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Hello Daisies Mar 2023
You tore out my heart
laying on the ground
Finally I hear it's sound
Pa dum pa dum
I'm obsessed with this sound
Pa dum pa dum
Pa dum
Pa dum

You tore me apart
I'm listing to my heart
All I hear is this sound
Sounds of broken magic
Sounds of something tragic
Pa dum pa dum ssss

Obsessed with such beauty
Obsessed with the sweet romance
Obsessed with the brisk October
With the warm summer nights
Waiting in lines
Reaching the destination
Seeing the stars
Falling apart
Falling
Onto my own heart
Pa dum pa dum

You tore my heart out
Laying on the ground
I'm obsessed with it's sound
Pa dum pa dum

All I hear
All I swear
It's all I hear
It's all I care
About
Your sound
Mini m&Ms
Laying on the playground
Mini M&Ms
Don't usually have a sound
When you see them
I can hear them
Pa dum pa dum
We always shared them
Pa dum pa dum


We shared many things
Secrets, truths, heartbreak
Laughter love
Adventure
We shared many
Many of these
Can you believe
I could ever let it go
Let this sound go
Pa dum pa dum

I can finally hear it again
Thank you my beloved friend
You tore my heart out
The one I thought I lost
With you in the war
Or maybe from before
Now I feel the magic
Of every moment of course
I cherish how it hurts
...hurts
It hurts ....it hurts so
Pa dum pa dum pa DUMPADUMPADUMDDUMDUMDOOOMDOOMDOOM

I cherish it so
Thank you for this pain
I dance in the blood
Of the bleeding of vein
On the ground
I dance
On the ground
To the sound
Of my torn out heart
I relish every part
From finish to start
Repeating
Cycling
    through me
  Constantly
I dance
I...
Dance
As I paint my face red
With every shade
Every piece of led
You ever fed
Me
I can taste it
I can hear it
The sound
Of the trains
Pa dum pa dum

You tore my heart out
On the ground
I am obsessed with the sound
Pa dum pa dum
The sound of trains at night
The sound of laughing and feeling alright
The sound...of inner bliss
And naivety over this
I can hear the sound
Of my heart again
Having it ripped open
I am obsessed with the ****** romance
Of feeling pain
It's better then nothing
So they say
I wish there was another way
To hear
The sound of my heart
Then having it torn apart
Laying on the ground
Pa dum pa dum
Watching it bleed out
With every
Time
I
See
Your face
Every
Time
I
See
That place
Every
Pa dum
Pa dum
Time I see the stars
Pa dum pa dum
Every
Time
I
Remember
Your
Heart
Pa dum pa dum
Every
Time ...
Every
Time
I
...pa dum pa dum
Every
Time
I
Wish
We weren't apart
Pa dum pa dum
It loses more
Blood
The sound is slowly
Mud
Until I learn to erase
Your disgrace
Until I learn
To face
My obsession
With my lost
Possession
It'll die
And the sound will go

Until then
This is all I know
To hold onto
To feel

You tore out my heart
On the ground
I'm obsessed with the sound
...pa dum pa dum
Pa...ssssss


You've won again
My once beloved friend
Sam Temple Apr 2015
*** *** ba dum dump da dum *** ba dum dum
                      /\                        /\                                /\
                  [snap]                 [snap]                         [snap]
*** *** ba dum dump da dum *** ba dum dum
                      /\                        /\                                /\
                  [snap]                 [snap]                         [snap]

Sitting at the window staring at sliding rain
I mentally slip on the proverbial banana peel

*** *** ba dum dump da dum *** ba dum dum
                      /\                        /\                                /\
                  [snap]                 [snap]                         [snap]

Floating deeper into consciousness’s backwater
I ponder the reflection of a mirror in the lake

*** *** ba dum dump da dum *** ba dum dum
                      /\                        /\                                /\
                  [snap]                 [snap]                         [snap]

Looking down at shoeless feet fraught with fear
I turn to run, only to find cell bars, box cars, sticky jars, and the planet  Mars

*** *** ba dum dump da dum *** ba dum dum
                      /\                        /\                                /\
                  [snap]                 [snap]                         [snap]

Momentarily, my movement meanders making me
a microcosm of mankind’s malady…another Monday morning

*** *** ba dum dump da dum *** ba dum dum
                      /\                        /\                                /\
                  [snap]                 [snap]                         [snap]
*** *** ba dum dump da dum *** ba dum dum
                      /\                        /\                                /\
                  [snap]                 [snap]                         [snap]
Aaron Mullin Nov 2023
in this state ...
we follow the drum
dum-dum, dum-dum, dum-dum

it's a baseline from the numinous
rooted in the luminous
dum-dum, dum-dum, dum-dum

it's consciousness expanding
and selfishness unbounding
dum-dum, dum-dum, dum-dum

this thrombosis is cyclical
inspired spirals are psychical
dum-dum, dum-dum, dum-dum
Mariya Timkovsky Jun 2012
Like the percussive beat of a drum
Ba-dum-dum
“Dumb as a post,” she says.
“Doesn’t know when to take her shoes off,” she says.
Because what are you doing, tracking dirt in my house
Under my roof
Unlike your friend who knew
When it was time to behave himself?
“You filthy slob.”
And I think, “What about Bob?”
A ******’ ****** who was just so gosh-****
Lovable.
And even if you haven’t seen that movie
You would know
That it’s the ones who can’t stand still
And who stick their hands in flames
And who grind their brains
For answers
Who make the world go round.
And round and round
She spun her snippy little tongue
Without even a break for air.
But who needs air when you’ve got sand
Filling up your lungs
In the arid desert.
They call it Death Valley for a reason.
I’ve never been
But I heard in the summer months
The temperature maintains a balmy 120 degrees.

I’ve been absorbing the heat ever since I could
Make heads and tails of her
Ba-dum-dum.
So here we are at round two.
She says it’s preferable to be sitting in one place
Because the jabbering jaw is where all the exercise comes from.
And the winner will be declared when there is no more *******
Coming out of the other person’s mouth.
Well that’s *******.
I’m not sitting around waiting for you
To throw blades at my head
And expect me to just take it.
I also can’t fake it.
I need to get out of here, don’t you understand?
Your hand has abandoned the idea of holding mine
Long ago, I know.
It serves a more physical purpose now:
To make me regret
Standing up for myself.

Ba-dum-dum
She’s still going at it!
Not hard to believe,
Since she’s gotten half a life time of practice with it.
Ba-dum-dum
It’s gotten progressively less steady.
No longer the even pulse that I was able to
Drown out earlier.
Ba-dum-dum
There she goes putting emphasis
On things that don’t matter.
I’ll be heading towards the door now…
Ba-dum-dum
Let me just –
Ba-dum-dum
Can you move please?
Ba-dum-dum
I’ll take that as a “no.”
I sigh. Not yet at the point of resignation somehow.
Ba-dum-dum
MAKE IT STOP!
Ba-dum-dum
Ba-dum-dum-dummm
I've been watching more spoken word videos lately and was inspired to try another piece in this style.
Also, if you've never heard of the movie "What About Bob?" you should watch it, it's a fantastic film!
Lizzie  Sep 2021
Diddly Dum Di Di
Lizzie Sep 2021
Do diddly dum dee do
Diddly dum dee dee
Do diddly dum dee do
Diddly duddly dee

I saw a man
And he was handsome
Handsome as can be
And so I says to meself
I'd like that man for me
Diddly dum di di
I'll take that man for me.

But that man,
Alas, was taken
Taken as can be
And so I thinks to meself
If only he were free
Diddly dum di di
I'll make that man be free

Do diddly dum dee do
Diddly dum dee dee
Do diddly dum dee do
Diddly duddly dee

So I finds
His ain woman,
A lassie fair and sweet,
Grab her by her flaxen locks
And bind her pretty feet
Diddly dum di di
I bound her pretty feet.

But that lass
Alas, was young
A maid of just sixteen
She says, "I ne'er had no kiss
Won't ye have some mercy?"
Diddly dum di di
"Please have ye some mercy!"

Do diddly ... etc.

Me unloved heart
Was touched right then
And so I looked at she
Kissed her gently on th' cheek
And threw her in the sea
Diddly dum di di
I threw her in the sea.

The man I loved
When he heard
Of me awful deed
Swore to **** me the same way
Me death was his new creed.
Diddly dum di di
Me death was his sworn creed.

Do diddly... etc.

So when he seized
Me wild hair
And bound me to the knees
I said to him, "Do not forget
Tha kiss ye owe to me"
Diddly dum di di
"Tha kiss ye owe to me."

He leaned in close
His lips near main
And looked me in th' ee
He whispered then, "Ye go to hell"
And threw me in the sea
Diddly dum dee dee
He threw me in the sea.

Do diddly dum dee do
Diddly dum dee dee
Do diddly dum dee do
Diddly duddly dee.

A tousand years
I've burnt in hell
A tousand more I'll need
But with me love by me side
I won't regret me deed.
Do diddly dum dee dee
I won't regret me deed.
Classy J Apr 2023
Verse 1:

I wish I could say no strings attached,
But I’m a tangled mess.
Come into my playhouse, baby.
Ignore the webs.
Step into the minefield,
That was once my head.
I’m a darkened canvas,
But my visions red.
So, best tuck yourself in tightly,
Before going to bed.
You don’t want to tempt the monsters,
Who haven’t been fed.

Pre-chorus:
(Da-dum, da-dum, da-la-ta-dum)
(Da-dum, da-dum, da-la-ta-dum)

Chorus:
The traps been set, there’s no escape.
The illusions of love; the reality of hate.
Distorted beauty, masks intentions.
The powder of a bullet, triggers ignition.

Verse 2:
Now I’m gunning for you.
Twisted love is like pins and needles.
You’re the doll, I’m the voodoo.
I’m coming for you.
Dark afflictions baby, I crave for you.
Would savour the flesh,
Would savour each taste.
Till there’s nothing left,
Except for cake.

Pre-chorus:
(Da-dum, da-dum, da-la-ta-dum)
(Da-dum, da-dum, da-la-ta-dum)

Chorus:
The traps been set, there’s no escape.
The illusions of love; the reality of hate.
Distorted beauty, masks intentions.
The powder of a bullet, triggers ignition.

Bridge:
I’m a beast with no beauty.
No curse on me.
I’m a beast with no beauty.
Uncaged and hungry.

Pre-chorus:
(Da-dum, da-dum, da-la-ta-dum)
(Da-dum, da-dum, da-la-ta-dum)

Chorus:
The traps been set, there’s no escape.
The illusions of love; the reality of hate.
Distorted beauty, masks intentions.
The powder of a bullet, triggers ignition.
Warda Kashif Jan 2013
Ba-dum ba-dum
Will you look into my eyes?
Oh please wont you be mine.

Ba-dum ba-dum
Are you listening to my words
Trying so hard for you to understand my love.

Ba-dum ba-dum
Can you smell my lingering scent?
After a long night of love we've spent.

Ba-dum ba-dum
How do I taste?
When we connect our lips in haste.

Ba-dum ba-dum
Do you feel my beating heart?
Strung together by your every breath.
CHAPTER ONE

My geographic movements during the past year could be called “A Tale of Two Couches.” So as June draws to a close, I assume the position here again on Couch California. I am back in Hemet, the place the smug among us call Hemetucky--as if there was nothing a couple of Mint Juleps and a **** of Blue Grass wouldn’t cure. It is the year of our Lord, 2014: so far an interesting year for women. There was a woman who wore socks to bed. There was always my long-time, here today-gone tomorrow, long time companion, currently teaching somewhere remote on the Big Rez, a southwestern Navajo concentration camp near the 4 Corners.  Next, there’s my current object of affection, that fine and frisky lady from The Bronx by way of Bernalillo--currently at home in Laguna Beach, Orange County. Trixie: my main squeeze at the moment.

And now, completely out of the ******* blue this afternoon, my cell phone rings and it’s ******* Juanita--my all-time favorite woman, Juanita Mi Favorita de La Quinta--a Coachella Valley town and desert wadi, extending its lucrative winter tourist season to become a significant, year-round retirement venue and a robust service economy feeding off it.  Juanita arrived there in the late 80s, in middle of her early forties.  She was unemployed, homeless, just a suitcase to her name and a two-year old toddler in tow. Her parents were there, as was her Aunt Peggy.  Juanita was always Peggy’s favorite niece, her favorite child, actually, Peggy herself being childless, never married.  Aunt Peggy put her maternal instincts to work on Juanita Rodriguez, her Sister Rosalia’s second favorite twin daughter.

Maria, Rosalia’s first favorite daughter, Juanita’s twin sister—MARIA: lives in Newport Beach and acts as an extra in many commercial ads shot in southern California and elsewhere, an irony never without sting for Juanita. “Que lastima!” Poor Juanita: as her would-be Hollywood Movie star aspirations disintegrated over the years, along with her unrealized lower expectations to be TV star, and even those semi-glamorous modeling gigs at trade shows and fairs—the elephant’s graveyard of the acting profession—failed to materialize, and now her celebrity habitat shrunken even further, to that sporadic but consistent mockery of stardom, I refer to any would-be thespian’s ignominious one-celled visual protozoan: The Extra Call List.  And—*******-- what happens next? Juanita’s sister Maria starts getting these parts, starts getting hired by filling out a ******* postcard, starts getting paid to look good in the background. *******: no professional education or instruction, no agent, and no need to **** off both the producer, the producer’s cousin Morey, the director and the director’s wife’s huge Golden retriever, Genghis--actually a mighty handsome animal--or needing to spill $4K on that Derma-brasion, Juanita inflicted on herself last year.

Juanita, as you already know, was the second favorite daughter and the second favorite twin of the family. She became the third favorite child in her three-child family upon the arrival of her slick baby brother Nico-- the Golden Child, who grew up to be a glib Merrill-Lynch stockbroker, office and residence, Beverly Hills 90112.  (Enter forcefully into the narrative, His Nibs himself, Sir Nicodemus of Hollywood, Juanita and Maria’s baby brother Nico. He speaks: “Excuse me, stockbroker my ***, as it says in a 11 point Rockwell Boldfont, right here on my gold-leaf embossed business card: Senior Large Capital Investment Counselor.”)

No, Juanita had a hard time just treading water in that Cleveland shark tank. And though she lacked nothing in the cuteness department, she had this one fatal flaw, namely, the gift of ***** and sass and a reflex to speak truth to power. Juanita: rejected by Rosalia as a threat to her hegemony as Boss of the Girl’s Club, was cast adrift on a tempestuous childhood cruel Montserrat sea, out there on the briny deep . . .  
                

                                      



High Seas: where many a tuna has a Sorry Charlie moment: “Star-Kist don’t want no tuna with good taste; Star-Kist wants a tuna that tastes good.”

Finally, Juanita is rescued, taken aboard the Good/Soul Aunt Peggy—that wayward bark Elisabeta Rodriguez, home-ported in Southside, Chicago, Illinois—the rescue at sea performed in classy, rather low-key manner; no Andrea Doria drama, but understated:

{Camera One, Helicopter above, zooms over turbulent ocean surface. Peggy, an oasis of calm, aboard the raft Kon Tiki with Thor Heyerdahl and his crew, floats by, whispering, “Going my way, Honey? Climb aboard. Have a homemade oatmeal cookie and a small glass tumbler of Jack Daniels.” Okay, no, that’s not fair. Sure Aunt Peggy drank, but never got round to offering you a drink until you were well into your 30s. Let’s just say she offered you a warm glass of milk, the mother’s milk deprived you by your mother, her sister Rosalia. Dear Aunt Peggy: a seasoned survivor herself, flawed by early childhood deafness and grotesque speech.  Yet, she had refused to settle for life in an asylum. She made a go at life.  She learned; she prospered; she flourished. And when the time came, she was there for you in the Coachella Desert, there for her feisty niece Juanita Ann.  Aunt Peggy: a loving spirit personified, became Juanita’s special confidant and counselor, her personal cheer squad of one. Juanita, of course, a former cheerleader herself--an early hint of greatness to be sure, a highlight, perhaps the highlight of her life, shown off every Halloween, still celebrated at American high schools each Fall. She is the Principal’s secretary at a huge suburban high school in Indio. Each Halloween, if the date falls on a school day, Juanita arrives for work wearing that scrupulously preserved, vintage 1966 cheerleader uniform, looking real foxy still, snug now in all the right places. Eternal Truth: Juanita has always and will always be good looking. Life with Juanita is perpetual “ooh la-la.”

So, I am on the couch that afternoon, reading more of Gramsci’s prison notebooks, specifically the philosophy he calls “Praxis.”  Completely out of the ******* blue, Juanita calls me on a RESTRICTED phone, as I said, Juanita, a torch I’ve kept burning for years, flaring up like a refinery flame--oil still very much in the present energy mix--hope springing eternal as they say, and instantly my mission in life is rekindling our lost love. Juanita’s conceived her mission prior to her phone call:  using me to keep her son from being whacked by the local Eme--the Mexican Mafia—that ethnic-pride social club that the RICO-squad-- using family tree socio-grams and other expensively-printed graphics, the one RICO keeps trying to convince us is some sort of organized crime conspiracy. The Mexican Mafia: like everything else practical and utilitarian in this world: THAT’S ITALIAN! And, if you are starting to sense a bit of ethnic chauvinism on, between & below the lines, you are barking up the right tree.
                                                           ­     
      
                                                            
(AUTHOR’S POST-SCRIPT EDIT: And, an ad for dog food right here? Not the best choice of sponsors, perhaps, at the moment. Juanita was far off from the ****** ***** that start looking not half-bad at 2:30 in the glazy morning, not anywhere near those beasts you find lingering in the airport bars you usually frequent near closing time on Saturday nights. No, I remind you that Juanita was all “ooh la-la.” In my next printing—and my Lord, there have been so many, haven’t there, Paulie “Eat-a-Bag-of-****” Muldoon? I will change out the Alpo ad, plugging in a spot for Aunt Jemima pancake syrup or Betty Crocker whipped cream, you know, something more apropos.)

Juanita, I really must hand it to you. You showed the greatest staying power, year after year as I moved further and further away from La Quinta, California. Juanita: you embraced what was good in me, ignored my flaws and strengthened me with your love for so many years. As far as you and Peggy, I guess it was a case of the “apple not falling far from the tree” one of many endearing Midwestern metaphors you taught me.  Peggy taught you, taught you to be kind and then you taught me. No matter what bizarre venue I pulled out of my ***, you showed above-average staying power, continued to visit me wherever I went, Casa Grande & Buckeye, Arizona, Appalachia, West Virginia, and even Italy, when I thought I’d try Europe again after so many years.  With each move, each time, Juanita renewed her commitment to the relationship. Meanwhile, I continued to test her, quantifying her dedication, undermining her sense of mission to disprove my worldview on the expendability of women. Surely, you know that one: the unreliability of women, women who disappear without saying goodbye. That old deeply etched conviction to never get attached to a woman, any woman, based on the empirical fact that women have been known to suddenly die, a fact seared into my still tender metal by the surprise death of my mother on 11 January 1962.

1962. It was already an insecure world, to wit:  The Cuban Missile Crisis. Nikita Khrushchev, in his time both Dr. No and Dr. Evil, namely the Premier whom we Baby Boomers saw as Boogey Man of All Time (Although Putin is showing potential, lately)—the Kennedy ****** (what else could you call it?). All these events scary, whether or not I got the chronology right . . . I remained on high alert for any threat to my delicate adolescent psyche.  My mother-Rosa Teresa Sekaquaptewa-died at 2 o’clock in the morning, screaming in agony while apologizing to my father for not having his dinner on the table when he walked in from work that prior afternoon. She’d already been in bed since noon, attended by two of my aunts--both my father’s sisters--who loved their Hopi sister-in-law, Rosa.  Also present was Lafcadio Smirnoff, M.D.--last of the house call medicine men--a dapper, mustachioed, swarthy gentleman, misdiagnosing her abdominal pain as a 24-hour virus, while she bled out internally for at least eight more hours, her whimpers alternated with screams, well into the wee hours of the morning.

I was upstairs in that dormer bedroom listening to her die. An hour later, Father Numb-nuts of Our Lady of Lourdes Parish teleported in, beaming directly into my bedroom from the parish rectory.  Father Seamus Numb-nuts, an illuminated Burning Bush . . . not quite the bush I ‘d conjured at other times, so many times alone with Gwen Wong, ******* Playmate of the Year, 1961, one of Hefner’s hot centerfolds. No, give me a ******* break, you momo! Whacking off is the last thing on a libidinous, adolescent guinea’s brain when his mama is being tortured and killed by God. Even Alexander Portnoy, Philip Roth’s early avatar would have drawn the wanking line at that unforgettable moment.

No, perhaps what I’d had in mind was The Burning Bush Golf Course where so much of Fletcher Kneble’s political mischief and government shenanigans got cooked up. You remember his books, some of the Cold War’s finest: Seven Days in May, Vanished, etc.

Or better yet, perhaps the greatest political slogan of the 20th century: “STAY OUT THE BUSHES!” Thank you, Jesse. “Thank you, Reverend Jackson,” I slip into my Excellence in Broadcasting mode, my very own private Limbaugh. Announcing my on- air arrival is El Rushbo’s unmistakable, totally recognizable bass line bumper, courtesy of Chrissie Hynde’s Pretenders band mate, guitarist Tony Butler: Dum, dum, dum-dum, Da-dum, dum-dum-dum-dum-da-dum-dum. Single, “My City Was Gone” by The Pretenders
Rush Limbaugh Song– YouTube www.youtube.com/watch?v=SScW9r0y3c4

I become Reverend Jackson. I emerge from the vapors, an obscure abyss of deep family pangs and disappointments, ever-diminishing public relevance and fade to black (no pun intended) and media oblivion. The only thing left is that line:  “STAY OUT THE BUSHES!” You will always own that line, Jesse--true political genius (to wit: Rainbow Coalition) Jackson that you are, despite El Rush-Bo’s virulent anti-Black animus, his predilection to mock you, Al Sharpton, Corey Booker, Barack “Hussein” Obama, and any other professional ***** in America. Isn’t it time someone came right out and tagged Mr. Limbaugh as the Father Coughlin of our time.

Meanwhile back in The Bronx, enter another man of the cloth:  It’s Seamus Numb-nuts, making one of his many well-documented spectral visitations, his splendiferous miracles and wonders. How much longer will the Vatican ignore this humble Bronx priest, this epitome of Sainthood; this reverent man, lacking only the stigmata for a unanimous consent vote? Quote the Numb-nuts: “God Works in Mysterious Ways.” An old standard to be sure, but a lovely, all-purpose bromide for explaining why evil exists in our world. Needless to say, I was underwhelmed; I lost God at that moment, consequently shooting myself in the foot--metaphorically-speaking-condemning myself to an unshielded life, life OUT THE BUSHES!  I went forth into the world without God, without that handy divine crutch, that Andy Devine metaphor for when one’s legs grow weary: a puff of smoke, a reverb twang and a nasty frog croaking “Hi-ya, Kids. Hi-ya, Hi-ya. Hi-ya.”

   Andy's Gang - Pasta Fazooli vs. Froggy the Gremlin - YouTube
► 3:55► 3:55
www.youtube.com/watch?v=H35odPm7b3w Aug 8, 2012 - Uploaded by jmgilsinger
Froggy the Gremlin -Tuba ... Andy Devine (Aug 24, 1952)

Life for me became lonely and purposeless. And probably explains my susceptibility to military discipline and a subsequent career in clandestine government service. In 1968--the very day I turned nineteen, September 25th of that year—that fateful day when I should have shot myself in the foot—literally not metaphorically--earning that coveted 4-F physical rejection, a draft deferment to be desired, that 4-F classification of unfitness for duty, a necessary loophole in U.S. conscript service law.  The Draft: last used during that great commonwealth Cold War purge, that culling out of the unwashed, uneducated children of immigrants, that cut-rate, discount, lower socio-economic ***** bank—the only bank where after you make a deposit, you lose interest, to wit: most Black, Hispanic and Poor White Trash parents.  We were cannon fodder, many of us got to be planted at Arlington and other holy American shrines, still wrapped in black or olive drab leak-proof body bags, doing our generational bit to strengthen the gene pool left behind. A debt, some would say, we owed the country and, given the sorry state of the global wicket, increasingly an obligation to the species. And if I had to predict an outcome, Fascism in America will arrive riding the white horse of the environmental, anti-nuclear Bolsheviks. One could argue that Communism has moved so far left on the political spectrum that it’s now the far right.  Concoct a legislative policy goal, accomplish it legally as the bill becomes Law, signed by the President, endorsed and blessed by The U.S. Supreme Court, the highest court in the land.

To wit: “Three generations of imbeciles is enough?” declared Oliver Wendell Holmes, Jr., an Associate Supreme Court Justice at the time, buttressing a majority argument harnessing the power of U.S. law as a legal means of purifying the race.  When euthanasia failed to win over American hearts and mind, the Federal Government played the war card again and again. Vietnam: undeclared and therefore unconstitutional--except for that Gulf of Tonkin ******* resolution. Vietnam: a cost-plus eugenics project, if ever there was one, although responsive, of course, to the needs of the Military-Industrial Complex.  ******* Ike: he warned us against Fascism in America. As usual, we ignored the man in charge.

Eugenics? Why didn’t the government just put all the retards on the stand, as John Frankenheimer did in Judgment at Nuremberg, a crafty Maximilian Schell humiliating a feeble-minded Montgomery Clift?  Why not, make everyone face a public tribunal, forcing all of us to testify in court, exposing our many substandard and borderline substandard cerebral deficits?  Why not force everyone to demonstrate just how ******* dumb we are, using some clever intelligence test, something l
Donall Dempsey Jan 2019
THE RETURN OF DUM MAARO DUM
( for Driftwood )

She dances
upon her tippy toes

upon my toes
whirling 'bout the room

to DUM MAARO DUM
she my little Bollywood queen.

"Again...again....again!" she squeals
mad with childish delight.

Asha sings to us
and we...dance!

Sunlight throws itself
at our feet.

We dance upon it.

Summer gasps
holds its breath.

There is nothing but
the music....and us!

She is all
of three

screaming: "Bollywood me...Bollywood me!"

"This...won't....get the dinner done!"
screams Mum above the fun.

The record screeches
and scratches ...ouch...off!

I cut cucumbers
into tiny tiny pieces.

Tilly washes spinach and lettuce.

But when Mum
goes to answer the phone

it's her best chum
she will be hours

we sneak Asha
back into the kitchen.

The return of. . .

"Dum maaro dum
Mit jaaye gham
Bolo subaha shaam
Hare Krishna hare Krishna hare Krishna Hare Ram!"
Such a superb composition by RD Burman. Asha Boshle voice that perfect creature that it is and matched to Zeenat Aman. Back then we had no idea what it was about only that big father and little daughter couldn't help but compulsively dance anytime the song came on...it was such a joy and we never tired of it.

Piya Tu Ab To Aaja (Monica, Oh My Darling!) was another favourite with all that sung panting and the call of Monica, Oh my Darling! We couldn't get enough of it.

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