Submit your work, meet writers and drop the ads. Become a member
Nicole Dawn Sep 2015
Before I was born,
My mother wanted to name her child Kaitlyn
As the firstborn,
That should have been me

Kaitlyn was my mother's favorite name
But as soon as I was born
She looked at me
I just took one look
And realized,
I could never be her Kaitlyn

Three years later  she tried again
Now her Kaitlyn was born
A beautiful,
Happy,
Innocent little girl.

My mother calls me
"The trouble child"
I cause trouble
I am not good enough
I am not her Kaitlyn

Now I am named Nicole
My mother wanted her child to be Kaitlyn
She loved the name Kaitlyn
Was I not good enough?
Why was I not her Kaitlyn?
This affects me more than it probably should...
judy smith Jul 2015
Kaitlyn Bristowe and Shawn Booth open up about breaking the rules and their plans for a (really big) family. Subscribe now for all the details plus exclusive photos, only in PEOPLE!

Get ready to toast to Mr. and Mrs. Booth!

Kaitlyn Bristowe and Shawn Booth, who got engaged on The Bachelorette's season finale, are ready to walk down the aisle … just as soon as they take a little breather.

"We just want to enjoy the moment right now," Booth, 29, tells PEOPLE exclusively. "It's been so crazy. We just want to hang out as a normal couple, do a little traveling and then sit down and start making some plans."

Adds his bride-to-be: "We can't wait. We don't need to plan it right now, but we can't wait."

And the famously laid-back former dance instructor, 30, says she's already got a couple visions for her big day in mind.

"I always picture myself having a destination wedding because I'm so low-maintenance," Bristowe says. "I don't want to pick out flowers or colors, I just want to be like, 'yes, no, yes, no' ."

Jokes Booth: "I always pictured a wedding in Vegas at a little chapel!"

As far as expanding their family down the road? It might happen sooner rather than later, if you ask Bristowe.

"I have such baby fever," she admits. "I want four [kids]. Shawn wants five. And I hope to God I have all boys."

"One girl," Booth chimes in. "One girl that looks like her mom!"

For much more from Kaitlyn and Shawn, including exclusive photos, pick up the new issue of PEOPLE, on stands Friday

read more:www.marieaustralia.com/formal-dresses-sydney

www.marieaustralia.com/formal-dresses-brisbane
JJ Hutton Jun 2011
"So you'll be in tonight? Wonderful, sweetie.
It's been far too long. Are you bringing Mattie?
Oh, I see. Are Todd's parent's good to her?
Alright, well, I love you and I'll see you at six.
Sorry seven...okay, sevenish."

The Prine place smelled of rich
lemon cleaner.
Not a cobweb could be found,
nor ***** dish, nor glass smudge.

Margaret Prine applied her blood red
lipstick--the final touch before school.

Mrs. Prine arrived thirty minutes before
anyone else, started the coffeepot in
the teacher's lounge, and wrapped up some
lesson plans.

The starting bell sounded,
she headed for her room.
Principal Hughes said,
"Good morning! Madam Margaret!"
as he always did.
Mrs. Prine, nodded cooly, grinned
lightly at the corners of her blood
red lips, and said nothing--as she always did.

At forty-five, she could turn more heads
than any head cheerleader,
and she was well aware
that beauty's power reigns
absolute.

Two young lovers draining saliva
stood outside her classroom door
dressed in matching yellow t-shirts.

"Excuse me, canaries.
Showboat your love out in nature.
Not outside my room," Mrs. Prine snipped,
calm like a seasoned surgeon.

"We're sorry--" Harvey's eyes met Mrs. Prine's.
Mrs. Prine felt a strange transfusion take hold.
The blackness started at her spine
and snaked to her skull.
Old jealousy, been awhile.

"Kaitlyn, Harvey, get to class."
Kaitlyn Mullens barely existed.
Pencil thin, thought little, and spoke less.
Kaitlyn just happened to be in Mrs. Prine's
literature class.
Mrs. Prine followed her into the room--
sizing up her shoulders, ***, and cheapshit heels
with a keen eye.

"Alright, everyone as you know, your analysis
on Catcher in the Rye motifs is due today.
No excuses."

During her lecture she couldn't keep her eyes
off Kaitlyn. The way she fidgeted incessantly;
shifted her gaze with each question asked.
Her idiot face somehow held a superior wisdom.
The dark jealousy coupled itself with
a wicked wandering mind.
A mind journeying into
the mad middle stage,
when a prime lioness
becomes declawed by calendars
and withering mirrors.

When the class left,
Mrs. Prine could not recall a single thing
she had lectured over.
She rubbed her head, sighed a low growl,
and began siphoning through the homework.
"Ah, there you are."
She grabbed a bleeding red ink pen,
then proceeded to massacre the essay.
"Plagiarism, plagiarism. Lazy, lazy."
© 2011 by J.J. Hutton
Joseph S C Pope Nov 2013
“The curiosity of the city rings with the death deliverance of grieving mothers and drunk fathers and optimists who claim the world is made, of more than just those two people. This is the Republic and the gates are open for service. Comedians were once serious people like all the rest who were mocked and remained vigilant in the face of despair. Life and death are part of our lives, but not the entirety. Grave markers have no grace for that truth. Summing up our choices to dashes in metal or plastic. What about the singing in the shower? The embarrassing time we were caught ******* or with ****? The overall fear of death creeping over these moments. Where is the answer? I wish Philosophy had a wick, something tangible to grasp onto, but it is no different than alcohol or drugs. Even that is no different than the dash. It only sums up our existence in simplicity. Labels of any sort do no justice to the comedians, mothers, fathers, republics, cities, and or life. In short, this land is the Atlas-cyst.
I look up at the clouds and see the impression of silver cherubs sitting on  flying horses. If they were real, they'd stab the hearts out of lovers from their aluminum vessels.
We are kings and queens of too much.
How many people have died for something that was not the cause—martyrs labeled as abolitionists. But to the illiterate-pop culture they are the heroes. Zealous posters written by apathetic authors trying to call back to the glaciers till the chimes of apocalypse come. The sad songs are true. Pity is polio too sick to bend and too accustomed to power. More than anything it is the simple moments that make the best music."
I remember telling Kaitlyn all that after we had ***.
"Should I continue?" I asked.
"I guess. I do like listening to you." she said.
“Your name is a word, but I think it is a culture.”
“The dark is a force,” she said, “But it is a child  too.”

She was the first one that made me realize that romantic tendencies are as hollow as realistic ones.
She laughs and I laugh. We are slaves beyond truth and defiance.
I can almost hear the old people that were friends of my granddad saying, “Remember your path.”
A failed proverb. Now as my sneakers hit the black top at night I see a messy web in the gutter belonging to a black widow. Every town in America should have a street named after Leo Szilard, the idealist father of the atomic bomb. I wish the one I was walking down now was named after him, but instead it is named after Hemingway. Hemingway St.--
“Everything I want and I couldn't be happier.” Kaitlyn says as she rolls away from me. Almost in cinematic beauty.
Now Sedans pass by playing catchy music--reminding me of the same melody earlier in the day when we were on our date at a local pizza place. The waitress was late with our order and we were making fun of Communism and Southern women on verandas.
“Oh Charles, I don't know nothin' about birthin' no babies!” she impersonated.
I laugh, gather myself, and add, “frankly my dear, I don't give a ****!”
Our giggles and bursts of laughter spawned our waitress in record time.
Later in the night, a ***** sock is still on her door as I leave her apartment. There are things still to be done. We aren't married after all.
I hear sirens in the background, downtown and I laugh to myself.
“Avoid the police! Avoid the police!” I promise myself I'll tell her tomorrow.
As I cross the street and the stench of wet dog in the night becomes second nature to me I add a conclusion to the communist joke from earlier. Imagine nowadays walking around Moscow passing out pamphlets about Communism to Russian citizens. The punchline sets in as lame like a worn lobotomy—no one would get the joke or take it too seriously. It's one of the commodities of sanity.
“You're never angry with me and I like that about you.” I told her once our pizza was delivered to our table. That statement cleaved the conversation to a halt and all we did was eat for the rest of our date there. She is the perfect bride I may never marry—a wedding in a box. Other than that she brings  spinal traction in this rough world—I feel like a man.
3:55 am brings ego death from acid. Not a song for the kiddies, but it is a recycled song for the college kids down the street. Even though the closest college is two hundred miles away. I call Kaitlyn up, she too can't sleep.
“How many times can a woman scream after *******?” I ask.
She exhales heavy when she smiles. “As many as I can.”
I do the same when I smile.
I imagine it all again: “Being absent on death's radar for that one moment. Teenagers dream about it, preachers scold it, tv promotes it, children have no idea what it is.”
“You make it sound so bad. Like ****.”
“It's not bad. It's a faith in a white flag.” I say.
“Of surrender?”
“Yes.” I reply.

The next time I blink it's breakfast, over at her place.
“You have the most fantastic beard.”she says.
The compliment goes down good with eggs over-well, bacon still moist from grease, golden toast, sloppy grits, and hashbrowns flat like a sandwich. I need a cup of coffee to level out her perfume.

No one knows I'm unsure if I'm the one she wants. But I would want her, no breakfast, just her and her aroma steeping in my life till my body runs cold.

“I surrender.”
“What?” she asks.
A torn piece of white fabric lies on the table.


The wine still lingers in my throat an hour after New Year's. The burn creeping down my esophagus much slower than the glistening ball in New York on tv. I taste blood. I wonder if it will last the year. The white flag is now starboard. And there is an opera in my fingers.  That last sentence makes no sense.
I know I am a man with hairy feet, a bruised heart and young. As Ivy Compton-Burnett says, “Real life seems to have no plots.” But it does have star-crossed lovers stuffed in suitcases beside heels and breeches. Traveling along the serpentine east coast watching the world in anticipation. Death can wait. I wonder if the same two people can live in perpetual amazing-ness apart?
I don't know. I can't wait for the answer. I begin, end, and live my life around the words 'and' and 'more'.
She doesn't know I barely move from my bedroom.
L A Lamb Sep 2014
“If you had the chance to rename yourself, who would you say you were?”

“I’m not entirely sure what you mean,” the girl coughed. Her eyes were rimmed with the red of sleep-deprivation, wine and stimulants.

“Give yourself a title. A name. An alternative.” The pen was ready in her hand. What a fascinating case, she thought. This was the kind of thing she’d worked hard for, and all her efforts had been put into it. Sylvie Citron was a young psychologist who had struggled for a long time, uncertain what to make of her brilliance. Coming from a wealthy family, she never had any option besides success. Her passion for science was adopted from her father, who spent his life as a neurologist before his death; a result of an aneurism. Her mother, a former ballerina, committed suicide when she was nine. She always resented the arts, and suppressed her emotions, attributing the most valuable parts of life to reason and science. Art was for the fools, but she was fascinated by such jest. Having never gotten anything below an 85% in any subject, she prided herself on her academic competence. She was settled in her office on the corner of 15th and Patriot St., among other young professionals who were also prematurely successful and intellectually manufactured for success and nothing less.

Oftentimes, she’d see her fellow neighbors in the offices across the hall and on various floors in the elevators, in the city, and always in company. She never shared the likes of such company, but she was envious of those who effortlessly were successful and never alone. The young lawyer across the hall, Kaitlyn Stone, was an example of such. The two knew each other only in passing, but Sylvie’s ears were susceptible to all sounds of Kaitlyn’s seemingly ideal life dampening her own ion comparison, resulting in her inadequacy. Kaitlyn, the young, beautiful lawyer, hadn’t passed the necessary exams to enter the doctoral program she’d dreamed of, and therefore was stuck with no alternatives to taking the bar exam. Sylvie sneered at Kaitlyn in passing, but was greatly disturbed by the reminder that she would never be as charismatic. The girl sitting in front of her, however, was a golden opportunity.

The girl in front of her opened her mouth, only to close it. She swallowed. Her wavering eyes stared at the psychologist curiously, long enough to motivate the psychologist to inquire further but short enough to eliminate any progress.

“I can’t say.”

Sylvie readjusted her posture and leaned forward towards her client. “Hey,” she soothed. “This is a safe place. You can tell me anything.” The girl stared straight through. He brown eyes glimmered with thoughts until her sadness pushed through her dam of self-control, drowning her eyes in tears.

“You may think it depraved,” she wavered.

“You can tell me anything.” The eye-contact was impenetrable. Sylvie, while awkward in her own right, was **** good at her job, especially with her emotionally disturbed patients. It was her talent.

“I can’t say… I can’t access it in spoken word.”

Sylvie pressed her personal opinions down and focused. Sylvie, who was not exactly judgmental, found herself taking her job too seriously. She viewed the mentally ill as weak, and thought her intelligence should be used to restore the damaged human mind, to strengthen and rationalize the behavioral and cognitive components of the sick. This girl before her was hard to crack. She assessed the girl, scars on her arms from qualms causing harm, and decided to take a different approach.

“I would like you to pretend you’re standing across from someone. I want you to imagine this person as a neutral, compassionate person. Imagine you only have five minutes to speak to them. This person isn’t like anyone else, for this person possesses a trait which attracts you and compels you to trust them. You look in their eyes, you look past into their mind and see reassurance. They ask you your name. What would you say.”

The girl leaned forward on the couch, elbows on her thighs, propped so hands could support her head, holding her chin against her knuckles. Her bloodshot eyes said it before her mouth did.

“I would pull out poems. I always keep some in my purse. I have them on scratches of paper, napkins, impulsively writing as I felt it enter me. I wouldn’t need to say my name, because if you mean what you said when describing this person, they would know me. They would already know my name.”

“What would they call you?” Sylvie consciously monitored her tone, hoping to not sound too desperate. She knew girls of this kind had the ability to manipulate.

“Well, they would already know. And when knowledge is a shared thing, what point is there to say it? You can only address something so many times, but feeling it is the difference, That’s where the significance lies.”

Sylvie exhaled, trying not to sound too exasperated. It was nearing four o’ clock, and she already felt bored of the girl’s hesitation. “How does that person know who you are? How would they know what you’re called.”

Her eyes darkened, redder than ever. “They would know, because by having already known, they would feel it—not see it, and not hear it. It’s a force, not a title, not a name. It’s a being.”

“What is this being?”

“It’s my existence. It’s in my poetry.” She moved her hands and reached for the water glass on the table, took a gulp swallowed. She delicately smacked her lips, adding a seductive lick. Sylvie kept the same face, peering past the girl’s distracting gestures. “Maybe you can see it sometime.” Her voice was marked by set syllables of monotone and dull.

“Bring it next time.” Sylvie consciously tried not to rush her, but she couldn’t help but grow impatient.

The girl stood and collected her belongings. Sylvie stood also, guiding her to the door, the way she did with all patients at the end of all sessions. The girl was walking towards the doorway when she nonchalantly added “You’ll see it soon.” She left shortly thereafter, and Sylvie never saw her again.
You're going to read this wrong,
Every single one of you.
Because you are not me,
And you cannot see what I'm saying.

No amount of stressed syllables in these lines can
ever describe what it means.
To me.
Why I wrote it.
Why I let you read it.

You will never understand
My understanding.

And that's okay.
It's a long list.
Kelly Zhang Feb 2011
I am trying to make you happy because I love you
and I don’t have fudge bars, your favorite  
and I killed your fish because I forgot to change its water;
it was almost dead when you gave him to me anyway
but it was an accident

I’m sorry your stupid guppy died, it was his own fault.
6.30.10

— The End —