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L A Lamb Sep 2014
(written 3-18-2014)



I just needed something different, something to think about: an alternative night, a different scene with new environmental stimuli. It’s true that if the stimulus is unchanging we will adapt, but for me, I live best being able to react to different things. Yesterday was fun for that reason.



I was going to drive, but then Alistair said Yarab was going out too and he offered to drive. I considered the gas money and how I would prefer to drink and not worry about driving, so I agreed. At this point, you and I were in amidst a discussion regarding me coming over too late– or not at all– and I was in a particular mood where I didn’t want to think about the relationship strain. I knew I was causing it, but it was nothing new, and nothing bad. I just wanted to actually see my brother since I was so suffocated and domesticated. I wanted a night away from Giovanni’s room, which made me feel like your little housewife, your obedient certainty assigned love.



Why did we stay so ignorant when we started with uncertainty? It was a beautiful stage of development, a coming-of-age stage of accepting my sexuality and exploring sensuality. We we drunk college girls, amateur philosophers and ****-smokers, confused about the world but idealizing a better world. That was the ideal of us. The truth was too tragic, but we endured it for so long that for one night I wanted to celebrate. I wanted to get away. I didn’t want to think about you. So I didn’t. It was inconsiderate of me to consider you worrying and upset, but at this point I wanted to enjoy myself and have fun with my brother when I figured you’d be sad and disappointed no matter what happened, so I may as well enjoy myself. I thought hard about it, but decided since it was Alistair’s birthday, I didn’t have work until 6:00 p.m. the next day, and yes, it was St. Patrick’s Day, I wanted to go out and celebrate. Sorry you didn’t want to come.



In the car, Alistair packed the bowl. They were smoking it on the way up and I declined but instead had a cigarette. Yarab said he was working with an artist who made glass pieces resembling scary, mystical-like creatures, and the bowl Alistair packed was one of them. It was mostly blue, and the front of it was a head where the **** would go into the top of the head. It had wide eyes, a big, sorcerer-like nose and big, scary-looking teeth. “Trippy, right? The line is called Enoch based off the book of Enoch in the Bible—which is actually removed in most but still a part of Russian Orthodox.” They packed it twice throughout the ride and I sat in the back, smoked my cigarette and thought about you and the night before me.



We were going to Harrington’s Irish Pub but it was packed (naturally), so we tried Cadillac Ranch (the bar was full there too), so we finally decided on Public House. We each had 3 Washington Apple’s between beers and conversations before getting food. I had two Yuenglings, Alistair had a Yuengling, three Irish Stouts and Yarab drank 3 Stellas. Alistair and I split nachos and a hummus plate. I’d never been there before, and I appreciated the upscale environment compared to cramped and loud local bars I was used to. It was quiet enough that we could talk and hold conversations, and our bartender, Sarah, was pretty, friendly and attentive. I thought about my restaurant experience and briefly thought about her and her life.



My favorite part of the night was when we were at Public House. The conversations were just interesting; they talked about Putin, Ukraine and Russia and how “of course the U.S. wouldn’t let part of the country join into Russia” and the proposal would be rejected by the UN; we talked about birdhouses and fireplaces and utilizing space in people’s yards, so that if the world changed for the worse and we needed to survive we would be able to; we talked about being arrested; we talked about the Zionists and the fake group of evil Northern European people who migrated and were rejected by both Islam and Christianity, so they essentially took over Judaism—and how the conflict between Israel and Palestine is a struggle for power with the Zionists and U.S.; all of this was relevant to our talk about how we don’t live in a Democracy but a Corporatocracy, and the world is determined by whoever has the most money and power.



Yarab talked about tolerance for other cultures and intolerance, telling us about the other day when his stepfather was at their house going over notes with a woman from Sudan. She and her company wanted to use a product (he was a rocket-scientist and worked on a greener product in 1967 which weapons would have less of an environmentally hazardous effect) of his, but before going over the professional aspects he basically insulted her culture and country, criticizing how wrong they were. Yarab said he was in the kitchen getting water and had to leave because he couldn’t help but laugh, saying how his step-father was brilliant but very opinionated and could be rude. “He’s a buddhist-atheist,” he said, and I thought of us chanting. I brought up Niechren Buddhism and the lotus sutra, expressing how nice it made me feel after. He said any way to get peace is a good one, but atheists shouldn’t be ignorant when talking about their non-beliefs because that’s just as bad as religious people talking about their beliefs. Alistair commended him on never forcing his beliefs on Alistair, and I asked what he thought of God.



He described himself as polytheistic, saying that there wasn’t just one god but many, and because of how everything in the universe connects and resembles each other there must be something to cause it, because it can’t be explained. I thought about the mystery of life and how it’s developmental to wonder about it, and felt secure in the fluidity of my beliefs which has a general principle, that life may not be a coincidence but it is comprised with a series of coincidences and connect factors which cannot always be explained or determined, but rather appreciated and analyzed to create a memorable life in which existence is valued. I didn’t ask further about his gods, but I figured the idea he held was similar to the atheistic view Alistair held and the scientific-spirituality I held as well.



It was interesting talking to another person about it besides Alistair, and the discussion changed and added to the one we had the night before, when Alistair and I were drinking ***** with ginger ale (while I tinted with green food dye). I’ve always appreciated drunk talks with Alistair because they were some of the most real conversations I had. I brought up the hour-long documentary “Obey” and confessed my frustrations about the consumerist-capitalistic society we live in, where it’s nearly impossible to change the system as we’re being monitored. Big Brother is among us, I noted, and I praised George Orwell as a prophet and how we are living in 1984 even though so many people fail to realize it and don’t care or consider the bigger consequences of it. There was something so mystical in our depressing little talk, and I felt empowered to reexamine my life and work towards something with meaning.



While maybe more spiritual than existential, I knew Yarab could understand these ideas and provide even more insight to the social issues which confined us, the same ones we were so immersed in. We toasted to Alistair’s birthday; we toasted to being Arab; we toasted to Franklin Lamb; we toasted to Palestine; we toasted to peace.



Alistair was in the bathroom and I asked Yarab whether it was possible to live outside Capitalism without rejecting social conventions, being isolated and living off the Earth away from society. He replied it was very hard not to feed into the system, and explained how even he felt like a hypocrite for living in the U.S. and being American when his family and people were in Syria enduring the hardship of resources, lack of employment and political regimes. He explained that it was necessary to be a part of the system but not buy into it, to use the system and eventually work towards changing it. “Like Robin Hood,” he said. I told him it was hard because it seemed so easy to get ****** into it, and he said work towards what you believe in. “You’ll have a clear conscience.”



Alistair came back from the bathroom, and he talked about going to Lebanon toward the end of summer. “I could study Arabic at AUB,” and I supported his idea. Yarab chimed in that he deeply respected my father because of his work. “He actually cares about what’s happening and he speaks from the heart.” I was proud of my father for his work, despite everything else, and thought it interesting that the one Syrian we happen to encounter in our small town was immersed in politics and actively followed my father.



“You should take over what your dad is doing,” Yarab said to Alistair, and Alistair agreed it would be a good thing to do. Alistair mentioned Fatima Hajj and my time learning about Palestinians and spent in refugee camps. “She died a week after Louisa interviewed her.” “Three days,” I corrected him, and I felt my insides turn as we reminisced on my accomplishments. Almost two years had passed, and I made no progress on my activism, besides an article. Two weeks was not enough to change the world, although from my feedback it was clear I had inspired many.



I told them both how I felt so stagnant and unintelligent, boring and unproductive regarding any progress of working towards something of importance.”Do what you can while you’re able. Even if you don’t see it grow, you can still plant the seeds. You can be a sheep or you can be a Lamb.” I was grateful that my brother had a friend who could think about the world in a way differently than the normal crowd of friends he had who just focused on losing themselves in substances with no thought of life beyond their boring little lives.



Alistair suggested I visit Beirut for a month to see visit Dad, make connections and see what else was happening in Lebanon, Syria and throughout the Middle-East, and my heart sank with nostalgia and the prospect of a dream. I could see us going to Lebanon, and if I went I would feel inflated with purpose, the way I felt when I went before, the way I felt I could change the world. Yarab agreed with Alistair and supported my journalistic endeavors, while Alistair mentioned Mediciens sans Frontiers. “I don’t know if I’d be able to,” and I thought about you, Camino and Arizona. I thought about ASU and AUB. “Rachel would understand if you went for a month right?” I didn’t want to listen what I knew would follow.

After finishing our food we went outside to smoke. Alistair drank his beer, I chugged mine and Yarab left more than half of his second Stella. “I have to drive,” so Alistair picked it up and emptied the cup in two stealthy gulps.We went back to the garage and the plan was to drive back to a house party in Accokeek. I didn’t know Elton, or what to expect, but from the company I knew they kept in Accokeek, I expected a drastic change in environment from the bar talk with two like-minded Arabs.



Alistair packed the bowl again, and I was offered to smoke but again declined. “We stopped smoking.” “Rachel smoked with me while she was waiting for you to get off work one day.” “What? Recently?” “Yeah, like two to three weeks ago or something. I was in disbelief. “Are you serious? We were stopping together! She didn’t even tell me!” I was angry, and resented feeling like a fool, believing that we made a decision together—only to discover my efforts were stronger than hers. “Don’t ask her about it though.”



“No! I’m going to. Here I am, not doing anything and she does it? Doesn’t tell me about it?? It’s not that she did it but she didn’t even tell me. Typical *****. We talked about it since and she just chose not to bring it up? And she’s here accusing me of things when I’m not doing anything wrong?”



“She’s probably projecting her guilt on you.” I thought about other times I didn’t know about something and remembered finding out and feeling so stupid. “Do you want some?” “Maybe I will.. but no. Not right now.” I didn’t want to talk about it anymore.



But I did. I asked you and we texted about it, and in the car I felt annoyed and unincluded, rejecting the **** that was offered to me. By the time we got to the house, I left my phone in the car. I was there to spend time with my brother, not get into a text fight over something that didn’t matter anyway. We went inside and I didn’t recognize everyone. I suspected I was the youngest, and I couldn’t help but observe I was the thinnest girl. People were playing beer pong and sitting at a table. Someone offered me a beer. I sat down on a couch. Alistair was getting hugs from girls and handshakes and fist-bumps from guys, and I made brief introductions with no real effort of talking to anyone. There weren’t many seats, and the most comfortable couches were facing the television where rap videos were playing. I hadn’t heard any off the songs that were on the playlist, and felt uncomfortable by the blatant sexuality and objectification of girls in the videos. The drunk girls were dancing to the music and singing along with the degrading, raunchy lyrics. “Can we smoke?”



I hesitated and held the bowl in my hand, staring at the green. I thought about putting it down. “I haven’t smoked in two months and twenty-one days,” I vocalized, and some guy (who didn’t smoked) responded “but who’s counting?” “Come on Weezee,” and after further hesitation I decided it was nothing new, and nothing bad would happen as a result. I brought the piece to my lips, lowered the lighter and inhaled. It was smooth, and I held it in my lungs for several seconds before slowly exhaling. I couldn’t feel it at first. It was passed around, and I took another hit. I thought about what you might be thinking about me, but pushed the thought from my mind. A guy made brief eye contact with me, and something about him seemed familiar. He had a beard and was wearing a hat, and I thought it was impossible I could know him. The other person who lived there asked if we could smoke in the room because the guy who asked me who was counting, and others, didn’t smoke. So we went. I hit the bowl once more and as we were standing I felt the high come to me, the surreal feeling of being and experiencing. In the room was myself, Alistair, Yarab, a guy with a ‘fro, Elton and the guy with the hat and beard. Someone packed the **** and handed it to me, but I refused; I was pressured and still refused. “I haven’t done this in a while, so no, I’m fine, and I’ve been drinking.” I think some were taken aback by how adamant I was not to push my limit, because it was so clear many people there viewed partying as pushing the limit.



Alistair introduced me to the guy with the beard and the hat as Mat, who worked at Chevy’s and now McCormicks, and I instantly recognized him. “Oh hey!” I said and hugged him, and he said “I thought you looked familiar. How’ve you been?” “I’ve been pretty good,” and I explained to Alistair that he worked with Alex at Bonefish Grill and was our server when we went in to her work once, years ago. They continued to smoke and I stood among them, half paying attention to conversation and half thinking about anything and everything else. There was a familiarity being among these people I’d never met, and the surrounding of burnouts. I wondered if everyone there was a server and that was all they did. I told Mat I worked at Buffalo Wild Wings as a server, my first serving job, yeah I like it okay, I guess, and he told me he knew Alistair through McCormicks. “I’m serving there too,” and I wondered how many restaurants he’d been through so far.



He told me he graduated from tech school and I congratulated him and asked, “which one?”, where he replied Lincoln Tech. I wasn’t surprised it was that type, and I told him I graduated from Salisbury with a degree in Psychology, which he congratulated me for. I felt it necessary to disclose I was taking the GRE in May and imply that, yes, while I am serving in Waldorf and my college degree doesn’t give me much to do in this area, I am going back to school and I am going to do more than stay around serving, like you. I was reminded of a poem I wrote and th
Alistair  May 2017
yours truly
Alistair May 2017
you know that option for signing yourself off in a card
not simply 'love' or even 'lots of love'
the one with the deeper meaning
the more you think about it
the more it becomes

yours truly
these two words put together have different intentions
there's the 'yours truly' that serves a kind, platonic message
there's the 'yours truly' that's meant for business, formal and mandatory
but the one this poem happens to be about
is the one you write when you want that person to know
.... well, wouldn't that be telling?

it's a game of interpretation
dependent on dynamic
not only in the world of cards
but in life, in literature, in love

see i've had 18 years to ponder this
and, you see, the phrase 'yours truly'
always reminds me, somehow, of pride & prejudice
another 'most ardently'
it's one of those phrases
that isn't just a phrase
it's a message
an intention

i have never been 'yours truly'
not until i met you
in a world where intimacy = romance
there's you and i
more than family
in words not yet discovered
not yet in the dictionary
i could describe us
but that time has not yet come
and i reckon i'll never find the right words
i doubt i could even find the wrong ones

nothing has ever really come close
nothing but yours truly
because you see
that's the truth of it, brother
i am truly yours
and i know what you're thinking
this sounds like a love poem
and you'd be right
it's just not a romantic one

i am yours, truly
truly yours
yours truly
in any way you arrange these two words
it's perfectly describing you and i
yours - because i belong to and with you in a way i never have with anyone else
truly - because i couldn't think of a greater truth

yours truly meaning;
a walking, talking anchor, a source of comfort
a however long phone call, a casual distraction in the form of a chat
a sentinel at your side, whether physically or not, i'm with you
a sister, a brother, a substitute for all and any family you might need
a warm, breathing reminder that you are not a **** up, because here i remain
a portable, perfectly willing cushion, a simple solution to touch starvation
a buddy for those long nights where sleep escapes the both of us, a comrade in insomnia
a single, everstanding, ever dilligent and passionate reason to continue living, another life you have saved
a fellow adventurer, a fan of not just the things you love but the things you love and owe your happiness to
a stubborn loyalty, a fierce, angry, vengeful power that will never dim and never die out, a companion in the worst of times
a reason you can rest your weary body at the end of every day and every night without fear of the nightmares or abandonment

so george
this is a shambles
a rambling mess
but the point has always been
that i
am
yours truly,

alistair.
a soulmate by any other name would be just as sweet
David Bird Feb 2010
A bright lad called Alistair Cook
Did enjoy the occasional book,
     He went out to bat,
     NO - don't play at that,
They did him; line, sinker and hook.

On him I'd bet my whole house,
More like a lion than a mouse,
     He bats with aplomb,
     Both dainty and strong,
It can only be Andrew Strauss.

From the pavilion did Jonathan Trott,
Nervous and anxious he is not,
     He'll be there for a while,
     All England will smile,
And South Africa know he is hot.

Next in is the feisty KP,
His batting, the top of the tree,
     Sixes so great,
     They should be worth eight,
Now just stay IN for a hundred or three!

A chap from ooop north who is good,
Goes by the name of Paul Collingwood,
     Gritty and tough,
     We just can't get enough,
Fight as hard as him, we all should.

No more will the fear he smell,
He's been down to the gym as well,
     His batting is slick,
     Number six does the trick,
The crowd cheers for Ian Bell.

Swinging his bat, it's Matt Prior,
Born with iron grit, steel and fire,
     If he holds each catch,
     We'll win the match,
And his ranking will go much higher.

Our spinner is next, Mr Swann,
His bowling is coming on strong,
     His batting is great,
     Which the opposition hate,
Not to pick him much sooner was wrong.

Our tall quickie is young Stuart Broad,
His bat is a rapier like sword,
     He can oft' bowl too short,
     Yet the batters get caught,
And Of wicket-taking we never are bored.

James Anderson is our king of swing,
Late movement his favourite thing,
     Please bowl nice and full,
     Offer nothing to pull,
And just hear those stumps go 'ping'.

Graeme Onions comes in at long last,
Cannot bat but, he can bowl fast,
     He makes them play,
     While others may stray,
Durham long-hops a thing of the past.
..............
It was day 1 of the first test vs South Africa, we'd only lost Cookie (who is a left-hander and therefore great) and I was feeling positive and bullish. Here, in batting order, are 11 limericks for the England players.
Reece Nov 2014
Words meander alabaster wanderers no rhythm for the panderer
Poetic evangelists sliding on the bannister, siding with a barrister
Space flown canister or crushing apples after Alistair
Prose left with the carrier, roses left in the carriages
Verse burst from the hearse serenade the ears and it'll carry ya
The skies are full of lies from the savages and the miracles
of marriages
But this disparages the ties between the higher dyes of oranges
These tobacco stained nostalgia skies are going away someday
to read the words of de Vries, mystique of poetic compromise
The only poems worth reading are the ones behind her eyes
Let me start by appreciating Austen Bukenya’s stand on the challenges that boggle young African writers. He recently published in the literature pages of Saturday Nation. In which he argued that before one can be declared a bad writer we must see his or her writings first. Good. I agree with Professor Bukenya.And I also argue yes, bad writers can also survive. In fact they can thrive alongside good and popular writers. Thus the way forward is to take a pen and write. But not to surrender to the torture by internal fear that you may write a bad book or a worthless script.
Charles Darwin also toyed with an idea of presenting his manuscript of Origin of species for a decade. He also feared that may be he had written a worthless book. But when he presented the book, it was suddenly published and became a spell binder in diverse respects. Same thing to Richard Wright, the Author of the Native Son. He similarly feared presenting the Manuscripts to the publishers on the basis of fear that he was only a ***** and not formally educated. But when he presented the manuscript, it was published and became the most influential book on race relations and civil rights movement in America of those days.
Thus, the first thing is to break fear of self doubt and begin writing. If whatever you write will be bad, just keep on as you may end up surviving as a bad writer. History of written literature has a lot of bad writers who have survived to extreme. And even succeed through persistent writing regardless of their sorry state of popularity. The glowing example can be seen in the case of Patrick Mondiano the winner of 2014 literature Nobel Prize. Mondiano was not popular and has been the least read writer until the time he won the prize. In fact by the time he won the prize he had less than fifty followers on his face book page. Meaning he was not known as a writer. But he emerged the winner of the Nobel Prize against titans of Literature like Phillip Rooth, Ngugi wa Thiong’o, Salman Rushdie, Yarn Mattel and Haruki Murakami.The fact is that Mondiano’s books are not lively. But he has kept on writing alongside the discouragingly insignificant consumption of his literary workmanship.
Other writers that have persisted to write even if their works don’t excite readers are; Eric Ambler, Louis D’Amour, **** Francis and Alistair Maclean. They are all from America and they have persistently written for the past three decades. Thomas Mann also tastes to me as a very boring writer. I have read his short stories entitled Death in Venice. They proved so boring that I have gone back to read him again. But remember, this is the very book that earned him the Literature Nobel prize.
The African writers’ series has Nkem Nwanko the Author of Danda, Francis Salomey the author of the Narrow Path and Tayeb Saleh the Author of Wedding in Zayen.These are boring writers and as well their books are replete with technical mistakes of structure and grammar. But they have prospered to be known as African writers. Another supportive experience is evident in the writing career of Ayi Kwei Arma; Wole Soyinka dismissed Ayi Kwei Armah’s Beautiful Ones are Not Yet Born. Soyinka argued that Arma’s book is substandard inspite of author’s command of good English. He went a head to declare Arma as an incompetent writer. But to day every one knows that Ayi Kwei Arma is a saint of African literature.
So, writing is expression of individual ability but not excellence of education.And human ability varies from person to person. Therefore, there must be bad writers and good writers. Not every person can writer like Shakespeare. So don’t fear to write because you fear that you will not write like Shakespeare.

Alexander K Opicho
Eldoret, Kenya.
Copycat.
For: Alistair Cadger
Mateuš Conrad Sep 2016
of course i believe in an after-life,
well, let's say ~life, or
passing on tradition "life" -
however you note it down,
because that's what this out-of-every-instance
is described: a second chance -
however hellish or heavenly,
that's beside the point,
either way the idea is not a torture rack -
but nonetheless,
serious intellectuals are reduced to
smithereens by merely considering
arguing such realms -
the **** do it better with Manga cartoons,
so ******, so exotic -
by the way? Tokyo Tribes is the
most ******-up film i've seen
since Battle Royale - new-age propaganda
spinsters... Alistair Cambel looks
like a boy-scout by comparison...
oh, rolls-Royce- royal, roy-all - not the
tip end of ale from Roy Orbison,
roy-all - ******* missed the diacritical
marks and went mad with punctuation
nobody ever ******* minds:
laugh now, pay later.
but with all these people concerned
with their body image, their hologram
selves, it's no wonder that Darwinism
is apprehensive about it's archaeology
(******, please insert the presence of
the æ γραφημ) - when the fashion
industry is doing, what the hell it's doing -
why would i believe in this world,
this world alone, when people
are adamant to perform hologram spectacles,
the: let's try to make it all look pretty,
but ******-up beneath all the fake aesthetics?
it doesn't take questioning the entire world,
or abstracting this world and questioning
reality to provide the answers...
it simply takes the fashion industry
and the ******* industry -
or 17th century sensibilities of painters:
plums versus twigs -
                                        and you think this is
the only world? given that people around you
are not being who they deem they are
because they're more concerned with
projection rather than perception?
i love these alphabetical clues...
                                  they're the rhyming couplets
i live for outside the reach of a thesaurus -
if a person stages concentrating on
a hologram ambition, and empties himself
so that he's constantly c.c.t.v. prone to
sit up, never pick his nose, wipe his *** with velvet...
well... how can you experience this world
for its worth, when a person also involved in
this world, monetises the world into
a hologram flip of the otherwise dormant stone?
only a fake world would ever provide fakers
to reside in it and reside in it as the highest authority...
there's the television / Plato's cave to mind also...
i just don't see it fulfilling in what Heidegger
deems being - comfort in concerns -
or simply there - so what compliments
this world is illusory, a hologram that isn't neither
being nor non-being -
                                 i'd call this world
and all the powers involved in keeping it
an assortment process - allocation in extreme -
at least a way to see the full potential of
humanity's free will... or the least desired
verse alter of the collective: making your mind up.
all in all: thespians and make-up artists!
  and the need to keep animals for company
to shy away from social-mobility (lying)
                       of the everyday and tell the truth -
to animals, who bark and meow,
the true onomatopoeia poets of our truant morals
and they too: truants of speech, knock on wood,
lick the testicles, play ping pong.
Mateuš Conrad  Jun 2016
question
Mateuš Conrad Jun 2016
oh i was a bad man, a bad bad man... i better pay up, and say my prayers; you won't give me the Bob Dylan meadows of Kentucky tomorrow... you won't, just drive-through assertions on centipedes, Alistair Armstrong on the moon, the discovered and boring Alaska and Antarctic... what else, tortoise Tsars talking penguin? before the science gets there, the fiction will be repulsive to begin with.

and to think a tyrant like Henry VIII
could write the anthem (greensleeves) that's not
god save the queen*, and allow the queen her head?
but i'm sure the proverbial fancy of England
undermined both William and Canute
with her willing ways and her
hip-borne sways...
to mind i have but the Arabian girl
in mind her elephant costume of Baghdad -
but of course i revel is speaking for
all things human -
a timely message some would say with
choking at the joke - and i too,
for to hear the cockchafer, candle-lit moonlight
the baking of potatoes, the old ways of communism
spoken from the woods, ancient adverts
for the creased shirt, i'd be the African
                                                Bambo boy of tomorrow;
wild man of the north, whitened, ain't
Eskimo, and ain't no believer in superstition -
a man that feeds no soul to only feed the mind
and this, requested world, clean shaven
and happy tie-tight-dressed for the day-job,
loose feet numbering 7 inches in 12 inch shoes,
my tongue of a pauper in a wallet of a billionaire
spending a lifetimes's worth of food
and whatever vanities dragged into the stench
of a squat.

— The End —