldless crypt preferred

and so as swift as gymnast flip to fall
the heart is gushing toxic lack,
epic ventricles the viscose tug
in fluid inspiration wrote of Sita's
sudden addict gnashing inner plight
while slips the sight interred within the crowd,
as if a sorcerer the cosmic sea to play her destiny:
the waves inside enraged to overwhelm
the sudden coral crust beneath the swell
an unmarked seaside's lavish drown unto the land
and reeling send this fragile ******
into wilting, her floral haze to drooping fell...
        in revelatory crash of passion's oceanic weight...
attendants pamper uselessly
--from swoon to mood irate
to wait until the next appearance of her mortal god
the only one to sate the shameless need
entwining up within a clenching wrack of milky fits
from bed to sweaty bed they take the burning maiden~
the outer sea inflow in calming dusk meant nothing to the agony of new romance
                       sequestered in hymenic fire, dawning brilliant
                                                       ­                                omni chakral pierce in rays,
                                                                ­                                                              tot­ality relentlessness
and therein descry a wholeness
  yet unregained
a hopeless birdsong careless as the wind
in caring strokes of pollen redolence
for forest ears an endless vibrate mate
of elemental ease the simmer float
upon the dukkha broil paths embroidery of karmic
cookery the godly recipe invoked,
gibed her without cease,
****** flare eternal guna coals to stoke
and spite her with their peace,
for her attainment only next to he
the moon communes the message blinding clear
amid the ghee her girls would light in care
to soften her despair -- but only aggravate her state --
and so by dim refracted moondrops set,
in only gemlight, Sita basks in pain
her gaze entrained by night obsessively
while overhead the crescent hook beams
freely in to fertilize her all-too-chastely girdle there,
petals wilting under body pressed to slab of stone
as mounting groan on groan intones her writhing questioning
of whomever he could be to cast her moaning so
a deity in maidenhead unwitting of such otherlife
left by endless, anthrocosmos' whim to ache, and alone
in wonder scream abandonment from aether poise
confusion reigning noisome nescient choice


















.
Manmata: the god of love, who Shiva is said to have burned to ashes with the purity of his contemplation
Lakshmi: Hindu goddess of wealth, prosperity (both material and spiritual), fortune, and the embodiment of beauty. She is the consort of the god Vishnu. She takes her mortal form as Sita in the Ramayana, destined for Rama (who is Vishnu's avatar).
Guna: an element, 'thread', 'string' or principle of nature; the three gunas are (sattva), (rajas), and (tamas)
Dukkha: suffering
Anthro-: as in 'human'

"The impact of the Ramayana on a poet, however, goes beyond mere personal edification; it inspires him to compose the epic again in his own language, with the stamp of his own personality on it.  The Ramayana has thus been the largest source of inspiration for the poets of India throughout the centuries . . . Thus we have centuries-old Ramayana in Hindi, Bengali, Assamese, Oriya, Tamil, Kannada, Kashmiri, Telugu, Malayalam, to mention a few."   -R.K. Narayan (whose prose version of Kamban's 11th c.e.Tamil --originally written on palm leaves-- i'm reading at the moment, and whose advice i've found myself compelled to follow. in no way am i an authority, but an amateur--literally--'in love')

http://hellopoetry.com/poem/ramas-inauguration-facing-the-murderous-gluttony-of-thataka/

http://hellopoetry.com/poem/soorpanaka-the-demon-as-kamavalli-lusts-for-rama-1/
En la noche entraremos
a robar
una rama florida.
Pasaremos el muro,
en las tinieblas del jardín ajeno,
dos sombras en la sombra.
Aún no se fue el invierno,
y el manzano aparece
convertido de pronto
en cascada de estrellas olorosas.
En la noche entraremos
hasta su tembloroso firmamento,
y tus pequeñas manos y las mías
robarán las estrellas.
Y sigilosamente,
a nuestra casa,
en la noche y la sombra,
entrará con tus pasos
el silencioso paso del perfume
y con pies estrellados
el cuerpo claro de la primavera.

— The End —