Submit your work, meet writers and drop the ads. Become a member
AAron Roz  May 2018
Sound
AAron Roz May 2018
Music is loud or quiet.
Music is soft or heavy.
Music can have meaning or not.
Music can be nothing or everything.
Music is:
◾Art Punk
◾Alternative Rock
◾College Rock
◾Crossover Thrash (thx Kevin G)
◾Crust Punk (thx Haug)
◾Experimental Rock
◾Folk Punk
◾Goth / Gothic Rock
◾Grunge
◾******* Punk
◾Hard Rock
◾Indie Rock
◾Lo-fi (hat tip to Ben Vee Bedlamite)
◾New Wave
◾Progressive Rock
◾Punk
◾Shoegaze (with thx to Jackie Herrera)
◾Steampunk (with thx to Christopher Schaeffer)

•Anime
•Blues ◾Acoustic Blues
◾Chicago Blues
◾Classic Blues
◾Contemporary Blues
◾Country Blues
◾Delta Blues
◾Electric Blues
◾Ragtime Blues (cheers GFS)

•Children’s Music ◾Lullabies
◾Sing-Along
◾Stories

•Classical ◾Avant-Garde
◾Baroque
◾Chamber Music
◾Chant
◾Choral
◾Classical Crossover
◾Contemporary Classical (thx Julien Palliere)
◾Early Music
◾Expressionist (thx Mr. Palliere)
◾High Classical
◾Impressionist
◾Medieval
◾Minimalism
◾Modern Composition
◾Opera
◾Orchestral
◾Renaissance
◾Romantic (early period)
◾Romantic (later period)
◾Wedding Music

•Comedy ◾Novelty
◾Standup Comedy
◾Vaudeville (cheers Ben Vee Bedlamite)

•Commercial (thank you Sheldon Reynolds) ◾Jingles
◾TV Themes

•Country ◾Alternative Country
◾Americana
◾Bluegrass
◾Contemporary Bluegrass
◾Contemporary Country
◾Country Gospel
◾Country Pop (thanks Sarah Johnson)
◾***** Tonk
◾Outlaw Country
◾Traditional Bluegrass
◾Traditional Country
◾Urban Cowboy

•Dance (EDM – Electronic Dance Music – see Electronic below – with thx to Eric Shaffer-Whiting & Drew :-)) ◾Club / Club Dance (thx Luke Allfree)
◾Breakcore
◾Breakbeat / Breakstep
◾Brostep (cheers Tom Berckley)
◾Chillstep (thx Matt)
◾Deep House (cheers Venus Pang)
◾Dubstep
◾Electro House (thx Luke Allfree)
◾Electroswing
◾Exercise
◾Future Garage (thx Ran’dom Haug)
◾Garage
◾Glitch Hop (cheers Tom Berckley)
◾Glitch Pop (thx Ran’dom Haug)
◾Grime (thx Ran’dom Haug / Matthew H)
◾*******
◾Hard Dance
◾Hi-NRG / Eurodance
◾Horrorcore (thx Matt)
◾House
◾Jackin House (with thx to Jermaine Benjamin Dale Bruce)
◾Jungle / Drum’n’bass
◾Liquid Dub(thx Ran’dom Haug)
◾Regstep (thanks to ‘Melia G)
◾Speedcore (cheers Matt)
◾Techno
◾Trance
◾Trap (thx Luke Allfree)

•Disney
•Easy Listening ◾Bop
◾Lounge
◾Swing

•Electronic ◾2-Step (thx Ran’dom Haug)
◾8bit – aka 8-bit, Bitpop and Chiptune – (thx Marcel Borchert)
◾Ambient
◾Bassline (thx Leon Oliver)
◾Chillwave(thx Ran’dom Haug)
◾Chiptune (kudos to Dominik Landahl)
◾Crunk (with thx to Jillian Edwards)
◾Downtempo
◾Drum & Bass (thx Luke Allfree)
◾Electro
◾Electro-swing (thank you Daniel Forthofer)
◾Electronica
◾Electronic Rock
◾Hardstyle (kudos to Dominik Landahl)
◾IDM/Experimental
◾Industrial
◾Trip Hop (thank you Michael Tait Tafoya)

•Enka
•French Pop
•German Folk
•German Pop
•Fitness & Workout
•Hip-Hop/Rap ◾Alternative Rap
◾Bounce
◾***** South
◾East Coast Rap
◾Gangsta Rap
◾******* Rap
◾Hip-Hop
◾Latin Rap
◾Old School Rap
◾Rap
◾Turntablism (thank you Luke Allfree)
◾Underground Rap
◾West Coast Rap

•Holiday ◾Chanukah
◾Christmas
◾Christmas: Children’s
◾Christmas: Classic
◾Christmas: Classical
◾Christmas: Comedy
◾Christmas: Jazz
◾Christmas: Modern
◾Christmas: Pop
◾Christmas: R&B
◾Christmas: Religious
◾Christmas: Rock
◾Easter
◾Halloween
◾Holiday: Other
◾Thanksgiving

•Indie Pop
•Industrial
•Inspirational – Christian & Gospel ◾CCM
◾Christian Metal
◾Christian Pop
◾Christian Rap
◾Christian Rock
◾Classic Christian
◾Contemporary Gospel
◾Gospel
◾Christian & Gospel
◾Praise & Worship
◾Qawwali (with thx to Jillian Edwards)
◾Southern Gospel
◾Traditional Gospel

•Instrumental ◾March (Marching Band)

•J-Pop ◾J-Rock
◾J-Synth
◾J-Ska
◾J-Punk

•Jazz ◾Acid Jazz (with thx to Hunter Nelson)
◾Avant-Garde Jazz
◾Bebop (thx Mwinogo1)
◾Big Band
◾Blue Note (with thx to Jillian Edwards)
◾Contemporary Jazz
◾Cool
◾Crossover Jazz
◾Dixieland
◾Ethio-jazz (with thx to Jillian Edwards)
◾Fusion
◾Gypsy Jazz (kudos to Mike Tait Tafoya)
◾Hard Bop
◾Latin Jazz
◾Mainstream Jazz
◾Ragtime
◾Smooth Jazz
◾Trad Jazz

•K-Pop
•Karaoke
•Kayokyoku
•Latin ◾Alternativo & Rock Latino
◾Argentine tango (gracias P. Moth & Sandra Sanders)
◾Baladas y Boleros
◾Bossa Nova (with thx to Marcos José Sant’Anna Magalhães & Alex Ede for the reclassification)
◾Brazilian
◾Contemporary Latin
◾Cumbia (gracias Richard Kemp)
◾Flamenco / Spanish Flamenco (thank you Michael Tait Tafoya & Sandra Sanders)
◾Latin Jazz
◾Nuevo Flamenco (and again Michael Tafoya)
◾Pop Latino
◾Portuguese fado (and again Sandra Sanders)
◾Raíces
◾Reggaeton y Hip-Hop
◾Regional Mexicano
◾Salsa y Tropical

•New Age ◾Environmental
◾Healing
◾Meditation
◾Nature
◾Relaxation
◾Travel

­•Opera
•Pop ◾Adult Contemporary
◾Britpop
◾Bubblegum Pop (thx Haug & John Maher)
◾Chamber Pop (thx Haug)
◾Dance Pop
◾Dream Pop (thx Haug)
◾Electro Pop (thx Haug)
◾Orchestral Pop (thx Haug)
◾Pop/Rock
◾Pop Punk (thx Makenzie)
◾Power Pop (thx Haug)
◾Soft Rock
◾Synthpop (thx Haug)
◾Teen Pop

•R&B/Soul ◾Contemporary R&B
◾Disco (not a top level genre Sheldon Reynolds!)
◾Doo ***
◾Funk
◾Modern Soul (Cheers Nik)
◾Motown
◾Neo-Soul
◾Northern Soul (Cheers Nik & John Maher)
◾Psychedelic Soul (thank you John Maher)
◾Quiet Storm
◾Soul
◾Soul Blues (Cheers Nik)
◾Southern Soul (Cheers Nik)

•Reggae ◾2-Tone (thx GFS)
◾Dancehall
◾Dub
◾Roots Reggae
◾Ska

•Rock ◾Acid Rock (with thanks to Alex Antonio)
◾Adult-Oriented Rock (thanks to John Maher)
◾Afro Punk
◾Adult Alternative
◾Alternative Rock (thx Caleb Browning)
◾American Trad Rock
◾Anatolian Rock
◾Arena Rock
◾Art Rock
◾Blues-Rock
◾British Invasion
◾**** Rock
◾Death Metal / Black Metal
◾Doom Metal (thx Kevin G)
◾Glam Rock
◾Gothic Metal (fits here Sam DeRenzis – thx)
◾Grind Core
◾Hair Metal
◾Hard Rock
◾Math Metal (cheers Kevin)
◾Math Rock (thx Ran’dom Haug)
◾Metal
◾Metal Core (thx Ran’dom Haug)
◾Noise Rock (genre – Japanoise – thx Dominik Landahl)
◾Jam Bands
◾Post Punk (thx Ben Vee Bedlamite)
◾Prog-Rock/Art Rock
◾Progressive Metal (thx Ran’dom Haug)
◾Psychedelic
◾Rock & Roll
◾Rockabilly (it’s here Mark Murdock!)
◾Roots Rock
◾Singer/Songwriter
◾Southern Rock
◾Spazzcore (thx Haug)
◾Stoner Metal (duuuude)
◾Surf
◾Technical Death Metal (cheers Pierre)
◾Tex-Mex
◾Time Lord Rock (Trock) ~ (thanks to ‘Melia G)
◾Trash Metal (thanks to Pierre A)

•Singer/Songwriter ◾Alternative Folk
◾Contemporary Folk
◾Contemporary Singer/Songwriter
◾Indie Folk (with thanks to Andrew Barrett)
◾Folk-Rock
◾Love Song (Chanson – merci Marcel Borchert)
◾New Acoustic
◾Traditional Folk

•Soundtrack ◾Foreign Cinema
◾Movie Soundtrack (thanks Julien)
◾Musicals
◾Original Score
◾Soundtrack
◾TV Soundtrack

•Spoken Word
•Tex-Mex / Tejano (with thx to Israel Lopez) ◾Chicano
◾Classic
◾Conjunto
◾Conjunto Progressive
◾New Mex
◾Tex-Mex

•Vocal ◾A cappella (with kudos to Sheldon Reynolds)
◾Barbershop (with thx to Kelly Chism)
◾Doo-*** (with thx to Bradley Thompson)
◾Gregorian Chant (hat tip to Deborah Knight-Nikifortchuk)
◾Standards
◾Traditional Pop
◾Vocal Jazz
◾Vocal Pop

•World ◾Africa
◾Afro-Beat
◾Afro-Pop
◾Asia
◾Australia
◾Cajun
◾Calypso (thx Gerald John)
◾Caribbean
◾Carnatic (Karnataka Sanghetha – thx Abhijith)
◾Celtic
◾Celtic Folk
◾Contemporary Celtic
◾Coupé-décalé (thx Samy) – Congo
◾Dangdut (thank you Achmad Ivanny)
◾Drinking Songs
◾Drone (with thx to Robert Conrod)
◾Europe
◾France
◾Hawaii
◾Hindustani (thank you Abhijith)
◾Indian Ghazal (thank you Gitika Thakur)
◾Indian Pop
◾Japan
◾Japanese Pop
◾Klezmer
◾Mbalax (thank you Samy) – Senegal
◾Middle East
◾North America
◾Ode (thank you Sheldon Reynolds)
◾Piphat (cheers Samy B) – Thailand
◾Polka
◾Soca (thx Gerald John)
◾South Africa
◾South America
◾Traditional Celtic
◾Worldbeat
◾Zydeco
etc...
Aaron Gill Jun 2012
The night starts off with a bang
She enters the room
And the spotlight starts to change.
It hits her as she walks through the door
An aisle splits down the center of the dance floor.
She starts to walk towards the stage
And then the music slowly plays.

The lights go up and the music plays
She dances around this tiny place.
The spotlight fades and she quickly turns
He’s never seen someone with such grace.
He grabs a mic and starts to pace.
His lips open up and he starts to sing
A song about a forgotten place.

Tonight we gather in this dance hall
Everyone is looking for a way to let their feelings out.
It takes two to tango and I think I’m ready
To sweep you off your feet.
We’ll count the steps as one, two, three
And act out a story between swaying bodies.
A small twist here and pirouette there
Is all it takes to make this kids heart start to race.
So let’s start this off with a twist
and end it with a dip
As we start to move you’ll feel the rhythm
Start to move you as it takes control of your hips.

They dance the night away
And he continues to sing.
All this dancing has all
But burned a ring into the floor.
They keep moving circles
Counting out the steps
As one, two, three.
That final move will be one
That will forever remain in history.
He lifts her to the sky
And then she starts to see
In his arms is where
This dancer was meant to be.
Oh Generational gap, a cancer of to all mankind. The father of lack of communication between the young and the old. A difference brought about the tastes and values.
The pain faced between young and aged but can’t be touched. It started by 1960’s the decades of revolutionary change. It cut across the world in values of ***, religion and civil rights. The disease the emerged earned its self a name by social scientists. It then became “Generational Gap”
I would love to quote a man of great thoughts, Alexis De Tocqueville, who commented that;
“Among democratic nations, each generation is a new people” I have come to appreciate these words.
When I walk down the streets noticing the rising incompatibility existing in our society
Though I admire the old days when the old and young associated freely, working on the same farms
Grandparents telling stories to their little ones; what a lovely society they had.
With the invention of television and computers some families were bonded in communication
While others live in agony especially the illiterate.
The old desire different designs from the youth, whose trends change per living day of nakedness
Young people prefer working in executive places like offices compared to the donkey farm work considered to be for the old
Another cause of generational gap is decay in morals; the young people feel like they know everything and don’t like to be corrected thus taking information from old people as outdated, young people finding lots of hardships to great their elders
In the field of music elders prefer oldies and more preferably educative songs, and as for the youths they delight in Hip-hop and dancehall, am sure those present here can testify to this a term with no disco dances makes us dull students.
When it comes to religious issues, youth find it a burden to go to church and if they offer to go they prefer it to be in a club way. Praise and worship accompanied by jazz unlike the old days where drums are the centre of music.
Cultures in this way have greatly faded away; the trend of western culture has flamed up the world.
Drugs and *** are a hobby and celebrated amongst the youth, yet *** to the old was for companionship and co-creation.
But when we came to medical technology we all applause in general, young or old there is easy treatment, use of scanners, and medical facilities cuts across.
mark john junor Jan 2014
but it was only the old man
sitting there on the dock
his weathered smile and dancing eyes
when he spoke it was a rough sound
like cadence of seafarers raising sail
in the long rays of summer eve setting sun
off the ancient shores celebrated in song
he spun me a tale of uncharted lands
and beautiful maidens in tropical forests
wild nights in some forgotten port
*** and the dancehall glow in memory
they are the stories shared on the long voyage
they are the smile in this old mans memories
the scent of salt and the rhythm of
the waves breaking on the shore
surround as he weaves his story
with the years flowin like the waves neath the prow
tacking east to a rising sun
it seems like a living breathing dream
as alive as the sea herself
as alive as the sparkling beauty in the memories
of an old man
weaving his tale
by the seaside
betterdays  Aug 2014
raindance
betterdays Aug 2014
the rain has come
finally
first in thunderous
clould burst
big fat pregnant drops landing
labouriously on
the dessicated dirt
leaving craterous footprints
as evidence of a
glorious dance

more fall to the cloud's internal beat
a steady rhythmic fall
into the mudpit dancehall
that once was dry dusty street

the rain has lessened
now wavering
between drizzle and mist stragglers late,
to raindance fall ball.
Our bare, brief escape begins at the dance.
Steaming, smoking animals moving chance
that this ***** dancehall can yield loving.
Drug crazed pickers rev up their machined
Six string-ed orchestral Gibson guitars;
Yow! All the hipsters are making the scene
just now arrived in their late models cars.
Adults aping adolescents boldy down
drinks, belch bad beer and sweetly perspire
while you seething, hot and so sensuous
put my hand to your breast showing your fire.
Baby let's dance! Let's have our fun!!
Our brief escape has just begun.
mark john junor Feb 2014
the nature of this night
spreads its thin harvest upon my table
a gruel and water porridge feast
with the fanfares of her jaundiced hand
many more lined up with eager grin
for the warmth of paupers kinship
thin blanket wrapped round our shoulders
snow gathers at feet
she captures the moment on paper
the image of all of us gathered like when we were young

the grandiose illustration
with its brilliant colour fanfare with
jugglers and wine swilling laughing men blinded by drink
chorus line of female dancers who wear costumes of the hundred years war
lead the assault on the last bastions of the ignorance of bliss
all descrying that we can ill afford to be sleeping
while empires are built in our namesake
the so daintily shod soldiers whos feminine wiles misunderstood
have taken over the dancehall beneath us
and have taken up song
the grandiose illustration
caught by her pen on sketch pad
has leanings to the Marxist revolutions
and philosophys of the rhetorical
but in the end we join them and
drink the port sing the song

a thousand years of tales to be told
in the eyes of a single girls sweet thoughts
epic landscapes filled with noble men and storybook girls
the grandiose illustration
shows the two of us on the beach
with the sun racing down to touch the high towers of miami
and fill the laughing joys of thouse who toss and
tumble in the breaking waves
the nature of this night
in one small corner of the illustration
a simple window with the shade drawn
that says goodnight
mark john junor Jan 2014
vexed by the solidity of the granular surface
of this rough and tumble dream
i awaken to a forest of sunlight's in a dark world
to my sleep numbed mind
it resembles
the artwork of french revolt era
royal court damsel in distress figurines
dancing with dark-ages statues of plagues death
the starving meet the fed
and they struggle for who leads this dancehall of the marcarbe
burning the ashes of the old worlds dead flames

i look away to find her face
near mine
cut into shadowy sections
i hear within her spoken thoughts
the contortions her life has suffered
at the hands of grey faced strangers known intimately by her
i wish with heart and soul to reach out
and comfort
to remove the burden

the shadows of her face
are reflections of the world as she sees it
she is mesmerized by its ugliness
and she cannot close the door to her past
it lay like her childhoods bedroom
filled with broken teddy bears
and soiled sheets
if i could heal you
if i could even ease your moment
i would trade my living soul to have your smile
you are loved
you are so loved

a lame beggar in the rags of a monk
limps slowly from the effigy of a old world
as it burns with unspoken rages
white smoke from the roof
another chapter of history closed
with too many secrets
too many
but the beggar takes consolation
that she was given a second chance
a dove birthed from flames
here in the dust of the old world
you are loved
you are so loved
mark john junor Jun 2014
the folded man
sat creasing the edges of his wallet sized heart
and stared off into the romantic night
full of lovers embracing
and others who silently wished for a hand to hold

he waited for her soft footsteps
but she just sat in her bedroom mirror brushing her hair
thinking of some boy from long ago
sundown was just that kind of girl
trade your temptations today for the empty promise of yesterday
she will stay here another season
maybe he will pass this way
maybe the storm clouds gathering will go away

the harlots all dance with unacquainted tenderness
not all embraces are done with joy
call it a sundown's choice cause its a bad one
and the gambler brushes dust off his neat appearances
each detail of his solitude lie must be cared for
lest it crumble and expose hes just a green kid
from illinois
we all put the best face we can
some just take it too far

she went to the picture show
and looked for familiar faces in the crowded hall
but the folded man had already slipped away
with one of the harlots
who will make a pretty bride someday
everybody gets a second chance
they just may not want it once they get it

she brushed the ashes from her clothes
they fell like thin snowfall on spring day
a last taste of winters hand
out of the burnt shell of the dancehall at dawn we came
the thick smoke splayed out on the thin wind
wound its way past catching the dust and
making the sunlight a dull brown
she looked at me with tears for eyes
asked me to take her from this place
everybody gets a second chance
they just may not want it once they get it
(her name, what the hell was her name...something childish like tranquility)
Miguel Diaz May 2016
I am jiggling on that stage.
The egoless strut.
The humorous tap.
The spectacular trip.
Fall over,
over. and
Over
again.

Get up,
find a ballroom
Dancer.
Find a hand holding
Partner.
Play "Spice Up Your Life".
Spice Girls,
listen to the bridge.
tells you to Salsa.

Watch that scene.
Billy Elliot,
With the pianist.
Dancing Billy.
He loves it.
Just do it,
you love it too.

Cheesy pop,
You don't need to
embellish yourself.
No grace notes.
No flat 7th.
You don't need
to sugarcoat,
the truth.

Let loose to riddims.
live on the dancefloor.
Feel the *****,
and the reggae.
Feel the triplets.
Rocksteady your way.
Dancehall to sounds.
Bounce and echo.
Side to side.
Left to right.

And we'll slow it
right
down.
The ballad starts.

Your beautiful structure on the left of your head,
the one called the ear.
The that ear controls aural empathy.
Let love be the choreographer to your moves,
Play the concept album, your heart.
Place it onto the record player and watch it spin
Start the track track with an International groove.
End. Replay.
There are a lot of pop culture and music reference here.
Flat 7: A musical interval, this can make melodies or chords bluesy or "****" depending on how it is used.
Grace note: Passing notes used in music to add flavor, its like a musical sprinkling of pepper or parsley.
Riddim:
Triplets: Very commonly used in carribean jamaican music, dancehall, reggae, swing, gypsy jazz.
*****: The backbeat in reggae music.
Joseph John  Feb 2013
The Dance
Joseph John Feb 2013
We’re all just dancing.      
That’s life, an infinite and cosmic dance.      
The sound waves that the world produces wanders from polka    
to jazz    
all the way over the Appalachian mountains    
to finger picking bluegrass.    

Yes, life is simply a dance      
But dancing is not simple.        
What is the goal?        
To feel good!    
But for who to feel good?    
Is it enough that my endorphins rise    
To the rhythm of experience?    
No.    
To dance alone is beautiful,    
But not enough.    

So the point of the dance:    
To feel good!    
I    
and    
you    
and    
her    
and    
them    
and    
all.    

But how?    
Cause that is important.      
Well, first you have to hear the music    
Then you have to listen to the music    
Then you have to feel the music    
Then you can live the music    

We’re all in this beautiful dancehall    
I believe it’s called, The Universe    
And the music is soft    
So we have to listen close    
And we have to get close    
Cause we wanna get each other high    
But we have to watch out for each other’s toes    
Happiness for the individual is only possible    
When everyone is dancing to the same tempo    

The song can be different    
But the tempo must be the same    
Everyone moves in syncopation    
Toes are in tact and souls are in communion    

And there it is    
The cosmic dance    
To get my high    
I get you high    
And to get us high    
We get the neighbors high
And it can be a beautiful cycle    

Just, when your neighbor steps on your toes    
Pretend you don’t notice    

Life is a dance    
Dancing is fun.
snarkysparkles Nov 2015
I had thanksgiving with my St. Lucian family, my
loud, unapologetic,
laughs-too-loud, generation-gap
homemade ***, heads in phones,
blasting dancehall music
old ladies dancing
clap-back
talk-back
family.
"Play us a song",
my cousin and I sent to my room to play jazz chords, I
finger along clumsily. He's in college and his dark eyes close, fingers
sliding up and down the frets,
frowning in concentration, cursing quietly at a missed note.
My islander family comes over and prompts impromptu drinking games,
"I'm not looking, I saw nothing",
I lick a bit of vanilla ***** from my mother's shot glass,
alcohol becomes a family affair, it
takes away the danger and the stigma and throws a friendly, lovely
light on a vice.
It's raining, it's cold,
islanders do not belong on a Kansas porch smoking cigarettes in the dark rain.
I light candles on the wall.
They all outlast their welcome, between four and a half hours of transition
from uncomfortable "i don't remember your name", put on the spot,
only-child-becomes-one-of-several to
discussing baby names and family gossip, they
all wrap up their food slaved over at nine am, they
all troop out the door, they
take their coats, they
leave their wide smiles with us until next time.
#family #thanksgiving #islanders #love #warm

— The End —